The Idea of the Obscene
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2014 Festival Catalog
welcome For many years, we have worked together to build places for exploring the erotic, for meeting Eros, within ourselves and others. And we have seen the transformation that happens when people are allowed (encouraged) to encounter and Reveal true, authentic selves. We have built places that not only tolerate who we really are, but go further and accept who we are. And go further even, and celebrate our true essence. How can we know, really know, who we are if we keep so much hidden? How can we move freely, heartily through life while carrying the burdens of “unspeakable” secrets? We cannot fully love and profoundly affect our world, until we have met our real selves. And so, we offer Reveal as a promise and an invitation. Let us show you who we are, and perhaps you will reveal yourselves to us, too. We would be honored. Through art, let us reveal to you some possibilities. Let our artists lay a welcome mat; come explore–the light & dark, the soft & hard, the profane & profound. Stare, gawk, study, giggle. Stay as long as you dare, dare yourself to stay longer–past comfort, and back again. We bring you Seattle Erotic Art Festival to use as your bridge to authentic selves. Reveal. Because Eros’s love is in you, and we want you to know it. Through art, let us meet each other, and ourselves. With love and honor, Sophia Iannicelli and Leila Anasazi Seattle Erotic Art Festival 2014 ii juried exhibition juried exhibition The Festival is known worldwide for its comprehensive collection of international fine art celebrating the diversity of human sexual expression. -
Why Miller V. California╎s Local Community
Liberty University Law Review Volume 6 Issue 2 Article 7 December 2012 The “Virtual” Network: Why Miller v. California’s Local Community Standard Should Remain Unchanged in the Wake of the Ninth Circuit’s Kilbride Decision Tim K. Boone Follow this and additional works at: https://digitalcommons.liberty.edu/lu_law_review Recommended Citation Boone, Tim K. (2012) "The “Virtual” Network: Why Miller v. California’s Local Community Standard Should Remain Unchanged in the Wake of the Ninth Circuit’s Kilbride Decision," Liberty University Law Review: Vol. 6 : Iss. 2 , Article 7. Available at: https://digitalcommons.liberty.edu/lu_law_review/vol6/iss2/7 This Article is brought to you for free and open access by the Liberty University School of Law at Scholars Crossing. It has been accepted for inclusion in Liberty University Law Review by an authorized editor of Scholars Crossing. For more information, please contact [email protected]. COMMENT THE "VIRTUAL" NETWORK: WHY MILLER V. CALIFORNIA'S LOCAL COMMUNITY STANDARD SHOULD REMAIN UNCHANGED IN THE WAKE OF THE NINTH CIRCUIT'S KILBRIDE DECISION Tim K. Boonet I. INTRODUCTION "I know it when I see it."' The famous words of Justice Potter Stewart continue to carry significant meaning in the context of obscenity law. His position on obscenity aptly described many Supreme Court Justices' views on the topic in the 1960s and sums up the problems that obscenity law still encounters today. The Court developed a somewhat vague, but workable, standard in the landmark 1973 case of Miller v. California.' In Miller, the Court developed a three-pronged test to determine whether material was obscene and thus unprotected by the First Amendment.' An important aspect of this test called for juries to determine whether material was obscene using a local community standard-that is, juries considered whether their local community would find particular material obscene. -
Chaucer and Bawdy
Chaucer and Bawdy G. R. Simes RANCE. Had you committed the act you wouldn't now be facing the charge. PRENTICE. I couldn't commit the act. I'm a heterosexual. RANCE. I wish you wouldn't use these Chaucerian words. It's most confusing. Joe Onon, What the Butler Saw (1969), p. 55. The reputation of a medieval poet is such that a successful dramatist of the 1960s could rely on the mere mention of his name to convey to the audience of the play the ideas of naughtiness and bawdy. Presumably the expansion of senior-secondary and tertiary education after World War II, the gradual relaxation of sexual mores, and the ready availability of a lively translation of the Canterbury Tales had all been factors_ that contributed to a popular dissemination of Chaucer's reputation for bawdiness. If that is so, it occurred in the absence of scholarly activity and interest in the topic. It is true that Chaucer shares with Shakespeare the singular honour of having a book devoted to his bawdy; yet that book was published as recently as 1972 and, modelling itself on Partridge's pioneering work on Shakespeare, takes the form of discursive glosses, apart from a brief, conceptually uncritical introduction. I In general, before the later 1960s, while many medievalists privately took pleasure in Chaucer's treatment of sexual and excretory matters, they did not write upon this aspect of his work with the same unembarrassed candour that the poet himself had shown. Among general readers this aspect of Chaucer, and to an extent Chaucer's very name, was very often an occasion for sniggering. -
(2) Sexuality, Obscenity, and Genre in the Merchant's Tale
The Merchant’s Tale (2) Sexuality, Obscenity, and Genre in the Merchant’s Tale: The Case of Fabliau Marie Turner An essay chapter from the Open Access Companion to the Canterbury Tales (September 2018) The Merchant’s Tale is often considered to be one of the masterpieces of the Canterbury Tales. A lowbrow story told in a high rhetorical style, the tale’s richly allusive fabric interweaves sources and analogues both classical and biblical, Latin, French, and Italian, as well as self-reflexively referencing other parts of the Canterbury Tales; in the Merchant’s Tale, perhaps, we can see the man behind the curtain, the poet Chaucer at work. But in addition to all this high style and erudition, the Merchant’s Tale also has something of a reputation for crude and obscene content: the elderly bachelor Januarie seeks out a much younger bride, May, and, after a series of perhaps less-than-erotic romps, introduces her to a purpose-built sex garden where he hopes they will engage in those acts which are “nat doon abedde” (MerT 2051). Throwing a wrench in the works is May, who naturally has fallen in love with Damyan, a young squire in her household, with whom she hatches a plan to cuckold her husband, now blind. May copies the key to the garden and lets Damyan inside, where he lies in wait in a convenient pear tree. When May declares herself to have a craving for pears, Januarie delightedly assumes that his wife is pregnant and rushes to assist her in climbing the tree in search of the fruit which will satisfy her desire. -
Sex Education Practices of Mothers and Fathers with Preschool Children
AN ABSTRACT OF THE THESIS OF Science Shelley Lynne Knudsen-Jindauer for the degree of Master of in Family Life presented on "August 21, 1979 Title: Sex Education Practices of Mothersand Fathers With Preschool Childien Abstract approved: Redacted for privacy 0 Sally A. Koblinsky 0 This study examinee the sex education practices of middle class par- ents with presChool children. Subjects were 128 parents of three- to five. year -old children, including 37 mothers of daughters, 37 mothersof sons, 27 fathers of daughters, and 27 fathers of sons. These parents were ad- ministered a sex education questionnaire examining children's curiosity about genital differences, curiosity'about birth and reproduction, use of obscene words, masturbation, and sex play. In each area, parents provided information about the frequency with which they observed the behavior, the manner in which they responded to the behavior, and the level of comfort they experienced in responding. Results indicated that the majority of parents had encountered questions about genital differences, questions about reproduction, and masturbation. Moreover, half of the sample had encountered obscene language and one quarter had observed sex play. Chi square analyses revealed that mothers andfathers were equally likely to have observed all rive sexual behaviors, However, parents of sons were significantly more likely than parents ofdaughters to have observed masturbation. An examination of parents' responses to the various sexual behaviors revealed that parents provided more accurate information about genital sex differences to daughters than sons. Another notable finding was that the majority of parents failed to provide their children with an accurate description of reproduction and birth. -
Sexuality Research, Sexual Politics and Sexual Rights in the Anglophone Caribbean
Sexuality Research, Sexual Politics and Sexual Rights in the Anglophone Caribbean Christine Barrow The problem of sex Throughout Caribbean history sex has been framed as a moral, social, demographic and health problem. Sexual expressions are denounced as rampant promiscuity evident in blatant homosexuality, sex work, predatory male hyper-heterosexuality, lewd gyrations of women in carnival and dance hall, and teenage girls with so-called “sugar daddies”. The dominant authorities of church and state portray sex as a threat to social order and morality – the cause of overpopulation, violence and disease. The racialized imagery of sexuality provides justification for law and policy to reach beyond social control to regulate sex and family life. Streams of migration from Europe, Africa, India and elsewhere, and colonialism that passed through French, Spanish, Dutch and British hands have generated a Caribbean complex of ethnicities, religions and laws all, in turn, shaping a diversity of sexual cultures. And yet, a one-size-for-all hegemonic twin ideology of patriarchy and heteronormativity underpinning imperial authority drove post-Emancipation and post-Indenture nation- building designed to ‘civilize’ Caribbean men and women into responsible, upright citizens. At its core was compulsory heterosexuality rooted in nuclear family structures with an appropriately gendered division of labour and the policing of women’s sexuality – within rigid race-class boundaries and inside the marriage bed. The social engineering project was not new – already during slavery, religious authorities had embarked on a moral crusade to promote marriage and stamp out ‘concubinage’ and ‘promiscuity’ – but it went into high gear after World War II with the arrival of social welfare ‘experts’ whose recommendations for family restructuring centred the promotion of marriage with the aim of reducing what were seen through an ethnocentric lens as shockingly high rates of illegitimacy. -
“We Have Lived & Loved As Brothers”: Male Friendship at the University of Virginia 1825- 1861 Josh Morrison Masters'
“We Have Lived & Loved as Brothers”: Male Friendship at the University of Virginia 1825- 1861 Josh Morrison Masters’ Thesis April 25, 2017 Introduction & Historiography ....................................................................................................... 2 Part I: The Students and their University ....................................................................................... 8 Part II: Autograph Albums: A Language of Friendship .................................................................. 23 Part III: What Does Honor Have to Do with It? Explaining Violence & Friendship ....................... 40 Conclusion: Friendship & War ...................................................................................................... 48 1 INTRODUCTION & HISTORIOGRAPHY During the late antebellum period, the University of Virginia was widely regarded as the premier institution of Southern learning. Its student body was composed almost exclusively of the favored sons of the richest and most influential men of the region. As such, Jefferson’s University served not only as a mirror reflecting elite Southern culture but as an active agent of its ideological, and social development. Its first years saw a litany of violent outbursts that drew much comment at the time and indeed much focus even today. While Thomas Jefferson and the early professors did their best to get the institution off the ground, a casual observer could be excused for thinking that many of its students were just as fervently trying to tear it down brick -
Tee-Hee!" Quod She, My Vulgar Darling: Detecting the Adolescent Female Voice Through Rebellion and the Ribald in Nabokov's Lolita and Chaucer's Miller's Tale
University of Pennsylvania ScholarlyCommons CUREJ - College Undergraduate Research Electronic Journal College of Arts and Sciences April 2006 "Tee-hee!" Quod She, My Vulgar Darling: Detecting the Adolescent Female Voice through Rebellion and the Ribald in Nabokov's Lolita and Chaucer's Miller's Tale Kathryn M. Fleishman University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/curej Recommended Citation Fleishman, Kathryn M., ""Tee-hee!" Quod She, My Vulgar Darling: Detecting the Adolescent Female Voice through Rebellion and the Ribald in Nabokov's Lolita and Chaucer's Miller's Tale" 17 April 2006. CUREJ: College Undergraduate Research Electronic Journal, University of Pennsylvania, https://repository.upenn.edu/curej/76. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/curej/76 For more information, please contact [email protected]. "Tee-hee!" Quod She, My Vulgar Darling: Detecting the Adolescent Female Voice through Rebellion and the Ribald in Nabokov's Lolita and Chaucer's Miller's Tale Abstract Though distanced in time by centuries, Nabokov's Lolita and Chaucer's Miller's Tale are both structured around young and girlish figures, or fanciulle. Both authors, too, apply three layers of male narration to their female protagonists, inviting the reader-critic into their worlds first as a ov yeur tempted by sexual stimulus and distancing him/her from the fanciulle. However, as the reader continues, s/he must work detectively to uncover the young female figure, discovering along the way her depth of character, as expressed through ribaldry, rebellion, and the only true language with which she knows how to express herself successfully – her sexuality. -
Words Full of Deed Prophets and Prophecy in German Literature
Words Full of Deed Prophets and Prophecy in German Literature around 1800 Patrick J. Walsh Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Patrick J. Walsh All rights reserved Abstract Words Full of Deed: Prophets and Prophecy in German Literature around 1800 Patrick J. Walsh In this dissertation, I consider the role of prophets and prophecy in German drama and dramatic discourse of the Romantic period. Against the backdrop of the upheaval wrought by the Enlightenment, the French Revolution, and the Revolutionary and Napoleonic Wars, such discourse exhibits a conspicuous fascination with political and social crisis in general as well as a preoccupation with imagining how the crises of the present could provide an opportunity for national or civilizational renewal. One prominent manifestation of this focus is a pronounced interest in charismatic leaders of the legendary or historical past—among them prophets like Moses, Muhammad and Joan of Arc—who succeeded in uniting their respective societies around a novel vision of collective destiny. In order to better understand the appeal of such figures during this period, I examine works of drama and prose fiction that feature prophets as their protagonists and that center on scenarios of political or religious founding. Reading texts by major authors like Johann Wolfgang Goethe, Friedrich Schiller and Achim von Arnim alongside those by the lesser- known writers such as Karoline von Günderrode, August Klingemann and Joseph von Hammer, I analyze the various ways these scenarios are staged and situate them within their specific political, intellectual and literary contexts. -
Malebicta INTERNATIONAL JOURNAL of VERBAL AGGRESSION
MAlebicTA INTERNATIONAL JOURNAL OF VERBAL AGGRESSION III . Number 2 Winter 1979 REINHOLD AMAN ," EDITOR -a· .,.'.""",t!. 1'''' ...... ".......... __... CD MALEDICTA PRESS WAUKESHA 196· - MALEDICTA III Animal metaphors: Shit linked with animal names means "I don't believe a word of it," as in pig, buzzard, hen, owl, whale, turtle, rat, cat, and bat shit, as well as the ever-popular horseshit. But bullshit remains the most favored, probably because of the prodigious quantity of functional droppings associated with the beast. On payday the eagle shits. Ill. Insults Shit on YDU!, eat shit!, go shit in your hat!, full ofshit, tough shit, shit-head (recall Lieutenant Scheisskopf in Catch-22), ELEMENTARY RUSSIAN OBSCENITY You shit, little shit, stupid shit, dumb shit, simple shit, shit heel; he don't know shit from Shinola, shit or get offthe pot, ·Boris Sukitch Razvratnikov chickenshit, that shit don't fetch, to be shit on, not worth diddly (or doodly) shit, don't know whether to shit orgo blind, he thinks his shit don't stink, he thinks he's King Shit, shit This article wiII concern itself with the pedagogical problems eating grin. encountered in attempting to introduce the basic concepts of IV: Fear Russian obscenity (mat) to English-speaking first-year students Scared shitless, scare the shit out of, shit green (or blue), shit at the college level. The essential problem is the fact that Rus .v,''' bricks, shit bullets, shit little blue cookies, shit out of luck, sian obscenity is primarily derivational while English (i.e., in 'r" almost shit in his pants (or britches), on someone's shit-list, this context, American) obscenity is analytic. -
Supreme Court Justice Potter Stewart
Essays On "I Know It When I See It" Paul Gewirtzt My subject is one of the most famous phrases in the entire history of Supreme Court opinions: "I know it when I see it." The phrase appears in Justice Potter Stewart's concurring opinion in Jacobellis v. Ohio,' a pornography case decided by the Court in 1964. Although many people have appropriated the phrase-some approvingly, some not-no one has ever examined it in any way commensurate with its fame. But the phrase repays reflection. Aside from its provocative place in the history of pornography regulation, "I know it when I see it" invites us to reappraise the role of nonrational elements in judicial decisionmaking, which I think deserve both more attention and more acceptance than they typically enjoy. Such a reappraisal is my underlying purpose here. Jacobellis v. Ohio involved a theater owner who had been convicted for showing The Lovers, an early film directed by the marvelous French filmmaker Louis Malle. The story in The Lovers concerns a woman in an unhappy marriage-the woman was played by the actress Jeanne Moreau-and the t Potter Stewart Professor of Constitutional Law, Yale Law School. This Essay is dedicated to the memory of my brother Dr. George Gewirtz, whose mind and spirit inspired much of it and who meant so much else to my life. It is based on the Inaugural Lecture I gave at Yale Law School on April 4, 1995, upon being appointed the first Potter Stewart Professor of Constitutional Law. The personal character of this event, which was attended by Justice Stewart's family and friends as well as my own, cannot be captured here, although connections between the personal and the intellectual were an important subtext of both the lecture and related events that day. -
The Invention of Obscenity
Michael Newcity Duke University THE INVENTION OF OBSCENITY Humanity has been creating sexually explicit art for a very long time; for just as long people have been arguing about what that art signifies. In 2008, scientists digging in a cave in southwestern Germany uncovered a figurine carved from mammoth-ivory that depicts a woman with significantly exaggerated sexual features. This 60 millimeter long figurine—the Hohle Fels Female Figurine, named after the cave where it was discovered—is one of the oldest examples of figurative art in human history, having been produced at least 35,000 years ago, some 5,000 years older than the oldest previously-discovered comparable figurine. These so-called Venus figurines—small carved figurines of naked women made during the Upper Paleolithic period that have been found throughout Europe, from France to Siberia, are a staple of introductory anthropology textbooks: “They are used to titillate freshman classes, and photographs or drawings, especially of the figurines from Willendorf and Dolni Vestonice, routinely enliven introductory textbooks.” 1 What these figurines represent—whether they were erotic in nature, spiritual, or had some other purpose—is a matter of heated controversy. In announcing the discovery of the Hohle Fels Female Figurine, Nicholas Conrad wrote that 1 Sarah M. Nelson, “Diversity of the Upper Paleolithic ‘Venus’ Figurines and Archeological Mythology,”Archeological Papers of the American Anthropological Association 2, issue 1 (Jan. 1990), 11. 1 …[t]here can be no doubt that the