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A Selective Study of the Writings of Kafka, Kubin, Meyrink, Musil and Schnitzler
_________________________________________________________________________Swansea University E-Theses The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler. Vrba, Marya How to cite: _________________________________________________________________________ Vrba, Marya (2011) The literary dream in German Central Europe, 1900-1925: A selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42396 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ The Literary Dream in German Central Europe, 1900-1925 A Selective Study of the Writings of Kafka, Kubin, Meyrink, Musil and Schnitzler Mary a Vrba Thesis submitted to Swansea University in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of Modern Languages Swansea University 2011 ProQuest Number: 10798104 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
PHANTOM PHYSICALIZATIONS Reinterpreting Dreams Through Physical Representation
PHANTOM PHYSICALIZATIONS Reinterpreting dreams through physical representation ·······Interaction·Design·Master·Thesis······Vincent·Olislagers······June·2012······K3·School·of·Arts·and·Communication······Malmö·University······· Thesis submitted as fulfillment of the requirements for the degree of Master of Science in Interaction Design Advisor: David Cuartielles Examiner: Susan Kozel Thesis defense: 31 May 2012 | 10:00-11:00 at MEDEA research center for collaborative media More info at: vincentolislagers.com This text and the design work in it are available under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License p. 2 ABSTRACT ACKNOWLEDGEMENTS This thesis begins with a philosophical question: What if we I would like to express my gratitude to everyone who has shared could amplify our waking experience with the aesthetic qualities their intelligence and offered me their assistance of dreams? Through a discourse on experiential dream related during the thesis writing and my Master studies, I am truly aspects in philosophy, design and daily life it examines what it indebted to you. In particular I am thankful to: means, and has meant, to dream, and how these qualities already permeate the physical world. I hypothesize that objects capable of Hans & Monique Olislagers for allowing me to realize my dreams representing dream related physiological data as physical output and for their unwavering support. My supervising professor have the potential to amplify our waking experience. To formulate a David Cuartielles for his guidance, and for creating the Arduino set of considerations for the design of such objects, an ethnographic prototyping platform, which has enabled me to test my ideas with study of dream experience, comprising a survey, a cultural probe real people. -
Social Dreaming Applications in Academic and Community Settings
Dreaming Psychoanalysis Forward: Social Dreaming Applications in Academic and Community Settings George Bermudez, Ph.D. Matt Silverstein, Ph.D. ―Thirdness is that quality of human existence that transcends individuality, permits and constricts that which can be known, and wraps all our sensibilities in ways that we experience as simultaneously alien as well as part of ourselves. Thirdness is the medium in which we live and that changes history, moments into time, and fragments into a whole.‖ Samuel Gerson (2009) When the third is dead: Memory, mourning, and witnessing in the aftermath of the holocaust. The International Journal of Psychoanalysis, 90, 1341-1357. ―And I hold that it is true that dreams are faithful interpreters of our inclinations; but there is an art required to sorting and understanding them.‖ Montaigne, ―Of Experience‖ Introduction: Psychoanalysis and Dreams: Is there a Role for “Social Dreaming?” Emphasizing what he perceives as the one hundred plus year ―love/hate‖ relationship between dreams and psychoanalysis, Lippmann (2000) decries the devalued status of dreams (theoretically and clinically) in contemporary psychoanalysis, generated by a fickle relationship that reflects the nearly universal ambivalence towards the unconscious, that unruly dimension of human experience that will not submit to our Western desires for mastery and domination. While we agree with Lippmann‘s overall assessment of our ambivalent attitudes toward dreams and the unconscious, we do not share his pessimism concerning the potential for re-integration with psychoanalysis. In contrast, it is our contention that contemporary psychoanalysis (a pluralistic conceptual landscape that parallels the complexity and ambiguity of the unconscious) offers renewed possibilities for the re-integration of dreams: for us, dreams remain the quintessential representation of the unconscious, the unformulated, the dissociated, and the repressed. -
Key Concepts for Dreamwork
DREAMS & SPIRITUAL GROWTH By Fr. Daniel Renaud, OMI OBLATE SCHOOL OF THEOLOGY CONTINUING EDUCATION DEPARTEMENT 4/8/2021 2 4/8/2021 . WEEK 1 : DREAMS IN SOCIAL 3 SCIENCES & CHRISTIANITY . WEEK 2 : THE PRACTICE OF DREAM APPRECIATION-PART #1 PLAN FOR . WEEK 3 : KEY CONCEPTS FOR THE SERIES DREAMWORK . WEEK 4 : THE PRACTICE OF DREAM APPRECIATION PART #2 © Fr. Daniel Renaud, OMI 4/8/2021 4 .Science of dreaming .Dreams in world WEEK 1 DREAMS IN religions & native SOCIAL peoples SCIENCES & CHRISTIANITY .Dreams in the Bible .Dreams in Early Church © Fr. Daniel Renaud, OMI 4/8/2021 . PURPOSE OF CLASS: Introduce basic 5 knowledge of dream work for oneself and group, situate it within a Christian framework informed by science, appreciate it as mean to enhance spiritual growth for self and others, practice dreamwork & sharing . BASIC PREMISE: dream appreciation vs dream interpretation, disclaimer as an GENERAL enthusiastic dreamworker REMARKS . GUIDELINES: walking on sacred ground, respect confidentiality, adjust to your own rhythm, remember self-care & support, INVITATION: keep recording your dreams! © Fr. Daniel Renaud, OMI 4/8/2021 6 4/8/2021 . Research indicates mammals, birds, human beings7 dream, (possibly all living organisms) difficult to prove even if Koko the Gorilla reported having nightmares through sign language . According to J. Taylor, it is possible that 100,000 years ago our ancestors dreamt about speaking before they did (no evidence, of course!!) . We all dream, some do not remember, many do. Later in class: tips to facilitate dream recall SCIENCE OF . Not dreaming, or lack of REM sleep: waking dreams (visual and auditory hallucinations); interference DREAMING with memory and learning; a loosening of associations; impaired ability to do tasks requiring focused attention; difficulty maintaining a straight line of thought, creating irritability and suspiciousness . -
Copyright American Psychological Association. Not for Distribution
Copyright American Psychological Association. Not for distribution. Copyright American Psychological Association. Not for distribution. CONTENTS Acknowledgments ................................................................................... ix Introduction. The Neurocognitive Approach to Dreams ..................... 3 Chapter 1. Toward a Neurocognitive Model of Dreams .................. 9 Chapter 2. Methodological Issues in the Study of Dream Content .......................................................... 39 Chapter 3. The Hall–Van de Castle System .................................. 67 Chapter 4. A New Resource for Content Analysis ........................ 95 Chapter 5. New Ways to Study Meaning in Dreams ................... 107 Chapter 6. A Critique of Traditional Dream Theories ................ 135 References .............................................................................................. 171 Index ...................................................................................................... 197 About the Author ................................................................................. 209 vii Copyright American Psychological Association. Not for distribution. ACKNOWLEDGMENTS Thanks to David Foulkes for two careful readings of the entire manu- script; to Adam Schneider for his superlative work in creating the tables and figures in the book; to Teenie Matlock and Raymond Gibbs, Jr., for their help in developing the ideas about figurative thinking in dreams; to Sarah Dunn, Heidi Block, and Melissa Bowen -
10 Supplement.Indd
I J o D R Abstracts of the 34th Annual Conference of the International Association for the Study of Dreams June 16 - June 20, 2017 Anaheim, California, USA Content This supplement of the International Journal of Dream Research includes the abstracts of presenters who gave consent to the publishing. The abstracts are categorized into thematic groups and within the category sorted according to the last name of the fi rst presenter. Affi liations are included only for the fi rst author. A name register at the end is also provided. Seven Surprising Discoveries that Changed My Contents: Thinking about Dreams 1. Keynotes G. William Domhoff 2. Morning Dream Groups Santa Cruz, California, USA 3. Workshops There have been seven unanticipated descriptive empirical 4. Clinical Topics fi ndings over the past 70 years that changed everything. 5. Religion/Spiritual/Culture/Arts They include the discovery of the sleep cycle, the fi ndings on consistency and continuity in dream journals, the de- 6. Education/Other Topics velopmental fi ndings on children, lesion and neuroimaging 7. PSI Dreaming studies, and the discovery of the default network. 8. Lucid Dreaming 9. Research/Theory Mapping Your Dream Themes 10. Posters Patricia Garfi eld Larkspur, California, USA Patricia Garfi eld shares her unique approach to understand- 1. Keynotes ing dreams. Never before presented publicly, this highly visual system of comprehending dreams derives from her dream journals spanning 69 years (1948 - 2017). Emphasis Dreams: CT Scans of Your Love Life is on illustrated images from 2006 onward. These journals informed Garfi eld’s fi fteen dream books, including bestseller Gayle Delaney Creative Dreaming. -
Drawing on Dreams: an Art Therapy Contribution to Group Dream Work
Drawing on Dreams: An Art Therapy Contribution to Group Dream Work Diann Ilnicki A Thesis in The Department of .Ut Eductation and Art Therapy Presented in Partial Fulfillrnent of the Requirements for the Degree of Master of Arts at Concordia University Montreal, Quebec, Canada March 1999 @ Diann Ilniclci, 1999 National Library Bibliothéque nationale .canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington OttawaON KlAON4 OnewaON K1AON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loa., distribute or sel reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fh, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts &om it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received. UMI ABSTRACT Drawing on Dreams: An Art Therapy Contribution to Group Drearn Work Diann Ilnicki Uilman's model of group dream work ( 1979, 1988, 1990),developed outside the clinical setting, is identified as a safe and effective means of cultivating self-understanding. -
The Nightmare Free
FREE THE NIGHTMARE PDF lars Kepler | 608 pages | 03 Jan 2013 | HarperCollins Publishers | 9780007414505 | English | London, United Kingdom The Nightmare - Wikipedia The Nightmare By Henry Fuseli. Regarded as one of the The Nightmare Paintings Ever. For the meaning of other celebrated masterpieces, please see: Famous Paintings Analyzed One of the most innovative Romantic artists of his day, the Swiss-born Johann Heinrich Henry Fuseli - son of the The Nightmare Johann Caspar Fussli - developed an early talent for drawing before moving to London The Nightmare at the age of Here, encouraged by Joshua Reynolds who was shortly to be elected the first president of the newly formed Royal Academy of ArtsFuseli took up painting. This led him to spend most of the s in Italy, studying the figure painting of Michelangelo which became a major influence on his art. Other influences included 16th-century Mannerism and literary sources, notably Shakespeare. Later appointed a professor of painting at the Royal Academy, he became one of the best English painters of the eighteenth century and was buried in St Paul's Cathedral. Like his The Nightmare contemporary William BlakeFuseli's strength as a painter lies in his imaginative intensity, and The Nightmare - which he sold for 20 guineas - remains his greatest and most baffling masterpiece. Overlooked after his death, Fuseli was 'rediscovered' by 20th-century Expressionists and Surrealists who greatly admired his creativity. Painted shortly after his return from Italy, The Nightmare was first shown to the public in The Nightmare the annual exhibition of the Royal Academy. An instant success, it established Fuseli's reputation as one of the most creative artists in London. -
The Gifts of Dreaming with Robert Moss by Julia Griffin Page 1 of 10
The Gifts of Dreaming with Robert Moss by Julia Griffin Page 1 of 10 Vol 3, No 10 Table of Contents Feature Articles Masthead Magazine List Shopping Contact Us Sitemap Home The Gifts of Dreaming with Robert Moss by Julia Griffin Robert Moss teaches "Active Dreaming" — a way of participating in our dream world that, he says, creates a bridge between ordinary dreamwork and shamanism. In this connection, he leads innovative dream programs all over the world. His ongoing research includes applications of conscious dreaming and ways of using dreamwork for healing, care of the dying, creativity, conflict resolution, and scientific discovery. Julia: What do you mean by "Active Dreaming"? Robert: I call my work Active Dreaming because I feel the most important thing in dreamwork is to act on our dreams in physical reality. The first essential in Active Dreaming is http://www.spiritofmaat.com/archive/may3/moss.htm 7/10/2006 The Gifts of Dreaming with Robert Moss by Julia Griffin Page 2 of 10 to keep a dream journal. Then we honor our dreams by acting on them. One way of honoring our dreams is to share them with others. I think that dreams should be talked about openly. If the dream is symbolic, then we can try to interpret the symbolism. In this regard, it's important to understand that we — the dreamer — are the final authority on what our dream symbols mean. If we have a dream that pertains to physical reality, then we can honor the dream with direct action. For example, if I dream of wearing a shirt that is of a certain color, I might decide to wear that color shirt the next day. -
Ogy of Dreaming. Michael Schredl Central Institute of Mental Health, Medical Faculty Mannheim/Heidelberg University, Ger- Many
Book review I J o D R Book review: Malinowski, J. (2021). The psychol- ogy of dreaming. Michael Schredl Central Institute of Mental Health, Medical Faculty Mannheim/Heidelberg University, Ger- many Summary. The book of Josie Malinowksi is a well-written and informative introduction into psychological dream research. After definitions and a brief review of the history of dreaming, the author integrates many of the current theories about dream function, e.g., processing of emotions, Social Simulation theory, or dreaming as playing. In addition, clinical as- pects, e.g., dream sharing, are reviewed with the interesting idea that working with dreams in waking might enhance the function of dreams. Phenomena like lucid dreams, precognitive dreaming, posttraumatic dreams, and sleep paralysis which are currently discussed widely are presented in a very concise format, clearly demonstrating the author’s knowl- edge that she has accumulated over more than 10 years of dream research. Lastly, the author emphasizes that dream researchers – like scientists in general – should also discuss the ethical implications of their findings, e.g., when influenc- ing dream content with application of external stimuli. Keywords: Dreaming, working with dreams, lucid dreams, Sci-fi dreaming Josie Malinowski’s book “The psychology of dreaming” is dreams and so on, illustrating the variability of the dream well-written, in non-scientific language and thus easy to un- experience. derstand but, nevertheless, ably reflects the status of cur- As dreams are recalled subjective experiences that occur rent academic dream research. The author, an oneirologist during sleep, they cannot be measured objectively (yet, see (meaning dream researcher) herself for over 10 years, can last chapter of the book on Sci-fi dreaming). -
A REALISTIC DREAM; INCEPTION by CHRISTOPHER NOLAN Submitted in Partial Fulfillment of the Requirement of BA Journalism &
i A Dissertation On A REALISTIC DREAM; INCEPTION BY CHRISTOPHER NOLAN Submitted in partial fulfillment of the requirement of BA Journalism & Mass Communication program of Navrachana University during the year 2017-2020 By JUHIE SHAMDASANI Semester VI 17165026 Under the guidance of Ms. AKHILA CK NAVRACHANA UNIVERSITY Vasna - Bhayli Main Rd, Bhayli, Vadodara, Gujarat 391410 ii NAVRACHANA UNIVERSITY Vasna - Bhayli Main Rd, Bhayli, Vadodara, Gujarat 391410 Certificate Awarded to JUHIE SHAMDASANI This is to certify that the dissertation titled A Realistic dream; Inception by Christopher Nolan has been submitted in partial fulfillment for the requirement of the Degree of Bachelor of Arts in Journalism and Mass Communication program of Navrachana University. iii CERTIFICATE This is to certify that the dissertation titled, “A REALISTIC DREAM; INCEPTION BY CHRISTOPHER NOLAN” prepared and submitted by JUHIE SHAMDASANI of Navrachana University, Vadodara in partial fulfilment of the requirements for the degree of Bachelor of Arts in Journalism and Mass Communication program is hereby accepted. Place: Vadodara Date: 15-05-2020 Dr. Robi Augustine Ms. Akhila CK Program Chair Dissertation Guide Accepted in partial fulfilment of the requirements for the degree of Bachelor of Arts in Journalism and Mass Communication. iv DECLARATION I hereby declare that the dissertation titled “A REALISTIC DREAM; INCEPTION BY CHRISTOPHER NOLAN" is an original work prepared and written by me, under the guidance of Mrs Akhila CK Assistant Professor, Journalism and Mass Communication program, Navrachana University in partial fulfilment of the requirements for the degree of Bachelor of Arts in Journalism and Mass Communication. This thesis or any other part of it has not been submitted to any other University for the award of other degree or diploma. -
III. Sweet Sleep: on Dreams
III. Sweet Sleep: On Dreams By Rabbi Elie Kaplan Spitz On Dreams Introduction to the Soul of the Matter Rabbinic Diversity on the Meaning of Dreams Abimelech: Warning as the First Biblical “Dream” Abraham’s Dream of an Enduring Covenant Jacob’s Transformative Dreams Joseph’s Dreams Joseph as Dream Interpreter: Empathic, Confident, and Humble Daniel as Nebuchadnezzar’s Dream Interpreter Visions of God by Isaiah and Ezekiel Biblical Verses as Dream Image Sweetners Dream Symbols Spotlight on REM “All Dreams Follow the Mouth:” The Power of the Interpretation Zohar on Prophecy and Dreams Solomon Almoli’s Classic Dream Guide, Pitron Halomot How Freud and Jung Differed Creative Breakthroughs Seeking Answers from Dreams Telepathy Amidst Dreams Divine Mercy and Restorative Dreams Dream Interpretation as a Cooperative Effort Nightmares Preventing and Transforming a Bad Dream Transforming Prayer of an Ambiguous Dream Wakeful Dreams Introduction to the Soul of the Matter For the longest time, I rarely remembered my dreams. It was unfortunate, for I was aware that visions of the night offered great insight. This belief is foundational to modern psychotherapy and is on display in sacred Jewish text. Starting with the Bible, dreams are transformational. Abraham, Abimelech, Jacob, Laban, and Joseph all have dreams that are prophetic. They each receive Divine messages that are as if spoken, clear and direct. Beginning with the tales of Joseph, interpretation is needed to decipher the symbols of dreams. The rabbis will differ as to the value of such visions of the night in their day, with three possibilities: meaningless, prophecy, or a combination.