Herald of Holiness Volume 67 Number 22 (1978) W
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THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Big Country, Big Issues: Canada‘S Environment, Culture, and History
Perspectives Big Country, Big Issues: Canada‘s Environment, Culture, and History Edited by NADINE KLOPFER CHRISTOF MAUCH 2011 / 4 RCC Perspectives Big Country, Big Issues: Canada‘s Environment, Culture, and History Edited by Nadine Klopfer and Christof Mauch 2011 / 4 2 RCC Perspectives Contents 04 Foreword Nadine Klopfer and Christof Mauch 06 A Little Essay on Big: Towards a History of Canada’s Size Alan MacEachern 16 Learning to Drive the Yukon River: Western Cartography and Athapaskan Story Maps David Neufeld 44 Montreal and Its Waters: An Entangled History Michèle Dagenais 60 Nutritional Science, Health, and Changing Northern Environments Liza Piper 86 A Lake of Opportunity: Rethinking Phosphorus Pollution and Resource Scarcity Andrea E. Ulrich 101 Pragmatism and Poetry: National Parks and the Story of Canada Claire Elizabeth Campbell Big Country, Big Issues 3 About the Authors Claire Elizabeth Campbell is an associate professor and the coordinator of the Cana- dian Studies program at Dalhousie University. Michèle Dagenais is a history professor at the Université de Montréal and an expert in urban history. Nadine Klopfer is a lecturer in North American history at the Amerika-Institut of LMU Munich. Alan MacEachern teaches history at the University of Western Ontario and is the director of NiCHE: Network in Canadian History and Environment / Nouvelle initiative canadienne en histoire de l’environnement. Christof Mauch is director of the Rachel Carson Center for Environment and Society at LMU Munich. David Neufeld is the Yukon and Western Arctic historian for Parks Canada. Liza Piper is an associate professor of history at the University of Alberta, Canada. -
The History of the Tall Ship Regina Maris
Linfield University DigitalCommons@Linfield Linfield Alumni Book Gallery Linfield Alumni Collections 2019 Dreamers before the Mast: The History of the Tall Ship Regina Maris John Kerr Follow this and additional works at: https://digitalcommons.linfield.edu/lca_alumni_books Part of the Cultural History Commons, and the United States History Commons Recommended Citation Kerr, John, "Dreamers before the Mast: The History of the Tall Ship Regina Maris" (2019). Linfield Alumni Book Gallery. 1. https://digitalcommons.linfield.edu/lca_alumni_books/1 This Book is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Book must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. Dreamers Before the Mast, The History of the Tall Ship Regina Maris By John Kerr Carol Lew Simons, Contributing Editor Cover photo by Shep Root Third Edition This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc- nd/4.0/. 1 PREFACE AND A TRIBUTE TO REGINA Steven Katona Somehow wood, steel, cable, rope, and scores of other inanimate materials and parts create a living thing when they are fastened together to make a ship. I have often wondered why ships have souls but cars, trucks, and skyscrapers don’t. -
Leaves of Grass
Leaves of Grass by Walt Whitman AN ELECTRONIC CLASSICS SERIES PUBLICATION Leaves of Grass by Walt Whitman is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any pur- pose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Leaves of Grass by Walt Whitman, The Electronic Clas- sics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Depart- ment of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis; image: Walt Whitman, age 37, frontispiece to Leaves of Grass, Fulton St., Brooklyn, N.Y., steel engraving by Samuel Hollyer from a lost da- guerreotype by Gabriel Harrison. Copyright © 2007 - 2013 The Pennsylvania State University is an equal opportunity university. Walt Whitman Contents LEAVES OF GRASS ............................................................... 13 BOOK I. INSCRIPTIONS..................................................... 14 One’s-Self I Sing .......................................................................................... 14 As I Ponder’d in Silence............................................................................... -
Psaudio Copper
Issue 69 OCTOBER 8TH, 2018 Welcome to Copper #69! The aspens are starting to turn yellow here in Colorado, and Rocky Mountain Audio Fest takes place October 5-7. Depending upon the machinations of publishing, it will either be forthcoming, in progress, or have already occurred. At any rate, I'm sure it will be/is/was a great show, once again! Getting into this issue, Larry Schenbeck asks the musical question, "Why Do You Think They Call it Classical?"; Dan Schwartz is still recovering, so we’ll revisit his memorial of Paul Kantner; Richard Murison remembers friends lost along the way; Jay Jay French remembers the birth of the Beatles phenomenon ; Roy Hall remembers his school days; Anne E. Johnson brings us obscure cuts from all the incarnations of Fleetwood Mac; Christian James Hand deconstructs the anthemic MTV hit, "In A Big Country"; and I write about the difference between humility and hubris. Industry News looks at the latest drama from Sears; and our friend Rich Maez brings us the first part of a feature on the glories of the Monterey Auto Week. Copper #69 concludes with Charles Rodrigues giving new meaning to the term GUI, and a Parting Shot that continues our automotive theme. Woody Woodward is still on sabbatical, and we're looking forward to his return. We wish Dan Schwartz a rapid recovery. Copper #70 will continue our Vintage Whine series on phono playback with part 5, we'll continue Rich's piece on Monterey, and we'll have a feature on RMAF. Thanks for reading, and I'll see you at the show! ...or, I'm glad to see you/it was good to see you, as the case may be! Cheers, Leebs. -
Song Collection for Use in Summer Schools
SONG COLLECTION FOK USE IN SUMMER SCHOOIS r * <&*?' -„j^ > 1 Y *v %ii I Educational Publication No. 1 8. Divi sion of Teacher Training No. 4 SONG COLLECTION FOR USE FN SUMMER SCHOOLS "A school song in the heart oi the child will do as much for his character as a fact in his memory or a principle in his intellect." Phillips Brooks. published by the State Superintendent of Public Instruction Raleigh, N. C. lH& Library of the University of North Carolina Endowed by the Dialectic and Philan- thropic Societies £o3"Ti:J 2. c/<?. Educational Publication No. 18. Division of Teacher Training No. 4 SONG COLLECTION FOR USE IN SUMMER SCHOOLS PUBLISHED BY THE SUPERINTENDENT OF PUBLIC INSTRUCTION KALEIGH, N. C. In response to many requests from the teachers of the State for a revision of Educational Publication !N"o. 18, Song Bulletin for Insti- tutes and County Teachers' Meetings, this new edition is presented with the hope that it may prove adaptable to the needs of both the teacher and the child. Miss Hattie Parrott, member of the State Board of Examiners and Institute Conductors, directed the work of revising this bulletin. Miss May R. B. Muffly, Teacher of Public School Music and Voice at East Carolina Teachers Training School, prepared the Introduction and Suggestions to Teachers and compiled the songs for Primary and Intermediate grades. I make grateful acknowledgment for this excel- lent piece of work, which was done without compensation, for the service of the teachers. The music plates were kindly furnished by Scott-Foresman & Co., American Book Company, Silver, Burdett & Co., John Church & Co., and Macmillan Company. -
Big Country Book of Lyrics Was Originally Offered Online As a PDF File on a Web Site That Later Grew Into the Current Steeltown Site
D e s i g n e d b y R o b e r t O l i v e r Introduction Project History The Big Country Book of Lyrics was originally offered online as a PDF file on a web site that later grew into the current Steeltown site. Since I had not been pleased with the formatting restrictions of HTML, I had decided to create a file in Adobe PageMaker and then convert it into a PDF (Portable Document Format) file. This format allows complete control over layout and typography, but can result in very large files. Although PDF files are relatively small compared to their original documents (all of the original PageMaker files for this book total over 18 megabytes), a project as large and comprehensive as the Big Country Book of Lyrics results in an appropriately hefty PDF file. Even though I have since converted all lyrics to HTML and incorporated them into the Steeltown web site, the PDF version is still a handy and useful resource, especially when printed and bound for reference. As ubiquitous as the world wide web has become, a printed version of the Book of Lyrics is easier on the eyes, quicker to thumb through, and does not require an internet connection. Document Navigation The following methods are available for finding your way around the Big Country Book of Lyrics while using the Adobe Acrobat Reader: 1. Scan down the bookmark list on the left and click on the item of interest. 2. Use the keyboard arrow keys or the PAGE UP and PAGE DOWN keys depending on which version of the Acrobat Reader you are using. -
Variations on a Theme: Forty Years of Music, Memories, and Mistakes
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Variations on a Theme: Forty years of music, memories, and mistakes Christopher John Stephens University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Stephens, Christopher John, "Variations on a Theme: Forty years of music, memories, and mistakes" (2009). University of New Orleans Theses and Dissertations. 934. https://scholarworks.uno.edu/td/934 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Variations on a Theme: Forty years of music, memories, and mistakes A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts In Creative Non-Fiction By Christopher John Stephens B.A., Salem State College, 1988 M.A., Salem State College, 1993 May 2009 DEDICATION For my parents, Jay A. Stephens (July 6, 1928-June 20, 1997) Ruth C. -
Cowboy Songs and Other Frontier Ballads
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln University of Nebraska Studies in Language, Literature, and Criticism English, Department of January 1911 Cowboy Songs and Other Frontier Ballads John A. Lomax M.A. University of Texas Follow this and additional works at: https://digitalcommons.unl.edu/englishunsllc Part of the English Language and Literature Commons Lomax, John A. M.A., "Cowboy Songs and Other Frontier Ballads" (1911). University of Nebraska Studies in Language, Literature, and Criticism. 12. https://digitalcommons.unl.edu/englishunsllc/12 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in University of Nebraska Studies in Language, Literature, and Criticism by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. COWBOY SONGS AND OTHER FRONTIER BALLADS COLLECTED BY * * * What keeps the herd from running, JOHN A. LOMAX, M. A. THE UNIVERSITY OF TEXAS Stampeding far and wide? SHELDON FELLOW FOR THE INVESTIGATION 1)F AMERICAN BALLADS, The cowboy's long, low whistle, HARVARD UNIVERSITY And singing by their side. * * * WITH AN INTRODUCTION BY BARRETT WENDELL 'Aew moth STURGIS & WALTON COMPANY I9Il All rights reserved Copyright 1910 <to By STURGIS & WALTON COMPANY MR. THEODORE ROOSEVELT Set up lUld electrotyped. Published November, 1910 WHO WHILE PRESIDENT wAs NOT TOO BUSY TO Reprinted April, 1911 TURN ASIDE-CHEERFULLY AND EFFECTIVELY AND AID WORKERS IN THE FIELD OF AMERICAN BALLADRY, THIS VOLUME IS GRATEFULLY DEDICATED ~~~,. < dti ~ -&n ~7 e~ 0(" ~ ,_-..~'t'-~-L(? ~;r-w« u-~~' ,~' l~) ~ 'f" "UJ ":-'~_cr l:"0 ~fI."-.'~ CONTENTS ::(,.c.........04.._ ......_~·~C&-. -
Big Country Book of Lyrics Was Originally Offered Online As a PDF File on a Web Site That Later Grew Into the Remarkable Steeltown Site
THE BOOK of LYRICS Compiled by Michael S. Wallack v2.1 (March 5, 2007) This page intentionally left blank Introduction Project History This project is truly a labor of love. Big Country's music has played a very important part in my life over the last twenty years and this project is, in part, my way of giving something to those who share my love of Big Country. The Big Country Book of Lyrics was originally offered online as a PDF file on a web site that later grew into the remarkable Steeltown site. Unfortunately, the real world intruded and the original compiler decided to stop further updates after the release of the "Somebody Else" CD singles. At that point, I stepped in and decided to assume the responsibility for the Big Country Book of Lyrics. Alas, the real world also delayed my ability to keep up with new releases and the Book of Lyrics fell into limbo. Now, however, it is finally time to resurrect the Big Country Book of Lyrics. Dedication The Big Country Book of Lyrics is, of course, dedicated to Bruce Watson, Tony Butler, Mark Brzezicki, and to the memory of Stuart Adamson. May the music they made inspire us for generations to come. Stay alive! Driving home from work shortly after posting v2.00 of the Book of Lyrics, I realized that I had forgotten the most important dedication of all: To my wife; the first girl that I dated who liked Big Country. She has put up with my obsession all these years, and, since I began this project, has never once laughed at me or told me that I was wasting my time. -
Holladay Dissertation
ABSTRACT Jesus on the Radio: Theological Reflection and Prophetic Witness of American Popular Music Meredith Anne Holladay, Ph.D. Mentor: Christopher Marsh, Ph.D. The image of God in humanity is the image of the creator, the creative spirit, the imagination, manifest in our ability to understand, appreciate, and reflect on the beauty of God in creation. Therefore, the spirit of imagination, beauty, and creativity is intrinsic to the fullness of a life of faith. Art is a boon to a life of faith; additionally art and creativity allow for and create a space for genuine theological reflection. Arguments made about art in general can be applied to forms of popular culture. The foundation for this project explores the nuances between definitions of “popular culture”, and asserts that popular culture can be and often is meaning-making and identity-forming. The theological significance of popular culture is couched in terms of theological reflection and prophetic witness. The implicit assumption that anything dubbed “Christian” maintains theological depth, and creations lacking that distinction are ‘secular,’ or ‘profane,’ and therefore devoid of any moral good or theological import, is false, and a distinction this project serves in dissolving. The third chapter asserts a strong link between theological and prophetic tasks, one flowing from the other. Genuine theological reflection must result in an outward and public response. Theological reflection connects to the truth of one’s lived experience, and speaks honestly about the human story; out of that experience, voices of prophetic witness speak truth to power, out of and in solidarity with lived experiences. -
Sea Chanteys and Other Nautical Songs
1 Sea Chanteys and Other Nautical Songs Alabama ................................................. 2 Six Feet of Mud (Cyril Tawney) .......... 12 All For Me Grog .................................... 2 South Australia ..................................... 12 Away, Rio! .............................................. 2 Spanish Ladies ...................................... 12 Blow the Man Down .............................. 2 Strike the Bell ....................................... 13 Boston Harbor ........................................ 3 Sugar in the Hold Below ...................... 13 Bully in the Alley ................................... 3 Twiddles (Janie Meneely) .................... 13 Congo River ........................................... 3 Whiskey, O, Johnny, O ......................... 14 The Dead Horse ..................................... 4 Wild Rover ........................................... 14 The Derby Ram ...................................... 4 Credits: ................................................. 14 Donkey Riding ....................................... 4 Light From The Lighthouse .................15 Essequibo River ..................................... 5 The Diamond .......................................15 Fathom The Bowl .................................. 5 Whiskey in the Jar ................................16 General Taylor ........................................ 5 Come for to Sing ..................................16 Get Up Jack, John Sit Down .................. 5 Rosabella ..............................................17