Adele Henderson

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Adele Henderson

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EDUCATION MFA, Arizona State University, Tempe, 1982. BFA, University of Nebraska, Lincoln, 1977.

PUBLIC COLLECTIONS Boston Museum of Fine Arts Fogg Art Museum, Harvard University, Boston Nelson-Atkins Museum of Art, Kansas City Sheldon Memorial Art Gallery, Lincoln Albright•Knox Art Gallery, Buffalo Visual Arts Research Institute, Ariz. State Univ. Roswell Museum, Roswell, NM University of Wisconsin at River Falls Madison Art Center, Madison, WI Prudential Life Insurance Corporation Trinity Kitchens, Austin The Print Consortium, St. Louis Savoir Faire, Sausilito West Virginia University, Morgantown Bradley University, Peoria Castellani Art Gallery, Niagara University National Museum of American Art, Washington New York Public Library, New York Scottsdale Museum of Contemporary Art, AZ Kennedy Museum of American Art, Athens Florida State Univ. Art Museum, Tallahassee Whitney Museum, New York Rogers Museum of Art, Laurel, MS Gallery of New South Wales, Sydney, Australia Auckland Art Gallery, Auckland, New Zealand Perc Tucker Gallery, Townsville, Queensland Australia Tandem Press, University of Wisconsin, Madison Museum of Texas Tech University, Lubbock, Texas University of the Arts, Philadelphia Southern Graphics Council Archive, Millsaps College Anchor Graphics, Columbia College, Chicago Arizona State University Museum, Tempe Blanton Museum, University of Texas, Austin David Owsley Museum of Art, Ball State University Arizona State University Art Museum

EXHIBITIONS

2013 (upcoming March/April) solo exhibition Buffalo Artist Studio, Tri-Main Center, Buffalo, NY. 2012 CEPA 11th Biennial Photography Art Auction and Exhibition. CEPA Gallery, Buffalo, NY. Reunion: Images 2010,Owsley Museum of Art, Ball State Univesity. Invitational exhange and exhibition organized by Kathryn Maxwell. 9-11 Memorial Print Exhibit; American Print Alliance, Atlanta, GA Women Artists in Western New York; Nicols School Gallery, Buffalo 2011 Monroe and Vicinity Biennial, Tower Fine Arts Gallery, SUNY Brockport. Invitational curated by Tim Massey. 9-11 Memorial Print Exhibit, Art Exchange, 750 Kalb St. Southeast, Atlanta GA. Visual Epistomologies; the Department of Visual Studies Faculty Exhibition, UB Anderson Gallery. Buffalo. Ten Years and Counting http://www.10yearsandcounting.org/ featured artist for month of September Public/Private, Castellani Art Gallery, Niagara University. Group exhibition curated by Gerald Mead. Cover illustration Risk Analysis and Human Behavior, Baruch Fischhoff, Routledge Press. 2010 EXTENDED OUTLOOK. Hart Gallery, Buffalo, NY. Solo exhibition. CEPA Gallery 10th Biennial Photography Art Auction and Exhibition. CEPA Gallery, Buffalo, NY. DREAM DAY portfolio. Anderson Hall, University of the Arts, Philadelphia. Invitational exhange and exhibition, curated by Susan Belau. Indie, print intervention at various locations, Georgia College State University campus, Milledgeville, GA. Natural History. Ink Shop Printmaking Center and Olive Branch Press, Ithaca, NY. Invitational exhange and exhibition. Also shown at the University of North Texas, and the Morgan Conservatory. Reunion: Images 2010, Crane Arts Building, Philadelphia. Invitational exhange and exhibition organized by Kathryn Maxwell. New Years Eve Fundraiser, exhibition and auction, Western New York Book Arts Center, Buffalo. 2009 Survey of American Printmaking, Academy of Fine Arts, Bratislava, Slovakia. Curated by Wayne Miyamoto. FREE FOR ALL, an online exhibition that invites the viewer to download and assemble books on display, http://www.fimp.net/freef.html curated by Marc Snyder of Fiji Island Press http://www.fimp.net/ L.L. Legacy, Columbia College, Chicago, IL. Portfolio exchange and exhibition, A.S.U. alumni. 1

Natural History, Critical Condition. Columbia College, Chicago, IL. Portfolio exchange and exhibition curated by Sydney Cross. Edible Book, Western New York Book Arts Center. Open exhibition of edible artists books to be consumed at the end of the evening. First Annual Members Exhibition, Western New York Book Arts Center, Buffalo. Print Types, Park University, Parkville, MO. Traveling exhibition organized by the Print Consortium, Kansas City, MO. 2008 NO DANGER. Richmond International Airport, Richmond VA. Invitational exhibition organized by Ed Bernstein, Indiana University, for the Southern Graphics Conference, Richmond, March- April 2008. Travels to Purdue University Art Galleries. 7th Lessedra World Art Print Annual – Mini Print 2008. Organized by Lessedra Gallery and Contemporary Art Projects, Sofia, Bulgaria. March –May 2008. Portfolios and Suites from the Permanent Collections “Drawn to Stone,” Kennedy Museum of Art, Ohio University, Athens, OH. April 2008. Annual Flatfile Exhibition and Auction. Artspace, New Haven, CT. March 2008. CEPA Gallery Members Exhibition, Buffalo, NY. January 2008. Cranbrook Academy of Art PrintMedia Magnetic Print Exchange. Bolton Gallery, Cranbrook Academy of Art April 2008. Open invitational to inaugurate the Bolton Gallery. Global Warming Portfolio. Invitational print exchange and series of exhibitions organized by Clayton McGlamory, Old Dominion University. Exhibitions scheduled for the following: Old Dominion University, Norfolk (April 2008); Earthday Café, Hokadate, Japan (April 2008); Southern Graphics Conference, Virginia Commonwealth University, Richmond (March 2008); Green Door Studios, Burlington, VT (June 2008); BluSeed Studios, Saranac Lake, NY (Aug 2008). 2007 American Print Survey, Carleton College, Northfield, MN, organized by the Print Consoritum Roswell Anniversary Exhibition, Roswell Museum and Art Center, Roswell, NM Western New York Artists from the Gerald Mead Collection, Horizon’s Gallery, WNED studio, Buffalo, Flatfile Exhibition, ArtSPACE, New Haven, CT Soap Box Prints: For a Cleaner Environment, traveling exhibition organized by the American Print Alliance, Peachtree City, GA Prints USA, Springfield Art Museum, Springfield, MO Women Printmaker’s Grinnell College, Grinnell, IA, organized by the Print Consortium Is this the way to Amarillo? Mapping a Personal Journey, Print exchange with 35 artists nationwide; various exhibitions to be arranged. Print Zero #5, International open print exchange originating in Seattle and traveling to: Sev Shoon Arts Center/Ballard Works: Seattle, WA; Rainbow Bldg. Gallery at University of Miami: Coral Gables, FL; Print Walls Gallery at University of Wisconsin: Madison, WI; Pacific Northwest College of Arts, Portland, OR; Pratt Fine Arts Gallery (at Tashiro Kaplan), Seattle, WA; Roennebaeksholm Arts and Cultur Center, Naestved, Denmark. Pumping Kill Mud Down the Drill Pipe/*, broadside exhibtion (open), Space 1026, Philadelphia, PA. Naestved International Exhibition of Contemporary Mini Square Prints, Naestved Cultural Center and Museum, traveling to various galleries in Europe. 2006 Benefit Exhibition and Auction, ArtSpace, New Haven, CT, April 22, 2006 100 Prints; Open Studio, Toronto, Canada. Benefit Auction. May 4-13, 2006. Reflections on a Legacy: Vitreography from Littleton Studios, Appalachian State University Turchin Center for the Visual Arts. Print Types, Ashford University, Clinton, Iowa. Organized by the Print Consortium. Seeing Is Believing: Skeptical Print Activity. HallSpace, Boston, MA. Curated by Ethan Berry. September 11 Memorial Portfolio, Henry Luce Center for Art and Religion, Washington DC. Organized by the American Print Alliance. 2005 Three Decades of American Printmaking: The Brandywine Workshop Collection. Brandywine Workshop, Philadelphia, PA. Point of View II: North Carolina Artists as Collectors. The Mint Museum of Art, Charlotte, N. Carolina; Aug-Oct 2005. Group Exhibition; G2 Gallery, Scottsdale, AZ. Western NewYork Artists from the Gerald Mead Collection. WNED Buffalo, NY. Flatfile Exhibition, ArtSpace, New Haven CT. 2004 Roots and Crown, UNL Printmakers Exhibition; Great Plains Art Collection; in conjunction with Mid- America Print Council conference. 2003 Adele Henderson / Ron Brimrose. G2 Gallery, Scottsdale, Arizona. 18th Annual 100 Prints. Benefit exhibition and auction in support of Open Studio, Toronto.

6 Printmakers(exhibition); Interprint 2003 international symposium; invited by symposium organizers . Center for Visual Art and Culture, U of CT. Exhibition and Benefit Auction. ArtSpace Gallery, invitational. New Haven. Print Types, Dickenson State University, Dickenson, ND Director’s Choice, Missouri Western State College, St. Joseph, MO 2002 Adele Henderson / Amy Romanin. G2 Gallery, Scottsdale, Arizona. Flatfile Exhibition and Benefit Auction. ArtSpace Gallery, invitational. New Haven. Constance Saltonstall Foundation Sixth Annual Exhibit. State of the Art Gallery, Ithaca, NY. Grant recipient invitational exhibition. Auction 2002, CEPA Gallery, Buffalo, NY. Invitational and six-week preview exhibition. 2001 Untitled Space Gallery, Flatfile Exhibtion; invitational. New Haven, CT. 5 Studio Art Alumni: Karen Blessen, Adele Henderson, Doug Martin, T.L. Solien, and Ron Watson. Eistentrager•Howard Gallery; University of Nebraska, Lincoln. Invitational. The Decades: 1940-1980; UNL Studio Art Alumni; Eistentrager•Howard Gallery; University of Nebraska, Lincoln. Invitational. Upstate Invitational: Colette Copeland, Adele Henderson, Christine Henehan, Julia Galloway, Gerald Mead and Randy Williams. Tyler Art Gallery, SUNY-Oswego. Curated by David Kwasigroh. Points of View, ACA Gallery, Austin, TX. Invitation exhibtion organized by Rosemary Lane. Demographics; University of Texas, Austin. Ongoing collaborative exhibition in conjection with the 2001 Southern Graphics Conference. 2000 Printmaking Invitational; Rike Center Gallery, University of Dayton Snapshot; Comtemporary Museum, Baltimore, MD. Curated by Gary Sangster, Exec. Director. The Print and the Process; Albrecht-Kemper Museum of Art, St. Joseph,.MO. Traveling exhibition curated by The Print Consortium, Kansas City, MO. Printmaking Invitational, Lamar Dodd School of Art, Main Gallery, University of Georgia, Athens. Anne Beilder, Sydney Cross, Adele Henderson and Phyllis McGibbon. Auction 2000, CEPA Gallery, Buffalo, NY. Invitational and six-week preview exhibition. 1999 Adele Henderson, Oasis Hall Gallery, Kanazawa Public Library, Kanazawa, Japan. S/citing Science (solo); Hewlett Gallery, Carnegie Mellon University, Pittsburgh Weird Science: Adele Henderson & Betsy Stirratt, City Gallery at Chastain, Atlanta, GA. Curated by Debra Wilbur. Adele Henderson, Myeong Paik; Adams Art Gallery, Dunkirk, NY Adele Henderson and Holly Rittenhouse; Elgin Community College, Elgin, IL. Curated by Ed Krantz. Archeology of Memory (solo); California State University, Chico, CA. Alumni Exhibition; Southern Graphics Conference, Arizona State University, Tempe. Sight/Insight, 500 Years of Medical Illustration; New York Public Library, NYC. Curated by Roberta Waddell, Chief Curator, Prints Department. Invitational Exhibition: Works on Paper; University of Hawaii at Hilo. Curated by Wayne Minimato US to New Zealand; Archill Gallery, Auckland, New Zealand Between Nature and Culture: American Prints; Jyvaskyla Art Museum, Finland. Invitational curated by Karen Kunc. Traveled to the Felix Jenewein Gallery, Kutna Hora, Czech Republic. Print Types; Highland Community College, Highland, KS. Traveling exhibition curated by the Print Consortium, Kansas City. American Print Survey; Wayland Baptist Unversity, Plainview, TX. Traveling exhibition curated by the Print Consortium, Kansas City. Annual Invitational (fundraiser); Big Orbit Gallery, Buffalo. Organized by Sean Donaher, Director. 1998 Natural Science (solo); Anchor Graphics, Chicago Vitreographs; The Portland Museum of Art. Curated by Dr. Gordon Gilkey, Cur. Prints/Drawings. New Image: Karen Kunc, Adele Henderson, Laurie Sloan; Frogman’s Press and Gallery, Beresford, SD Contents and Contexts: Lithography after 200 years; Academy Art Center, Honolulu Academy of Arts. Selected for invitational part of exhibition by juror Beauvais Lyons. American Graphic Art, in conjunction with the 5th Biennial of Slovan Graphic Art; World Graphic Art Festival, Novomesto, Slovenia. Invitational curated by Dr. Joel Eide, former director Northern Arizona University Museum. Print Types; Indian Hills Community College, Ottumwa, IA. Traveling exhibition curated by the Print Consortium, Kansas City. World Print Survey; Truman State University, Kirksville, MO. Traveling exhibition curated by the Print Consortium, Kansas City. Through a Glass Darkly: Vitreographs from the Littleton Studios. Swan Coach Hourse Gallery, Atlanta. Drawn to Stone; Kennedy Museum of American Art, Ohio University, Athens. Exhibition and portfolio exchange organized by Beauvais Lyons and Tom Christison.

Invitational Exhibition; Archill Gallery, Aukland, New Zealand. Exhibition, portfolio curator by Fred Hagstrom. Vitreographs: Prints from Glass Plates; Memorial Art Gallery, Rochester, NY. A selection of prints published by Littleton Studios, Spruce Pine, NC. 1997 The Removal of Encumbrance (solo) ; The Print Center, Philadephia Adele Henderson; Southern Graphics Conference, University of Southern Florida and Graphicstudio, Tampa. Part of a series of solo exhibitions during the conference organized by Bradlee Shanks. Visiting Artist’s Exhibition; School of the Museum of Fine Arts, Boston. Shifting Grounds: The New Terrain of Printmaking/ Portfolio Exchange Exhibition; Massachusetts College of Art in conjunction with the 1997 Boston Print Symposium. Organized by John Schulz. Adele Henderson, Edward Pien and Yoshiko Shimada; Open Studio, Toronto. Color and Image; Art Museum of Northern Arizona University, Flagstaff. Curated by Joel Eide, Director. Digital Decisions; Art Academy of Cincinnati. Curated by Anita Douthat. In Western New York 1997 Invitational; Albright Knox Art Gallery, Buffalo. Curated by Cheryl Brutvan, Senior Curator and Marc Mayer, Curator. Vitreographs; The Hickory Museum of Art, Hickory, N.C. Tom Perryman, Curator of Exhibitions. American Print Survey; organized by The Print Consortium and traveled to: Highland Community College, Highland, KS, and University of Texas, Dallas 1996 Anamnesis (solo); Colgate University, Hamilton, NY Remote Sensing; Laura Mesaros Gallery, West Virginia University, Morgantown; curated by Sergio Soave, Paul Kraninak and Carmon Colangelo. Anxious Inferences: Ellen Driscoll, Adele Henderson, Gabrielle Rossmer and Sam Walker; Fort Point Arts Community Gallery, Boston. Invitational organized by Sam Walker. Consortium Prints; Missouri Western State College, St. Joseph, MO. Organized by the Print Consortium. Print Types; Organized by The Print Consortium. Traveled 1993-96 to:Tarleton State University, Stephenville, TX, Art Institute for the Permian Basin, Odessa Texas, Central College, Pella, Iowa, and Kansas State University, Manhattan. 1995 Accretions (solo); Castellani Museum and Art Gallery, Niagara University, NY. Sandra Olsen, Director. Scene at a Place and Time, 69th International; The Print Center, Philadelphia; curated by Roberta Waddell. Excellence Revisited: Award Winners 1990-1994; Three Rivers Art Festival, Carnegie Museum of Art, Pittsburgh. Invitational. Women Printmakers; Organized by The Print Consortium. Traveled 1992-95 to: One West Contemporary Art Center, Fort Collins, Waldorf College, Forest City, Iowa, South Dakota State University-Brookings, Multnomah County Library, Portland, OR, Henry Ford Community College, Dearborn, MI, Carleton College, Northfield, MN 1994 Working with Tradition, the Academic Artist; The Burchfield Center, Buffalo, NY; curated by Donald Kuspit. Traveled to: The New York State Museum, Albany Prints and the Paper; San Diego Art Institute, Terrie Sultan, Curator, Corcoran Gallery of Art, juror. Holiday Show; Big Orbit Gallery, Buffalo, NY. Invitational. 1993 In Western New York 1993 Invitational; Albright-Knox Art Gallery; curated by Michael Auping, Chief Curator, Albright-Knox Art Gallery. Utopia/ Dystopia, 67th International Prints; The Print Club, Philadelphia; curated by Susan Tallman. 6th National Drawing and Print Exhibition; College of Notre Dame, Maryland, Baltimore; juror: Cynthia Wayne, Exec. Dir., Pyramid Atlantic Center for Hand Papermaking, Printmaking and the Art of the Book. Juried Exhibition; Three Rivers Arts Festival, Pittsburgh. Best of Show award for two-dimensional work. Juror: Terrie Sultan, Curator, Corcoran Museum of Art. 1993 National Printmaking; Trenton State College, Trenton, NJ, and traveled to Lycoming College, Williamsport, PA. Juror: Phillip Pealstein Finger Lakes Exhibition; Memorial Art Gallery, Rochester, NY. Susana Torveilla-Leval, Chief Curator, El Museo del Barrio, New York, juror. 65th National Print Exhibition; Society of American Graphic Artists, New York; juror: Linda Kramer, Chief Curator, Prints and Drawings, Brooklyn Museum. The Thomas Coleman Memorial Collection; Sheldon Memorial Art Gallery, Univ. of Nebraska, Lincoln. Prints and the Paper; San Diego Art Institute; Bill Kelly, juror. 1992 Monoprints By Painters: Louisa Chase, Harmony Hammond, Adele Henderson, Kumi Korf, Michael Mazur and Aubrey Schwartz; SUNY- Brockport, Brockport, NY. Curated by David Kwasigroh, Curator, Memorial Art Gallery, Rochester, NY. Images 1990: A Portfolio of Prints; Illinois Wesleyan University, Bloomington. Traveled to: Clarion University of Pennsylvania, and Idaho State University, Pocatello. Organized by Oscar Gillespie, Larry Schuh and Joseph Sanders. 44th Western New York Exhibition; Albright•Knox Art Gallery, Buffalo; The Elizabeth W. Reeb Memorial Award for Drawing. Susana Torruella-Leval, Curator, El Museo del Barrio, New York, NY. 4

X Sightings;Anderson Gallery, Buffalo, NY. Invitational. Imprimatur; Rice Gallery, Albany Institute of History and Art, Albany, NY; Curated by Janice Dorgan, Chief Curator, Rice Gallery. 17th National Print Exhibition; The Schenectady Museum, Schenectady, NY. Invitational, organized by the Print Club of Albany. The Lithographic Process; Organized by the Print Consortium. Traveled to: Arkansas State University, and Valdosta State College, Georgia. 1991 Works on Paper; Northern Arizona University Museum, Flagstaff; Invitational, curated by Joel S. Eide, Director, Northern Arizona University Museum. Prints from the East; Organized by The Print Consortium. Traveled to: Univ. of Central Arkansas, Conway. 1990 Wishing Trees (solo); Daemen College, Amherst, NY S.U.N.Y. Art Now; New Visions Gallery, Ithaca, NY; Invitational. American Print Survey; org. by The Print Consortium. Traveled to: Martin Museum, Baylor University 11th Annual Paper in Particular; Columbia College, MO; Moira Marti-Geoffrion, juror. 7th Annual Small Impressions; juror: Andrew Stasik, Director, John Szoke Gallery, New York, NY. Traveled to: Rutgers University; NJ and The Noyes Museum, Oceanville, NJ., 20th National Works on Paper; Minot State University, ND; juror: Karen Kunc. 1989 S.U.N.Y. Art Now; New Visions Gallery, Ithaca, NY. Invitational. 22nd Bradley Print and Drawing Exhibition; Bradley University, Peoria, IL; Ofelia Garcia, juror. 10th Annual Paper in Particular; Columbia College, MO; Selina Trieff, juror. 1988 Recent Work (solo); SUNY-Buffalo, Bethune Gallery. International Prints II; International Graphics Arts Foundation; Curated by Joann Moser, Curator, National Museum of Art. Traveled to: John Szoke Gallery, NYC, Silvermine Gallery, Stamford, CT. 1988 Stockton National IV Print and Drawing Exhibition, Haggin Museum, Stockton, CA; juror: Joseph Zirker.

GRANTS and FELLOWSHIPS 2006 Individual Development Award, United University Professions, UB. $302 for travel to Madison Wisconsin to attend the Southern Graphics Print Conference. 2005 Individual Development Award, United University Professions, UB. $545 for research travel to Washington, D.C. 2003 Individual Development Award, United University Professions, UB. $500 for development of online instructional videos. 2001 Printmaking Grant, Constance Saltonstall Foundation for the Arts, Ithaca, NY. $5,000 cash award. 2001 Individual Development Award, United University Professions, UB. $521 for conference presentation. 2000 Individual Development Award, United University Professions, UB. $500 to support print project costs. 1999 21 for 25 Grant, Women’s Studio Workshop/ New York Foundation for the Arts. $1,000 cash award. 1999 Special Opportunity Stipends, Arts Council of Buffalo & Erie County, (re-grant) sponsored by the New York Foundation for the Arts. $500 to support costs of exhibition and travel to Kanazawa Japan. 1996 National Endowment for the Arts Fellowship, Works on Paper, Dec. ‘95-Dec. ‘96. $20,000 cash award. 1995 Julian Park Publication Grant; University at Buffalo. $1,300 to support exhibition catalog for Accretions. 1995 Individual Development Award, United University Professions, UB. $340 in support of exhibition catalog. 1994 Artists Projects: New York State Regional Initiative; $4,000 cash award. Funded by the N.E.A., the Rockefeller Foundation and the Jerome Foundation. Administered by Pyramid Arts Center and the Lower Manhatten Cultural Council. 1994 Nuala M. Drescher Affirmative Action Leave; United University Professions and SUNY-Buffalo. One semester leave with pay and $8,750 in project funding and replacement salary. 1994 Individual Development Award, United University Professions, UB. $500 for project support. 1994 Individual Development Award, United University Professions, UB. $750 for project support.

RESIDENCY FELLOWSHIPS 1997 Littleton Studios, Spruce Pine, N.C.; residency grant for print project/edition of Sublimation Series No.1. 1997 Open Studio, Toronto. one month artist-in-residence project grant - project materials and editioning sevices. 1996 Brandywine Workshop; Philadelphia, PA. Visiting artist project - offset lithograph edition. 1994 Yaddo, Artist-in-Residence Fellowship; Saratoga Springs, NY. Six week residency. 1993 MacDowell Colony Artist-in-Residence Fellowship; Peterborough, NH. Seven week residency. 1984 Roswell Museum and Art Center Artist-in-Residence Fellowship; Roswell, NM. One year residency.

VISITING ARTIST / PUBLIC LECTURES Anchor Graphics, Chicago (1998) University of Tennessee, Knoxville (1998)

Boston Museum School of Fine Arts University of the Arts, Philadelphia (1997) Clemson University, Clemson, SC (1997) Appalachian State University, Boone, SC (1997) University of Iowa, Iowa City, (1997) University of Nebraska, Lincoln, (1997) Open Studio, Toronto (1997) Fort Point Arts Community Gallery, Boston (1996) Colgate University, Hamilton, NY (1996) State University of New York - Fredonia (1996) State University of New York - Oswego (1996) Memorial Art Gallery, Rochester, NY (1996) University of Delaware, Newark (1994) Nazarath College, Rochester, NY (1992) Brockport College, State University of New York (1992) Scottsdale Center for the Arts, Scottsdale (1987) State University of South Dakota, Brookings (1987) University of Arizona, Tucson (1985) School of Art, Arizona State University, Tempe (1985) Roswell Museum and Art Center, Roswell (1985) Women’s Art Coalition, Chico, CA (1984) California State University, Chico (1983) University of Wisconsin, River Falls (1982) Kanazawa College of Art, Kanazawa, Japan (1999) State University of New York - Plattsburgh (1999) Adams Art Gallery, Dunkirk, NY (1999)

EXHIBITIONS CURATED 1996 Multiple Affinities: A Convergence of Printmaking and Photographic Practice. CEPA Gallery, Buffalo, NY. Co-curated with Kathleen Campbell and Barbara Rowe. Feb. 3- Mar. 30.

BIBLIOGRAPHY (needs updating) 2005 Three Decades of American Printmaking: The Brandywine Workshop Collection. 240 page hardbound exhibition catalog published by the Brandywine Workshop, Philadelphia, PA. 2000 Hirsch, Robert, Photographic Possibilities, the Expressive Use of Ideas, Materials and Processes, 2nd Edition, (textbook) Reproduction. Karen Kunc, “Symposium: Graphic Art in the 90s”; Grapheion: european review of modern prints, book and paper art – 1st issue 2000. Black, Jane; “Print: Artists’ medium is crucial as message”, Dayton Daily News, April 6 1999 Galerie Felixe Jeneweina Mesta, Between Nature and Culture, American Prints; exhibition catalog with essay, reproduction, bio. Puranen, Elina, “Peeks at the American Printmaking”, exhibition review of Between Nature and Culture, Keskisuomalainen, Jan 10. Malone, Bob and Xuo, Yingxue; Forty-Eight Contemporary Printmakers, Jilin Fine Arts Publishing. Reproductions, bio, essay. Feaster, Felicia; “Weird Science”, essay for exhibition catalog. City Gallery at Chastain. Reproductions. Thomas, Mary, “Marvelous diversity on display in local art scene”; Pittsburgh Post-Gazette, Jan. 23, Krantz, Ed, “Adele Henderson and Holly Rittenhouse”, essay for exhibition catalog, reproductions, Elgin Communtity College. Bergen, Gerald, “Gray’s Anatomy with artistic license”; Impulse, (Pittsburgh) Jan. 22. Reproduction. Byrd, Cathy, “Artistic alchemy”; Atlanta • Creative Loafing; Nov. 13, p 40. Reproduction.. Netsky, Ron; “Fecund and Flayed”; City (Rochester), Sept. 29, p 20. Reproduction. 1998 “A Celebration of the Print”, Grapheion,European Review of Contemporary Prints, Book and Paper Art, 3rd-4th issue, 1998, pp 49. Reproduction. Lazare, Lewis, “The Culture Club”, Chicago Reader, Sept. 11, p 1 and p 21. Reproductions. 5B – BSG: the 5th biennial of slovene graphic art, exhibition catalog, reproduction, bio. Contents and Contexts: Lithography after 200 years; exhibition catalog with reproduction and essays by Charles Cohan, Beauvais Lyons, and Dr. Carol Pulin. University of Hawaii, Hilo. 1997 Moses, Jamie, “In Western New York”, ArtVoice, June 4, p 4-5. Reproduction. 1996 Hirsch, Robert, Exploring Color Photography, 3rd Edition, (textbook) pp. 280. Reproduction. Slaven, Michael, “Out of Print: Remote Sensing”, AFTERIMAGE, March/April, p 5 McQuaid, Cate, “Galleries” (Anxious Inferences exhibition); the Boston Globe, Sept. 19, p E-5 Huntington, Richard, “Two Worlds: Bridging the gap between print and photo”, The Buffalo News, Mar 8, p 23. Reproduction. Fortunato, Monique; “Artistic social commentary: new exhibits at CEPA”, Specturm, Feb. 5. Reproduction. 1995 Tallman, Susan, “Accretions: Adele Henderson”, essay for exhibition catalog, Castellani Museum of Art, Niagara University. Waddell, Roberta, Curator of Prints, New York City Library. “Adele Henderson”, essay for exhibition catalog, Castellani Museum of Art, Niagara University, NY. Waddell, Roberta, “Scene at a Place and Time, The 69th Annual Competition”. Exhibition catalog, essay, The Print Club, Philadelphia. Comerford, Ellen, “The Art of Medicine, Henderson's work combines biology, fantasy”. Niagara Gazette, Sept. 23. Reproduction.

Huntington, Richard, “Body Beat, A peculiar study in Human Physiology”, Buffalo News, Oct. 6, Gusto, pp. 5. Reproduction. Licata, Elizabeth, “Adele Henderson: Anamorphs”. Castellani Art Museum quarterly, Summer/Fall. Reproduction. Victor, Matthieu, “Art History”, Art Voice, Buffalo, NY, Oct. 20. Reproduction. 1994 Sozanski, Edward, “Museums • Galleries – Print Club”; The Philadelphia Inquirer, Dec. 30, p. 31. Reproduction. 1993 Dorsey, John, “Two exhibits of print-makers’ art offer a range of techniques, quality”, The Baltimore Sun, MD, March 24. Duffes, Melissa, “Eclectic Invitational at the Albright-Knox”. Art Voice, Vol. 4, Issue 10, May 19, p. 3. Huntington, Richard, “In Western New York show turns to the personal”. The Buffalo News, Apr. 25, p. E-6. 1992 Tallman, Susan, “Utopia/Dystopia”, The 67th Annual. The Print Club, Philadelphia. Essay for exhibition catalog. Reproduction. Huntington, Richard, “Exploring Life Itself at the UB faculty show”, The Buffalo News, Sept. 16. Reproduction. Netsky, Ron, “Distinctive prints shown in Brockport”, Democrat and Chronicle, Rochester, NY, February 2. 1990 Young, Aimee, ed. Kalliope; A Journal of Women’s Art, Vol. XII, No. 3, fall pp. 2-3, 77-78. Cover and Reproductions. Clough, Wendy, “The Outer Limits Explored at New Visions SUNY Show”, The Ithaca Journal, Feb. 22.