2017–2018 Annual Report
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New York, New York
EXPOSITION NEW YORK, NEW YORK Cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo Du 14 juillet au 10 septembre 2006 Grimaldi Forum - Espace Ravel INTRODUCTION L’exposition « NEW YORK, NEW YORK » cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo produite par le Grimaldi Forum Monaco, bénéficie du soutien de la Compagnie Monégasque de Banque (CMB), de SKYY Vodka by Campari, de l’Hôtel Métropole à Monte-Carlo et de Bentley Monaco. Commissariat : Lisa Dennison et Germano Celant Scénographie : Pierluigi Cerri (Studio Cerri & Associati, Milano) Renseignements pratiques • Grimaldi Forum : 10 avenue Princesse Grace, Monaco – Espace Ravel. • Horaires : Tous les jours de 10h00 à 20h00 et nocturne les jeudis de 10h00 à 22h00 • Billetterie Grimaldi Forum Tél. +377 99 99 3000 - Fax +377 99 99 3001 – E-mail : [email protected] et points FNAC • Site Internet : www.grimaldiforum.mc • Prix d’entrée : Plein tarif = 10 € Tarifs réduits : Groupes (+ 10 personnes) = 8 € - Etudiants (-25 ans sur présentation de la carte) = 6 € - Enfants (jusqu’à 11 ans) = gratuit • Catalogue de l’exposition (versions française et anglaise) Format : 24 x 28 cm, 560 pages avec 510 illustrations Une coédition SKIRA et GRIMALDI FORUM Auteurs : Germano Celant et Lisa Dennison N°ISBN 88-7624-850-1 ; dépôt légal = juillet 2006 Prix Public : 49 € Communication pour l’exposition : Hervé Zorgniotti – Tél. : 00 377 99 99 25 02 – [email protected] Nathalie Pinto – Tél. : 00 377 99 99 25 03 – [email protected] Contact pour les visuels : Nadège Basile Bruno - Tél. : 00 377 99 99 25 25 – [email protected] AUTOUR DE L’EXPOSITION… Grease Etes-vous partant pour une virée « blouson noir, gomina et look fifties» ? Si c’est le cas, ne manquez pas la plus spectaculaire comédie musicale de l’histoire du rock’n’roll : elle est annoncée au Grimaldi Forum Monaco, pour seulement une semaine et une seule, du 25 au 30 juillet. -
Faculty and Staff Activities 2014–2015
FACULTY AND STAFF ACTIVITIES 2014–2015 COOPER AT ARCHITECTURE Professor Diana Agrest’s film “The Making of an Avant- Assistant Professor Adjunct John Hartmann, co-founder Visiting Professor Joan Ockman was a co-editor for MAS: Garde: The Institute for Architecture and Urban Studies with Lauren Crahan of Freecell Architecture, spoke at The The Modern Architecture Symposia 1962-1966: A Critical Edition 1967-1984” was screened at the Graham Foundation, Hammons School of Architecture at Drury University as part (Yale University Press). The publication was reviewed in Princeton University, Cornell University, UC Berkeley of the 2014-2015 Lecture Series. Architectural Record. She was a presenter at The Building EDITED BY EMMY MIKELSON; DESIGN BY INESSA SHKOLNIKOV, CENTER FOR DESIGN AND TYPOGRAPHY; PHOTOGRAPHY BY JOÃO ENXUTO WITH SPECIAL ASSISTANCE FROM THE SCHOOL OF ARCHITECTURE ARCHIVE AND ELIZABETH O’DONNELL, ACTING DEAN ARCHIVE AND ELIZABETH O’DONNELL, ACTING FROM THE SCHOOL OF ARCHITECTURE WITH SPECIAL ASSISTANCE ENXUTO BY JOÃO DESIGN AND TYPOGRAPHY; PHOTOGRAPHY CENTER FOR SHKOLNIKOV, EDITED BY EMMY MIKELSON; DESIGN INESSA College of Environmental Design and followed by a panel Symposium held at Columbia University GSAPP. discussion with Agrest, Nicholas de Monchaux, Sylvia Lavin Director of the School of Architecture Archive, and Stanley Saitowitz, the 10th Annual Cinema Orange Film Steven Hillyer, co-produced Christmas Without Tears, Acting Dean and Professor Elizabeth O’Donnell was the Series, Newport Beach Film Festival at Orange County a four-city tour of holiday-themed variety shows hosted co-chair and delivered the introductory remarks for Museum of Art, the San Diego Design Film Festival, and Cite by Judith Owen and Harry Shearer, which included “The Sultanate of Oman: Geography, Religion and Culture” de l’Architecture in Paris, France, which was followed by a performances by Mario Cantone, Catherine O’Hara, held at The Cooper Union. -
The Life and Times of Penny Arcade. Matthew Hes Ridan Ames Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 "I Am Contemporary!": The Life and Times of Penny Arcade. Matthew heS ridan Ames Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Ames, Matthew Sheridan, ""I Am Contemporary!": The Life and Times of Penny Arcade." (1996). LSU Historical Dissertations and Theses. 6150. https://digitalcommons.lsu.edu/gradschool_disstheses/6150 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Anthology Film Archives 104
242. Sweet Potato PieCl 384. Jerusalem - Hadassah Hospital #2 243. Jakob Kohn on eaver-Leary 385. Jerusalem - Old Peoples Workshop, Golstein Village THE 244. After the Bar with Tony and Michael #1 386. Jerusalem - Damascus Gate & Old City 245. After the Bar with Tony and Michael #2 387. Jerusalem -Songs of the Yeshiva, Rabbi Frank 246. Chiropractor 388. Jerusalem -Tomb of Mary, Holy Sepulchre, Sations of Cross 247. Tosun Bayrak's Dinner and Wake 389. Jerusalem - Drive to Prison 248. Ellen's Apartment #1 390. Jerusalem - Briss 249. Ellen's Apartment #2 391 . European Video Resources 250. Ellen's Apartment #3 392. Jack Moore in Amsterdam 251, Tuli's Montreal Revolt 393. Tajiri in Baarlo, Holland ; Algol, Brussels VIDEOFIiEEX Brussels MEDIABUS " LANESVILLE TV 252. Asian Americans My Lai Demonstration 394. Video Chain, 253. CBS - Cleaver Tapes 395. NKTV Vision Hoppy 254. Rhinoceros and Bugs Bunny 396. 'Gay Liberation Front - London 255. Wall-Gazing 397. Putting in an Eeel Run & A Social Gathering 256. The Actress -Sandi Smith 398. Don't Throw Yer Cans in the Road Skip Blumberg 257. Tai Chi with George 399. Bart's Cowboy Show 258. Coke Recycling and Sheepshead Bay 400. Lanesville Overview #1 259. Miami Drive - Draft Counsel #1 401 . Freex-German TV - Valeska, Albert, Constanza Nancy Cain 260. Draft Counsel #2 402, Soup in Cup 261 . Late Nite Show - Mother #1 403. Lanesville TV - Easter Bunny David Cort 262. Mother #2 404. LanesvilleOverview #2 263. Lenneke and Alan Singing 405. Laser Games 264. LennekeandAlan intheShower 406. Coyote Chuck -WestbethMeeting -That's notRight Bart Friedman 265. -
Queer Icon Penny Arcade NYC USA
Queer icON Penny ARCADE NYC USA WE PAY TRIBUTE TO THE LEGENDARY WISDOM AND LIGHTNING WIT OF THE SElf-PROCLAIMED ‘OLD QUEEn’ oF THE UNDERGROUND Words BEN WALTERS | Photographs DAVID EdwARDS | Art Direction MARTIN PERRY Styling DAVID HAWKINS & POP KAMPOL | Hair CHRISTIAN LANDON | Make-up JOEY CHOY USING M.A.C IT’S A HOT JULY AFTERNOON IN 2009 AND I’M IN PENNy ARCADE’S FOURTH-FLOOR APARTMENT ON THE LOWER EASt SIde of MANHATTan. The pink and blue walls are covered in portraits, from Raeburn’s ‘Skating Minister’ to Martin Luther King to a STOP sign over which Penny’s own image is painted (good luck stopping this one). A framed heart sits over the fridge, Day of the Dead skulls spill along a sideboard. Arcade sits at a wrought-iron table, before her a pile of fabric, a bowl of fruit, two laptops, a red purse, and a pack of American Spirits. She wears a striped top, cargo pants, and scuffed pink Crocs, hair pulled back from her face, no make-up. ‘I had asked if I could audition to play myself,’ she says, ‘And the word came back that only a movie star or a television star could play Penny Arcade!’ She’s talking about the television film, An Englishman in New York, the follow-up to The Naked Civil Servant, in which John Hurt reprises his role as Quentin Crisp. Arcade, a regular collaborator and close friend of Crisp’s throughout his last decade, is played by Cynthia Nixon, star of Sex PENNY ARCADE and the City – one of the shows Arcade has blamed for the suburbanisation of her beloved New York City. -
Oct-Dec Press Listings
ANTHOLOGY FILM ARCHIVES OCTOBER – DECEMBER PRESS LISTINGS OCTOBER 2013 PRESS LISTINGS MIX NYC PRESENTS: Tommy Goetz A BRIDE FOR BRENDA 1969, 62 min, 35mm MIX NYC, the producer of the NY Queer Experimental Film Festival, presents a special screening of sexploitation oddity A BRIDE FOR BRENDA, a lesbian-themed grindhouse cheapie set against the now-tantalizing backdrop of late-60s Manhattan. Shot in Central Park, Times Square, the Village, and elsewhere, A BRIDE FOR BRENDA narrates (quite literally – the story is told via female-voiced omniscient narration rather than dialogue) the experiences of NYC-neophyte Brenda as she moves into an apartment with Millie and Jane. These apparently unremarkable roommates soon prove themselves to be flesh-hungry lesbians, spying on Brenda as she undresses, attempting to seduce her, and making her forget all about her paramour Nick (and his partners in masculinity). As the narrator intones, “Once a young girl has been loved by a lesbian, it’s difficult to feel satisfaction from a man again.” –Thurs, Oct 3 at 7:30. TAYLOR MEAD MEMORIAL SCREENING Who didn’t love Taylor Mead? Irrepressible and irreverent, made of silly putty yet always sharp- witted, he was an underground icon in the Lower East Side and around the world. While THE FLOWER THIEF put him on the map, and Andy Warhol lifted him to Superstardom, Taylor truly made his mark in the incredibly vast array of films and videos he made with notables and nobodies alike. A poster child of the beat era, Mead was a scene-stealer who was equally vibrant on screen, on stage, or in a café reading his hilarious, aphoristic poetry. -
Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27
BAMcinématek presents Indie 80s, a comprehensive, 60+ film series highlighting the decade between 70s New Hollywood and the 90s indie boom, Jul 17—Aug 27 Co-presented by Cinema Conservancy The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/June 11, 2015—From Friday, July 17 through Thursday, August 27, BAMcinématek and Cinema Conservancy present Indie 80s, a sweeping survey of nearly 70 films from the rough-and-tumble early days of modern American independent cinema. An aesthetic and political rebuke to the greed-is-good culture of bloated blockbusters and the trumped-up monoculture of Reagan-era America, Indie 80s showcases acclaimed works like Jim Jarmusch’s Stranger Than Paradise (1984—Jul 18), David Lynch’s Blue Velvet (1986—Aug 8), and Steven Soderbergh’s sex, lies, and videotape (1989—Aug 14) alongside many lesser- known but equally accomplished works that struggled to find proper distribution in the era before studio classics divisions. Filmmakers including Ross McElwee, William Lustig, Rob Nilsson, and more will appear in person to discuss their work. Like the returning expatriate’s odyssey in Robert Kramer’s four-hour road movie Route One/USA (1989—Aug 16), a sampling of 80s indie cinema comprises an expansive journey through the less-traveled byways of America. From the wintry Twin Cities of the improvised, hilariously profane road trip Patti Rocks (1988—Aug 25) to the psychopath’s stark Chicago hunting grounds in John McNaughton’s Henry: Portrait of a Serial Killer (1986—Jul 29) to the muggy Keys of Florida in filmmaker Victor Nuñez’s eco-thriller A Flash of Green (1984—Aug 12), regional filmmakers’ cameras canvassed an America largely invisible to Hollywood. -
30 24 AWP Full Magazine
Read your local stoop inside. Read them all at BrooklynPaper.com Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2007 BROOKLYN HEIGHTS–DOWNTOWN EDITION AWP /18 pages • Vol. 30, No. 24 • Saturday, June 16, 2007 • FREE INCLUDING DUMBO BABY PRICEY SLICE BANDIT Piece of pizza soaring toward $3 Sunset Parker aids By Ariella Cohen The Brooklyn Paper orphaned raccoon A slice of pizza has hit $2.30 in Carroll Gardens — and the shop’s owner says it’s “just a matter of By Dana Rubinstein time” before a perfect storm of soaring cheese prices The Brooklyn Paper and higher fuel costs hit Brooklyn with the ultimate insult: the $3 slice. A Sunset Park woman is caring for a help- Sal’s Pizzeria, a venerable joint at the corner of less baby raccoon by herself because she Court and DeGraw streets, has punched a huge hole can’t find a professional to take over. in the informal guideline that the price of a slice “I’ve been calling for days, everywhere. I should mirror the price of a swipe on the subway. haven’t gotten no help from no one,” said Mar- Last week, owner John Esposito hung a sign in his garita Gonzalez, who has been feeding the cub front window blaming “an increase in cheese prices” with a baby bottle ever since it wandered into her for the sudden price hike from $2.15, which he set backyard on 34th Street near Fourth Avenue. last year. “I called the Humane Society, and from To bolster his case, Esposito also posted copies of there they have connected me to numbers and a typewritten “update” from his Wisconsin-based / Stephen Chernin cheese supplier, Grande Cheese, explaining that its prices had risen 35 cents a pound because of an “un- precedented” 18-percent spike in milk costs. -
The Emergence of Abstract Film in America Was Organized by Synchronization with a Musical Accompaniment
EmergenceFilmFilmFilmArchiveinArchivesAmerica, The Abstract Harvard Anthology Table of Contents "Legacy Alive: An Introduction" by Bruce Posner . ... ... ... ... ..... ... ... ... ... ............ ....... ... ... ... ... .... .2 "Articulated Light: An Appendix" by Gerald O'Grady .. ... ... ...... ... ... ... ... ... ... ... ...... ... ... ... ... ... .... .3 "Cinema as a An Form: Avant-Garde " Experimentation " Abstraction" by Vlada Petric .. ... 3 "A New RealismThe Object" by Fernand Leger ... ........ ... ... ... ...... ........ ... ... ... ... .... ... .......... .4 "True Creation" by Oskar Fischinger .. ..... ... ... ... ... .. ...... ... ....... ... ........... ... ... ... ... ... ....... ... ........4 "Observable Forces" by Harry Smith . ... ... ... ... ... ... ...... ... ... ... ... ......... ... ... ... .......... ...... ... ... ... ......5 "Images of Nowhere" by Raul Ruiz ......... ... ... ........ ... ... ... ... ... ...... ... ... ... ... ... ...... ... ... .... ... ... ... 5 `TIME. .. on dit: Having Declared a Belief in God" by Stan Brakhage ..... ...... ............. ... ... ... .. 6 "Hilla Rebay and the Guggenheim Nexus" by Cecile Starr ..... ... ...... ............ ... ... ... ... ... ... ... ...7 Mary Ellen Bute by Cecile Starr .. ... ... ... ... ...... ... ... ... ... ... ............ ... ...... ... ... ... ... ... ...... ... .............8 James Whitney studying water currents for Wu Ming (1973) Statement I by Mary Ellen Bute ... ... ... ... ... ... ... ... ... ... ... ...... ...... ... ... ...... ... ... ... ... .. -
64 2Nd Avenue
64 2ND AVENUE RETAIL SPACE SPECIFICATIONS: NEIGHBORING TENANTS: SIZE Whole Foods, Bareburger, Mermaid Inn, The Wren, Saxon + Parole, Second: 1,374 SF Bar Primi, The Standard East Village, La Cerveceria, The Black Ant Ground: 1,374 SF COMMENTS: Cellar: 1 ,371 SF • All uses considered FRONTAGE 15 FT • Ground and second floor can be leased separately ASKING RENT Upon Request • Venting is possible LEASE TYPE Direct • Windows on the southern portion of the building (including cellar) NEIGHBORS NEIGHBORS WENDY QIU MEAGAN BONAN 212.841.7908 212.589.5150 [email protected] [email protected] A commission computed and earned in accordance with the rates and conditions of our agency agreement with our principal, when received from our principal, will be paid to a cooperating broker who consummates a lease which is unconditionally executed and delivered by and between landlord and tenant. (A copy of the rates and conditions referred to above are available upon request.) No warranty or representation, express or implied, is made as to the accuracy of the information contained herein, and same is submitted subje ct to errors, omissions, change of price, rental, or other conditions, withdrawal without notice, and to any special listing conditions, imposed by our principals. The depiction in the above photograph of any person, entity, sign, logo or property (other than Cushman & Wakefield’s client and the property offered by Cushman & Wakefield) is incidental only, and is not intended to connote any affiliation, connection, association, sponsorship or approval by or between that which is incidentally depicted and Cushman & Wakefield or its client. -
CINEMATIC ARTS NEWSLETTER Issue 3
DEPARTMENT OF CINEMATIC ARTS NEWSLETTER Issue 3 DEPARTMENT OF CINEMATIC ARTS NEWSLETTER ISSUE #3 SUMMER 2018 IT’S IN THE CAN! IN THIS ISSUE Letter from the Chair By: Paula Amad, Associate Professor and Chair Cinematic Arts Colloquium (p.2) Dear Friends of the Department of Cinematic Arts, ICDOCS Returns (p. 3) Welcome to our CAN issue #3 for Summer 2018. It's always a pleasure to share some highlights of the past year with our Cinematic Arts community. CLAS Alumni Fellow David Conley Visits Cinematic Arts (p. 4) We are proud to be a Department that is committed to promoting cinema as a bold and innovative art form that makes us think, feel, and act like no other medium can. Supplementing our core mission of research and teaching, we hosted a rich array of provocative talks and film screenings by Bettendorf middle-schoolers visit UI artists, industry professionals, and scholars. Three notable events of the year were the visits by campus (p. 5) David Conley, University of Iowa College of Liberal Arts and Sciences’ alumni awardee and Special Effects producer at Weta Digital, one of the world’s leading effects companies; world-renowned Cinematic Arts at the Archive experimental filmmaker and Ida Beam Visiting Professor Bill Morrison who screened his latest award-winning documentary Dawson City: Frozen in Time; and UI alumni screenwriters and Symposium (p. 6) filmmakers Scott Beck and Bryan Woods who shared valuable career A Quiet Place Writers Return to Their advice and backstory news on their hit Alma Mater (p. 6) horror film A Quiet Place. -
Purple Riot Studio / Film + Animation by Kelly Gallagher
kelly gallagher Yellow Springs, OH ____________________________________________________________________________________________________________________________________________ www.purpleriot.com / [email protected] reel: https://vimeo.com/220358014 professional teaching experience: 2015- current Assistant Professor of Media Arts, Antioch College, Yellow Springs, OH 2014- 2015 Primary Instructor, Cinematic Arts, University of Iowa, Iowa City, IA education: 2015 MFA Cinematic Arts, University of Iowa, Iowa City, IA 2009 BA Film/Video with a Sociology Minor, Penn State University, University Park, PA films / videos / animations: 2017 (upcoming) Cumann na mBan: Women Rising 2016 More Dangerous Than a Thousand Rioters (6min) Do You Want to Go for a Drive? (5min) 2015 FROM ALLY TO ACCOMPLICE (18min) 2014 Pearl Pistols (3min) Photographs From My Father (14min) Pen Up the Pigs (12min) Colliding (9min, 16mm double projection performance) 2013 Ceallaigh at Kilmainham (7min) I AM THE MACE (4min) 2012 Works Like Magic (2min/ video installation) Pennsylvania (2min) 2010 Women for Self Defense (3min) 2009 The Herstory of the Female Filmmaker (15min) commissioned film / video / animation work: 2017 (upcoming) Animation for Garry Winogrand All Things are Photographable, directed by Sasha Waters Freyer (upcoming) Commissioned animation for PBS American Masters documentary Words From a Bear: N. Scott Momaday, directed by Jeffrey Palmer 2015 Prairie Visions, 1 min animation for