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Aesthetics of Technical Diversity of Mohammad Al- Kinani's Works

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Aesthetics of Technical Diversity of Mohammad Al- Kinani's Works Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Aesthetics of technical diversity of Mohammad al- Kinani's works Ayad Mahmood Hayder College of Fine Arts/ University of Babylon Bassam Adnan Jasim College of Fine Arts/ University of Babylon Abstract: Art is a remarkable phenomenon, where a person practiced his artistic concept through the study of artistic works and the intellectual, aesthetic and technical implications involved in them, which appeared in a number of artistic works in which the Iraqi artist personified the data of his artistic experience according to the sentimental expression, as it was necessary Studying this subject in general and studying it in the works of (Muhammad Al-Kanani) in particular, and the technical drawings carried by the aesthetics of technical diversity because of what constitutes a documentary phenomenon in contemporary Iraqi painting should be studied as the tagged title (Aesthetics of technical diversity in the work of Muhammad Al-Kanani). The research was divided into four chapters that included the first chapter: the definition of the research problem, which was summarized by the following question: (Did technical diversity contribute aesthetically to the experiences of Muhammad al-Kinani?), And the first chapter also included the importance of research, the need for it, its goal, its limits and the definition of terms Contained in it. As for the second chapter: it included the theoretical framework in three sections: The first topic included: the concept of beauty. As for the second topic: dealing with technical diversity historically, and the third topic: technical diversity in contemporary Iraqi painting, leading to the output of the most important indicators of the theoretical framework. The third chapter included research procedures, from the research community, and the research sample of (3) models were selected intentionally, while in the fourth chapter: it included the results of the research and the conclusions of recommendations and proposals, and the results that the researchers reached, including: 1. The aesthetic experience is the basis that Al-Kinani carries out after art. A human activity that is inseparable from his real life, reflecting the emotions and the connections related to him personally. 2. In the works of Muhammad al-Kinani, a variety of aesthetic geometric figures appeared, including rectangles, squares, lines and points. As for the most important conclusions: 1. Al-Kinani was concerned with the technical variations that formed one of his aesthetic constants, a characteristic that acquired its spiritual and visual existence and formed part of his creative personality. Volume XII, Issue IV, 2020 Page No: 5942 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 2. The external openness of the country and the wide knowledge of the experiences of international artists and the technical techniques used all contributed to the technical diversity with which Al-Kanani carried out his works such as collage, distillation, fortification, and printing techniques with citrus. Then the research dealt with a list of research sources and annexes and a summary in English. Key words: aesthetics, technical diversity, Mohammed Al-Kinani 1- Chapter One / Methodological Framework 1-1 Research problem: Beauty is an attribute that is associated with all artistic products, including arts in particular. These artistic products possess aesthetic qualities when they are subject to the transformation factor at the level of formal or technical values, in the sense that there are great pressures that establish aesthetic values and provisions in the artwork, so beauty is one of The most important features and characteristics that can be associated with any experimental work, it has established the features of the first visual civilization in Iraq and due to what Iraq possesses from a great civilization depth established for artistic and aesthetic approaches very large in artistic productions, and these civilizational achievements have become the best borrowing reference drawn From him, Iraqi artists On their various generations, with their methods, experiences, metaphors and conceptual metaphors, they have helped technical transformations in their work, and thanks to the development of science and technology, which has become a very big pressure in establishing formal systems, in technical trends in the world, and that Iraq is part of the movement The international plastic artist broadcasted the first experiments of Iraqi artists who came from abroad, using techniques from artists whose technology and scientific concepts have been enriched in their works. The concept is aesthetic, considering that beauty comes on the technological side, as beauty is affected by experimental and technical transformers. In the experiences of (Muhammad Al-Kinani), which were distinguished by its technical diversity, which was influenced by this civilization extension and the aesthetic momentum that civilizational references inspire, as well as experimental and technical transformations, due to the pressures of mechanization and the compressor of technology and the developed material, so his works formed a phenomenon that can be studied, and this phenomenon It cannot be condoned or forgotten if we turn to the technical aesthetic aspect of his work, and therefore the research problem can be established according to the following question: Did the technical diversity aesthetically contribute to Muhammad al-Kinani's experiences? 1-2 The importance of research and the need for it: This study represents an addition to the field of knowledge specialization in the field of experimental studies in contemporary Iraqi plastic art. This research also contributes to identifying one of the experiences that varied technically and stylistically and which in one way or another affected the contemporary Iraqi plastic movement. 1-3 Research Objective: The research aims to: Identify the aesthetics of technical diversity in the works of Muhammad Al-Kanani. Volume XII, Issue IV, 2020 Page No: 5943 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 1-4 Research Limits: The current research is determined by the following: The works of the artist Mohammed Al-Kinani implemented with different techniques and materials. And accomplished in Iraq. In the period (2010 - 2016 AD). 1-5 Define terms Aesthetics: A- Language: - In Mukhtar al-Sahah, al-Razi is al-Hasan. The man (camel) is attached to beauty (beauty). And beauty is the source of the beautiful, and the verb is beautiful (2, p. 524). B- Terminology: - In the philosophical lexicon, (beauty) is synonymous with goodness, which is the proportionality of the members, balance in forms, harmony in movements, and the beautiful is the object in a face that is imprecise and accepted by the soul, it is (what relates to contentment and kindness) (3, pp. 407-408) ). Beauty is an attribute that is observed in things and which gives pleasure in the soul or a sense of order and harmony (4, p. 264). For the purposes of this research, the researchers have defined their following procedural definition: what creates a distinct picture in the mind that manifests itself through the desired knowledge that the appearance and essence of things allows us to provide us with pleasure, contentment and harmony Diversity: A- Language: Type: diversify the thing, make it types. Variety of thing: it became a species. Genre Collection Types: Each Class of Everything (5, p. 847). And he (Maalouf) defines it. Classification, classification and type. The combination of the types of classes of each type of everything, which is more specific than sex (6, p. 847). B- Terminology: (Safa) defines it as 'an optical structure consisting of formal elements governed by the means of organization in design and linked by structural relations of extension, symmetry, contrast, segmentation, perforation, consistency, symmetry, tiredness of space' and are based on aesthetic and intellectual foundations (7, p. 185) . As (Saliba) defines him, 'what distinguishes something by itself, that is, it has a nature of its own, and it cannot be traced back to the types and varieties (3, p. 512). For the purposes of this research, the researchers have defined their following procedural definition: it is the main driver of a variety of methods and methods by which the perceived artist is unique. Volume XII, Issue IV, 2020 Page No: 5944 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Technical: A- Language: Technology (TQN) - (Mastery) - Its provisions (1, p. 78). It is a linguistic term derived from the verb mastered, in the sense of wisdom and perfection in the sense of the subtle and skilled man (8, p. 85). B- Terminology: The word “technical” is mentioned in Al-Mawred Dictionary “Method or method of processing technical details by the writer or artist, artistic proficiency, technical methods, especially in scientific research,… method of achieving a desired purpose” (9, p. 954). And technology in relation to art (among all methods and methods that are specialized in art or profession) (5, p. 63). The researchers define the procedure procedurally as follows: (It is the set of operational processes that rely on cognitive theories and skill experiences that the artist enjoys to produce his artwork). Technological diversification procedural: It is the experimental transformation by investing and using tools, tools and materials to produce
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