Observe Measure Analyse a Leader in Media Research, We Observe, Measure and Analyse the Behaviour of the Audience and the Trends in the Market
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Hybrid Online Audience Measurement Calculations Are Only As Good As the Input Data Quality
People First: A User-Centric Hybrid Online Audience by John Brauer, Manager, Product Leadership, Measurement Model Nielsen Overview As with any media measurement methodology, hybrid online audience measurement calculations are only as good as the input data quality. Hybrid online audience measurement goes beyond a single metric to forecast online audiences more accurately by drawing on multiple data sources. The open question for online publishers and advertisers is, ‘Which hybrid audience measurement model provides the most accurate measure?’ • User-centric online hybrid models rely exclusively on high quality panel data for audience measurement calculations, then project activity to all sites informed by consumer behavior patterns on tagged sites • Site-centric online hybrid models depend on cookies for audience calculations, subject to the inherent weaknesses of cookie data that cannot tie directly to unique individuals and their valuable demographic information • Both hybrid models assume that panel members are representative of the universe being measured and comprise a base large enough to provide statistical reliability, measured in a way that accurately captures behavior • The site-centric hybrid model suffers from the issue of inaccurately capturing unique users as a result of cookie deletion and related activities that can result in audience measurement estimates different than the actual number • Rapid uptake of new online access devices further exacerbates site-centric cookie data tracking issues (in some cases overstating unique browsers by a factor of five) by increasing the likelihood of one individual representing multiple cookies Only the user-centric hybrid model enables a fair comparison of audiences across all web sites, avoids the pitfall of counting multiple cookies versus unique users, and employs a framework that anticipates future changes such as additional data sets and access devices. -
Consolidated Financial Statements As of December 31, 2018
Consolidated Financial Statements as of December 31, 2018 We hereby present to you the annual financial report for the fiscal year ended on December 31, 2018, prepared in accordance with the provisions of Articles L. 451-1-2 III of the French Monetary and Financial Code and 222- 4 et seq. of the General Regulations of the French Financial Markets Regulator (AMF). This report shall be shared in accordance with the provisions of Article 221-3 of the General Regulations of the AMF. In particular, it shall be available on the website of our company, www.mediawan.com. Contents 1. Consolidated Income Statement ................................................................................................... 4 2. Consolidated Statement of Comprehensive Income...................................................................... 5 3. Consolidated Financial Position .................................................................................................... 6 4. Table of Consolidated Cash Flow ................................................................................................... 7 5. Consolidated Variation of Equity................................................................................................... 8 6. Mediawan Group .......................................................................................................................... 9 6.1. Activities of the Group ........................................................................................................................ 9 6.2. Significant -
Strong Organic Growth of +29% in H1 2019 Confirmation of 2019 Prospects Significant Increase in Production Volume
STRONG ORGANIC GROWTH OF +29% IN H1 2019 CONFIRMATION OF 2019 PROSPECTS SIGNIFICANT INCREASE IN PRODUCTION VOLUME o Sales of €189 million in H1 2019 with a +29% increase at constant scope (like- for-like basis). o EBITDA of €26 million in keeping with the budget and annual targets. o Positive trends in the second half of the year, especially for Mediawan Rights, which has already confirmed significant sales. o Confirmation of short- and medium-term prospects: organic growth above 10% and an increase in EBITDA. Paris, Monday, 30 September 2019, 5.45 CEST - Mediawan (ticker MDW – ISIN: FR0013247137) announces its results for the first half of 2019, approved by the Management Board on 26 September and subject to a limited review by the statutory auditors. Key reported financial indicators H1 2018 H1 2018 % change like In €m H1 2019 1 reported proforma for like Mediawan Originals 68.0 42.3 56.0 +21% Mediawan Animation 49.5 - 15.6 +218% Mediawan Rights 17.2 23.2 20.8 -17% Mediawan Thematics 54.0 54.4 54.4 -1% Total Revenues 188.7 120.4 146.8 +28.6% EBITDA 2 25.9 30.1 Adjusted net income – Group share 15.0 17.8 In €m 06/30/19 12/31/18 Net financial debt 3 142.5 120.9 Shareholders equity 225.8 220.0 1 IFRS 16 – leases has been applied as of January 2019 1st, without restating prior-period comparative information 2 After amortization of audiovisual rights (other than recognized through business combinations) 3 Financial debt excluding loans related to productions. -
550Ccc5465f35683157a0f091d3
1 2 SUMMARY 4K p.05 CURRENT AFFAIRS & INVESTIGATION p.09 INVESTIGATION & SPORT p.13 FOOD INDUSTRY p.15 SCIENCE & KNOWLEDGE p.19 ARCHAEOLOGY & HISTORY p.27 SOCIAL ISSUES & HUMAN INTEREST p.37 WILDLIFE p.42 NATURE & ENVIRONMENT p.47 TRAVEL & DISCOVERY p.57 DOCU DRAMA & EDUCATIONAL p.69 DOCU SOAP p.71 LIFESTYLE p.73 FILLERS & AERIAL VIEW p.76 PEOPLE & PLACES: AROUND THE SEA p.81 3 4 5 Ultra HD programs LENGTH: MY EVERYDAY PANIC 90’ DIRECTOR: Planète en danger Sameh Estefanos How and to what extent Egypt & other developing countries have PRODUCER: been affected by Climate changes, since it was transformed to be Shot by Shot fact as the population of the weak areas in north of Egyptian Delta COPYRIGHT: are suffering by the rapid raising of Mediterranean sea level, a farm- 2021 ers lost their agricultural land and fishermen were forced to stop LANGUAGE sailing in addition to those who are planning for illegal immigration VERSION AVAILABLE: which makes global fear! English Watch the video UPCOMING JUNE 2021 LOOKING FOR INTERNATIONAL PRESALES LENGTH: 52’ XIANJU, THE WAY OF BALANCE DIRECTOR: Xianju, la voie de l’équilibre Patrice Desenne 200 miles south of Shanghai lies the Xianju National Park. PRODUCER: It is a pocket of great plant and animal biodiversity that also Grand Angle Productions holds a treasure of ancestral culture and artisanal and ag- COPYRIGHT: ricultural traditions. It shows a now rare image of China. 2020 How can it be protected and developed without disfiguring it? LANGUAGE Some strategies are emerging with the help of international partners. -
EFAMRO / ESOMAR Position Statement on the Proposal for an Eprivacy Regulation —
EFAMRO / ESOMAR Position Statement on the Proposal for an ePrivacy Regulation — April 2017 EFAMRO/ESOMAR Position Statement on the Proposal for an ePrivacy Regulation April 2017 00. Table of contents P3 1. About EFAMRO and ESOMAR 2. Key recommendations P3 P4 3. Overview P5 4. Audience measurement research P7 5. Telephone and online research P10 6. GDPR framework for research purposes 7. List of proposed amendments P11 a. Recitals P11 b. Articles P13 2 EFAMRO/ESOMAR Position Statement on the Proposal for an ePrivacy Regulation April 2017 01. About EFAMRO and ESOMAR This position statement is submitted In particular our sector produces research on behalf of EFAMRO, the European outcomes that guide decisions of public authorities (e.g. the Eurobarometer), the non- Research Federation, and ESOMAR, profit sector including charities (e.g. political the World Association for Data, opinion polling), and business (e.g. satisfaction Research and Insights. In Europe, we surveys, product improvement research). represent the market, opinion and In a society increasingly driven by data, our profession ensures the application of appropriate social research and data analytics methodologies, rigour and provenance controls sectors, accounting for an annual thus safeguarding access to quality, relevant, turnover of €15.51 billion1. reliable, and aggregated data sets. These data sets lead to better decision making, inform targeted and cost-effective public policy, and 1 support economic development - leading to ESOMAR Global Market Research 2016 growth and jobs. 02. Key Recommendations We support the proposal for an ePrivacy Amendment of Article 8 and Recital 21 to enable Regulation to replace the ePrivacy Directive as research organisations that comply with Article this will help to create a level playing field in a true 89 of the General Data Protection Regulation European Digital Single Market whilst increasing (GDPR) to continue conducting independent the legal certainty for organisations operating in audience measurement research activities for different EU member states. -
Half-Year Financial Report
The English-language version of this document is a free translation from the original, which was prepared in French. All possible care has been taken to ensure that the translation is an accurate representation of the original. However, in all matters of interpretation of information, views or opinions expressed therein, the original language version of the document in French takes precedence over this translation. Half-year financial report 2018 Half-year financial information summarized as of June 30, 2018. The financial statements were approved by the Management Board at their meeting on September 26, 2018, and were subjected to a limited examination by the Statutory Auditors. 1 Half-year financial report 2018 Summary of the consolidated half-year financial statements 2 Half-year financial report 2018 Contents 1. Consolidated Income Statement .................................................................................... 5 2. Consolidated Statement of Comprehensive Income ......................................................... 6 3. Consolidated Financial Position ...................................................................................... 7 4. Consolidated Variation of Equity .................................................................................... 8 5. Table of Consolidated Cash Flow .................................................................................... 9 6. Mediawan Group .........................................................................................................10 6.1. Activities -
Thomas Anargyros Appointed CEO of Mediawan Studio, a New Entity Gathering Mediawan’S French Drama Production Companies
Thomas Anargyros appointed CEO of Mediawan Studio, a new entity gathering Mediawan’s French drama production companies Paris, July 15th, 2020 – Mediawan announces today that Thomas Anargyros (until now CEO of Storia Television, a Mediawan Group company) has been appointed as CEO of Mediawan Studio, a new entity within its Mediawan Originals unit which will bring together the Group’s French drama production companies. He will supervise and coordinate the activities of the Mediawan Studio companies and develop their international coproduction projects, so as to implement an ambitious development strategy of drama production for all broadcasters and SVOD platforms. He will be supported by two COOs: Dominik Schmelck, currently Managing Director of Makever (another Mediawan Group company) and Matthieu Thollin, currently COO of Storia Television. “I am very happy to be able to count on Thomas’ renowned talent and experience to develop and coordinate the activities of our French drama production companies, and lead the Group’s ambition on that segment,” declared Pierre-Antoine Capton, Chairman of the Board of Mediawan. Thanks to an ambitious portfolio of franchises (like “The Red Bracelets”, “Call My Agent”, “The Crimson Rivers”, “Alice Nevers” or “Savages”), Mediawan has been leading the ranking of French prime-time drama producers (published by Ecran Total magazine) since 2017. Thomas Anargyros Thomas Anargyros is CEO of Storia Television which for many years has been developing an ambitious production strategy in terms of French and international prime time drama. Before that, Thomas Anargyros was Chairman of Cipango then of Europacorp Television France and USA where he produced many series including large international projects like “XIII” (with Val Kilmer and Stephen Dorff) for Canal+, M6 and NBC, distributed on over 160 territories, or the 26 episodes of the US series “Taken”, in coproduction with Universal for NBC. -
Rating the Audience: the Business of Media
Balnaves, Mark, Tom O'Regan, and Ben Goldsmith. "Bibliography." Rating the Audience: The Business of Media. London: Bloomsbury Academic, 2011. 256–267. Bloomsbury Collections. Web. 2 Oct. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 14:23 UTC. Copyright © Mark Balnaves, Tom O'Regan and Ben Goldsmith 2011. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Bibliography Adams, W.J. (1994), ‘Changes in ratings patterns for prime time before, during, and after the introduction of the people meter’, Journal of Media Economics , 7: 15–28. Advertising Research Foundation (2009), ‘On the road to a new effectiveness model: Measuring emotional responses to television advertising’, Advertising Research Foundation, http://www.thearf.org [accessed 5 July 2011]. Andrejevic, M. (2002), ‘The work of being watched: Interactive media and the exploitation of self-disclosure’, Critical Studies in Media Communication , 19(2): 230–48. Andrejevic, M. (2003), ‘Tracing space: Monitored mobility in the era of mass customization’, Space and Culture , 6(2): 132–50. Andrejevic, M. (2005), ‘The work of watching one another: Lateral surveillance, risk, and governance’, Surveillance and Society , 2(4): 479–97. Andrejevic, M. (2006), ‘The discipline of watching: Detection, risk, and lateral surveillance’, Critical Studies in Media Communication , 23(5): 392–407. Andrejevic, M. (2007), iSpy: Surveillance and Power in the Interactive Era , Lawrence, KS: University Press of Kansas. Andrews, K. and Napoli, P.M. (2006), ‘Changing market information regimes: a case study of the transition to the BookScan audience measurement system in the US book publishing industry’, Journal of Media Economics , 19(1): 33–54. -
Big Data and Audience Measurement: a Marriage of Convenience? Lorie Dudoignon*, Fabienne Le Sager* Et Aurélie Vanheuverzwyn*
Big Data and Audience Measurement: A Marriage of Convenience? Lorie Dudoignon*, Fabienne Le Sager* et Aurélie Vanheuverzwyn* Abstract – Digital convergence has gradually altered both the data and media worlds. The lines that separated media have become blurred, a phenomenon that is being amplified daily by the spread of new devices and new usages. At the same time, digital convergence has highlighted the power of big data, which is defined in terms of two connected parameters: volume and the frequency of acquisition. Big Data can be as voluminous as exhaustive and its acquisition can be as frequent as to occur in real time. Even though Big Data may be seen as risking a return to the paradigm of census that prevailed until the end of the 19th century – whereas the 20th century belonged to sampling and surveys. Médiamétrie has chosen to consider this digital revolution as a tremendous opportunity for progression in its audience measurement systems. JEL Classification : C18, C32, C33, C55, C80 Keywords: hybrid methods, Big Data, sample surveys, hidden Markov model Reminder: The opinions and analyses in this article are those of the author(s) and do not necessarily reflect * Médiamétrie ([email protected]; [email protected]; [email protected]) their institution’s or Insee’s views. Receveid on 10 July 2017, accepted on 10 February 2019 Translation by the authors from their original version: “Big Data et mesure d’audience : un mariage de raison ?” To cite this article: Dudoignon, L., Le Sager, F. & Vanheuverzwyn, A. (2018). Big Data and Audience Measurement: A Marriage of Convenience? Economie et Statistique / Economics and Statistics, 505‑506, 133–146. -
Independent Study on Indicators for Media Pluralism in the Member States – Towards a Risk-Based
Independent Study on Indicators for Media Pluralism in the Member States – Towards a Risk-Based Approach Prepared for the European Commission Directorate-General Information Society and Media SMART 007A 2007-0002 by K.U.Leuven – ICRI (lead contractor) Jönköping International Business School - MMTC Central European University - CMCS Ernst & Young Consultancy Belgium Preliminary Final Report Contract No.: 30-CE-0154276/00-76 Leuven, April 2009 Editorial Note: The findings reported here provide the basis for a public hearing to be held in Brussels in the spring of 2009. The Final Report will take account of comments and suggestions made by stakeholders at that meeting, or subsequently submitted in writing. The deadline for the submission of written comments will be announced at the hearing as well as on the website of the European Commission from where this preliminary report is available. Prof. Dr. Peggy Valcke Project leader Independent Study on “Indicators for Media Pluralism in the Member States – Towards a Risk-Based Approach” AUTHORS OF THE REPORT This study is carried out by a consortium of three academic institutes, K.U. Leuven – ICRI, Central European University – CMCS and Jönköping International Business School – MMTC, and a consultancy firm, Ernst & Young Consultancy Belgium. The consortium is supported by three categories of subcontractors: non-affiliated members of the research team, members of the Quality Control Team and members of the network of local media experts (‘Country Correspondents’). The following persons have contributed to the Second Interim Report: For K.U.Leuven – ICRI: Prof. Dr. Peggy Valcke (project leader; senior legal expert) Katrien Lefever Robin Kerremans Aleksandra Kuczerawy Michael Dunstan and Jago Chanter (linguistic revision) For Central European University – CMCS: Prof. -
2020 Selection
APOLLO 11: BACK ON THE MOON CODED BIAS KILLING PATIENT ZERO PICTURE A SCIENTIST APOLLO 11 : RETOUR SUR LA LUNE Written and directed by Shalini Kantayya Written and directed by Laurie Lynd Written and directed by Ian Cheney and Sharon Shattuck Directed by Charles-Antoine de Rouvre 85 min - US - 2020 100 min - Canada - 2019 Written by Sophie Bocquillon and Charles-Antoine de © 7th Empire Media © Fadoo Productions 97 min - US - 2020 Rouvre French Premiere In association with Fine Point Films © Uprising LLC In association with The Wonder Collaborative 96 min - France - 2019 French Premiere French Premiere © Grand Angle Productions - Groupe EDM Modern society sits at the intersection of two In association with Mediawan Thematics, Sveriges Scapegoated as “Patient Zero” at the center of Television, Al Arabya Channel, RSI, HRT Croatia, crucial questions: what does it mean when Picture A Scientist chronicles the groundswell TVP Poland, RTVS, SRF, Czech Television and artificial intelligence increasingly governs our the AIDS epidemic, Gaëtan Dugas was the France Télévisions liberties? And what are the consequences for handsome, openly gay French-Canadian flight of researchers who are writing a new chapter French broadcast: France 2, Toute l'Histoire the people AI is biased against? When MIT attendant characterized as singlehandedly for women scientists. Biologist Nancy Hopkins, Media Lab researcher Joy Buolamwini spreading AIDS to North America. In this chemist Raychelle Burks, and geologist Jane Willenbring lead viewers on a journey deep 16 July 1969. A rocket, carrying Apollo 11, sits discovers that most facial-recognition software riveting documentary, director Laurie Lynd sets into their own experiences in the sciences, on the launch pad at Cape Canaveral awaiting does not accurately identify darker-skinned out to dismantle this myth. -
Documentaries Catalogue 2021
1 2 SUMMARY 4K p.05 CURRENT AFFAIRS & INVESTIGATION p.09 INVESTIGATION & SPORT p.14 FOOD INDUSTRY p.16 SCIENCE & KNOWLEDGE p.20 BIOGRAPHY p.29 ARCHAEOLOGY & HISTORY p.31 SOCIAL ISSUES & HUMAN INTEREST p.42 WILDLIFE p.47 NATURE & ENVIRONMENT p.52 TRAVEL & DISCOVERY p.59 DOCU DRAMA & EDUCATIONAL p.71 DOCU SOAP p.73 LIFESTYLE p.75 FILLERS & AERIAL VIEW p.78 PEOPLE & PLACES: AROUND THE SEA p.83 3 4 5 Ultra HD programs LENGTH: MY EVERYDAY PANIC 90’ DIRECTOR: Planète en danger Sameh Estefanos How and to what extent Egypt & other developing countries have PRODUCER: been affected by Climate changes, since it was transformed to be Shot by Shot fact as the population of the weak areas in north of Egyptian Delta COPYRIGHT: are suffering by the rapid raising of Mediterranean sea level, a farm- 2021 ers lost their agricultural land and fishermen were forced to stop LANGUAGE sailing in addition to those who are planning for illegal immigration VERSION AVAILABLE: which makes global fear! English Watch the video UPCOMING JUNE 2021 LOOKING FOR INTERNATIONAL PRESALES LENGTH: 52’ XIANJU, THE WAY OF BALANCE DIRECTOR: Xianju, la voie de l’équilibre Patrice Desenne 200 miles south of Shanghai lies the Xianju National Park. PRODUCER: It is a pocket of great plant and animal biodiversity that also Grand Angle Productions holds a treasure of ancestral culture and artisanal and ag- COPYRIGHT: ricultural traditions. It shows a now rare image of China. 2021 How can it be protected and developed without disfiguring it? LANGUAGE Some strategies are emerging with the help of international partners.