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Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE. -
Seattle Society
Non-Profit U.S. Postage SOUTHWEST c/o Log House Museum PAID Seattle, WA 3003 61st Ave SW SEATTLE Permit No. 4960 HISTORICAL Seattle, WA 98116 SOCIETY ADDRESS SERVICE REQUESTED ISSUE CIV SOUTHWEST SEATTLE HISTORICAL SOCIETY • LOGHOUSEMUSEUM.ORG WINTER 2018 SOUTHWEST SEATTLE HISTORICAL SOCIETY Mission: “To promote FOOT-NOTES FOOT-NOTES FOOT-NOTES FOOT-NOTES FOOT-NOTES FOOT-NOTES local heritage through education, preservation Follow us for latest updates, curious museum finds, and Footprints Goes Digital! and advocacy” events that are happening with SWSHS year around! In an effort to reduce our expenses and waste, we will WHAT’S INSIDE be sending out less printed copies of Footprints starting Page 2: in 2019. We now offer a digital version for your reading Changes in Leadership pleasure. Email us at [email protected] and we will get you switched to digital! at SWSHS Page 3: Facebook: Facebook.com/LogHouseMuseum Thank you for your understanding and support of the Easy Street Records Instagram: @LogHouseMuseum Southwest Seattle Historical Society’s efforts to reduce Ron Hippie auctioning off a mural print by Michael Birawer provided by Diane Venti (pictured above) at the Southwest Matt Vaughan spoke at the waste of essential resources. Seattle Historical Society’s 2018 Champagne Gala Brunch Twitter: @LogHouseMuseum Southwest Stories ‘History is Happening Now!’ at the 2018 Champagne Gala Brunch Pages 4-5: by Sarah E. Miller, Operations Coordinator “GiveCamp Seattle: An BIG THANKS TO OUR SPONSORS AND SUPPORTERS! Our theme was “History is Happening Now!”, Interactive Walking Tour November 3rd, 2018 marked another suc- and it rang truer as the auction went on. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc. -
Complaint 12-9-2019
Case 1:19-cv-25045-JEM Document 1 Entered on FLSD Docket 12/09/2019 Page 1 of 24 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA MIAMI DIVISION CASE NO. 1:19cv25045 Vicky Cornell, individually, and in her JURY TRIAL DEMANDED capacity, and as the Personal Representative of the Estate of Christopher John Cornell a/k/a Chris Cornell, Plaintiffs, v. Soundgarden, a purported Washington General Partnership, Kim A. Thayil, Matt D. Cameron, Hunter Benedict Shepherd, Rit Venerus and Cal Financial Group, Inc., Defendants. ______________________________________________/ COMPLAINT Plaintiff, Vicky Cornell, individually and in her capacity as the personal representative of the Estate of Christopher John Cornell (collectively, “Plaintiffs”) through counsel, hereby files the following complaint against the defendants, Soundgarden, Kim Thayil, Matt Cameron, Hunter Benedict Shepherd, Rit Venerus and Cal Financial Group, Inc. (collectively, “Defendants”). I. INTRODUCTION “Everybody out for my blood, everybody want my percent … They just want to take what is mine, how much more can they get.” - Sweet Revenge 1. In 2009, Chris Cornell penned these lyrics about his former Soundgarden bandmates after they unlawfully (and unsuccessfully) attempted to deprive him of his rights in connection with the valuable musical works that he created for the band. Ten years later, and after Chris’ untimely passing, these lyrics hauntingly resonate as his former bandmates, once Case 1:19-cv-25045-JEM Document 1 Entered on FLSD Docket 12/09/2019 Page 2 of 24 again, have attempted to “take what is his” – or, more aptly, to steal from his widow and minor children. This wrongful conduct shockingly started shortly after Chris’ untimely death and ultimately forced his widow, Vicky Cornell, to bring this lawsuit. -
City News Industry Opportunities
Vol. 11, No. 26 February 15, 2018 CITY NEWS THE MIXER FEBRUARY: REAL TALK ABOUT MAKING IT IN THE CREATIVE INDUSTRIES WITH JOHN RODERICK Join us this month at KEXP with singer/songwriter/guitarist/podcaster John Roderick for a timely discussion on making a living in the creative industries. As Seattle continues to grow and change, Roderick will give his input from years of filling different roles as a creative industry professional with time for a Q&A to follow. This month's event is all-ages and will take place at KEXP at Seattle Center, 5-7pm. Learn More at The Mixer Seattle INDUSTRY FILM COMMUNITY: REGISTER TODAY FOR FILM DAY 2018 Film Day 2018 is only one week away! RSVP now to gather with fellow film and creative professionals from around the state and meet with your Representatives and Senators to discuss why film is important in Washington State. These important conversations will take place in Olympia next Thursday, February 22, 10:00am - 2:00pm. RSVP Here OPPORTUNITIES FILMMAKERS AND CINEMATOGRPAHERS: JOING GLAZER'S FILMMAKER'S HAPPY HOUR ON FEBRUARY 20 Glazier's will be hosting a Filmmaker's Happy Hour with representatives and gear demonstrations from RED, Zeiss Cinema Lenses, Freefly Systems, and Moab Paper. The event is free and will provide a hands-on shooting area and the opportunity to network with fellow filmmakers on February 20, 6pm-8pm. Register Now at Eventbrite THREE DOLLAR BILL CINEMA IS HIRING: EXECUTIVE DIRECTOR Three Dollar Bill Cinema seeks an Executive Director to lead the overall financial and operational health of the organization, and ensure Three Dollar Bill Cinema's activities, programs, board, and staff are aligned with their mission. -
North by Northwestern: a Seafaring Family on Deadly Alaskan Waters Pdf, Epub, Ebook
NORTH BY NORTHWESTERN: A SEAFARING FAMILY ON DEADLY ALASKAN WATERS PDF, EPUB, EBOOK Sig Hansen,Mark Sundeen | 320 pages | 12 Apr 2011 | St Martin's Press | 9780312672546 | English | New York, United States North by Northwestern: A Seafaring Family on Deadly Alaskan Waters PDF Book From there we motored another four hundred miles north through the Bering Sea, three days without sight of land. Want to Read saving…. Even if they insist they don't care about it, or that it's just a vehicle for the ego of skippers like Sig Hansen, The Deadliest Catch has been incredible good advertising for the industry, and unlike the movie The Perfect Storm, it stars people who actually work in the industry. It is an example I've heard before in the oral histories and it helps us better understand the differences in generations. I got the opportunity to meet Jonathan Hillstrand, Phil Harris shortly before he passed and his two sons. Mark Greaney Paperback Books. The end of the book brought tears to my eyes to see how the industry is run now, and how controlled things have become. I do not watch The Deadliest Catch gave up cable years ago now , but even I had heard of it and thought I would enjoy it. Mark Sundeen. I had to overnight by myself. Dec 08, John rated it really liked it. My parents didn't have to speak English much. Fishermen on the whole can be proud, stubborn and independent. A lot of the Norwegians of my parents' age were moving north, too. -
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Case 2:20-cv-01218-RSL-MLP Document 166 Filed 04/16/21 Page 1 of 66 1 THE HONORABLE ROBERT S. LASNIK THE HONORABLE MICHELLE L. PETERSON 2 3 4 5 6 UNITED STATES DISTRICT COURT WESTERN DISTRICT OF WASHINGTON 7 AT SEATTLE 8 VICKY CORNELL, individually, and in Case No. 2:20-cv-01218−RSL−MLP 9 her capacity, and as the Personal Representative of the Estate of Christopher THE SOUNDGARDEN DEFENDANTS’ 10 John Cornell a/k/a Chris Cornell, ANSWER AND AFFIRMATIVE DEFENSES, AND THE SOUNDGARDEN 11 Plaintiffs, PARTIES’ SECOND AMENDED COUNTERCLAIMS 12 v. SOUNDGARDEN, a purported JURY DEMAND 13 Washington General Partnership, KIM A. 14 THAYIL, MATT D. CAMERON, HUNTER BENEDICT SHEPHERD, RIT 15 VENERUS and CAL FINANCIAL GROUP, Inc., 16 Defendants. 17 ________________________________ 18 SOUNDGARDEN, a Washington General Partnership, SOUNDGARDEN 19 RECORDINGS LLC, a Delaware limited liability company, STAGE MUTHA 20 FAKIR, INC., a Washington Corporation, SG PRODUCTIONS, INC., a Washington 21 Corporation, KIM A. THAYIL, MATT D. 22 CAMERON, HUNTER BENEDICT SHEPHERD, 23 Counter-Plaintiffs, 24 v. 25 VICKY CORNELL, individually, and in her capacity as the Personal Representative 26 of the Estate of Christopher John Cornell a/k/a Chris Cornell, 27 Counter-Defendants.. 28 THE SOUNDGARDEN DEFENDANTS’ ANSWER AND AFFIRMATIVE DEFENSES, AND THE SOUNDGARDEN PARTIES’ SECOND AMENDED COUNTERCLAIMS (No. 2:20−cv−01218−RSL-MLP) –1 Case 2:20-cv-01218-RSL-MLP Document 166 Filed 04/16/21 Page 2 of 66 1 THE SOUNDGARDEN DEFENDANTS’ ANSWER AND AFFIRMATIVE DEFENSES, AND THE SOUNDGARDEN PARTIES’ SECOND AMENDED COUNTERCLAIMS 2 Defendants Soundgarden, a Washington general partnership (“Soundgarden”), Kim A. -
Alaska Fisheries: a Guide to History Resources
November 30, 2015 Alaska Fisheries: A Guide to History Resources Prepared by the Alaska Historical Society’s Alaska Historic Canneries Initiative Compiled by Robert W. King, September 2015 Dedication This guide to the history resources of Alaska fisheries is dedicated to Wrangell historian Patricia “Pat” Ann Roppel (1938‐2015). Pat moved to Alaska in 1959 and wrote thirteen books and hundreds of articles, many about the history of Alaska fisheries, including Alaska Salmon Hatcheries and Salmon from Kodiak. Twice honored as Alaska Historian of the Year, Pat Roppel is remembered for the joy she took in research and writing, her support of fellow historians and local museums, and her enthusiasm and good humor. Alaska Historic Canneries Initiative The Alaska Historic Canneries Initiative was created in 2014 to document, preserve, and celebrate the history of Alaska's commercial fish processing plants, and better understand the role the seafood industry played in the growth and development of our state. Alaska boasts some of largest and best‐managed fisheries in the world. The state currently produces over 5 billion pounds of seafood products annually worth over $5 billion to its fishermen and even more on the wholesale and retail markets. Fisheries are closely regulated by state and federal authorities, and while fish populations naturally fluctuate, no commercially harvested species are being overfished. Canneries are central to the development of Alaska, but an overlooked and neglected part of our historic landscape. Only two Alaska canneries are listed on the National Register of Historic Places, although few historic resources have impacted Alaska’s economy and history as greatly. -
1 “I Grew up Loving Cars and the Southern California Car Culture. My Dad Was a Parts Manager at a Chevrolet Dealership, So V
“I grew up loving cars and the Southern California car culture. My dad was a parts manager at a Chevrolet dealership, so ‘Cars’ was very personal to me — the characters, the small town, their love and support for each other and their way of life. I couldn’t stop thinking about them. I wanted to take another road trip to new places around the world, and I thought a way into that world could be another passion of mine, the spy movie genre. I just couldn’t shake that idea of marrying the two distinctly different worlds of Radiator Springs and international intrigue. And here we are.” — John Lasseter, Director ABOUT THE PRODUCTION Pixar Animation Studios and Walt Disney Studios are off to the races in “Cars 2” as star racecar Lightning McQueen (voice of Owen Wilson) and his best friend, the incomparable tow truck Mater (voice of Larry the Cable Guy), jump-start a new adventure to exotic new lands stretching across the globe. The duo are joined by a hometown pit crew from Radiator Springs when they head overseas to support Lightning as he competes in the first-ever World Grand Prix, a race created to determine the world’s fastest car. But the road to the finish line is filled with plenty of potholes, detours and bombshells when Mater is mistakenly ensnared in an intriguing escapade of his own: international espionage. Mater finds himself torn between assisting Lightning McQueen in the high-profile race and “towing” the line in a top-secret mission orchestrated by master British spy Finn McMissile (voice of Michael Caine) and the stunning rookie field spy Holley Shiftwell (voice of Emily Mortimer). -
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Case 2:20-cv-01218-RSL-MLP Document 139 Filed 12/18/20 Page 1 of 29 1 THE HONORABLE RICHARD A. JONES 2 THE HONORABLE MARY ALICE THEILER 3 4 5 6 UNITED STATES DISTRICT COURT 7 WESTERN DISTRICT OF WASHINGTON AT SEATTLE 8 9 VICKY CORNELL, individually, and in No. 2:20-cv-01218−RAJ−MAT her capacity as the Personal Representative 10 of the Estate of Christopher John Cornell SECOND AMENDED COMPLAINT a/k/a Chris Cornell, 11 JURY DEMAND Plaintiffs, 12 v. 13 SOUNDGARDEN, a purported 14 Washington General Partnership, KIM A. THAYIL, MATT D. CAMERON, 15 HUNTER BENEDICT SHEPHERD, RIT VENERUS and CAL FINANCIAL 16 GROUP, INC., 17 Defendants. 18 19 Plaintiff Vicky Cornell, individually and in her capacity as the Personal Representative of 20 the Estate of Christopher John Cornell (collectively, “Plaintiffs”), hereby files Plaintiffs’ First 21 Amended Complaint against defendants Soundgarden, Kim Thayil, Matt Cameron, Hunter 22 Benedict Shepherd, Rit Venerus, and Cal Financial Group, Inc. (collectively, “Defendants”). 23 24 25 26 SECOND AMENDED COMPLAINT Perkins Coie LLP (No. 2:20−cv−01218−RAJ−MAT)–1 1201 Third Avenue, Suite 4900 Seattle, WA 98101-3099 Phone: 206.359.8000 Fax: 206.359.9000 Case 2:20-cv-01218-RSL-MLP Document 139 Filed 12/18/20 Page 2 of 29 1 I. INTRODUCTION 2 “Everybody out for my blood, everybody want my percent ... 3 They just want to take what is mine, how much more can they get.” 4 - Sweet Revenge 5 1. In 2009, Chris Cornell penned these lyrics about his former Soundgarden 6 bandmates after they unlawfully (and unsuccessfully) attempted to deprive him of his rights in 7 connection with the valuable musical works that he created for the band. -
Chris Cornell Dies
Lifestyle FRIDAY, MAY 19, 2017 Soundgarden singer Chris Cornell dies at age 52 in Detroit ocker Chris Cornell, who gained fame as the lead singer of the bands Soundgarden and Audioslave, Rhas died at age 52, and police said yesterday that his death is being investigated as a possible suicide. Cornell, who had been on tour, died Wednesday night in Detroit, Cornell’s representative Brian Bumbery said in a statement French electronic musician Jean-Michel Jarre poses in front to The Associated Press. Cornell had performed a Detroit of the Radio City Music Hall in New York. concert with Soundgarden that night. Bumbery called the death “sudden and unexpected” and said his wife and fam- Jean-Michel Jarre, ily are in shock. The statement said the family would be working closely with the medical examiner to determine master of mega-concert, the cause and have asked for privacy. Detroit police spokesman Michael Woody told AP yes- finally finds US terday that he couldn’t release details about why police are investigating the death as a possible suicide, but noted lectronic music pioneer Jean-Michel Jarre, who has performed there were “basic things observed at the scene.” Cornell some of history’s largest concerts over a four-decade career, is died at the MGM Grand Detroit hotel, Woody said. He said Efinally touring the United States. And he at last feels at home. Cornell’s wife had called a family friend and asked him to The French artist, who sees music as a form of “emotional counter- check on Cornell; the friend forced open a hotel room door force” in a turbulent era, plays Saturday at Radio City Music Hall in his first full-fledged concert in New York. -
Through the Lens of Grunge: Distortion of Subcultures In
THROUGH THE LENS OF GRUNGE: DISTORTION OF SUBCULTURES IN GENTRIFIED SEATTLE A Thesis by BRANDON GREGORY KEMPF Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Chair of Committee, Kimberly A. Kattari Committee Members, James R. Ball III Patrick Burkart Head of Department, Martin P. Regan May 2019 Major Subject: Performance Studies Copyright 2019 Brandon Kempf ABSTRACT This thesis examines the effects of gentrification on subcultures in Seattle using grunge as an interpretive lens. Distortion is theorized as both an artistic/aesthetic practice and a translator of social/subcultural phenomena to understand the ambivalent and ironic sensibilities found within the study of grunge and Seattle subcultures, in both the early 1990s and present day. The research begins with an analysis of grunge in the popular culture industry in the 1990s to track instances of social breach and cultural creation/destruction, and then further examined through the model of early subcultural studies. The problematics that arise are then reappraised within an analysis of grunge in the post-subcultural model, which makes space for study of the current activity and subcultural participation of grunge. A case study of the current socio-political and economic issues in Seattle is then presented. Grunge is then revealed to be presently practiced and understood in both dominant culture and subcultural formations as a spectrum of nostalgia and revivalism. Here, the ironies and ambivalences of grunge style, practice, and form are revealed and studied as paradoxical concepts. These complex webs are finally understood to be generative spaces for the creation of new meaning through retroactive forms of performance, both artistically and culturally.