Big Country, Big Issues: Canada‘S Environment, Culture, and History
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Volume 9 Number 6 December 1988
!SEN 0272-8532 base line a newsletter of the Map and Geography Round Table TABLE OF CONTENTS: From the Cha ir . 140 and From the Editor . 140 Official News . _. 141 MAGERT Midwinter Conference Schedule (Final). 141 MAGERT Annual Conference Schedule (Draft) 142 Conferences and Exhibitions. 144 On the Cataloging/Cataloguing Front. 145 NACIS Report. 147 New Books. 149 New Atlases. 152 Forthcoming Publications 152 Journal. 152 Government Publications. 153 New Maps . 154 New Periodical Articles. 156 News from GPO. 156 Duplicates. 157 Question Box _ 157 Miscellaneous. 157 On the l19hter Side. 158 Meridian. 159 Volume 9, Number 6 December 1988 base line is an official publication of the American Library Association's Map and Geography Round Table (MAGERT). The purpose of base line 1s to provide current information on cartographic materials, other publications of interest to map and geography librarians, meetings, related governmental activities, and map librarianship. It is a medium of communication for members of MAGERT and information of interest is welcome. The opinions expressed by contribu~ors are their own and do not necessarily represent those of the American Library Association and MAGERT. EDITOR: PRODUCTION MANAGER: Carol Collier Tamsen Emerson Documents, Maps, and Reference Department Microforms Dept. Cae Library Cae Library University of Wyoming university of Wyoming Box 3334 Box 3334 Laramie, WY 82071-3334 Laramie, WY 82071-3334 (307) 766-6245 (307) 766-5532 Bitnet: carolc@uwyo ADVERTISING MANAGER: CATALOGING EDITOR: Linda Newman Nancy Vick Mines Library Map & Geography Library University of Nevada-Reno University of Illinois Reno, NV 89557 Urbana, IL 61801 (702) 784-6596 (217) 333-0827 NEW BOOKS EDITOR: NEW MAPS EDITOR: Julia Gelfand Stephen Littrell Reference Department Beeghly Library Main Library Ohio Wesleyan University University of California Delaware, Ohio 43015 Irvine, CA 92712 (614) 369-4431 ext. -
Herald of Holiness Volume 67 Number 22 (1978) W
Olivet Nazarene University Digital Commons @ Olivet Herald of Holiness/Holiness Today Church of the Nazarene 11-15-1978 Herald of Holiness Volume 67 Number 22 (1978) W. E. McCumber (Editor) Nazarene Publishing House Follow this and additional works at: https://digitalcommons.olivet.edu/cotn_hoh Part of the Christian Denominations and Sects Commons, Christianity Commons, History of Christianity Commons, Missions and World Christianity Commons, and the Practical Theology Commons Recommended Citation McCumber, W. E. (Editor), "Herald of Holiness Volume 67 Number 22 (1978)" (1978). Herald of Holiness/Holiness Today. 392. https://digitalcommons.olivet.edu/cotn_hoh/392 This Journal Issue is brought to you for free and open access by the Church of the Nazarene at Digital Commons @ Olivet. It has been accepted for inclusion in Herald of Holiness/Holiness Today by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. if* P ra y e r of Thanksgiving ^ Slowly, with fervent feeling p p sempre e legato 'to make * H e r r Ld OF H o U i Me s s CHURCH OF THE NAZARENE NOVEMBER 15,1978 by General Superintendent Eugene L. Stowe T he Thanksgiving H arv est O HOLIDAY on the American calen evangelism has become the heart of the ob dar is more steeped in tradition than servance of Thanksgiving in every Church of Thanksgiving Day. Etched deeply upon theour Nazarene. What more appropriate ex Nminds are pictures of the Pilgrim fatherspression in of appreciation for both physical their tall black hats and Pilgrim mothers in and spiritual bounty than this? their stiffly starched dresses as they observed And what more imperative Christian ob the first Thanksgiving. -
CV-35 - Geovisualization | GIS&T Body of Knowledge 04.12.18, 12:47
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2018 Geovisualization Cöltekin, Arzu ; Janetzko, Halldór ; Fabrikant, Sara I Abstract: Geovisualization is primarily understood as the process of interactively visualizing geographic information in any of the steps in spatial analyses, even though it can also refer to the visual output (e.g., plots, maps, combinations of these), or the associated techniques. Rooted in cartography, geovisualization emerged as a research thrust with the leadership of Alan MacEachren (Pennsylvania State University) and colleagues when interactive maps and digitally-enabled exploratory data analysis led to a paradigm shift in 1980s and 1990s. A core argument for geovisualization is that visual thinking using maps is integral to the scientific process and hypothesis generation, and the role of maps grew beyond communicating the end results of an analysis or documentation process. As such, geovisualization interacts with a number of disciplines including cartography, visual analytics, information visualization, scientific visualization, statistics, computer science, art-and-design, and cognitive science; borrowing from and contributing to each. In this entry, we provide a definition and a brief history of geovisualization including its fundamental concepts, elaborate on its relationship to other disciplines, and briefly review the skills/tools that are relevant in working with geovisualization environments. We finish the entry with a list of learning objectives, instructional questions, and additional resources. DOI: https://doi.org/10.22224/gistbok/2018.2.6 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-158851 Journal Article Published Version Originally published at: Cöltekin, Arzu; Janetzko, Halldór; Fabrikant, Sara I (2018). -
Section Three
1 2 3 4 5 6 7 8 SECTION THREE 9 10 11 12 Cartographic Aesthetics and Map Design 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 1 2 3 4 5 6 3.1 7 8 9 Introductory Essay: Cartographic 10 11 12 Aesthetics and Map Design 13 14 15 16 Chris Perkins, Martin Dodge and Rob Kitchin 17 18 19 20 Introduction offers only a partial means for explaining the deployment 21 of changing visual techniques. We finish with a consider- 22 If there is one thing that upsets professional cartographers ation of some of the practices and social contexts in which 23 more than anything else it is a poorly designed map; a aesthetics and designs are most apparent, suggesting the 24 map that lacks conventions such as a scale bar, or legend, or subjective is still important in mapping and that more 25 fails to follow convention with respect to symbology, name work needs to be undertaken into how mapping functions 26 placing and colour schemes, or is aesthetically unpleasing as a suite of social practices within wider visual culture. -
June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices. -
Cartograplzic Perspectives 1:1, March 1989 Was Passed and Signed by the Cartography Is the Science and Your Reply to Mr
4 cartograplzic perspectives 1:1, March 1989 was passed and signed by the Cartography is the science and your reply to Mr. Grigar of Texas. President. This Act requires the technology of analyzing and That leads into the third item. In Director of the Office of Charting interpreting geographic relation that letter you list the prices for and Geodetic Services, NOAA, in ships, and communicating the single copies of Which Map Is Best? consultation with the Director of results by means of maps. and Choosing a World Map. But the U.S. Geological Survey that reminded me of a fact less (USGS), to submit to the Congress A definition suitable for the ICA well-known, namely that Choosing a plan for preparing maps of the Dictionary: a World Map is available at a dis shoreline of the Great Lakes. count when 10 or more copies are The plan will define the respon Cartography is the science and ordered, made possible by gener sibilities of NOAA and USGS, set technology of analyzing, inter ous grants from several carto up a mapping schedule, with high preting and communicating graphic/ geographic organizations. risk areas (erosion or flooding) spatial relationships normally by The prices are as follows: given first priority, a completion means of maps." date, and recommended funding. Copies Cost The committee set up by NOAA (BCS Newsletter Number 1, 1989) and USGS expects to complete 10-19 $2.00 their report to Congress during Editors note: One wonders why the 20-29 $1.50 the next year. For further infor BCS is willing to admit to the general 30-39 $1.25 mation, contact: Mr. -
THE ALARM BIOGRAPHY 2019 on June 28Th 2019, the Alarm Will
THE ALARM BIOGRAPHY 2019 On June 28th 2019, The Alarm will release ∑ Sigma exactly one year and one day from the re- lease of its prequel – ‘Equals’, which debuted to an array of positive reviews and chart positions all across the board. Intended as a sequel, ∑ Sigma takes up and carries forward the themes that have been ex- pressed since lead singer and songwriter Mike Peters was plunged into a deeply intense period of life, following a relapse from Leukaemia, while his wife Jules’, was also diagnosed and treated for Breast Cancer. The beginnings of ∑Sigma can be traced back to the origins that fostered Equals, a collection of songs that acted as a retrenchment of original values and a poignant reflection of the tough times the band and it’s fans have had to contend with in recent years. On June 27th 2018, and with The Alarm firing on all cylinders again, the band committed to a vast amount of live concerts in sup- port of the new music they had created, and with over 100 shows played, the emotional repercus- sions became clear for all to see, though the spirit of life-affirming optimism that fuelled every sin- gle show. “It's all there in the music of Equals and now ∑ Sigma,” says Mike. “I didn't set out to write about what we were going through. If there was any music in me, it was going to come out naturally, and that's what happened. I didn't have a guitar by my side as my wife was having surgery for breast cancer and I was navigating the uncharted waters of a clinical trial for a new cancer drug. -
The Convergence of Spatial Technologies
Number 30, Spring 1998 cartographic perspectives 3 essay The Convergence of Spatial Technologies ere is a map test: Who is the biggest mapmaker in history? The Dutch Jeremy Crampton H map houses of Hondius or Mercator certainly published quite a few maps. But probably some government agency has published more-for Department of Geography and example, the CSGS has over 55,000 maps for the United States alone at the Earth Science 1:2.f,000 scale. Or maybe someone more recently? The Defense Mapping George Mason University Agency (now the l\:ational Imagery and Mapping Agency) put out thou Fairfax, VA 22030 sands of maps during the Gulf War, working in special 24-hour shifts (Clarke, 1992). Actually it is none of these. The biggest mapmaker in history, putting out more maps than anyone else, is undoubtedly MapQuest, an as yet little known unit of GeoSystems Global. According to the trade press, MapQuest produces over 1.5 million individual maps per day (lnterncf World, April 6, 1998). It is one of the reasons \.vhy CP Editor Mike Peterson claims that the Internet sees the publication of as many as 10 million maps per day and leads him to say that the impact of Internet mapping "will like!~· be greater than that of the printing press" (Peterson, 1997a, p. 2). Despite this productivity, MapQuest does not carry the ''wciglit" of more traditional cartography. Undoubtedly, one of the reasons for this is that its maps are mostly basic street maps automatically generated from databases, are fairly poorly designed, and are at low resolutions. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Retro-80S-Hits.Pdf
This document will assist you with the right choices of music for your retro event; it contains examples of songs used during an 80’s party. Song Artist Greece 2000 18 If I Could 1927 That's When I Think Of You 1927 I Ran A Flock Of Seagulls Wishing ( If I Had A Photograph Of You) A Flock Of Seagulls Take On Me A Ha Poison Arrow ABC The Look Of Love ABC When Smokey Sings ABC Who Made Who AC/DC You Shook Me All Night Long AC/DC Stand & Deliver Adam & The? Ant Music Adam Ant Goody Two Shoes Adam Ant Classic Adrian Gurvitz Janie's Got A Gun Aerosmith Rag Doll Aerosmith Manhattan Skyline A-Ha Take On Me A-Ha Love Is Alannah Myles Poison Alice Cooper Love Resurrection Alison Moyet Don't Talk To Me About Love Altered Images Take It Easy Andy Taylor Japanese Boy Aneka Obession Animotion Election Day Arcadia Sugar Sugar Archies 0402 277 208 | [email protected] | www.djdiggler.com.au | 21 Higgs Ct, Wynnum West, Queensland, Australia 4178 Downhearted Australian Crawl Errol Australian Crawl Reckless Australian Crawl Shutdown Australian Crawl Things Don't Seem Australian Crawl Love Shack B52's Roam B52's Strobelight B52's Tarzan Boy Baltimora I Want You Back Bananarama Venus Bananarama Heaven Is A Place On Earth Belinda Carlisle Mad About You Belinda Carlisle Imagination Belouis Some Sex I'm A Berlin Take My Breath Away Berlin Key Largo Bertie Higgins In A Big Country Big Country Look Away Big Country Hungry Town Big Pig Lovely Day Bill Withers Dancing With Myself Billy Idol Flesh For Fantasy Billy Idol Hot In The City Billy Idol Rebel Yell Billy -
Mapping the Music Industry in Scotland
Mapping the music industry in Scotland: A report John Williamson (Queen Margaret University College/ Sano Management) Martin Cloonan (University of Glasgow) and Simon Frith (University of Stirling) Report commissioned by: Scottish Enterprise February 2003 Contents Page Acknowledgements iii Executive Summary iv Preface vii Introduction 1 Literature Review 4 Chapter One: The Scottish Music Industry 11 (i) Artists and Composers 12 (ii) Live Music 26 (iii) The Recording Industry 37 (iv) The Media 45 (v) Other Creative Industries 51 (vi) Ancillary Services 59 (vii) Education 67 (viii) Retail 70 (ix) Overall Figures 78 Chapter 2: The Stakeholders 80 Chapter 3: Case Studies of Scottish Music Industry Businesses 103 (1) Chemikal Undergrond 104 (2) DF Concerts 106 (3) Fence Records 109 (4) Fopp 111 (5) Lismor Records 113 (6) The Paragon Ensemble 116 (7) Simbiotic 119 i Overview of Case Studies 121 Conclusion and Final Thoughts 125 Appendix A: Schedule for Stakeholder Interviews 128 Appendix B: Schedule for Case Study Interviews 129 Appendix C: Scottish Enterprise Creative Industries Cluster: Music Activities 2002 130 Appendix D: Highlands and Island Enterprise: Support to the Music Industry in 2002 132 Appendix E: Questionnaire results 134 Bibliography 150 ii Acknowledgements This report would not have been possible without the financial support of Scottish Enterprise (SE), Highlands and Islands Enterprise (HIE) and Scottish Development International (SDI). We wish to acknowledge that support as evidence of the commitment of these organisations to developing the music industry within Scotland. During this research we have benefited from the support of staff at SE, HIE and SDI and we would particularly like to thank Sue Jones, Mary Walker, Iain Hamilton and Emma Harcus for their help. -
The History of the Tall Ship Regina Maris
Linfield University DigitalCommons@Linfield Linfield Alumni Book Gallery Linfield Alumni Collections 2019 Dreamers before the Mast: The History of the Tall Ship Regina Maris John Kerr Follow this and additional works at: https://digitalcommons.linfield.edu/lca_alumni_books Part of the Cultural History Commons, and the United States History Commons Recommended Citation Kerr, John, "Dreamers before the Mast: The History of the Tall Ship Regina Maris" (2019). Linfield Alumni Book Gallery. 1. https://digitalcommons.linfield.edu/lca_alumni_books/1 This Book is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Book must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. Dreamers Before the Mast, The History of the Tall Ship Regina Maris By John Kerr Carol Lew Simons, Contributing Editor Cover photo by Shep Root Third Edition This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc- nd/4.0/. 1 PREFACE AND A TRIBUTE TO REGINA Steven Katona Somehow wood, steel, cable, rope, and scores of other inanimate materials and parts create a living thing when they are fastened together to make a ship. I have often wondered why ships have souls but cars, trucks, and skyscrapers don’t.