Official Catalogue of Mini Print 2020 (PDF)
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Discovering the Contemporary
of formalist distance upon which modernists had relied for understanding the world. Critics increasingly pointed to a correspondence between the formal properties of 1960s art and the nature of the radically changing world that sur- rounded them. In fact formalism, the commitment to prior- itizing formal qualities of a work of art over its content, was being transformed in these years into a means of discovering content. Leo Steinberg described Rauschenberg’s work as “flat- bed painting,” one of the lasting critical metaphors invented 1 in response to the art of the immediate post-World War II Discovering the Contemporary period.5 The collisions across the surface of Rosenquist’s painting and the collection of materials on Rauschenberg’s surfaces were being viewed as models for a new form of realism, one that captured the relationships between people and things in the world outside the studio. The lesson that formal analysis could lead back into, rather than away from, content, often with very specific social significance, would be central to the creation and reception of late-twentieth- century art. 1.2 Roy Lichtenstein, Golf Ball, 1962. Oil on canvas, 32 32" (81.3 1.1 James Rosenquist, F-111, 1964–65. Oil on canvas with aluminum, 10 86' (3.04 26.21 m). The Museum of Modern Art, New York. 81.3 cm). Courtesy The Estate of Roy Lichtenstein. New Movements and New Metaphors Purchase Gift of Mr. and Mrs. Alex L. Hillman and Lillie P. Bliss Bequest (both by exchange). Acc. n.: 473.1996.a-w. Artists all over the world shared U.S. -
Ali Banisadr / MATRIX 185 at the Wadsworth Marks Artist's First Solo
FOR IMMEDIATE RELEASE Media Contact: Kim Hugo, (860) 838-4082 [email protected] Image files to accompany publicity of this exhibition will be available for download at http://press.thewadsworth.org. Email to request login credentials. Ali Banisadr / MATRIX 185 at the Wadsworth Marks Artist’s First Solo Museum Exhibition in the U.S. Hartford, Conn. (September 15, 2020)—Ali Banisadr draws freely from an encyclopedic knowledge of the history of painting to create a distinctive visual language, resulting in works that explore a “between space,” like those of hallucinations and dreams. Ali Banisadr / MATRIX 185 at the Wadsworth Atheneum Museum of Art is the artist’s first solo museum exhibition in the U.S. Ten paintings and two prints by Banisadr join a selection of works from the Wadsworth collection chosen by the artist, as well as a video collage that Banisadr created to show additional inspiration works from the museum’s collection. The exhibition opens October 22, 2020 and will be on view through February 14, 2021. “Banisadr’s depictions of abstracted masses feel especially relevant right now,” says Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art at the Wadsworth. “His compositions echo the disquiet we are witnessing across the world today, including political rallies, protest marches, and street riots. And yet, as timely as they are, they are equally timeless.” Banisadr’s process has been related to synesthesia as sounds instruct the energy and rhythm in his painterly compositions. His perception of sound as inextricably linked to color and form began in his native Tehran, Iran during the Iran-Iraq War (1980–1988)— the artist recalls drawing while sheltering at home. -
Tiroler Künstler*Schaft
KuNSTPaVILLON Neue Galerie BÜCHSeNHAUSeN Tiroler KünsTlerschafT 2013-14 Tiroler Künstlerschaft Ilse Abka-Prandstetter*, Anna Maria Achatz, Reinhard Artberg, Rolf Aschenbrenner*, Klaus Auderer, Mamadou Ba, Christian Bachlechner*, Sieghart F. Bader, Wolf Dietrich Bahn*, Peter A. Bär, Klaus Bartl, Elisabeth Bauerstein-Wildbolz*, Andrea Baumann, Maria Baumgartner, Patrick Baumüller, Ursula Beiler, Michael Berger, Matthias Bernhard, Wilhelm Bernhard, Friedrich Biedermann, Lies Bielowski, Andrea Bischof, Herbert Bischofer, Peter Blaas, Roland Böck, anna-Maria Bogner, Maurizio Bonato, Fatima Bornemissza, Christine Brandi, Helga Brandmann-Saurwein*, Martin Bruch, Hellmut Bruch, Carmen 2013–14 Brucic, Josef Brugger, Franz Brunner, Karin Byrne*, Wolfgang Capellari, Katharina Cibulka, Monika Cichón, James Clay, Jahrespublikation | Annual Review Anemona Crisan, I. Bela Crisan, Oliver Croy, Dorothea Czell*, Christoph-M. David, Michael Defner, Eva Degenhardt, Helmut Christof Degn, Patricia Del Mar, Carola Dertnig, Walter Deussl*, Gerhard Diem, Lucas Drexel, Maria Margarethe Drexel, Norbert Drexel*, Othmar Eder, Petra Egg, Almut Egg-Blumenthal, Renate Egger, Ernst Ellemunter, Martha Exenberger, Erika Faitl, Christine Falbesoner, Werner Feiersinger, Gottfried Feldner, Thomas Feuerstein, Elisabeth Fidler, Romana Fiechtner, Robert Fleischanderl, Stefan Flunger, Robert Freund, Claudia Fritz, Gerlinde Fritz-Peemöller*, Sieglind Gabriel, Margareta Gabrielli-Kapferer*, Roberto Gagliano, Martina Gasser, Elfriede Gerber, Veronika Gerber, Robert Gfader, Minu Ghedina, -
About the Exhibition the Year 2020 Is a Historic One for the Evansville Museum’S Biennial Mid-States Art Exhibition, As It Marks Its Jubilee Anniversary
About the Exhibition The year 2020 is a historic one for the Evansville Museum’s biennial Mid-States Art Exhibition, as it marks its Jubilee Anniversary. The biennial exhibition provides recognition for emerging artists and the opportunity to receive a purchase or merit award. Selected for this retrospective are top award- winning works spanning sixty years which provide a unique overview of the development in trends and techniques of artists in the Midwest. The annual juried competition was organized in 1948 by the Museum’s Director, Charles Bogg; Registrar, Florita Eichel; and Museum Trustee William A. Gumberts. Originally named the Tri- State Art Exhibition, the competition accepted paintings, drawings, prints, sculpture, and crafts for consideration by a jury of two or three art professionals. In the first decade, the number of entries steadily grew; and, in 1960, the Museum organized a separate regional juried exhibition devoted to craft. The Mid- State Craft Exhibition and the Mid-States Art Exhibition were presented annually until 1994 when the decision was made to offer one regional juried competition each year and the two competitions became biennials. The competition is open to artists residing in the six Midwestern states of Indiana, Illinois, Kentucky, Tennessee, Ohio and Missouri. In the exhibition’s sixty-year history, the purchase and merit awards donated by local individuals, businesses, corporations, and philanthropic organizations have allowed the Evansville Museum to purchase 326 works for the Mid-States Art Collection. On this Jubilee Anniversary, we congratulate all the artists who have participated in the Mid-States Art Exhibition and thank the many generous patrons whose gifts have made the acquisition of this important collection possible. -
248 Artists from 49 Countries
Countries 49 The exhibition is held With Special Thanks Argentina 3 December 11th 2013 for the cooperation to: Austria 2 March 15th 2014 Australia 1 Lessedra Gallery Japan Artists Association Belarus 1 25, Milin Kamak Street, Lozenetz Belgium 4 BROCK UNIVERSITY, Canada Brazil 4 1164 Sofia, Bulgaria Shawn Serfas, Assistant Professor Bulgaria 16 The project is presented ARCHIVO GRAFICO, Mexico Canada 23 on the web Colombia 1 Prof. Felipe Cortes Reyes Croatia 1 www.lessedra.com Czech Republic 2 link COMPETITION Cyprus 1 Denmark 6 4TH LESSEDRA Dominican Republic 1 Publisher: LESSEDRA Gallery England 6 INTERNATIONAL s Estonia 3 PAINTING & MIXED MEDIA & Contemporary Art Project Finland 10 COMPETITION 25, Milin Kamak Street, Lozenetz France 10 The Catalogue presents 1164 Sofia, Bulgaria Germany 10 Tel.: (++359 2) 865 04 28, Ghana 1 (++359 2) 866 38 57 Greece 3 248 Artists e-mail: [email protected] Hungary 1 [email protected] India 1 from Ireland 4 49 countries Concept for the book: Georgi Kolev©2014 Israel 4 Italy 2 Cover: Enil Enchev©2014 Japan 22 Korea 1 Slovenia 4 Pre - press: Christophor Krustev©2014 Lithuania 4 Republic of South Africa 3 Mauritius 1 Spain 5 Mexico 16 Sweden 9 The Netherlands 7 Switzerland 10 Print: IFO Design©2014 Norway 5 Taiwan 2 Poland 11 Thailand 1 Portugal 2 Togo 1 Romania 5 Turkey 4 Scotland 1 U. S. A. 9 Serbia 1 Venezuela 1 © Lessedra 2013 – 2014 INTERNATIONAL JURY ELVIRA RODRIGUEZ ROURA, Spain First Prize Winner from the 3rd Painting & Mixed Media -
Finding Aid to the DC Art Association Records, 1969
D.C. Art Association Finding Aid to the D.C. Art Association Records, 1969– 1991, Anacostia Community Museum Archives by Tonijala D. Penn May 2007 Contact Information Anacostia Community Museum Archives Smithsonian Institution 1901 Fort Place, SE Washington. D.C. 20020 202.633.4853 (phone) 202.287.2422 (fax) www.ACMarchives.si.edu Table of Contents Collection Overview......................................................................................................... 1 Administrative Information ............................................................................................... 1 Biographical Note ............................................................................................................ 2 Scope and Content Note ................................................................................................. 2 Subjects .......................................................................................................................... 3 Related or Complementary Material ................................................................................ 3 Series Description/Container List .................................................................................... 3 Series I: Administrative ................................................................................................ 3 Series II: Correspondence ........................................................................................... 4 Series III: Exhibitions .................................................................................................. -
165 Artists from 38 Countries
The exhibition is held With Special Thanks ARTISTS BY COUNTRIES December 12 2018 March 25 2019 for the cooperation to: Austria – 2 Argentina – 1 Lessedra Gallery JAPAN ARTISTS ASSOCIATION Belarus – 1 25, Milin Kamak Street, Lozenetz FACULTY OF ARTS Belgium – 3 1164 Sofia, Bulgaria MARIA CURIE SKŁODOWSKA Brazil – 2 The project is presented UNIVERSITY Bulgaria – 21 on the web Lublin, Poland Canada – 4 www.lessedra.com Denmark – 3 link COMPETITION LEINSTER PRINTMAKING England – 3 STUDIO, Ireland Finland – 6 9TH LESSEDRA France – 7 INTERNATIONAL Germany – 7 PAINTING & MIXED MEDIA Ghana – 1 Publisher: LESSEDRA Gallery COMPETITION Greece – 2 & Contemporary Art Projects Hungary –1 The Catalogue presents 25, Milin Kamak Street, Lozenetz Iceland – 1 1164 Sofia, Bulgaria Iraq – 1 165 Artists Tel.: (++359 2) 865 04 28, Ireland – 1 (++359 2) 866 38 57 Israel – 2 from e-mail: [email protected] Japan – 11 38 countries [email protected] Lithuania – 1 Concept for the book: Georgi Kolev©2019 Macedonia – 1 Mauritius – 2 Pre - press: Christophor Krustev©2019 Mexico – 3 Print: Stovi©2019 Morocco – 2 Slovenia – 2 The Netherlands – 6 Spain – 1 Norway – 5 Sweden – 6 Poland – 24 Switzerland – 3 Portugal – 1 Thailand – 2 Romania – 1 Ukraine – 1 Russia – 8 U. S. A. – 16 © Lessedra 2018 – 2019 INTERNATIONAL JURY Elmar Peintner, Austria First Prize Winner of the 8th Mixed Media Alicja Snoch-Pawłowska, Poland ASSOCIATE DEAN FOR STUDENT AND EDUCATIONAL AFFAIRS at FACULTY OF ARTS, MARIA CURIE SKŁODOWSKA UNIVERSITY in Lublin With the kind assistance -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Inclusive Curatorial Practices: Facilitating Team Exhibition Planning in the Art Mueum Using Evaluative Inquiry for Learning in Organizations Ann Rowson Love
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Inclusive Curatorial Practices: Facilitating Team Exhibition Planning in the Art Mueum Using Evaluative Inquiry for Learning in Organizations Ann Rowson Love Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORDIA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE, & DANCE INCLUSIVE CURATORIAL PRACTICES: FACILITATING TEAM EXHIBITION PLANNING IN THE ART MUEUM USING EVALUATIVE INQUIRY FOR LEARNING IN ORGANIZATIONS BY ANN ROWSON LOVE A Dissertation submitted to the Department of Art Education in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2013 Ann Rowson Love defended this dissertation on May 2, 2013. Members of the supervisory committee were: Pat Villeneuve Professor Directing Dissertation Paul Marty University Representative Tom Anderson Committee Member Jeff Broome Committee Member Linda Schrader Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii DEDICATION To my parents Joseph and Sandra Rowson iii ACKNOWLEDGMENTS I want to thank Pat Villeneuve for her guidance and for supervising this project as my advisor. In the weeks following Hurricane Katrina, Pat welcomed my family into her home and into the doctoral program that led me to this work. I thank all of my committee members for their participation and thoughtful comments throughout this process; thank you to Tom Anderson, Jeff Broome, Paul Marty, and Linda Schrader. To my husband, Eric, who made the move to Tallahassee and supported me throughout my studies and writing. -
Kunstbericht 1979
KUNSTBERICHT 1979 BUNDESMINISTERIUM FÜR UNTERRICHT UND KUNST Vorwort zum Kunstbericht 1979 Im Herbst 1979 hat das Bundesministerium für Unterricht und Kunst im Museum fur angewandle Kunst die Ausstellung "Die unbekannte Sammlung" gezeigt. Diese Ausstellung gab einen überblick über die Kunslwerkankäufe des Bundes seit 1945 und gleichzeitig einen Einblick in das Kunstschaffen Österreichs wahrend eines 30jährigen Zeitraums. Zusammen mit dieser Ausstellung wurde auch ein Buch "Die unbekannte Sammlung - Materialien zur staatlichen Kunslför• derung in Österreich" publiziert, in dem eine Reihe von Analysen und Studien über die bildende Kunst in Österreich enthalten sind. Diese Vorgangsweise, die die bildende Kunst in Österreich einer umfassenden und gründlichen Bearbeitung unterzogen hat, wird in den nächsten Jahren auch auf die Gebiete der Literatur und der Musik ausgedehnt werden. Ich hoffe, daß diese Untersuchungen und Ausstellungen auf dem Gebiet der Künste einen Beitrag dafür leisten, Verständ• nis und Wissen über die Bundeskunslförderung in österreich zu vertiefen. So wie die jährlich erscheinenden Kunslberichte detaillierte Auskunft geben, was auf dem Gebiet der Förderung jährlich geschieht. kann in den Projekten, wie das Beispiel uber die bildende Kunst gezeigt hat, ein Gesamlüberblick geboten werden. Der Bundesminister für Unterricht und Kunst Inhaltsverzeichnis Seite Bildende Kunst. 3 Darstellende Kunst, Musik und Festspiele 21 Literatur und Verlagswesen 36 Film-, Video- und Lichtbildwesen 43 Kulturpolitische Aktivitäten 47 Staatspreise, Stipendien und Grillparzerrmge 49 Die Gebarung 1979 53 ,I Herausgegeben vom Bundesministeflum !ur Unterricht und Kunst, 1014 Wien. Minoritenplatz 5; für den Inha~ verantwortlich: Mag. JosefSecky. Druck: Druckkunst Wien B. Woiczik, 1100 Wien, Schleiergasse 17/22. 2 BILDENDE KUNST ABTEILUNG 41 Bildende Kunst, Ausstellungen, Angelegenheiten des Urheberrechtes, besondere rechllich-administratlve Angelegenheiten der Sektion IV. -
Public Art Exhibition Curator
REQUEST FOR PROPOSALS CITY OF WEST HOLLYWOOD ARTS DIVISION PUBLIC ART EXHIBITION CURATOR Date Released: September 7, 2017 Deadline to Apply: October 11, 2017 City of West Hollywood ART ON THE OUTSIDE REQUEST FOR PROPOSALS (RFP) Public Art Exhibition Curator Santa Monica Boulevard at Doheny Drive Sculpture Park RFQ released: September 7, 2017 Deadline to apply: October 11, 2017 PROJECT DESCRIPTION The City of West Hollywood’s Art on the Outside Program is seeking an arts professional to curate a temporary public art exhibition for the Santa Monica Boulevard at Doheny Drive Sculpture Park. Independent curators and curators representing non-profit art organizations, art centers, galleries and/or museums are invited to develop proposals for an engaging temporary public art exhibition for the City’s primary outdoor exhibition space. Qualified curators will have experience and capability to perform the tasks described in the Scope of Work. Proposals may be artistic, cultural, or popular in nature and may (but are not required to) feature themes related to the City’s unique history. Artworks included in the exhibition proposal should be able to withstand the natural elements and be ready to install in a public setting. Delicate artworks that may be vulnerable to the elements and/or public interaction are not advisable for this setting. The term of the exhibition is expected to begin in February 2018 and conclude in February 2019. ELIGIBILITY This is an open call to arts professionals. Proposals submitted by arts professionals, non-profit art organizations, art centers, galleries, and/or museums for exhibitions of emerging and established artists will be considered. -
Over 270 Works, Over 110 Artists & 25 Countries the Ottawa School Of
THE OTTAWA SCHOOL OF ART - L’ÉcOLe d’art d’OTTAWA FIFTH INTERNATIONAL MINIATURE PRINT BIENNALE EXHIBITION 5E EXPOSITION INTERNATIONALE BISANNUELLe d’esTAmpES MINIATURES OVER 270 WORKS, OVER 110 ARTISTS & 25 COUNTRIES PLUS DE 270 œUVRES ET PLUS DE 110 ARTISTES ET 25 PAYS APRIL 24 - JUNE 1, 2014 | 24 AVRIL AU 1ER JUIN 2014 35 RUE GEORGE ST., OTTAWA, ON | 613.241.7471 ARTOTTAWA.CA | FACEBOOK & TWITTER @ARTOTTAWA {CONTENTS / SOMMAIRE} 04 MESSAGE FROM THE DIRECTOR / MESSAGE DU DIRECTEUR 06 PURCHASE PRIZE RELIEF / LAURÉATS MEILLEURE ESTAMPE EN RELIEF 07 PURCHASE PRIZE INTAGLIO / LAURÉATS MEILLEURE ESTAMPE INTAGLIO 08 PURCHASE PRIZE LITHOGRAPHY / LAURÉATS MEILLEURE LITHOGRAPHIE 09 PURCHASE PRIZE SCREEN PRINTS / LAURÉATS MEILLEURE SÉRIGRAPHIE 10 PURCHASE PRIZE NEW MEDIA / LAURÉATS MEILLEURE NOUVELLES TECHNIQUES 10 PREVIOUS PURCHASE PRIZE WINNERS / LAURÉATS DES ANNÉES PRÉCÉDENTES 16 CANADA / CANADA 49 USA / ÉTAts-UNIS 52 ITALY / ITALIE 53 JAPAN / JAPON 54 UNITED ARAB EMIRATES / ÉMIRATS ARABES UNIS 55 SWEDEN / SUÈDE 56 POLAND / POLOGNE 58 AUSTRALIA / AUSTRALIE 60 GERMANY / ALLEMAGNE 60 FINLAND / FINLANDE 61 KOREA / CORÉE 61 ROMANIA / ROUMANIE 63 IRELAND / IRLANDE 64 INDONESIA / INDONÉSIE 65 SLOVENIA / SLOVÉNIE 65 ENGLAND / ANGLETERRE 67 LITHUANIA / LITUANIE 67 BULGARIA / BULGARIE 68 FRANCE / FRANCE 69 AUSTRIA / AUTRICHE 69 ESTONIA / ESTONIE 70 ISRAEL / ISRAËL 70 SLOVAKIA / SLOVAQUIE 71 HUNGARY / HONGRIE 71 SWITZERLAND / SUISSE FACEBOOK & Twitter @arTOTTAWA {MESSAGE FROM THE DIRECTOR} The Ottawa School of Art is pleased to present the Fifth International Miniature Print exhibition in our gallery as part of our 135th anniversary celebrations. Artists from around the world have responded positively to our call and we have an excellent exhibition with almost 300 works by over 100 artists from 25 different countries.