Queensland Touring Showcase 2014
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The Builders Labourers' Federation
Making Change Happen Black and White Activists talk to Kevin Cook about Aboriginal, Union and Liberation Politics Kevin Cook and Heather Goodall Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cook, Kevin, author. Title: Making change happen : black & white activists talk to Kevin Cook about Aboriginal, union & liberation politics / Kevin Cook and Heather Goodall. ISBN: 9781921666728 (paperback) 9781921666742 (ebook) Subjects: Social change--Australia. Political activists--Australia. Aboriginal Australians--Politics and government. Australia--Politics and government--20th century. Australia--Social conditions--20th century. Other Authors/Contributors: Goodall, Heather, author. Dewey Number: 303.484 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover images: Kevin Cook, 1981, by Penny Tweedie (attached) Courtesy of Wildlife agency. Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University and gratefully acknowledges the support of the School of History RSSS and the National Centre for Indigenous Studies, The Australian National -
GUWAABAL NGURRAMBAA-DHI GAMILARAAY-DHI Gamilaraay Voices STORIES from GAMILARAAY COUNTRY
GUWAABAL NGURRAMBAA-DHI GAMILARAAY-DHI Gamilaraay Voices STORIES FROM GAMILARAAY COUNTRY Compiled by Hilary Smith Project Director Carmel O’Shannessy Linguistic advice John Giacon In collaboration with Winanga-Li Aboriginal Child and Family Centre GIIRR NGIYANI DHAWUN GAMILARAAY WINANGA-Y-LA-NHA We acknowledge Gamilaraay country GIIRR NGIYANI MARAN GAMILARAAY WINANGA-Y-LA-NHA We acknowledge Gamilaraay ancestors GIIRR NGIYANI WAYAMAA GAMILARAAY WINANGA-Y-LA-NHA And pay respects to Gamilaraay elders Aboriginal and Torres Strait Islander readers are warned that the following materials may contain images of or reference to deceased persons. © Copyright Australian National University 2020 Cover picture: Gamilaraay lands, Sisters Under the Skin, Moree Design: Emily Downie, ANU College of Arts and Social Sciences CONTENTS GULBIYAAY Welcome 2 1. (A) Lands and Languages – Wayne Griffiths 5 (B) Names, Identity, Traditional Songs – Wayne Griffiths 9 (C) New Beginnings - Wayne Griffiths 11 2. (A) Reserves, Removals - Noeline Briggs-Smith OAM 13 (B) Massacres - Noeline Briggs-Smith OAM 16 3. Stolen Generations - Victoria Stark 17 4. Connection to Ancestors - Leanne Pryor 18 5. Footprints on the Land - Mitchum Neave 23 6. Segregated Schooling - Frances Nean 25 7. Silence and Trauma - Peter Allan 27 8. Cultural Revival through Dance - Barry Sampson 28 9. Cultural Revival through Art - Ryli Johnson 30 10. Language Revival in Schools - Allison West 31 11. Aboriginal Sport - Mikaela Aldridge 33 12. Passing on Language and Culture - Renee Stanford 34 GAMILARAAY VOICES: STORIES FROM GAMILARAAY COUNTRY 1 GULBIYAAY Welcome Welcome to Gamilaraay Voices, with stories from Gamilaraay country. View from Porcupine Hill, Gunnedah (Photo: Hilary Smith) The purpose of this course is to provide insight into the importance of renewing Gamilaraay language through the perspectives of people living ‘on country’, i.e. -
Indigenous Country by Rose Pearse
STATEWIDE The country music scene Agnes Donovan, from the Aboriginal Country Music Association has ... with young country artists been a vital link in developing annual events in Tamworth and has been undergoing supporting new talent. She said, “I think we’ve come a long way appealing to both the traditional with more and more people getting involved. There’s loads of considerable growth in new talent. One of the big things that has been happening country and mainstream pop/rock recently is that more and more Aboriginal women artists are recent years... coming forward. Auriel Andrews really paved the way here and music audiences and the festival now her daughter Serena Andrews is following through. There’s also Shani Fenwick from Newcastle and Tracey Grey who sings rapidly expanding. by ROSE PEARSE with Roger Knox’s band as well as the group she has with Roger’s son Buddy Knox. The doors are open for women now.” Agnes and her group of dedicated volunteers have organised the Aboriginal Showcase and Cultural Concert along with the annual ALONGSIDE IT, THE INDIGENOUS COUNTRY MUSIC SCENE IS ALSO Aboriginal Talent Quest in Tamworth for many years, with her blossoming; and New South Wales claims a number of important brother Michael Donovan and family band The Donovans backing Indigenous country artists. many performers taking to the stage for the first time. Grafton’s Troy Cassar-Daly is one of the most recognizable and successful, having won many awards and an enormous domestic audience. Troy has proven himself to be an artist of substance and endurance: a skilled songwriter and engaging storyteller. -
Today We're Alive – Generating Performance in a Cross-Cultural
Faculty of Education and Social Work The University of Sydney Today We’re Alive – generating performance in a cross-cultural context, an Australian experience. By Linden Wilkinson A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2014 Faculty of Education and Social Work Office of Doctoral Studies AUTHOR’S DECLARATION This is to certify that: l. this thesis comprises only my original work towards the Doctorate of Philosophy. ll. due acknowledgement has been made in the text to all other material used. lll. the thesis does not exceed the word length for this degree. lV. no part of this work has been used for the award of another degree. V. this thesis meets the University of Sydney’s Human Research Ethics Committee (HREC) requirements for the conduct of this research. Signature: Name: Linden Wilkinson Date: 17th September, 2014 Acknowledgements I wish to acknowledge my supervisors, Associate Professor Dr Michael Anderson and Dr Paul Dwyer, for their support, rigour and encouragement in relation to this project. I would also like to thank my family for their patience. And I would like to express my profound gratitude to everyone, who shared their time, their wisdom and their memories so willingly to this undertaking. The Myall Creek story goes on… Finally to the actors – to Fred, Anna, Lily, Genevieve, Aunty Rhonda & Terry in 2011, to Bjorn, Rosie, Frankie & Russell in 2013 – thanks for your skill, your trust, your imagination and your humour. And thanks for saying, “Yes.” i Today We’re Alive generating performance in a cross-cultural context, an Australian experience Abstract Using a mixed methods approach this thesis explores the construction and dissemination of a cross-cultural play within the Australian context. -
License Review Board Agenda January 9, 2018 55 Trinity Avenue Committee Room #1 Second Floor 5:00P.M
LICENSE REVIEW BOARD AGENDA JANUARY 9, 2018 55 TRINITY AVENUE COMMITTEE ROOM #1 SECOND FLOOR 5:00P.M. License Review Board Agenda Prepared: January 2, 2018 Hearing Held: January 9, 2018 CONSENT AGENDA SPECIAL EVENT 1. Application of United Cerebral Palsy of Georgia, Inc. d/b/a Share The Love United Cerebral Palsy of Georgia, Sara Anne Case; agent. License requested to operate a non- profit special event beer and wine consumed on premises, Sunday April 15 2018 from 2:00p.m.-5:00p.m. at Mason Fine Arts 415 Plaster Avenue. (non-profit special event) RS BOARD RECOMMENDS: ( ) Approved ( ) Adverse ( ) Held for ________Weeks COMMENTS: __________________________________________________________ ________________________________________________________________________ 2. Application of Furniture Bank of Metro Atlanta, Inc. d/b/a Chairish The Future, Megan Speaks Anderson; agent. License requested to operate a non-profit special event liquor beer and wine consumed on premises, Friday February 23 2018 from 7:00p.m.-11:00p.m. at Foundry at Puritan Mill 916 Lowery Boulevard (non-profit special event) RS BOARD RECOMMENDS: ( ) Approved ( ) Adverse ( ) Held for ________Weeks COMMENTS: __________________________________________________________ ________________________________________________________________________ 3. Application of The Alfred & Adele Davis Academy, Inc. d/b/a 25th Anniversary Celebration of the Davis Academy, Elisa Michele Prager, agent. License requested to operate a non-profit special event liquor beer and wine consumed on premises, Saturday March 17 2018 from 5:30p.m.-12:00midnight at The Buckhead Theatre 3110 Roswell Road. (non-profit special event) RS BOARD RECOMMENDS: ( ) Approved ( ) Adverse ( ) Held for ________Weeks COMMENTS: __________________________________________________________ ________________________________________________________________________ 2 License Review Board Agenda Prepared: January 2, 2018 Hearing Held: January 9, 2018 CONSENT AGENDA SPECIAL EVENT 4. -
The Springboard of Taurus
Page 8 May 2016 May Birthdays In astrology, those born between May 1–20 are Bulls The Springboard of Taurus. Bulls show a steady persistence in endeavors both professional and personal, and after working hard, they are not shy about rewarding Park Springs ~ 500 Springhouse Circle ~ Stone Mountain, GA 30087 themselves for a job well done. Those born between Adele Williams‟ Journey from New Classes starting in June: May 21–31 are Gemini‘s Twins. The Twins represent Watercolors June 6, 8, 14 energetic communication and interaction. Curious Michalovce to Park Springs Acrylic - July 6, 13, 20 by Louise Plonowski Geminis love to collect and share information. Witty Drawing - and intellectual, they attract many friends, mentors, Life Drawing ―The Members who live at Park Springs and colleagues. really come from all over,‖ says Adele Christmas In July 11, 18, 25 1 - Charlie Cook, Jack Housworth Williams, who moved from Decatur in 2013 2 - Aurrie Weinthaler Inside this Issue with her husband Clark. ―But my journey to We would love to hear from you if you‘re interested in get here could fill a book!‖ 3 - Ginny Darrah, Susan Lueptow any of the following classes. If so, let us know so we Adele Williams’ Journey from can do some groundwork and see how much interest 5 - Mary Gronde Michalovce 1,2 Born in Michalovce, Czechoslovakia, in can be generated, then secure an instructor or find 6 - Willie Bennett, LeRoy Oakley Cornerstone Fellowship 2 1932, four-year old Adela Melanie Dula and her mother were instruction on YouTube. 7 - Pat Kichline Men‟s Forum 2 visiting her grandparents in New York in 1936. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Roger Knox Stranger in My Land Release Date: Feburary 2013
ROGER KNOX STRANGER IN MY LAND RELEASE DATE: FEBURARY 2013 “The best music is border music, the sound of cultures colliding. In the late 20th century Black Australians assimilated Country & Western, that whitest of American musical forms, to tell the story of their physical subjugation, spiritual stoicism and eventual political awakening.” —Jon Langford, from the liner notes Roger Knox, aka the Koori King of Country or Black grog-drinkers, pelicans and policemen. Elvis as he’s known in his homeland, is an Aboriginal Australian Country & Western singer with a honeyed Stranger In My Land features guest vocals and bear hug of a voice. Bloodshot artist Jon Langford instrumental performances from Bonnie Prince Billy, (Mekons, Waco Brothers) met Knox on a visit to Kelly Hogan, Dave Alvin (X, Blasters), Sally Timms and Australia several years ago. When he heard of Roger Jon Langford (Mekons), the Sadies, Andre Williams, and the potentially-soon-to-be-lost subculture of this and perhaps the last known recording from Charlie utterly unique cultural collision, Langford knew he Louvin of the Louvin Brothers. All this star power had to be involved. Stranger In My Land is a collection is backed The Pine Valley Cosmonauts, a Chicago- of songs originally written by Aborigine artists who based loosey-goosey musical collective piloted by were Knox’s peers and predecessors; some tunes Langford and manned by a core of crack musicians previously recorded but difficult to find as well as that convenes every few years to deliver unto the world several unrecorded, handed-down folk songs (which records of vision, exploration, tribute and occasional without this recording, could have been lost forever). -
Aboriginal Spirituality: Aboriginal Philosophy the Basis of Aboriginal Social and Emotional Wellbeing
9 No. Aboriginal Spirituality: Aboriginal Philosophy The Basis of Aboriginal Social and Emotional Wellbeing Vicki Grieves Discussion Paper Series: Discussion Paper Aboriginal Spirituality provides a philosophical baseline for Indigenous knowledges development in Australia. It is Aboriginal knowledges that build the capacity to enhance the social and emotional wellbeing for Aboriginal people now living within a colonial regime. Cooperative Research Centre for Aboriginal Health Discussion Paper Series: No. 9 Aboriginal Spirituality: Aboriginal Philosophy The Basis of Aboriginal Social and Emotional Wellbeing Vicki Grieves © Cooperative Research Centre for Aboriginal Health, 2009 CRCAH Discussion Paper Series – ISSN 1834–156X ISBN 978–0–7340–4102–9 First printed in December 2009 This work has been published as part of the activities of the Cooperative Research Centre for Aboriginal Health (CRCAH). The CRCAH is a collaborative partnership partly funded by the Cooperative Research Centre Program of the Australian Government Department of Innovation, Industry, Science and Research. This work is copyright. It may be reproduced in whole or in part for study or training purposes, or by Aboriginal and Torres Strait Islander Community organisations subject to an acknowledgment of the source and no commercial use or sale. Reproduction for other purposes or by other organisations requires the written permission of the copyright holder(s). Additional copies of this publication (including a pdf version on the CRCAH website) can be obtained from: Cooperative Research Centre for Aboriginal Health PO Box 41096, Casuarina NT 0811 AUSTRALIA T: +61 8 8943 5000 F: +61 8 8943 5010 E: [email protected] W: www.crcah.org.au Authors: Vicki Grieves Managing Editor: Jane Yule Copy Editor: Cathy Edmonds Cover photograph: Photograph of Alfred Coolwell by Vicki Grieves Original Design: Artifishal Studios Formatting and Printing: InPrint Design For citation: Grieves, V. -
Artstate (Day 1) – Friday 1St November 2019 Plenary Session
ArtState (Day 1) – Friday 1st November 2019 Plenary Session Un-edited Transcript (may contain errors and omissions) ELIZABETH ROGERS (MC): Good morning everybody, and welcome to the first day of Artstate 2019. I like to welcome Aunty Yvonne Kent to provide the Welcome to Country. AUNTY YVONNE KENT - KAMILAROI ELDER: Can you hear me at the back? Welcome to the wonderful land of the Kamilaroi people, and pay our respect to the elders and the youth. I'll like you to stand and have a moment's silence, and I notice that was missed last night. I always like to pay our respects to our past Elders, because without them, we would not be here today and have what we have. So, thank you. Thank you. So, let us be informed. Find out what is going on throughout these next four days. Also be involved. Go to as many things as you can. Most of all, be inspired by it and our country. Thank you, and welcome. (Applause) ELIZABETH ROGERS – CEO REGIONAL ARTS NSW (MC): Thank you, Auntie Yvonne. I would also like to acknowledge we are meeting on Kamilaroi country, and pay my respects. I like to acknowledge all of the Elders that have travelled from other parts of the state, and all Aboriginal and other first nations people that are with us here today. I would also like to knowledge the chair of Regional Arts NSW, Julie Briggs, and the directors of our boards. The chair of Arts Northwest Anna Watt, and Caroline Downer, and the chair executive directors from the other organisations that make up our unique regional arts network. -
Mapping the Cultural Atlas of North Queensland
Mapping the Cultural Atlas of North Queensland: Ronald “Tonky” Logan a Case Study Abstract The ‘Cultural Atlas’ proposed by the PIP (People, Identity, Place) research cluster at James Cook University aims to contextualize cultural communities and artists in North Queensland into a comprehensive profile. Case study Ronald “Tonky” Logan is a North Queensland Aboriginal Country Western musician. The secondary theme of this article is the appropriation of Country Western music by Australian Aboriginal groups as traditional music. This article draws on research by Dunbar-Hall & Gibson (2004), who demonstrate the relevance of contemporary music within Australian Aboriginal contexts, based on location and geography, as a means of establishing people, identity and place. Dr. David Salisbury James Cook University School of Creative Arts Digital Sound Introduction In 2005 the PIP (People, Identity, and Place) research cluster of James Cook University held an annual seminar during which the concept of initiating a Cultural Atlas was proposed. In March 2006 a PIP Cultural Atlas meeting was held and basic concepts were proposed including some preliminary boundaries of latitude 18, south to Bowen and Hayman Island, west to Mt. Isa and north covering the Gulf region (the Torres Strait Islands are not included). Possible outputs could be a Website as a primary means to maintain a collection of data and resources for tourism, focusing on eco and cultural-tourism CD’s and DVD’s. Initially this article aims to establish the context in which the subject of this case study, Ronald ‘Tonky’ Logan, performs and lives by outlining a brief history of Aboriginality in North Queensland along with a brief history of Aboriginal music in the region. -
Ruth Panofsky Address: Department of English Member of the Graduate Faculty Ryerson University 350 Victoria Street Toronto, Ontario M5B 2K3 416 979 5000 Ext
CURRICULUM VITAE Name: Ruth Panofsky Address: Department of English Member of the Graduate Faculty Ryerson University 350 Victoria Street Toronto, Ontario M5B 2K3 416 979 5000 ext. 6150 416 979 5387 fax [email protected] Position: . Professor . Research Associate, Modern Literature and Culture Research Centre . Member, Centre for Digital Humanities Citizenship: Canadian Languages: English, French EDUCATION: PhD, York University, English 1991 Examinations: First field: Canadian Literature Second field: Novel and Other Narrative Dissertation: A Bibliographical Study of Thomas Chandler Haliburton’s The Clockmaker, First, Second, and Third Series Supervisor: Professor John Lennox MA, York University, English 1982 MRP: Studies in the Early Poetry of Miriam Waddington Supervisor: Professor John Lennox BA Honours, Carleton University, English 1980 First year, Vanier College, Social Sciences 1976 AWARDS AND FELLOWSHIPS (EXTERNAL): 2016 Rosa and the late David Finestone Canadian Jewish Studies Award for Best Book in English or French, J. I. Segal Awards, Jewish Public Library ($500) 2016 Finalist, Vine Awards for Canadian Jewish Literature 2015 Canadian Jewish Literary Award for Yiddish Culture ($1,000) 2015 PROSE Award for Literature, Professional and Scholarly Publishing Division, Association of American Publishers 2015 Finalist, Eric Hoffer Award for Independent Books 2 – Ruth Panofsky 2013 McCorison Fellowship for the History and Bibliography of Printing in Canada and the United States, Bibliographical Society of America ($2,000US) 2011-14