Chris Cornell Dies
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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
VOLUME 42 | NUMBER 21 Hen Chris Cornell Entered He Shrugged
May 24-30, 2017 | VOLUME 42 | NUMBER 21 hen Chris Cornell entered He shrugged. He spoke in short bursts of at a room, the air seemed to syllables. Soundgarden was split at the time, hum with his presence. All and he showed no interest in getting the eyes darted to him, then band back together. He showed little interest danced over his mop of in many of my questions. Until I noted he curls and lanky frame. He appeared to carry had a pattern of daring creative expression himself carelessly, but there was calculation outside of Soundgarden: Audioslave’s softer in his approach—the high, loose black side; bluesy solo eorts; the guitar-eschew- boots, tight jeans, and impeccable facial hair ing Scream with beatmaker Timbaland. his standard uniform. He was a rock star. At this, Cornell’s eyes sharpened. He He knew it. He knew you knew it. And that sprung forward and became fully engaged. didn’t make him any less likable. When he He got up and brought me an unsolicited left the stage—and, in my case, his Four bottled water, then paced a bit, talking all Seasons suite following a 2009 interview— the while. About needing to stay unpre- that hum leisurely faded, like dazzling dictable. About always trying new things. sunspots in the eyes. He told me that he wrote many songs “in at presence helped Cornell reach the character,” outside of himself. He said, “I’m pinnacle of popular music as front man for not trying to nd my musical identity, be- Soundgarden. -
SOUNDGARDEN Superunknown (Hard Rock)
SOUNDGARDEN Superunknown (Hard Rock) Année de sortie : 1994 Nombre de pistes : 16 Durée : 70' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Formé à Seattle, SOUNDGARDEN est généralement associé à la mouvance Grunge qui explose en 1991 avec NIRVANA et son album essentiel Nevermind. La musique du groupe emmené par le chanteur Chris CORNELL ne se résume toutefois pas à ce courant. Des similitudes peuvent être constatées, en premier lieu de par l’appartenance des deux formations à cette nouvelle scène de Seattle. Bruce PAVITT, fondateur du label Sub Pop, figure en effet parmi les amis du groupe, ce qui lui permet, avant NIRVANA, de devenir la première formation signée par l’incontournable officine Underground. Ensuite, la musique de SOUNDGARDEN est fréquemment caractérisée par la noirceur et la mélancolie. Cependant, Badmotorfinger, deuxième effort du groupe publié en 1991 par la compagnie nationale A & M, avec laquelle il vient de conclure un contrat avantageux, révèle des influences qui le rattachent davantage au Metal. L’album comporte de nombreuses compositions reposant sur des riffs plombés. Ainsi Jesus Christ Pose rappelle fortement LED ZEPPELIN, et le groupe paie sa dette à BLACK SABBATH sur le titre Slaves & Bulldozers. Après ce disque acclamé par la critique, SOUNDGARDEN connaîtra son apogée avec la sortie en 1994 de Superunknown, qui devient numéro un aux États-Unis avec trois millions d’exemplaires vendus. -
Shakin' Butts for Charity
Page 5 - The Shield - November 15, 2012 Life & Culture Shakin’ butts for charity By MEREDITH HARRIS Riley. Staff writer “Riley is like my second home,” Buchheit said. A four-year-old blond boy Buchheit shared her story on a wearing a blue, long-sleeved poster in the “Inspiration Tent,” shirt with a white football and which displayed stories and pic- the number 88 printed on it tures of Riley kids. danced to hip-hop music with Every hour a Riley kid or around 20 college students on a family talked about Riley and stage on the basketball courts of everyone learned part of the the Recreation Fitness and Well- moral dance, which they com- ness Center. pleted at the end to show what The little boy’s name is An- they accomplished. drew Satterfi eld, and he is a pa- There were games to play, and tient at Riley Children’s Hospi- the members of the committee tal. dressed up in different themes, Andrew and his family par- such as ninja, Disney and 1980s. ticipated in USI’s Riley Dance Junior occupational therapy Marathon (USIDM) on Saturday major Annelise Will said she to help raise money for Riley went to USIDM with her soror- Children’s Hospital. ity sisters in Gamma Phi Beta Andrew was born with om- because she heard that it is fun, phalocele (a separated pelvis), and she knows people who were cloacal exstrophy (bladder and helped by Riley. intestines were on the outside of “I just love learning the dance his body), and congenital heart every hour, and I love every hour defects, said Emily Satterfi eld, how I get to listen to the stories Andrew’s mother. -
Nudedragons to King Animal — the First Ever Fan-Based Compilation Photobook — Is Now Available!
PHOTOFANTASM SOUNDGARDEN: NUDEDRAGONS TO KING ANIMAL — THE FIRST EVER FAN-BASED COMPILATION PHOTOBOOK — IS NOW AVAILABLE! The only book ever created by the fans for any high-profile band, Photofantasm Soundgarden is dedicated to rock pioneers Soundgarden. It features commentary and recollections from fellow artists, the music press, and other notable contributors. SEATTLE, May 18, 2015 /PRNewswire/ Photofantasm Soundgarden: Nudedragons to King Animal highlights the Seattle band’s rebirth via hundreds of pages’ worth of photographs, graphic art, anecdotes, interviews, and reviews. In a truly collaborative effort, fans, artists, musicians, authors, photographers, and other notable personalities all help chronicle Soundgarden's performances across the globe from 2010 to 2013. To quote Everybody Loves Our Town: An Oral History of Grunge author Mark Yarm in his foreword to Photofantasm Soundgarden, the book is “by the fans, for the fans”—the book boasts more than 300 contributors from more than 30 countries on six continents—and captures what promises to be just the beginning of a very long second chapter! Much like classic vinyl, Photofantasm Soundgarden is a quality, limited-edition collector's item (only 1,000 copies) meant to be savored by the fans (and the band itself) for years to come. The heart of this book is a section devoted to the loving memory of an extraordinary friend and Soundgarden fan who courageously fought cancer. All net proceeds will go to Canary Foundation, the first and only foundation in the world solely dedicated to the funding of early cancer-detection solutions. Photofantasm totals 592 pages, much of it exclusive content. -
The Musicares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405
The MusiCares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405 ***TIP SHEET FOR FRIDAY, MAY 9, 2008*** BLIND MELON AND CAMP FREDDY — WITH SPECIAL GUESTS CHESTER BENNINGTON, WAYNE KRAMER, DUFF MCKAGAN, CHAD SMITH, STEVEN TYLER AND ROBIN ZANDER — TO PERFORM AT FOURTH ANNUAL MUSICARES MAP FUNDSM BENEFIT CONCERT ON MAY 9 HONORING ALICE COOPER AND SLASH Sold-Out Concert Event — Sponsored In Part By Gibson Foundation — At The Music Box @ Fonda Will Raise Funds For MusiCares® Addiction Recovery Services WHO: Honorees: Legendary artist Alice Cooper to receive the Stevie Ray Vaughan Award and GRAMMY®-winning guitarist Slash to receive the MusiCares® From the Heart Award. Host: Actor, stand-up comedian, musician and singer Tommy Davidson. Presenters: Bernie Taupin will present the Stevie Ray Vaughan Award to honoree Alice Cooper; Steven Tyler will present the MusiCares® From the Heart Award to honoree Slash. Performers: Blind Melon (Glen Graham, Brad Smith, Rogers Stevens, Christopher Thorn and Travis Warren) and Camp Freddy (Chris Chaney, Donovan Leitch, Billy Morrison and Matt Sorum) with Slash on guitar, along with special guests Chester Bennington (Linkin Park), Wayne Kramer (MC5), Duff McKagan (Velvet Revolver), Chad Smith (Red Hot Chili Peppers), Steven Tyler (Aerosmith) and Robin Zander (Cheap Trick). The evening will also feature special performances by Alice Cooper and Slash. Attendees: MusiCares Foundation Board Chair John Branca; Gilby Clarke (Guns N' Roses); Bob Forrest (Celebrity Rehab); Anthony Kiedis (Red Hot Chili Peppers); Dave Kushner (Velvet Revolver); Martyn LeNoble (Jane's Addiction and Porno For Pyros); and President/CEO of The Recording Academy® and President of the MusiCares Foundation Neil Portnow. -
The Artists' View of Seattle
WHERE DOES SEATTLE’S CREATIVE COMMUNITY GO FOR INSPIRATION? Allow us to introduce some of our city’s resident artists, who share with you, in their own words, some of their favorite places and why they choose to make Seattle their home. Known as one of the nation’s cultural centers, Seattle has more arts-related businesses and organizations per capita than any other metropolitan area in the United States, according to a recent study by Americans for the Arts. Our city pulses with the creative energies of thousands of artists who call this their home. In this guide, twenty-four painters, sculptors, writers, poets, dancers, photographers, glass artists, musicians, filmmakers, actors and more tell you about their favorite places and experiences. James Turrell’s Light Reign, Henry Art Gallery ©Lara Swimmer 2 3 BYRON AU YONG Composer WOULD YOU SHARE SOME SPECIAL CHILDHOOD MEMORIES ABOUT WHAT BROUGHT YOU TO SEATTLE? GROWING UP IN SEATTLE? I moved into my particular building because it’s across the street from Uptown I performed in musical theater as a kid at a venue in the Seattle Center. I was Espresso. One of the real draws of Seattle for me was the quality of the coffee, I nine years old, and I got paid! I did all kinds of shows, and I also performed with must say. the Civic Light Opera. I was also in the Northwest Boy Choir and we sang this Northwest Medley, and there was a song to Ivar’s restaurant in it. When I was HOW DOES BEING A NON-DRIVER IMPACT YOUR VIEW OF THE CITY? growing up, Ivar’s had spokespeople who were dressed up in clam costumes with My favorite part about walking is that you come across things that you would pass black leggings. -
Paul Anka – Primary Wave Music
PAUL ANKA facebook.com/paulankaofficial instagram.com/paulankaofficial twitter.com/paulanka Imageyoutube.com/user/PaulAnkaTV not found or type unknown paulanka.com en.wikipedia.org/wiki/Paul_Anka open.spotify.com/artist/7ceUfdWq2t5nbatS6ollHh Born July 30, 1941, in Ottawa Canada, into a tight-knit family, Paul Anka didn’t waste much time getting his life in music started. He sang in the choir at St. Elijah Syrian Orthodox Church and briefly studied piano. He honed his writing skills with journalism courses, even working for a spell at the Ottawa Citizen. By 13, he had his own vocal group, the Bobbysoxers. He performed at every amateur night he could get to in his mother’s car, unbeknownst to his her of course. Soon after, he won a trip to New York by winning a Campbell’s soup contest that required him to spend three months collecting soup can labels. It was there his dream was solidified, he was going to make it as a singer composer; there was not a doubt in his young tenacious mind. In 1956, he convinced his parents to let him travel to Los Angeles, where he called every record company in the phone book looking for an audition. A meeting with Modern Records led to the release of Anka’s first single, “Blau-Wile Deverest Fontaine.” It was not a hit, but Anka kept plugging away, going so far to sneak into Fats Domino’s dressing room to meet the man and his manager in Ottawa. When Anka returned New York in 1957, he scored a meeting with Don Costa, the A&R man for ABC-Paramount Records. -
Soundgarden Singer Chris Cornell Dies at Age 52 in Detroit
Transforming Former FBI Real Madrid old newspapers director to lead within point into something Russia probe of Liga title beautiful4 15 46 Min 27º Max 44º FREE www.kuwaittimes.net NO: 17232- Friday, May 19, 2017 70th Cannes Film CANNES: Thai actress Araya Alberta Hargate known as Chompoo poses as she arrives on May 17, 2017 for the screening of the film ‘Ismael’s Festival kicks off Ghosts’ (Les Fantomes d’Ismael) during the opening ceremony of the 70th edition of the Cannes Page 22 Film Festival. — AFP Local FRIDAY, MAY 19, 2017 Local Spotlight Photo of the day Flying gravel By Muna Al-Fuzai [email protected] he court of appeal rejected a claim by a Twoman for KD 5,000 in compensation for damage to her vehicle as a result of flying gravel on the roads. The rejection of the case sent a message to everyone not to trouble themselves to file more cases and hire lawyers, because those who are affected due to the bad job by the con- tractor and the ministry of public works need to remain silent and accept the reality. Or take the long road of insurance companies and garages to repair the damage and pay for it. For more than a year now, many people have been suffering from the flying stones on the roads that is damaging their cars, especially when the windshield shatters, forcing motorists to pay from their own pockets to change the glass and repair the cars, whether tires or other parts. These complaints led many people to sue the govern- ment for damages, but it is no surprise that the case was denied. -
Soundgarden Badmotorfinger Mp3, Flac, Wma
Soundgarden Badmotorfinger mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Badmotorfinger Country: UK & Europe Released: 2016 Style: Alternative Rock, Hard Rock, Grunge MP3 version RAR size: 1567 mb FLAC version RAR size: 1577 mb WMA version RAR size: 1874 mb Rating: 4.5 Votes: 107 Other Formats: MMF DXD RA VOC WMA AU AAC Tracklist Hide Credits 1 Rusty Cage 4:26 2 Outshined 5:11 Slaves And Bulldozers 3 6:56 Music By – Shepherd*, Cornell* Jesus Christ Pose 4 6:51 Music By – Shepherd*, Cornell*, Thayil*, Cameron* Face Pollution 5 2:24 Music By – Shepherd* Somewhere 6 4:21 Music By, Lyrics By – Shepherd* 7 Searching With My Good Eye Closed 6:31 Room A Thousand Years Wide 8 4:06 Lyrics By – Thayil*Music By – Cameron* 9 Mind Riot 4:49 Drawing Flies 10 2:25 Music By – Cameron* 11 Holy Water 5:07 New Damage 12 5:40 Music By – Thayil*, Cameron* Companies, etc. Manufactured By – A&M Records Of Canada Limited Distributed By – PolyGram Distribution Inc. Phonographic Copyright (p) – A&M Records, Inc. Copyright (c) – A&M Records, Inc. Recorded At – Studio D Recorded At – Bear Creek Studios Recorded At – A&M Studios Mixed At – Can-Am Recorders Mastered At – Masterdisk Pressed By – Cinram Credits A&R – Bryan Huttenhower Art Direction – Len Peltier Bass – Ben Shepherd Design – Walberg Design Drums – Matt Cameron Engineer – Terry Date Engineer [Assisted By] – Efren Herrera Guitar – Kim Thayil Illustration [Front Cover] – Mark Dancey Lyrics By – Cornell* (tracks: 1 to 5, 7, 9 to 12) Management – Susan Silver Mastered By – Howie Weinberg Mixed By – Ron St. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc.