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Art Projects in Japan a Society That Co-Creates with Art
An Overview of Art Projects in Japan A Society That Co-Creates with Art Written by Sumiko Kumakura and The Art Project Research Group Translated by Art Translators Collective Table of Contents Introduction 2 What are Art Projects?: History and Relationship to Local Areas 3 by Sumiko Kumakura and Yūichirō Nagatsu What are “Art Projects”? The Prehistory of Art Projects Regional Art Projects Column 1 An Overview of Large-Scale Art Festivals in Japan Case Studies from Japan’s Art Projects: Their History and Present State, 1990-2012 13 by The Art Project Research Group 1 Universities and Art Projects: Hands-On Learning and Hubs for Local Communities 2 Alternative Spaces and Art Projects: New Developments in Realizing Sustainable Support Systems 3 Museums and Art Projects: Community Projects Initiated by Museums 4 Urban Renewal and Art Projects: Building Social Capital 5 Art Project Staff: The Different Faces of Local Participants 6 Art Projects and Society: Social Inclusion and Art 7 Companies and Art Projects: Why Companies Support Art Projects 8 Artists and Art Projects: The Good and Bad of Large-Scale Art Festivals Held in Depopulated Regions 9 Trends After the 3.11 Earthquake: Art Projects Confronting Affected Areas of the Tōhoku Region Thinking about the Aesthetic and Social Value of Art Projects 28 by Sumiko Kumakura Departure from a Normative Definition of the Artwork Trends and Cultural Background of Art Project Research in Japan Local People as Evaluators of Art Projects Column 2 Case Studies of Co-Creative Projects 1: Jun Kitazawa’s -
Japanese Spatial Culture, Nature and Architecture
PATTERNS and LAYERING Japanese Spatial Culture, Nature and Architecture Foreword by Kengo KUMA Edited by Salvator-John A. LIOTTA and Matteo BELFIORE PATTERNS and LAYERING Japanese Spatial Culture, Nature and Architecture Foreword: Kengo KUMA Editors: Salvator-John A. LIOTTA Matteo BELFIORE Graphic edition by: Ilze PakloNE Rafael A. Balboa Foreword 4 Kengo Kuma Background 6 Salvator-John A. Liotta and Matteo Belfiore Patterns, Japanese Spatial Culture, Nature, and Generative Design 8 Salvator-John A. Liotta Spatial Layering in Japan 52 Matteo Belfiore Thinking Japanese Pattern Eccentricities 98 Rafael Balboa and Ilze Paklone Evolution of Geometrical Pattern 106 Ling Zhang Development of Japanese Traditional Pattern Under the Influence of Chinese Culture 112 Yao Chen Patterns in Japanese Vernacular Architecture: Envelope Layers and Ecosystem Integration 118 Catarina Vitorino Distant Distances 126 Bojan Milan Končarević European and Japanese Space: A Different Perception Through Artists’ Eyes 134 Federico Scaroni Pervious and Phenomenal Opacity: Boundary Techniques and Intermediating Patterns as Design Strategies 140 Robert Baum Integrated Interspaces: An Urban Interpretation of the Concept of Oku 146 Cristiano Lippa Craft Mediated Designs: Explorations in Modernity and Bamboo 152 Kaon Ko Doing Patterns as Initiators of Design, Layering as Codifier of Space 160 Ko Nakamura and Mikako Koike On Pattern and Digital Fabrication 168 Yusuke Obuchi Foreword Kengo Kuma When I learned that Salvator-John A. Liotta and Matteo Belfiore in my laboratory had launched a study on patterns and layering, I had a premonition of something new and unseen in preexisting research on Japan. Conventional research on Japan has been initiated out of deep affection for Japanese architecture and thus prone to wetness and sentimentality, distanced from the universal and lacking in potential breadth of architectural theories. -
From the Japanese Traditional Edo Culture to Anime and Manga Takuji
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kwansei Gakuin University Repository 1 Kwansei Gakuin University Social Sciences Review Vol.19, 2014 Nishinomiya, Japan Roots of Cool Japan: From the Japanese Traditional Edo Culture to Anime and Manga Takuji OKUNO Japan’s transition from making things to making tales Japanese popular culture, known as “Cool Japan,” includes animations, comics, video games, figures, and J-pops that are highly acclaimed in Europe and the United States as well as throughout Asia. From the 1970s to the 1980s, Japan gained confidence in its ability to “make things” because consumers around the world embraced its manufactured products such as electric home appliances and automobiles with open arms in preference to the products of other advanced countries. However, at the beginning of the Heisei era, the bubble in the Japanese economy suddenly burst and Japan’s gross national product (GNP) plummeted, resulting in what is termed “the burst of economic bubble of 1990.” Relatively cheaper manufactured products from other Asian countries gained precedence over Japanese products. In response, many Japanese manufacturers moved their production plants to other Asian countries, particularly settling in mainland China, where labor costs were lower than in Japan. The recession was protracted and the Japanese people suffered from a sense low confidence in their abilities to overcome the recession. By the late 1990s, Prime Ministers Mori and, subsequently, Koizumi responded to Japanese political leader Heizo Takenaka’s advocacy of an information technology (IT) revolution in Japan as a way to beat the recession. -
A Repeated Story of the Tragedy of the Commons a Short Survey on the Pacific Bluefin Tuna Fisheries and Farming in Japan
A Repeated Story of the Tragedy of the Commons A Short Survey on the Pacific Bluefin Tuna Fisheries and Farming in Japan YASUHIRO SANADA A Repeated Story of the Tragedy of the Commons A Short Survey on the Pacific Bluefin Tuna Fisheries and Farming in Japan YASUHIRO SANADA Organization for Regional and Inter-regional Studies, Waseda University Contents Introduction 1 List of Abbreviations 4 PART 1: PBF Fisheries in Japan 7 PART 2: Fish Farming in Japan 53 Conclusion 89 Annexes 91 Acknowledgements This study was funded by the Pew Charitable Trusts based on a research agreement between Waseda University and the Pew Charitable Trust on “Research and Analysis on Fisheries Issues in Japan.” We gratefully acknowledge generous support from the Pew Charitable Trust. Introduction On November 17, 2014, the news that the International Union for the Conservation of Nature (IUCN) added the Pacific Bluefin tuna (PBF) to its Red List of Threatened Species as “Vulnerable,” which meant that it was threatened with extinction, made headlines and received substantial TV coverage around Japan. After citing the IUCN’s comment that the species was extensively targeted by the fishing industry for the predominant sushi and sashimi markets in Asia, Mainichi Shimbun, one of the major newspapers in Japan, reported that the population was estimated to have declined by 19 to 33% over the past 22 years1. Nihon Keizai Shimbun, a leading Japanese economic newspaper, referring to the fact that the American eel was also added to the List as “Endangered,” pointed out that -
Copyright by Peter David Siegenthaler 2004
Copyright by Peter David Siegenthaler 2004 The Dissertation Committee for Peter David Siegenthaler certifies that this is the approved version of the following dissertation: Looking to the Past, Looking to the Future: The Localization of Japanese Historic Preservation, 1950–1975 Committee: Susan Napier, Supervisor Jordan Sand Patricia Maclachlan John Traphagan Christopher Long Looking to the Past, Looking to the Future: The Localization of Japanese Historic Preservation, 1950–1975 by Peter David Siegenthaler, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2004 Dedication To Karin, who was always there when it mattered most, and to Katherine and Alexander, why it all mattered in the first place Acknowledgements I have accumulated many more debts in the course of this project than I can begin to settle here; I can only hope that a gift of recognition will convey some of my gratitude for all the help I have received. I would like to thank primarily the members of my committee, Susan Napier, Patricia Maclachlan, Jordan Sand, Chris Long, and John Traphagan, who stayed with me through all the twists and turns of the project. Their significant scholarly contributions aside, I owe each of them a debt for his or her patience alone. Friends and contacts in Japan, Austin, and elsewhere gave guidance and assistance, both tangible and spiritual, as I sought to think about approaches broader than the immediate issues of the work, to make connections at various sites, and to locate materials for the research. -
5A1cc702152dbb6d0a5a160c39
A TRACTATE ON JAPANESE AESTHETICS DONALD RICHIE Stone Bridge Press • Berkeley, California Published by Stone Bridge Press P.O. Box 8208 Berkeley, CA 94707 TEL 510-524-8732 [email protected] www.stonebridge.com © 2007 Donald Richie. All rights reserved. No part of this book may be reproduced in any form without permission from the publisher. Manufactured in the United States of America. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Richie, Donald, 1924- A tractate on Japanese aesthetics / Donald Richie. p.cm. Includes bibliographical references. ISBN 978-1-933330-23-S (pbk.) 1. Aesthetics-Japan. l. Title. BH22LJ3Rs3 2007 111'.8s09S2-dc22 2007017228 for J. Thomas Rimer "Art is the imposing of a pattern on experience and our aesthetic enjoyment is recognition of the pattern:' ALFRED NORTH WHITEHEAD Dialogues (1954) 10 June 1943 CONTENTS Preface 11 THE TRACTATE 15 Glossary 71 Bibliography 74 PREFACE IN WRITING ABOUT traditional Asian aesthetics, the 11 conventions of a Western discourse-order, logical progression, symmetry-impose upon the subject an aspect that does not belong to it. Among other ideas, Eastern aesthetics suggests that ordered structure contrives, that logical exposition falsifies, and that linear, consecutive argument eventually limits. As the aesthetician Itoh Teiji has stated regard ing the difficultiesthat Japanese experience in defin ing aesthetics: "Thedilemma we face is that our grasp is intuitive and perceptual rather than rational and logical:' Aesthetic enjoyment recognizes artistic pat terns, but such patterns cannot be too rigid or too circumscribed. Most likely to succeed in definingJapanese aes thetics is a net of associations composed of listings or jottings, connected intuitively, that fills in a back ground and renders the subject visible. -
Samurai William: the Adventurer Who Unlocked Japan Free
FREE SAMURAI WILLIAM: THE ADVENTURER WHO UNLOCKED JAPAN PDF Giles Milton | 416 pages | 03 Feb 2003 | Hodder & Stoughton General Division | 9780340794685 | English | London, United Kingdom Samurai William: The Englishman Who Opened Japan by Giles Milton Free shipping. Skip to main content. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Add to Watchlist. People who viewed this item also viewed. Picture Information. Mouse over to Zoom - Click to enlarge. Have one to sell? Sell it yourself. Get the item you ordered or get your money back. Learn more - eBay Money Back Guarantee - opens in new window or tab. Seller information stayhappywithbooks Contact seller. Visit store. See other items More See all. Item information Condition:. Sign in to check out Check out as a guest. The item you've selected wasn't added to your cart. Make Offer. Resume making your offerif the page does not update immediately. Add to Watchlist Unwatch. Watch list is full. Longtime member. No additional import charges at delivery! This item will be posted through the Global Shipping Program and includes international tracking. Learn more - opens in a new window or tab. May not post to Germany - Read item description or contact seller for postage options. See details. Item location:. Stanthorpe, QLD, Australia. Posts to:. This amount is subject to Samurai William: The Adventurer Who Unlocked Japan until you make payment. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees. -
Chapter 2 Aircraft Accident and Serious Incident Investigations
Chapter 2 Aircraft accident and serious incident investigations Chapter 2 Aircraft accident and serious incident investigations 1 Aircraft accidents and serious incidents to be investigated <Aircraft accidents to be investigated> ◎Paragraph 1, Article 2 of the Act for Establishment of the Japan Transport Safety Board(Definition of aircraft accident) The term "Aircraft Accident" as used in this Act shall mean the accident listed in each of the items in paragraph 1 of Article 76 of the Civil Aeronautics Act. ◎Paragraph 1, Article 76 of the Civil Aeronautics Act (Obligation to report) 1 Crash, collision or fire of aircraft; 2 Injury or death of any person, or destruction of any object caused by aircraft; 3 Death (except those specified in Ordinances of the Ministry of Land, Infrastructure, Transport and Tourism) or disappearance of any person on board the aircraft; 4 Contact with other aircraft; and 5 Other accidents relating to aircraft specified in Ordinances of the Ministry of Land, Infrastructure, Transport and Tourism. ◎Article 165-3 of the Ordinance for Enforcement of the Civil Aeronautics Act (Accidents related to aircraft prescribed in the Ordinances of the Ministry of Land, Infrastructure, Transport and Tourism under item 5 of the paragraph1 of the Article 76 of the Act) The cases (excluding cases where the repair of a subject aircraft does not correspond to the major repair work) where navigating aircraft is damaged (except the sole damage of engine, cowling, engine accessory, propeller, wing tip, antenna, tire, brake or fairing). <Aircraft serious incidents to be investigated> ◎Item 2, Paragraph 2, Article 2 of the Act for Establishment of the Japan Transport Safety Board (Definition of aircraft serious incident) A situation where a pilot in command of an aircraft during flight recognized a risk of collision or contact with any other aircraft, or any other situations prescribed by the Ordinances of Ministry of Land, Infrastructure, Transport and Tourism under Article 76-2 of the Civil Aeronautics Act. -
Kyushu,Yamaguchi
World Heritage information facilities Iron Coal World Heritage information facilities Iron Coal Infancy and Steel Shipbuilding Mining Infancy and Steel Shipbuilding Mining ew Photo Local tourism information facilities Local tourism information facilities UNESCO World Heritage Vi s Kitakyushu City, Fukuoka pref./Nakama City, Fukuoka pref. Saga City, Saga pref. YAWATA Shokasonjuku SAGA Academy The first modern integrated iron and steel works in Japan A base for the acquisition and practice of Western shipbuilding techniques AR Map The imperial Steel Works,Japan Mietsu Naval Dock First Head Office 30 minutes by city bus from JR Saga Station Bus Shoin Yoshida Viewing space : 10 minute walk from Space Center, and a five minute walk from Sano Tsunetami Kinen- Kyushu,Yamaguchi ● World Station on the JR Kagoshima Main Line (Take the N 1: 900,000 0 10 20㎞ kan Iriguchi bus stop 30 minutes by Nishitetsu Bus from underground passageway facing the entrance to Space Hagi Iwami Airport Nishitetsu- Yanagawa Station, and a five minute walk from World ) *the inner area isn't open to the public 191 Hayatsue bus stop, the final stop a ©Yawata Works, to c r na ● it v NIPPON STEEL & ● Edamitsu, Yahatahigashi-ku, Kitakyushu-city, Fukuoka Key Component Part Toll Road OazaHayatsuetsu, Kawasoe-town/OazaTameshige, ig SUMITOMO METAL Morodomi-town, Saga-city, Saga m a CORPORATION s t ☎ 093-541-4189 Interchange n i a o City of the Component Part ☎ 0952-40-7105 n Junction Choshu Five r Shimane Prefecture Tsunetami Sano Memorial Museum 0952-34-9455 T [ Not open to the public] -
Traveling Through Autonomy and Subjugation: Jeju Island Under Japan and Korea
Volume 5 | Issue 5 | Article ID 2433 | May 02, 2007 The Asia-Pacific Journal | Japan Focus Traveling through Autonomy and Subjugation: Jeju Island Under Japan and Korea Koh Sunhui, Kate Barclay Traveling through Autonomy and Subjugation: The centering philosophy of Chinese political Jeju Island Under Japan and Korea [1] culture (Zito 1997), in which space was imagined in terms of a centre and its periphery, Koh Sunhui and Kate Barclay contributed to the fact that island societies in northeast Asia, such as Jeju, were either ignored or dismissed as backwaters in the Summary records kept by land-based larger powers on the Chinese mainland, Korean peninsula and Despite centuries of subjugation by larger Japanese archipelago. The actuality of lively neighbours—Joseon Korea, Imperial Japan, and intercultural contact in the maritime areas South Korea—Jeju island society hasthrough fishing, trade and travel was thus maintained a distinct identity and a measure of elided from the historical record [2]. In the autonomy. Relations with both Korea and Japan modern era the centre-periphery political have at times had devastating effects on the model has been replaced by the nation-state islanders, but also contributed to the dynamism ideal. Nation-state ideology, which came to of Jeju island society and opened up new routes dominate political spatial imaginaries globally for islanders to continue traveling as a vital in the twentieth century, also acted to obscure part of their social life. travelling practices of maritime peoples, because in the normative system of nation- states, transborder communal identities are anomalous, and translocal ways of life existing across territorial borders are often treated as illegal. -
Unzen-Amakusa National Park Became One of Japan’S First National Parks
Revive your zest for life in this refreshing retreat above the clouds Unzen-Amakusa In 1934, Unzen-Amakusa National Park became one of Japan’s first national parks. At the time of its 19 designation, it was comprised only of the Unzen area and known as Unzen National Park, however, in 1956 the Amakusa area was added. The park boasts spectacular landscapes, from the steam wafting from Mt. National Park Unzen to the seascapes of Amakusa which interweave islands and sea. The Unzen area is comprised of the mountainous region of the Shimabara Peninsula which consists of the Unzen volcanic group, including Mt. Fugen. From the many high vantage points there are excellent panoramic views with the sea stretching into the distance on three sides. The park tells the story of the dynamic origins of the earth and the resulting bounty of the land, and as such, Unzen Volcanic Area Global Geopark has been established on the Shimabara Peninsula, with the area within the national park as its core. The Amakusa area is an archipelago made up of 120 islands of varying sizes with diverse shorelines and seas inhabited by coral. At the heart of the Unzen area is Unzen Onsen Hot Springs, which has welcomed travelers and people of faith since ancient times to relax in its healing waters. Home to gods, Shugendo mountain asceticism, hot springs and seasonal vegetation, the mountains of佐賀県 Unzen brim with wonder. Heal your body in the hot springs gushing forth from the earth and awaken at dawn to birdsong. The majestic scenery and invigorating experiences offered by the park make this one of Japan’s original nature resorts. -
Full Automation of Aeronautical Meteorological Observations and Reports at Aerodromes
Full automation of aeronautical meteorological observations and reports at aerodromes August 2016 Japan Meteorological Agency Blank page Amendments and corrigenda Date of issue Detail 10 February 2017 First edition (body part only) issued 6 March 2017 Attachments and annexes added (provisional; to be revised after proofread- ing) along with editorial amendments 29 March 2017 Revised based on proofreading 19 March 2019 Addition of aerodromes with full automation 30 March 2020 Addition of aerodromes with full automation 8 October 2020 Subtraction of an aerodrome due to suspension of aviation weather service 2 September 2021 Addition of aerodromes with full automation (i) Blank page (ii) CONTENTS Full automation of aeronautical meteorological observations and reports at aerodromes 1 Introduction .................................................................................................................................. 1 2 Plan for full automation ............................................................................................................... 1 3 Automated observations and reports ......................................................................................... 2 4 Characteristics of values to be reported by automated METAR/SPECI ................................ 4 5 Differences between automated reports (automated METAR/SPECI) and manned reports (manned METAR/SPECI and SCAN) ................................................. 5 6 Differences between automated METAR/SPECI and conventional METAR AUTO ...........