Capital Campaign Brochure
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ikonografijos Publikacijų Sąrašas
1 IKONOGRAFIJOS PUBLIKACIJŲ SĄRAŠAS 2013 [Aktorius Donatas Banionis apdovanotas ordino "Už nuopelnus Lietuvai" Komandoro didžiuoju kryžiumi - nuotrauka, 2004] // Lietuvos garbės kodas. - Vilnius : Lietuvos rytas, 2013, p. 298. Budraitis, Juozas. Aktorius Donatas Banionis : [fotografija, Tokijas, 1975] / Juozas Budraitis // Lietuvos fotografija: vakar ir šiandien. - [20]13, p. 65. 2011 Aleksandravičius, Algimantas. Auktumas ir aktorius Donatas Banionis : [reportažinė nuotrauka] / Algimantas Aleksandravičius // Tai Lietuva. Lietuvos spaudos fotografija. - ISSN 1822- 2137. - 2011, p. 139. 2010 Dešimt [Vaizdo įrašas] : dokumentinis filmas / režisierius, operatorius Džiugas Katinas ; operatoriai :Karolis Jankus, Jonas Lozuraitis, Vilmantas Jankauskas. - Vilnius : [Lietuvos institutas], 2010. - 1 garso ir vaizdo diskas (DVD) (86min.) : skaitm., gars., spalv. (PAL). - Filme dalyvavo: Violeta Urmanavičiūtė, Vladimiras Tarasovas, Jonas Mekas, Valentinas Masalskis, Andrius Mamontovas, Vytautas Landsbergis, Oskaras Koršunovas, Sigitas Geda, Donatas Banionis, Audrys Juozas Bačkis. 2009 Zavadskis, Audrius. Aktorius Donatas Banionis filme "Niekas nenorėjo mirti" = Actor Donatas Banionis in the movie "Nobody wanted to die" : [fotografija, 1965] / Audrius Zavadskis. – Gretut. tekstas liet., angl. // Lietuvos fotografija: vakar ir šiandien. – ISSN 1648-567X. – [20]09, p. 236. 2007 Aleksandravičius, Algimantas. Actor Donatas Banionis, 2005 : [fotografija] / Algimantas Aleksandravičius // Shining / Algimantas Aleksandravičius. – [Vilnius] : Atviras [i.e. -
Piliečius Ugdančios Lietuvių Kalbos Ir Literatūros Pamokos
Jurga Dzikaitė Dainora Eigminienė Darius Kuolys Viktorija Šeina PILIEČIUS UGDANČIOS LIETUVIŲ KALBOS IR LITERATŪROS PAMOKOS Projekto „Kuriame Respubliką“ siūlomi papildomi lietuvių kalbos ir literatūros dalyko moduliai pilietiškumui ugdyti 2015 m. Leidinys parengtas įgyvendinant projektą „Kuriame Respubliką: visuomenės pilietinio veikimo kompetencijų ugdymas“ (projekto kodas VP1-2.2-ŠMM-10V-02-006), remiamą Europos Socialinio fondo ir Lietuvos Respublikos valstybės biudžeto lėšomis pagal Europos Komisijos Žmogiškųjų išteklių plėtros veiksmų programą. Leidinį parengė : Jurga Dzikaitė, Dainora Eigminienė, dr. Darius Kuolys, Viktorija Šeina. Projektą įgyvendino: Pilietinės visuomenės institutas. Projekto partneriai: Ateitininkų federacija, Pilietiškumo, demokratijos ir teisės programų centras, Švietimo centrų darbuotojų asociacija, VšĮ „Mes Darom“, Istorijos mokytojų asociacija, Lietuvos gimnazijų asociacija, Lietuvos pagrindinių mokyklų asociacija, Lietuvos kolegijų direktorių konferencija, Lietuvos moksleivių sąjunga, Nacionalinė jaunimo reikalų koordinatorių asociacija, Lietuvos vietos bendruomenių organizacijų sąjunga, asociacija „Lituanistų sambūris“, „Transparency International“ Lietuvos skyrius, Vilniaus bendruomenių asociacija, Rokiškio, Jonavos ir kitų savivaldybių jaunimo organizacijos „Apskritieji stalai“. © Pilietinės visuomenės institutas, 2015 m. Turinys Leidinio paskirtis ................................................................................................................... 4 Kalba ir literat ūra – bendruomen ės -
SATURDAY, FEBRUARY 14 11:30 A.M. Unnameable Books 600
Performance Poetry, Pedestal Magazine, New Verse of the Union (Spuyten Duyvil Press). Her work is forthcoming fronted by East Village-based musician Mallory Feuer. SATURDAY, News); set to music (David Morneau’s Love or has recently appeared in such places as The Awl, Boston Two years of consistent performing in and around New FEBRUARY 14 Songs); on the silver screen (2005 indie flick Review, and The Brooklyn Rail. York followed, with several major shifts to the band’s Love and the Vampire); in print (Soft Skull Press’ lineup and sound. 11:30 A.M. The Bandana Republic: A Literary Anthology by 1:05 p.m. Brian Fitzpatrick The CD spins onward, with “How Will I Grow” Unnameable Books Gang Members and Their Affiliates, and Harper Perennial’s It http://thefanzine.com/author/brianfitz/ and “Say it Ain’t So,” two songs about a destructive All Changed in an Instant: More Six-Word Memoirs by Writers Brian Fitzpatrick lives and teaches in relationship, with a whirlwind of confrontational, 600 Vanderbilt Ave. Famous & Obscure). She and Jack Cooper run Poets Wear Prada. Washington, D.C., where he writes poetry nightmarish lyrics over dense, complex musical (bet. Prospect Place/St. Marks Avenue) Her elegiac poem “In Loving Memory,” illustrated by Edward and comedy pieces. His work has appeared arrangements. If the first three tracks were a weather Odwitt, was released in 2011. in print and online in places like Rattle and report to alert us of a hurricane of troubled dreams Prospect Heights, on D.C.’s Pink Line Project and Fanzine. B. -
New York, New York
EXPOSITION NEW YORK, NEW YORK Cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo Du 14 juillet au 10 septembre 2006 Grimaldi Forum - Espace Ravel INTRODUCTION L’exposition « NEW YORK, NEW YORK » cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo produite par le Grimaldi Forum Monaco, bénéficie du soutien de la Compagnie Monégasque de Banque (CMB), de SKYY Vodka by Campari, de l’Hôtel Métropole à Monte-Carlo et de Bentley Monaco. Commissariat : Lisa Dennison et Germano Celant Scénographie : Pierluigi Cerri (Studio Cerri & Associati, Milano) Renseignements pratiques • Grimaldi Forum : 10 avenue Princesse Grace, Monaco – Espace Ravel. • Horaires : Tous les jours de 10h00 à 20h00 et nocturne les jeudis de 10h00 à 22h00 • Billetterie Grimaldi Forum Tél. +377 99 99 3000 - Fax +377 99 99 3001 – E-mail : [email protected] et points FNAC • Site Internet : www.grimaldiforum.mc • Prix d’entrée : Plein tarif = 10 € Tarifs réduits : Groupes (+ 10 personnes) = 8 € - Etudiants (-25 ans sur présentation de la carte) = 6 € - Enfants (jusqu’à 11 ans) = gratuit • Catalogue de l’exposition (versions française et anglaise) Format : 24 x 28 cm, 560 pages avec 510 illustrations Une coédition SKIRA et GRIMALDI FORUM Auteurs : Germano Celant et Lisa Dennison N°ISBN 88-7624-850-1 ; dépôt légal = juillet 2006 Prix Public : 49 € Communication pour l’exposition : Hervé Zorgniotti – Tél. : 00 377 99 99 25 02 – [email protected] Nathalie Pinto – Tél. : 00 377 99 99 25 03 – [email protected] Contact pour les visuels : Nadège Basile Bruno - Tél. : 00 377 99 99 25 25 – [email protected] AUTOUR DE L’EXPOSITION… Grease Etes-vous partant pour une virée « blouson noir, gomina et look fifties» ? Si c’est le cas, ne manquez pas la plus spectaculaire comédie musicale de l’histoire du rock’n’roll : elle est annoncée au Grimaldi Forum Monaco, pour seulement une semaine et une seule, du 25 au 30 juillet. -
Faculty and Staff Activities 2014–2015
FACULTY AND STAFF ACTIVITIES 2014–2015 COOPER AT ARCHITECTURE Professor Diana Agrest’s film “The Making of an Avant- Assistant Professor Adjunct John Hartmann, co-founder Visiting Professor Joan Ockman was a co-editor for MAS: Garde: The Institute for Architecture and Urban Studies with Lauren Crahan of Freecell Architecture, spoke at The The Modern Architecture Symposia 1962-1966: A Critical Edition 1967-1984” was screened at the Graham Foundation, Hammons School of Architecture at Drury University as part (Yale University Press). The publication was reviewed in Princeton University, Cornell University, UC Berkeley of the 2014-2015 Lecture Series. Architectural Record. She was a presenter at The Building EDITED BY EMMY MIKELSON; DESIGN BY INESSA SHKOLNIKOV, CENTER FOR DESIGN AND TYPOGRAPHY; PHOTOGRAPHY BY JOÃO ENXUTO WITH SPECIAL ASSISTANCE FROM THE SCHOOL OF ARCHITECTURE ARCHIVE AND ELIZABETH O’DONNELL, ACTING DEAN ARCHIVE AND ELIZABETH O’DONNELL, ACTING FROM THE SCHOOL OF ARCHITECTURE WITH SPECIAL ASSISTANCE ENXUTO BY JOÃO DESIGN AND TYPOGRAPHY; PHOTOGRAPHY CENTER FOR SHKOLNIKOV, EDITED BY EMMY MIKELSON; DESIGN INESSA College of Environmental Design and followed by a panel Symposium held at Columbia University GSAPP. discussion with Agrest, Nicholas de Monchaux, Sylvia Lavin Director of the School of Architecture Archive, and Stanley Saitowitz, the 10th Annual Cinema Orange Film Steven Hillyer, co-produced Christmas Without Tears, Acting Dean and Professor Elizabeth O’Donnell was the Series, Newport Beach Film Festival at Orange County a four-city tour of holiday-themed variety shows hosted co-chair and delivered the introductory remarks for Museum of Art, the San Diego Design Film Festival, and Cite by Judith Owen and Harry Shearer, which included “The Sultanate of Oman: Geography, Religion and Culture” de l’Architecture in Paris, France, which was followed by a performances by Mario Cantone, Catherine O’Hara, held at The Cooper Union. -
Dafilms.Com Presents:Retrospective of Jonas Mekas
DAFilms.com, Press Release, October 1, 2018 DAFilms.com presents:Retrospective of Jonas Mekas “My films are the celebration of reality, of life, of my friends, of actual daily life that passes and is gone tomorrow. We don't pay attention to it when it happens.” DAFilms.com present an extensive retrospective of Jonas Mekas, 95-year-old director straddled between Europe and the US, documentary and the avant-garde. Discover the work of the Lithuanian-American director, poet and visual artist often called the godfather of American avant-garde cinema and founder of the diary genre in documentary film. *** The collection includes a cross-section of the works by Jonas Mekas which often follow a personal line. We present 13 films altogether, including The Brig about a Marine Corps jail in Japan. Following a day in the life of the inmates, the ultra-realistic film captures the tough treatment and shocking ways of physical and mental humiliation. The film won the Grand Prix at Venice Film Festival in 1964. This Side of Paradise follows the Kennedy family after the death of JFK. Jackie Kennedy decided to distract the children and hired Mekas as a film chronicler. The director spent several summer holidays at the house of Andy Warhol with the family, making a very personal film with a touch of home video and deep friendship which gradually emerged between him and the family. Made in diary style, Williamsburg, Brooklyn shows the neighborhood where Mekas settled after his arrival in the US; most of the scenes were shot between 1948 and 1951 and show the everyday life and little stories from the streets of New York. -
Marie Menken. Andy Warhol, 1965. Frame Enlargement. Photo Courtesy
Top: Marie Menken. Andy Warhol , 1965. Frame enlargement. Photo courtesy of Anthology Film Archives. All rights reserved. Bottom: Marie Menken. Arabesque for Kenneth Anger, 1961. Frame enlargement. Photo courtesy of Anthology Film Archives. All rights reserved. 58 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/grey.2009.1.36.58 by guest on 26 September 2021 Myth, Matter, Queerness: The Cinema of Willard Maas, Marie Menken, and the Gryphon Group, 1943–1969 JUAN A. SUÁREZ The Gryphon group has had an uneven reception history: well-known and well-regarded in experimental film circles during its active years—the mid- 1940s to the late 1960s—it suffered an eclipse in succeeding decades and now seems poised for a return, as recent publications, conferences, and film programs begin to assess Gryphon’s place in the history of avant-garde cinema. The group’s core members were Marie Menken and her husband, Willard Maas. Among those who worked under the Gryphon imprint are Ben Moore, Charles Boultenhouse, John Hawkins, and Charles Henri Ford. And on the outer edges of the collective were Gregory Markopoulos and Stan Brakhage. Maas claimed them as members and they allowed their work to be connected with the group but did not feel strongly committed to it. 1 The list of Gryphon’s friends and collaborators makes up an impressive cross-section of the postwar avant-garde, and includes filmmakers Norman McLaren, Maya Deren, Kenneth Anger, and Andy Warhol, poet and film - maker Gerard Malanga, critic Parker Tyler, Living Theater founders and directors Julian Beck and Judith Malina, the British poet George Barker— a protégé of T.S. -
AT56 Lituania Inglese.Indd
#56 #56 L ithuania is among the most SEPTEMBER dynamic European states. The largest of the Baltic countries (covering rough- 2020 ly a quarter of Italy’s surface-area), it has a short coastline on the Baltic Sea. It is a very young parliamentary Republic, the first to proclaim its independence from the Soviet Union on 11 March 1990. His- L OCTOBER 2020 OCTOBER torically disputed between Germany L and Russia, this country has always been influenced by numerous countries and cultures, thus slowing the formation of its national artistic identity. While this year marks the thirtieth anniversary of independence, for some years, Lithuania has taken every opportunity to become SEPTEMBER better known in Italy and other countries through its rich and particularly far-sight- ed cultural programme. We need only mention the Golden Lion received at the 58th Venice Biennale of Art. GREAT MASTERS AND LITHUANIA: MID-CAREER ARTISTS L L Lithuania has produced extraordinary STORIES artists such as Jonas Mekas, a reference THE BALTIC figure of New American Cinema, founder of Film Culture magazine and the Film- makers’ Cooperative, which would later evolve into the prestigious Anthology Film Archive; and George Maciunas, architect, COUNTRY L LITUANIA writer, composer and performer, as well LITUANIA L as one of the founders and main forces behind Fluxus. KEEPS ITS The next generation seems to be fun- damentally concerned with recent his- torical memory, which highlights the critical relationship of contemporary art STORIES PROMISES with social, political, and cultural phe- L L nomena linked to post-Soviet (artistic) identity. The main themes of Deimantas Narkevičius’s works, for example, are the memory of the utopia of modernism, his- tory, and social memory, which create a MARTA SILVI [ critica d’arte e curatrice ] dichotomy between memory and oblivion. -
Anthology Film Archives 104
242. Sweet Potato PieCl 384. Jerusalem - Hadassah Hospital #2 243. Jakob Kohn on eaver-Leary 385. Jerusalem - Old Peoples Workshop, Golstein Village THE 244. After the Bar with Tony and Michael #1 386. Jerusalem - Damascus Gate & Old City 245. After the Bar with Tony and Michael #2 387. Jerusalem -Songs of the Yeshiva, Rabbi Frank 246. Chiropractor 388. Jerusalem -Tomb of Mary, Holy Sepulchre, Sations of Cross 247. Tosun Bayrak's Dinner and Wake 389. Jerusalem - Drive to Prison 248. Ellen's Apartment #1 390. Jerusalem - Briss 249. Ellen's Apartment #2 391 . European Video Resources 250. Ellen's Apartment #3 392. Jack Moore in Amsterdam 251, Tuli's Montreal Revolt 393. Tajiri in Baarlo, Holland ; Algol, Brussels VIDEOFIiEEX Brussels MEDIABUS " LANESVILLE TV 252. Asian Americans My Lai Demonstration 394. Video Chain, 253. CBS - Cleaver Tapes 395. NKTV Vision Hoppy 254. Rhinoceros and Bugs Bunny 396. 'Gay Liberation Front - London 255. Wall-Gazing 397. Putting in an Eeel Run & A Social Gathering 256. The Actress -Sandi Smith 398. Don't Throw Yer Cans in the Road Skip Blumberg 257. Tai Chi with George 399. Bart's Cowboy Show 258. Coke Recycling and Sheepshead Bay 400. Lanesville Overview #1 259. Miami Drive - Draft Counsel #1 401 . Freex-German TV - Valeska, Albert, Constanza Nancy Cain 260. Draft Counsel #2 402, Soup in Cup 261 . Late Nite Show - Mother #1 403. Lanesville TV - Easter Bunny David Cort 262. Mother #2 404. LanesvilleOverview #2 263. Lenneke and Alan Singing 405. Laser Games 264. LennekeandAlan intheShower 406. Coyote Chuck -WestbethMeeting -That's notRight Bart Friedman 265. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Catalogobim2014.Pdf
2 . Sobre la bIM / about bIM del 20 de noviembre al 20 de diciembre ca t á l o go 2014 EDUNTREF Denegri, Andrés. Catálogo BIM 2014 / Andrés Denegri y Gabriela Golder.- 1a ed.- Sáenz Peña: Universidad Nacional de Tres de Febrero, 2015. 280 p.; 23x15 cm. ISBN 978-987-1889-59-4 1. Artes Visuales. I. Golder, Gabriela II. Título CDD 778.5 © Catálogo BIM 2014 / Denegri, Andrés y Golder, Gabriela © de esta edición UNTREF (Universidad Nacional de Tres de Febrero) para Eduntref (Editorial de la Universidad Nacional de Tres de Febrero). Reservados todos los derechos de esta edición para Eduntref (UNTREF), Mosconi 2736, Sáenz Peña, Provincia de Buenos Aires. www.untref.edu.ar Primera edición mayo de 2015. Hecho el depósito que marca la ley 11.723. Queda rigurosamente prohibida cualquier forma de reproducción total o parcial de esta obra sin el permiso escrito de los titulares de los derechos de explotación. Impreso en la Argentina. 4 . Sobre la bIM / about bIM So- Palabras del rector / Words from the chancellor . 9 bre aníbal Y. Jozami Sobre la BIM / about BIM . 11 la andrés Denegri y Gabriela Golder BIM about BIM PREMIO / introducción / introduction . 15 aWARD jurados / jury . 17 NORBERTO GRIFFa a la obras seleccionadas / Selected works . 21 CREACIÓn AUDIOVISUAL LATINOAMERI- CANA Pro- exposiciones / exhibitions . 71 GRA- Proyecciones / Screenings . 109 ma- actividades especiales / Special activities . 257 ciÓn Programme 6 . Sobre la bIM / about bIM So- BRE la BIM A B O U T B I M BIM 2014 PalabraS del rector / WordS From the chancellor Por / by aníbal Y. -
Oct-Dec Press Listings
ANTHOLOGY FILM ARCHIVES OCTOBER – DECEMBER PRESS LISTINGS OCTOBER 2013 PRESS LISTINGS MIX NYC PRESENTS: Tommy Goetz A BRIDE FOR BRENDA 1969, 62 min, 35mm MIX NYC, the producer of the NY Queer Experimental Film Festival, presents a special screening of sexploitation oddity A BRIDE FOR BRENDA, a lesbian-themed grindhouse cheapie set against the now-tantalizing backdrop of late-60s Manhattan. Shot in Central Park, Times Square, the Village, and elsewhere, A BRIDE FOR BRENDA narrates (quite literally – the story is told via female-voiced omniscient narration rather than dialogue) the experiences of NYC-neophyte Brenda as she moves into an apartment with Millie and Jane. These apparently unremarkable roommates soon prove themselves to be flesh-hungry lesbians, spying on Brenda as she undresses, attempting to seduce her, and making her forget all about her paramour Nick (and his partners in masculinity). As the narrator intones, “Once a young girl has been loved by a lesbian, it’s difficult to feel satisfaction from a man again.” –Thurs, Oct 3 at 7:30. TAYLOR MEAD MEMORIAL SCREENING Who didn’t love Taylor Mead? Irrepressible and irreverent, made of silly putty yet always sharp- witted, he was an underground icon in the Lower East Side and around the world. While THE FLOWER THIEF put him on the map, and Andy Warhol lifted him to Superstardom, Taylor truly made his mark in the incredibly vast array of films and videos he made with notables and nobodies alike. A poster child of the beat era, Mead was a scene-stealer who was equally vibrant on screen, on stage, or in a café reading his hilarious, aphoristic poetry.