Introduction: Fairy Tale Films, Old Tales with a New Spin
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Who's Afraid of the Brothers Grimm?: Socialization and Politization Through Fairy Tales
Who's Afraid of the Brothers Grimm?: Socialization and Politization through Fairy Tales Jack Zipes The Lion and the Unicorn, Volume 3, Number 2, Winter 1979-80, pp. 4-41 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/uni.0.0373 For additional information about this article https://muse.jhu.edu/article/247386 Access provided by University of Mary Washington & (Viva) (19 Sep 2017 17:43 GMT) Who's Afraid of the Brothers Grimm? Socialization and Politization through Fairy Tales Jack Zipes Over 170 years ago the Brothers Grimm began collecting original folk tales in Germany and stylized them into potent literary fairy tales. Since then these tales have exercised a pro- found influence on children and adults alike throughout the western world. Indeed, whatever form fairy tales in general have taken since the original publication of the Grimms' nar- ratives in 1812, the Brothers Grimm have been continually looking over our shoulders and making their presence felt. For most people this has not been so disturbing. However, during the last 15 years there has been a growing radical trend to over- throw the Grimms' benevolent rule in fairy-tale land by writers who believe that the Grimms' stories contribute to the creation of a false consciousness and reinforce an authoritarian sociali- zation process. This trend has appropriately been set by writers in the very homeland of the Grimms where literary revolutions have always been more common than real political ones.1 West German writers2 and critics have come to -
Grimm's Fairy Stories
Grimm's Fairy Stories Jacob Grimm and Wilhelm Grimm The Project Gutenberg eBook, Grimm's Fairy Stories, by Jacob Grimm and Wilhelm Grimm, Illustrated by John B Gruelle and R. Emmett Owen This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Grimm's Fairy Stories Author: Jacob Grimm and Wilhelm Grimm Release Date: February 10, 2004 [eBook #11027] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK GRIMM'S FAIRY STORIES*** E-text prepared by Internet Archive, University of Florida, Children, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 11027-h.htm or 11027-h.zip: (http://www.ibiblio.org/gutenberg/1/1/0/2/11027/11027-h/11027-h.htm) or (http://www.ibiblio.org/gutenberg/1/1/0/2/11027/11027-h.zip) GRIMM'S FAIRY STORIES Colored Illustrations by JOHN B. GRUELLE Pen and Ink Sketches by R. EMMETT OWEN 1922 CONTENTS THE GOOSE-GIRL THE LITTLE BROTHER AND SISTER HANSEL AND GRETHEL OH, IF I COULD BUT SHIVER! DUMMLING AND THE THREE FEATHERS LITTLE SNOW-WHITE CATHERINE AND FREDERICK THE VALIANT LITTLE TAILOR LITTLE RED-CAP THE GOLDEN GOOSE BEARSKIN CINDERELLA FAITHFUL JOHN THE WATER OF LIFE THUMBLING BRIAR ROSE THE SIX SWANS RAPUNZEL MOTHER HOLLE THE FROG PRINCE THE TRAVELS OF TOM THUMB SNOW-WHITE AND ROSE-RED THE THREE LITTLE MEN IN THE WOOD RUMPELSTILTSKIN LITTLE ONE-EYE, TWO-EYES AND THREE-EYES [Illustration: Grimm's Fairy Stories] THE GOOSE-GIRL An old queen, whose husband had been dead some years, had a beautiful daughter. -
The Brothers Grimm and the Yearning for Home Maureen Clack University of Wollongong
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Returning to the Scene of the Crime: The Brothers Grimm and the Yearning for Home Maureen Clack University of Wollongong Clack, Maureen, Returning to the Scene of the Crime: The Brothers Grimm and the Yearning for Home, M.A. thesis, School of Journalism and Creative Writing, University of Wollongong, 2006. http://ro.uow.edu.au/theses/730 This paper is posted at Research Online. http://ro.uow.edu.au/theses/730 RETURNING TO THE SCENE OF THE CRIME: THE BROTHERS GRIMM AND THE YEARNING FOR HOME A thesis submitted in partial fulfilment of the requirements for the award of the degree MASTER OF ARTS (HONOURS) from UNIVERSITY OF WOLLONGONG by MAUREEN CLACK, BACHELOR OF ARTS (HONOURS) FACULTY OF CREATIVE ARTS 2006 CERTIFICATION I, Maureen Clack, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Master of Arts (Honours), in the Faculty of Creative Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Maureen Clack 31 October 2006 CONTENTS LIST OF ILLUSTRATIONS Page viii INTRODUCTION Fairy Tales, Feminism, Forensic Science and Home 1 CHAPTER 1 Feminism v Fairy Tales 17 CHAPTER 2 Returning to the Scene of the Crime 37 Visual Artists and Childhood Trauma 43 Hansel and Gretel: A Forensic Analysis 67 CHAPTER 3 Home Sweet Home 73 Visual Artists and Memories of Home 95 CHAPTER 4 Defective Stories 111 CONCLUSION 153 LIST OF WORKS CITED 159 ACKNOWLEDGEMENTS Throughout the lengthy process of constructing the argument and the artworks that make up this thesis I have had generous support from the following members of staff in the Faculty of Creative Arts. -
MICHAEL BONVILLAIN, ASC Director of Photography
MICHAEL BONVILLAIN, ASC Director of Photography official website FEATURES (partial list) OUTSIDE THE WIRE Netflix Dir: Mikael Håfström AMERICAN ULTRA Lionsgate Dir: Nima Nourizadeh Trailer MARVEL ONE-SHOT: ALL HAIL THE KING Marvel Entertainment Dir: Drew Pearce ONE NIGHT SURPRISE Cathay Audiovisual Global Dir: Eva Jin HANSEL & GRETEL: WITCH HUNTERS Paramount Pictures Dir: Tommy Wirkola Trailer WANDERLUST Universal Pictures Dir: David Wain ZOMBIELAND Columbia Pictures Dir: Ruben Fleischer Trailer CLOVERFIELD Paramount Pictures Dir: Matt Reeves A TEXAS FUNERAL New City Releasing Dir: W. Blake Herron THE LAST MARSHAL Filmtown Entertainment Dir: Mike Kirton FROM DUSK TILL DAWN 3 Dimension Films Dir: P.J. Pesce AMONGST FRIENDS Fine Line Features Dir: Rob Weiss TELEVISION (partial list) PEACEMAKER (Season 1) HBO Max DIR: James Gunn WAYS & MEANS (Season 1) CBS EP: Mike Murphy, Ed Redlich HAP AND LEONARD (Season 3) Sundance TV, Netflix EP: Jim Mickle, Nick Damici, Jeremy Platt Trailer WESTWORLD (Utah; Season 1, 4 Episodes.) Bad Robot, HBO EP: Lisa Joy, Jonathan Nolan CHANCE (Pilot) Fox 21, Hulu EP: Michael London, Kem Nunn, Brian Grazer Trailer THE SHANNARA CHRONICLES MTV EP: Al Gough, Miles Millar, Jon Favreau (Pilot & Episode 102) FROM DUSK TIL DAWN (Season 1) Entertainment One EP: Juan Carlos Coto, Robert Rodriguez COMPANY TOWN (Pilot) CBS EP: Taylor Hackford, Bill Haber, Sera Gamble DIR: Taylor Hackford REVOLUTION (Pilot) NBC EP: Jon Favreau, Eric Kripke, Bryan Burk, J.J. Abrams DIR: Jon Favreau UNDERCOVERS (Pilot) NBC EP: J.J. Abrams, Bryan Burk, Josh Reims DIR: J.J. Abrams OUTLAW (Pilot) NBC EP: Richard Schwartz, Amanda Green, Lukas Reiter DIR: Terry George *FRINGE (Pilot) Fox Dir: J.J. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
The Doll Princess
THE DOLL PRINCESS No.560 15<t NCE THERE WAS A KING WHO HAD TWELVE B ut o n l y t h e y o u n g e s t w a s SONS. FROM THE ELDEST TO THE YOUNGEST, JUST AS KINO AS HE WAS HANDSOME. THEY WERE ALL TALL, HANDSOME BOYS. PRINCE ERIC IS SO GOOD. HE HELPED ME CARRY m t h a t big t r a y A TO THE TABLE, M m MY SONS, IT IS TIME FOR EACH OF YOU TO GO FORTH AND r CHOOSE A BRIDE. MAY WE CHOOSE ANYONE WE WISH? Classics Illustrated Junto BEST LOVED STORIES FROM THE WONDERFUL WORLD OF F A B Y T A L 501 S N O W WHITE A N D THE 525 THE LITTLE M ER M AID 15c Each SEVEN DWARFS 526 THE FROG PRINCE 502 THE UGLY DUCKLING 527 THE GOLDEN-HAIRED GIANT 528 THE PENNY PRINCE 503 CINDERELLA 504 THE PIED PIPER 529 THE MAGIC SERVANTS 505 THE SLEEPING BEAUTY 530 THE G O LD EN BIRD 506 THE 3 LITTLE PIGS 531 RAPUNZEL 507 JACK AND THE BEANSTALK 532 THE DANCING PRINCESSES 533 THE MAGIC FOUNTAIN 508 GOLDILOCKS AND THE 3 BEARS 534 THE GOLDEN TOUCH 509 BEAUTY AND THE BEAST 535 THE WIZARD OF OZ 510 LITTLE RED R ID IN G H O O D 536 THE CHIMNEY SWEEP 511 PUSS-N-BOOTS 512 RUMPELSTILTSKIN 537 THE THREE FAIRIES 538 SILLY HANS 513 PINOCCHIO 515 JOHNNY APPLESEED 539 THE ENCHANTED FISH 516 ALADDIN AND HIS LAMP 540 THE TINDER-BOX 517 THE EMPEROR'S NEW CLOTHES 541 S N O W WHITE 8. -
Readers Companion WELL SPEAKS JS-Prep
Reader’s Companion for Maggie Smith’s THE WELL SPEAKS OF ITS OWN POISON 1 READER’S COMPANION for Maggie Smith’s The Well Speaks of Its Own Poison (Tupelo Press, 2015) Winner of the Dorset Prize, selected by Kimiko Hahn Contents Biographical Note 2 Commentaries on Maggie Smith’s Poetry 3 Wise and Fierce Beauty: Interview from Tupelo Quarterly 6 Review by Diana Whitney in The Rumpus 10 Author’s Commentary and Discussion Questions 13 Literary Allusions in the Poems 19 Writing Exercises 20 Web Links 21 Reader’s Companion for Maggie Smith’s THE WELL SPEAKS OF ITS OWN POISON 2 Biographical Note Born in Columbus, Ohio, in 1977, Maggie Smith studied at Ohio Wesleyan University (BA, Creative Writing) and The Ohio State University (MFA, Poetry). Currently she works as a freelance writer and editor. Maggie Smith is the author of The Well Speaks of Its Own Poison (Tupelo Press, 2015), selected by Kimiko Hahn as the winner of the 2012 Dorset Prize; Lamp of the Body (Red Hen Press, 2005), winner of the Benjamin Saltman Award; and three prizewinning chapbooks: Disasterology (Dream Horse Press, forthcoming); The List of Dangers (Kent State University Press/Wick Poetry Series, 2010); and Nesting Dolls (Pudding House, 2005). A 2011 recipient of a Creative Writing Fellowship from the National Endowment for the Arts, Smith has also received four Individual Excellence Awards from the Ohio Arts Council, two Academy of American Poets Prizes, the Emerging Writer Lectureship at Gettysburg College, and fellowships from the Sustainable Arts Foundation, the Kenyon Review Writers Workshop, and the Virginia Center for the Creative Arts. -
Download PDF ^ the Three Feathers and Other Grimm Fairy Tales
E4EZ2UX9LS09 » Kindle » The Three Feathers and Other Grimm Fairy Tales (Paperback) Th e Th ree Feath ers and Oth er Grimm Fairy Tales (Paperback) Filesize: 6.06 MB Reviews Completely essential read pdf. It is definitely simplistic but shocks within the 50 % of your book. Its been designed in an exceptionally straightforward way which is simply following i finished reading through this publication in which actually changed me, change the way i believe. (Damon Friesen) DISCLAIMER | DMCA J7VNF6BTWRBI # Kindle < The Three Feathers and Other Grimm Fairy Tales (Paperback) THE THREE FEATHERS AND OTHER GRIMM FAIRY TALES (PAPERBACK) Caribe House Press, LLC, 2016. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.In The Three Feathers and Other Grimm Fairy Tales, translator Catherine Riccio-Berry has remained faithful to the original German folk tales while also demonstrating her own keen ear for the language of playful storytelling. These eighteen carefully selected narratives are among the most engaging to be found in the Grimm Brothers extensive collection. In addition to four classic stories--Snow White, Little Red Riding Hood, Rumpelstiltskin, and Cinderella--this modernized and highly accessible translation also includes a delightful variety of lesser-known tales that range in tone from silly to moralizing to outright violent. Complete list of stories in this collection: The Three Feathers Fitcher s Pheasant Snow White The Story of Hen s Death Little Brother and Little Sister Little Red Riding Hood Hans my Hedgehog Straw, Coal, and Bean The Earth Gnome Doctor Know-It-All Bearskin Mrs. Trudy Mr. Korb Rumpelstiltskin Faithful John The Selfish Son Spindle, Shuttle, and Needle Cinderella. -
And the Fairy Tales Stephen Spitalny
experience with children’s play and are in a unique of WECAN from 1983-2001, and is the previous editor experience to share their insights—in workshops and of this newsletter. courses, in the classroom with visitors observing, in play days organized for community children, in articles for local papers and magazines. It is vital that play remain a central part of childhood. It contributes to all aspects of children’s development—physical, social, emotional and cognitive. Also, there are physical and mental illnesses that result when play disappears, and they can be serious in nature. For the sake of the children today, their future and that of our society we need to do all we can to protect play and restore it. Endnotes: 1 From Education as a Force for Social Change, August 9, 1919, pg. 11. Quoted in On the Play of the Child, WECAN (Spring Valley, 2004) pg 10. 2 From Roots of Education, April 16, 1924, pg. 60. Quoted in On the Play of the Child, WECAN (Spring Valley, 2004) pg 11. Joan Almon is a co-founder and the U.S. Coordinator of the Alliance for Childhood. She is the Co-General Secretary of the Anthroposophical Society in America. Joan taught kindergarten for many years at Acorn Hill in Maryland. She was the co-founder and chairperson The Name of “John” and the Fairy Tales Stephen Spitalny This is the second in a series of article looking inner tendencies; it needs the wonderful soul- into the depths of fairy tales and trying to shed nourishment it finds in fairy tale pictures, for light on some of what can be found within. -
PAUL HIRSCH, ACE Editor
PAUL HIRSCH, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS NUTCRACKER AND THE FOUR REALMS Lasse Hallstrom DISNEY / Mark Gordon Add’l Editor THE MUMMY 4 Alex Kurtzman UNIVERSAL / Sarah Bradshaw Alex Kurtzman Roberto Orci WARCRAFT Duncan Jones LEGENDARY / UNIVERSAL PICTURES Stuart Fenegan, Chuck Roven, Jon Jashni THE GREAT GATSBY Add’l Editor Baz Luhrmann RED WAGON / WARNER BROS. Marc Solomon LIFE OF PI Add’l Editor Ang Lee 20TH CENTURY FOX / Ted Gagliano MISSION: IMPOSSIBLE – GHOST Brad Bird BAD ROBOT / PARAMOUNT PROTOCOL J.J. Abrams, Jeffrey Chernov Winner, Best Editing – Saturn Awards SOURCE CODE Duncan Jones SUMMIT ENTERTAINMENT Hawk Koch, Mark Gordon DEAD OF NIGHT Kevin Munroe Gil Adler, Ashok Amritraj LOVE RANCH Taylor Hackford DIBELLA ENTERTAINMENT Marty Katz RIGHTEOUS KILL Jon Avnet EMMETT/FURLA FILMS OVERTURE FILMS / Rob Cowan RAY Taylor Hackford UNIVERSAL PICTURES Nomination, Best Editing - Academy Awards Barbara Hall, Howard Baldwin Winner, Best Editing – A.C.E. Eddie Awards MISSION TO MARS Brian De Palma DISNEY / Sam Mercer, Tom Jacobson MIGHTY JOE YOUNG Ron Underwood RKO PICTURES / Michael Fottrell Ralph Winter, Tom Jacobson MISSION: IMPOSSIBLE Brian De Palma PARAMOUNT PICTURES Paula Wagner FALLING DOWN Joel WARNER BROS. Schumacher Bill Beasley, Dan Kolsrud STEEL MAGNOLIAS Herbert Ross TRISTAR / Ray Stark, Victoria White PLANES, TRAINS & AUTOMOBILES John Hughes PARAMOUNT / John Hughes Michael Chinich, Neil Machlis FERRIS BUELLER’S DAY OFF John Hughes PARAMOUNT / Tom Jacobson FOOTLOOSE Herbert Ross PARAMOUNT / Daniel Melnick Lewis Rachmil, Craig Zadan BLOW OUT Brian De Palma CINEMA 77 / Fred Caruso, George Litto STAR WARS V: Irvin Kershner 20TH CENTURY FOX THE EMPIRE STRIKES BACK Gary Kurtz, George Lucas THE FURY Brian De Palma 20TH CENTURY FOX Ron Preissman, Frank Yablans STAR WARS IV: A NEW HOPE George Lucas 20TH CENTURY FOX Winner, Best Editing - Academy Awards Gary Kurtz Nomination, Best Editing – BAFTA Awards Nomination, Best Editing – A.C.E. -
Defining and Subverting the Female Beauty Ideal in Fairy Tale Narratives and Films Through Grotesque Aesthetics
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-10-2015 12:00 AM Who's the Fairest of Them All? Defining and Subverting the Female Beauty Ideal in Fairy Tale Narratives and Films through Grotesque Aesthetics Leah Persaud The University of Western Ontario Supervisor Dr. Angela Borchert The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Leah Persaud 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons Recommended Citation Persaud, Leah, "Who's the Fairest of Them All? Defining and Subverting the Female Beauty Ideal in Fairy Tale Narratives and Films through Grotesque Aesthetics" (2015). Electronic Thesis and Dissertation Repository. 3244. https://ir.lib.uwo.ca/etd/3244 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WHO’S THE FAIREST OF THEM ALL? DEFINING AND SUBVERTING THE FEMALE BEAUTY IDEAL IN FAIRY TALE NARRATIVES AND FILMS THROUGH GROTESQUE AESTHETICS (Thesis format: Monograph) by Leah Persaud Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Leah Persaud 2015 Abstract This thesis seeks to explore the ways in which women and beauty are depicted in the fairy tales of Giambattista Basile, the Grimm Brothers, and 21st century fairy tale films. -
Queering the Grimms. Detroit, MI: Wayne State University Press, 2012
139 REVIEWS Turner, Kay and Pauline Greenhill, eds. Transgressive Tales: Queering the Grimms. Detroit, MI: Wayne State University Press, 2012. Notes, Bibliography, Index, 358 pp. $29.95 (paper). ISBN 978-0-8143-3481-2. Transgressive Tales collects thirteen diverse studies applying queer theory to the Grimm brothers’ collections and associated topics. Originating in Kay Turner’s 1998 University of Winnipeg course in feminist and queer theory in folklore, this compilation has had a long gestation, as reflected in the formidable review of contemporary scholarship that the contributors present. There is good work throughout, though the breadth of analysis may be disconcerting to readers with tight preconceptions of what queer studies should encompass. Turner and Greenhill’s introduction gives a good accounting of how “queer” is defined for this volume’s purposes. At its broadest, queer theory discusses and problematizes “any non-normative expression of gender, including those connected with straightness” as well as questions about “marginalization, oddity, and not fitting into society generally.”(11) This scope allows for a wide spectrum of perspectives, including analyses that would have been considered feminist in other contexts (all the protagonists here are female except those in the last chapter), as well as creative interpretations of the body and desire in the Grimms’ tales and their successive reinterpretations. Transgressive Tales’ first section, “Faux Femininities,” addresses subversion in heteronormative stories through the expansion and transformation of female-gendered protagonists’ roles, bodies, and relationships. Christina Bacchilega’s chapter contrasts two similarly-titled tales, “Clever Gretel” and “Clever Else,” where the two characters, one conventionally shrewd and the other ironically dense, play trickster in reconstituting the power dynamics of their marriages.