The Golden Bough: a Study in Magic and Religion (Third Edition, Vol
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The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
OLBA XXV (Ayrıbasım / Offprint)
ISSN 1301 7667 MERSİN ÜNİVERSİTESİ KILIKIA ARKEOLOJİSİNİ ARAŞTIRMA MERKEZİ MERSIN UNIVERSITY PUBLICATIONS OF THE RESEARCH CENTER OF CILICIAN ARCHAEOLOGY KAAM YAYINLARI OLBA XXV (Ayrıbasım / Offprint) MERSİN 2017 KAAM YAYINLARI OLBA XXV © 2017 Mersin Üniversitesi/Türkiye ISSN 1301 7667 Yayıncı Sertifika No: 14641 OLBA dergisi; ARTS & HUMANITIES CITATION INDEX, EBSCO, PROQUEST ve TÜBİTAK-ULAKBİM Sosyal Bilimler Veri Tabanlarında taranmaktadır. Alman Arkeoloji Enstitüsü’nün (DAI) Kısaltmalar Dizini’nde ‘OLBA’ şeklinde yer almaktadır. OLBA dergsi hakemlidir. Makalelerdeki görüş, düşünce ve bilimsel değerlendirmelerin yasal sorumluluğu yazarlara aittir. The articles are evaluated by referees. The legal responsibility of the ideas, opinions and scientific evaluations are carried by the author. OLBA dergisi, Mayıs ayında olmak üzere, yılda bir kez basılmaktadır. Published each year in May. KAAM’ın izni olmadan OLBA’nın hiçbir bölümü kopya edilemez. Alıntı yapılması durumunda dipnot ile referans gösterilmelidir. It is not allowed to copy any section of OLBA without the permit of the Mersin University (Research Center for Cilician Archaeology / Journal OLBA) OLBA dergisinde makalesi yayımlanan her yazar, makalesinin baskı olarak ve elektronik ortamda yayımlanmasını kabul etmiş ve telif haklarını OLBA dergisine devretmiş sayılır. Each author whose article is published in OLBA shall be considered to have accepted the article to be published in print version and electronically and thus have transferred the copyrights to the Mersin University (Research Center for Cilician Archaeology / Journal OLBA) OLBA’ya gönderilen makaleler aşağıdaki web adresinde ve bu cildin giriş sayfalarında belirtilen formatlara uygun olduğu taktirde basılacaktır. Articles should be written according the formats mentioned in the following web address. Redaktion: Yrd. Doç. Dr. Deniz Kaplan OLBA’nın yeni sayılarında yayınlanması istenen makaleler için yazışma adresi: Correspondance addresses for sending articles to following volumes of OLBA: Prof. -
Folk Hinduism in West Bengal
1 Folk Hinduism in West Bengal In the rural areas of India, we see a variety of notions about the nature of gods and goddesses. They are not “high gods,” as we see in the pan-Indian brahmanical forms of Hinduism, but rather regional deities, intimately associated with villages and towns. Indeed, some would not be characterized as gods and goddesses by most people, for those supernatural entities given offerings and worship include ghosts, ancestors, water and plant essences, guardian spirits, and disease con- trollers. We see some overlap of tribal deities, the deities of non-Hindu or semi- Hindu villagers, with the village gods or gramadevatas of village Hinduism. These may be µeld or mountain spirits, or angry ghosts of women who died violent deaths. All of these may be seen in the large area of folk Hinduism. There is no sharp differentiation between the tribal deities, village deities, and gods and god- desses of brahmanical Hinduism. Rather than a polarity, we see a continuum, for these traditions worship many deities in common. Some themes that may be noted in the worship of folk gods and goddesses: Regionalism: These deities are associated with speciµc places, temples, µelds, and streams. The Kali of one village is not the same as the next village’s Kali. One Chandi gives good hunting, another Chandi cures disease. Goddesses are not pan-Indian; they are speciµc to a person’s tribal or caste group, ex- tended family, neighborhood, or village. Pragmatism: These deities are rarely worshiped in a spirit of pure and ab- stract devotion. -
Karaduvar Mahallesi Kentsel Tasarım Proje Yarışması Şartnamesi.Pdf
0 İÇİNDEKİLER ÖNSÖZ 1. Yarışmanın Adı ve Amacı…………………………………………………………………………………………………………………………6 2. Yarışmanın Şekli ve Türü………………………………………………………………………………………………………………………...6 3. Yarışmanın Yeri ve Konusu………………………………………………………………………………………………………………………6 4. İdarenin Adı, Adresi ve İletişim Bilgileri……………………………………………………………………………………………………6 5. Yarışmaya Katılım Koşulları……………………………………………………………………………………………………………………..7 6. Jüri Üyeleri (Danışman, Asli ve Yedek) ve Raportörler……………………………………………………………………………..8 7. Yarışmacılara Verilecek Bilgi ve Belgeler………………………………………………………………………………………………….8 8. Yarışma Alanında Yapılacak Tasarımlara Dair Beklentiler…………………………………………………………………………9 9. Yarışmacılardan İstenenler…………………………………………………………………………………………………………………….13 10.Yer Görme …………………………………………………………………………………………………………………………………………..14 11.Yarışmacıların Uymakla Zorunlu Olduğu Esaslar…………………………………………………………………………………...14 12. Yarışmaya Katılacakların Kimlik Zarflarının ve Eklerinin Düzenleme Şekli………………………………………………15 13.Yarışma Takvimi……………………………………………………………………………………..……………………………………………15 14. Soru ve Cevaplar………………………………………………………………………………………………………………………………….16 15. Projelerin Teslim Yeri ve Şartları…………………………………………………………………………………………………………..16 16. Sergi - Kolokyum Yeri ve Zamanı…………………………………………………………………………………………………………..16 17. Projelerin Geri Verilme Şekline İlişkin Esaslar……………………………………………………………………………………….16 18.Rumuzlar ve Ambalaj Esasları……………………………………………………………………………………………………………….17 19. Jürinin Değerlendirmesi ve Yarışma Sonuçlarının İlanı………………………………………………………………………....17 -
Ritual Cleaning-Up of the City: from the Lupercalia to the Argei*
RITUAL CLEANING-UP OF THE CITY: FROM THE LUPERCALIA TO THE ARGEI* This paper is not an analysis of the fine aspects of ritual, myth and ety- mology. I do not intend to guess the exact meaning of Luperci and Argei, or why the former sacrificed a dog and the latter were bound hand and foot. What I want to examine is the role of the festivals of the Lupercalia and the Argei in the functioning of the Roman community. The best-informed among ancient writers were convinced that these were purification cere- monies. I assume that the ancients knew what they were talking about and propose, first, to establish the nature of the ritual cleanliness of the city, and second, see by what techniques the two festivals achieved that goal. What, in the perception of the Romans themselves, normally made their city unclean? What were the ordinary, repetitive sources of pollution in pre-Imperial Rome, before the concept of the cura Urbis was refined? The answer to this is provided by taboos and restrictions on certain sub- stances, and also certain activities, in the City. First, there is a rule from the Twelve Tables with Cicero’s curiously anachronistic comment: «hominem mortuum», inquit lex in duodecim, «in urbe ne sepelito neve urito», credo vel propter ignis periculum (De leg. II 58). Secondly, we have the edict of the praetor L. Sentius C.f., known from three inscrip- tions dating from the beginning of the first century BC1: L. Sentius C. f. pr(aetor) de sen(atus) sent(entia) loca terminanda coer(avit). -
Greek Cities & Islands of Asia Minor
MASTER NEGATIVE NO. 93-81605- Y MICROFILMED 1 993 COLUMBIA UNIVERSITY LIBRARIES/NEW YORK / as part of the "Foundations of Western Civilization Preservation Project'' Funded by the NATIONAL ENDOWMENT FOR THE HUMANITIES Reproductions may not be made without permission from Columbia University Library COPYRIGHT STATEMENT The copyright law of the United States - Title 17, United photocopies or States Code - concerns the making of other reproductions of copyrighted material. and Under certain conditions specified in the law, libraries or other archives are authorized to furnish a photocopy the reproduction. One of these specified conditions is that for any photocopy or other reproduction is not to be "used purpose other than private study, scholarship, or for, or later uses, a research." If a user makes a request photocopy or reproduction for purposes in excess of fair infringement. use," that user may be liable for copyright a This institution reserves the right to refuse to accept fulfillment of the order copy order if, in its judgement, would involve violation of the copyright law. AUTHOR: VAUX, WILLIAM SANDYS WRIGHT TITLE: GREEK CITIES ISLANDS OF ASIA MINOR PLACE: LONDON DA TE: 1877 ' Master Negative # COLUMBIA UNIVERSITY LIBRARIES PRESERVATION DEPARTMENT BIBLIOGRAPHIC MTCROFORM TAR^FT Original Material as Filmed - Existing Bibliographic Record m^m i» 884.7 !! V46 Vaux, V7aiion Sandys Wright, 1818-1885. ' Ancient history from the monuments. Greek cities I i and islands of Asia Minor, by W. S. W. Vaux... ' ,' London, Society for promoting Christian knowledce." ! 1877. 188. p. plate illus. 17 cm. ^iH2n KJ Restrictions on Use: TECHNICAL MICROFORM DATA i? FILM SIZE: 3 S'^y^/"^ REDUCTION IMAGE RATIO: J^/ PLACEMENT: lA UA) iB . -
Haunting the Tradition of the Novel : Generic Double Play in Diasporic
HAUNTING THE TRADITION OF THE NOVEL: GENERIC DOUBLE PLAY IN DIASPORIC FICTION by Shan Qiang He B.A., Shanghai International Studies University, 1982 M.A., Shanghai International Studies University, 1985 M.A., Simon Fraser University, 1989 THESIS SUBMlTIED IN PARTIAL FULFLLLMENT OF THE REQUIREMENTS FOR THE DEGREE OF in the Department of English @ ShanQiang He SIMON FRASER UNIVERSITY April 1995 All rights reserved This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. Approval Name: Shan Qiang He Degree: Doctor of Philosophy Title of thesis: Haunting the Tradition of the Novel: Generic Double Play in Diasporic Fiction Examining Committee: Chair: Prof Paul Budra Prof Paul Delany Senior Supervisor Prof Samuel Wong Department of English Prof Paul Matthew St Pierre Department of English Prof Gail Faurschou School of Communication Faculty of Applied Sciences Prof Sneja Gunew External Examiner Department of English University of Victoria Date Approved: April 10, 1995 PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser Universi the right to lend my thesis, pro'ect or extended essay (the title oB which is shown below) to users o f' the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is,understood that copying or publication of this work for financial gain shall not be allowed without my written permission. -
Course Outline
COURSE OUTLINE OXNARD COLLEGE I. Course Identification and Justification: A. Proposed course id: ANTH R111H Banner title: Honors: Magic Witchcraft Relig Full title: Honors: Magic, Witchcraft and Religion: Anthropology of Belief B. Reason(s) course is offered: This is part of the Anthropology AA-T. This course fulfills lower division anthropology requirements at the UC and CSU. It is also part of the IGETC Transfer Curriculum pattern. It is one of the recommended electives for an A.A. in anthropology at Oxnard College. It fulfills area D for CSU. II. Catalog Information: A. Units: Current: 3.00 B. Course Hours: 1. In-Class Contact Hours: Lecture: 52.5 Activity: 0 Lab: 0 2. Total In-Class Contact Hours: 52.5 3. Total Outside-of-Class Hours: 105 4. Total Student Learning Hours: 157.5 C. Prerequisites, Corequisites, Advisories, and Limitations on Enrollment: 1. Prerequisites Current: 2. Corequisites Current: 3. Advisories: Current: 4. Limitations on Enrollment: Current: D. Catalog Description: Current: Religion and magic are human universals. Anthropologists study contemporary religions and religious consciousness to help reconstruct religions in prehistory, as well as for an understanding of the modern world and of the human mind. The student will be introduced to a fascinating variety of rites, rituals, religious movements, symbolic systems, as well as anthropological theories about religion. Honors work challenges students to be more analytical and creative through expanded assignments, real-world applications and enrichment opportunities. Credit will not be awarded for both the honors and regular versions of a course. Credit will be awarded only for the first course completed with a grade of C or “P” or better. -
Numismata Graeca; Greek Coin-Types, Classified For
NUMISMATA GRAECA GREEK COIN-TYPES CLASSIFIED FOR IMMEDIATE IDENTIFICATION PROTAT BROTHERS, PRINTERS, MACON (fRANCb). NUMISMATA GRAEGA GREEK GOIN-TYPES GLASSIFIED FOR IMMEDIATE IDENTIFICATION BY L^" CI flu pl-.M- ALTAR No. ALTAR Metal Xo. Pi.ACi: OBVEnSE Reverse V\t Denom . 1)a Pl.A Ri;it:iii;n(:i; SlZE II Nicaen. AVTKAINETPAIANOC. Large altar ready laid with /E.8 Tra- II un teriaii (]oll Jiilhijni:t. Ileadof Trajan r., laur. wood and havin^' door in 20 jan. p. 247, Xo 8. front; beneath AIOC. Ves- Prusiiis AYTKAilAPIIEBAI EniMAPKOYnAAN. P. I. R. .M. Pontus, etc, pasian, ad IIy])ium. TnOYEinAIIAN KIOYOY APOYAN- 22.5 12 p. 201, No 1. A. D. Billiynia. Headof Altar. nnPOYIIEII- eYHATOY. 200 Vespasian to r., laur. \:i .Aiiiasia. (]ara- 10, \o 31, AYKAIMAYP AAPCeYANTAMACIACM... , , p. Ponliirt. ANTnNINOC-Biislof in ex., eTCH. Altar of 1.2 caila. Caracalla r., laureale two stages. 30 A. n. in Paludamentum and 208 ciiirass. 14 l ariiini. Hust of Pallas r., in hel n A Garlanded altar, yE.5 H. C. R. M. Mysia, p. 1(11, Mijsiu. niet ; borderofdots. 12.5 P I 200 No 74. to Au- gus- tus. 15 Smyrna. TIB€PIOC C€BAC- ZMYPNAICON lonia. TOC- Ilead of Tibe- lePGONYMOC. Altar -ar- .E.65 Tibe- B. M. lonia, p. 268, rius r.,laur. landed. 10 No 263. 16 .\ntioch. BOYAH- Female bust ANTlOXenN- Altar. ^E.7 Babelon,/»^. Wadd., C.nria. r., veiled. 18 p. 116, \o 21.')9. 17 ANTIOXeWN cesAC CYNAPXiA AFAAOY .E.6 Au- ,, ,, No 2165. TOY- Nil^e staiiding. TOY AfAAOY. Altar, 15 gus- tus. -
Either a Daimon, Or a Hero, Or Perhaps a God:” Mythical Residents of Subterranean Chambers
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 15 | 2002 Varia “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers Yulia Ustinova Electronic version URL: http://journals.openedition.org/kernos/1385 DOI: 10.4000/kernos.1385 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2002 ISSN: 0776-3824 Electronic reference Yulia Ustinova, « “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers », Kernos [Online], 15 | 2002, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1385 ; DOI : 10.4000/kernos.1385 Kernos Kemos 15 (2002), p. 267-288. "Either a Daimon, or a Hero, or Perhaps a God:" Mythical Residents of Subterranean Chambers In his list of seers who uttered gods' orders and messages to mortals not only when alive, but also after their death, Strabo1 mentions "...Amphiaraos, Trophonios, Orpheus, Musaios, and the god of the Getae, formerly Zalmoxis, a Pythagorean, who is in our time Dekaineos, the diviner of Byrebistas... ,,2 Aristides groups together Trophonios, Amphiaraos, Amphilochos and the Asclepiads.3 Celsus includes Zalmoxis, Mopsos, Amphilochos, Amphiaraos, and Trophonios in his register of mortals who died and were nevertheless worshiped, whieh makes Origen wonder, "whether one of these is either a daimon, or a hero, or perhaps a god, more active than mortals" (ft ècr'tt nç èv 'toîç 'tOtQU'tOlÇ Eï'tE 8atllcov Eï'tE llPcoÇ Eï'tE Kat 8E6ç, èVEPYéOv 't!Va lldÇova ft Ka'teX av8pco1tov;).4 The bewilderment of Origen 'is reasonable, given the elusiveness of these figures. -
Christianizing Asia Minor Paul Mckechnie Index More Information
Cambridge University Press 978-1-108-48146-5 — Christianizing Asia Minor Paul McKechnie Index More Information Index 1 John, New Testament epistle, 51, 56, 118 Alexander son of Antonios, 148, 150, 1 Peter, New Testament epistle, 51, 213 165–6, 210, 247 1 Timothy, New Testament epistle, 152 Alexander, bishop of Jerusalem, 214 4 Ezra, 100 Alexander, martyr, 117 Alexandria, 27, 51, 167, 193, 214, 216 ab epistulis, 76, 177 Alexandros aka Artemon, 192 Abdul Hamid, 150, 158 Alexandros son of Domnos, 242 Aberkios stone, 157, 179 Alexandros son of Epigonos, 199 Aberkios, bishop of Hierapolis, 16, 45, 127, Alexandros son of Gaios, 199, 223, 293 131, 137, 139, 147–65, 207, 210, 221, Alexandros son of Menekrates, 220, 290 228, 240, 244, 246–7, 263–87 alimentary schemes, 180 Abgar VIII, 162 Allexandreia, 235 Abraham, bishop of Seleucia-Ctesiphon, 62 Allexandros, 235 Abras, presbyter, 256 aloes, 55 Abris, bishop of Seleucia-Ctesiphon, 62 Alphios, presbyter, 256 Achaean/s, 69 Anaitis, 41 Acts of St Trophimus, 199 Ancyra, 18, 30, 127–8, 146, 188–9, 259, Adana, 72 308 Adıgüzel Dam, 99 angel/s, 4, 20, 25, 31–2, 85, 94, 96–7, 103, Adrianople, 258 111, 130, 153, 155, 161, 173, 184–5, aedicula, 155 227–8, 287 Aegean, 8 Anicetus, bishop of Rome, 79, 82 Aelius Aristides, 86 Aniketos, 257 Aelius Glykon, 65 Anne, Queen, 79 Aelius Publius Julius, 116, 131 anonymous anti-Montanist writer, 100–2, aeons, 70 106, 108, 120, 126, 128, 131, 144, 158 Africa, 97, 101, 129–30, 164, 213, 255 anti-Marcionite prologue, 55 Afyonkarahisar, 166, 215, 234, 291 antimony, 108 Ağa -
Magic, Greek Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2019 Magic, Greek Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. 2019. "Magic, Greek." In Oxford Classical Dictionary in Oxford Research Encyclopedia of Classics. New York/Oxford: Oxford University Press, April 2019. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/121 For more information, please contact [email protected]. magic, Greek Oxford Classical Dictionary magic, Greek Radcliffe G. Edmonds III Subject: Greek History and Historiography, Greek Myth and Religion Online Publication Date: Apr 2019 DOI: 10.1093/acrefore/9780199381135.013.8278 Summary and Keywords Greek magic is the discourse of magic within the ancient Greek world. Greek magic includes a range of practices, from malevolent curses to benevolent protections, from divinatory practices to alchemical procedures, but what is labelled magic depends on who is doing the labelling and the circumstances in which the label is applied. The discourse of magic pertains to non-normative ritualized activity, in which the deviation from the norm is most often marked in terms of the perceived efficacy of the act, the familiarity of the performance within the cultural tradition, the ends for which the act is performed, or the social location of the performer.