THE MAIN MAN "Paper Walls "
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Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
Off-Campus Restrictions
THE STUDENT NEWSPAPER OF MERCYHURST COLLEGE SINCE 1929 FEATURES SPORTS Art students Women’s travel to Florence soccer team wins for educational fi ve straight Page 4 experience Page 12 Vol. 79 No. 2 Mercyhurst College 501 E. 38th St. Erie Pa. 16546 September 21, 2005 THE MERCIAD ‘Disaster’ Off-campus restrictions strikes Residence life implements new housing requirements for off-campus residents By Dana Moderick Mercyhurst Contributing writer By Nick Bradford Contributing writer As enrollment over the past few years at Mercyhurst College has increased, so have the diffi cult issues about where to Mercyhurst Sports Medicine Depart- put all the new students. ment is preparing for a project they Some may choose to live in housing cannot fail. provided by the college, while others With the recent tragedies around the choose to live in off-campus housing. world and the lack of preparedness, This issue of off-campus housing many wonder what would happen if has become a main concern for both a disaster struck the campus com- the administration and Mercyhurst munity. students. The Sports Medicine Department is In April of 2005, Erie City Council planning to fi nd a solution to such a addressed the concerns of neighbors of question. Mercyhurst College in regards to allega- On Saturday Oct. 22, Mercyhurst Col- tions of loud noise levels, alcohol con- lege will fi nd out if the school is ready sumption and poorly kept property. to deal with such an occurrence. Over 200 members of the Erie com- The department is planning a simu- munity attended in order to address lation entitled “Mass Casualty Inci- the issues of “rowdy” students of the dent.” college living off-campus. -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006. -
Santa Anita Derby
$$750,0001,0000,000 SANTA ANITA HANDICAP SANTA ANITA DERBY GAME ON DUDE Dear Member of the Media: Now in its 78th year of Thoroughbred racing, Santa Anita is proud to have hosted many of the sport’s greatest moments. Although the names of its historic human and horse heroes may have changed in the SANTA ANITA HANDICAP past seven decades of racing, Santa Anita’s prominence in the sport $1,000,000 Guaranteed (Grade I) remains constant. Saturday, March 7, 2015 • Seventy-Eighth Running This year, Santa Anita will present the 78th edition of one of rac- Gross Purse: $1,000,000 Winner’s Share: $600,000 Other Awards: $200,000 second; $120,000 third; $50,000 fourth; $20,000 fifth ing’s premier races — the $1,000,000 Santa Anita Handicap on Saturday, Distance: One and one-quarter miles on the main track March 7. Nominations: Close February 21, 2015 at $100 each The historic Big ‘Cap was the nation’s first continually run $100,000 Supplementary nominations of $25,000 by 12 noon, Feb. 28, 2015 Track and American stakes race and has arguably had more impact on the progress of Dirt Record: 1:57 4/5, Spectacular Bid, 4 (Bill Shoemaker, 126, February 3, Thoroughbred racing than any other single event in the sport. The 1980, Charles H. Strub Stakes) importance of this race and many of its highlights are detailed by the Stakes Record: 1:58 3/5, Affirmed, 4 (Laffit Pincay Jr., 128, March 4, 1979) Gates Open: 10:00 a.m. esteemed sports journalist John Hall beginning on page 2. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Country Christmas ...2 Rhythm
1 Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 10. Ja nuar macht De cem ber 23rd to Ja nuary 10th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 10. Janu ar 2005 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. day 10th, 2004. We would like to thank all our custo - Bei die ser Ge le gen heit be dan ken wir uns für die gute mers for their co-opera ti on in 2004. It has been a Zu sam men ar beit im ver gan ge nen Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY CHRISTMAS ..........2 BEAT, 60s/70s ..................86 COUNTRY .........................8 SURF .............................92 AMERICANA/ROOTS/ALT. .............25 REVIVAL/NEO ROCKABILLY ............93 OUTLAWS/SINGER-SONGWRITER .......25 PSYCHOBILLY ......................97 WESTERN..........................31 BRITISH R&R ........................98 WESTERN SWING....................32 SKIFFLE ...........................100 TRUCKS & TRAINS ...................32 INSTRUMENTAL R&R/BEAT .............100 C&W SOUNDTRACKS.................33 C&W SPECIAL COLLECTIONS...........33 POP.............................102 COUNTRY CANADA..................33 POP INSTRUMENTAL .................108 COUNTRY -
Background Dates for Popular Music Studies
1 Background dates for Popular Music Studies Collected and prepared by Philip Tagg, Dave Harker and Matt Kelly -4000 to -1 c.4000 End of palaeolithic period in Mediterranean manism) and caste system. China: rational philoso- c.4000 Sumerians settle on site of Babylon phy of Chou dynasty gains over mysticism of earlier 3500-2800: King Menes the Fighter unites Upper and Shang (Yin) dynasty. Chinese textbook of maths Lower Egypt; 1st and 2nd dynasties and physics 3500-3000: Neolithic period in western Europe — Homer’s Iliad and Odyssey (ends 1700 BC) — Iron and steel production in Indo-Caucasian culture — Harps, flutes, lyres, double clarinets played in Egypt — Greeks settle in Spain, Southern Italy, Sicily. First 3000-2500: Old Kingdom of Egypt (3rd to 6th dynasty), Greek iron utensils including Cheops (4th dynasty: 2700-2675 BC), — Pentatonic and heptatonic scales in Babylonian mu- whose pyramid conforms in layout and dimension to sic. Earliest recorded music - hymn on a tablet in astronomical measurements. Sphinx built. Egyp- Sumeria (cuneiform). Greece: devel of choral and tians invade Palestine. Bronze Age in Bohemia. Sys- dramtic music. Rome founded (Ab urbe condita - tematic astronomical observations in Egypt, 753 BC) Babylonia, India and China — Kung Tu-tzu (Confucius, b. -551) dies 3000-2000 ‘Sage Kings’ in China, then the Yao, Shun and — Sappho of Lesbos. Lao-tse (Chinese philosopher). Hsai (-2000 to -1760) dynasties Israel in Babylon. Massilia (Marseille) founded 3000-2500: Chinese court musician Ling-Lun cuts first c 600 Shih Ching (Book of Songs) compiles material from bamboo pipe. Pentatonic scale formalised (2500- Hsia and Shang dynasties (2205-1122 BC) 2000). -
Book Review with TTU Libraries Cover Page
BOOK REVIEW: BEYOND AND BEFORE: THE FORMATIVE YEARS OF YES BY PETER BANKS The Texas Tech community has made this publication openly available. Please share how this access benefits you. Your story matters to us. Citation Weiner, R.G. (2008). [Review of the book Beyond and Before: The Formative Years of Yes by Peter Banks]. Popular Music and Society, 31(1), 136-139. https://doi.org/10.1080/03007769908591748 Citable Link http://hdl.handle.net/2346/1546 Terms of Use CC-BY Title page template design credit to Harvard DASH. 136 Book Reviews Hammond’s myopic vision, his unrelenting determination, and his deep personal sorrows, but to his friends and supporters Hammond was a trying project. Perhaps, as Prial suggests, Hammond’s relationship to the Vanderbilts did him more good in his early years in music than his social skills. There are questions unanswered and undeveloped in this biography related to Hammond the man, such as his falling out with Aretha Franklin or his quick parting with Dylan. Each chapter of this book comes (another assault on your pocketbook) with a wonderful ‘‘discography’’ that should slow down the pace of reading but will contribute to a great start in building a library of American music of the 20th century. It is quite something how much music Hammond had a role in, and this portion of the book is an important reminder of the times and genres Hammond touched. As with all biographies there are problems and limitations. For those of us raised in the second half of the century, The Producer fails to deliver the same magic surrounding the discovery and signing of ‘‘our’’ heroes as it does around the early stars. -
Descobreix Les Possibilitats De La Música Digital
Descobreix les possibilitats de la música digital http://musicadigitalhospitalet.wordpress.com Produït per la Biblioteca Josep Janés en col·laboració amb el Centre de Creació Multimèdia de L'Hospitalet-Torre Barrina i la Biblioteca de Bellvitge L'Hospitalet de Llobregat, desembre de 2013 Què aprendrem amb/en aquest curs? ● Els moments més importants de la història de l’enregistrament sonor. ● Les definicions més comunament acceptades de so i música. ● A entendre i visualitzar els conceptes d’analògic i de digital. ● A conèixer les tres possibles situacions o estats legals d’una obra artística, literària o científica: copyright, copyleft i domini públic. ● A situar els límits del concepte legal de còpia privada. ● Els més importants serveis i recursos musicals que ens ofereix Internet, pel que fa a la cerca d’informació, l’escolta i la descàrrega. Què NO aprendrem amb/en aquest curs? ● Spotify ● iTunes/iPod ● DRM ● MIDI Sumari o itinerari 1. Què aprendrem amb aquest curs? 5. La llarga cua i el Million Song Dataset 2. Glossari 6. Informació musical 3. Què és la música digital? 4. Marc legal 7. Música sota copyright 4.1 Obra, autoria i drets 8. Música sota copyleft (drets d’autor i drets connexos) 9. Música sota domini públic 4.2 Copyright, entitats de gestió i pirateria intel·lectual 10. Repositoris d’àudio 4.2.1 Dret de còpia privada 11. Aplicacions d’escriptori 4.3 Copyleft: Creative Commons i altres 12. Aplicacions per a mòbils i tauletes 4.4 Domini públic Terminologia Definició: “Conjunt de termes propis d'un àmbit d'especialitat. Nota: En alguns casos s'utilitza també terminologia per a referir-se a un vocabulari o glossari.” Font: TERMCAT Què és la música digital? Què és so? Què és la música digital? El segle XX: dissolució de la frontera entre soroll i música Arnold Schönberg Creador del dodecafonisme, que implica el rebuig de les formes clàssiques, de les quals la més important és l'abandó de la tonalitat. -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr. -
At the Disco Panic!
MARCH/APRIL 2011 ISSUE MMUSICMAG.COM Panic! At the Disco released the long- awaited Vices & Virtues, the band’s third album and its fi rst written entirely by Urie and Smith. “It defi nitely took some time to fi gure out exactly what we wanted to do,” Smith acknowledges. “Even though it was still Panic, it felt like a new band.” Working with producers John Feldmann and Butch Walker, Urie and Smith struggled to fi nd their sound—but they did know they wanted to recapture the spirit of their debut, 2005’s multiplatinum A Fever You Can’t Sweat Out. Smith recalls that in the group’s early days, the members felt a sense of musical freedom. They paired punk guitars and pop melodies with synthesizer licks and dance beats, never thinking their hyperactive, hyper-emotional sound would help defi ne alternative rock for the MySpace era. “On our fi rst record, that was the mentality: Anything was allowed,” Smith says. “There was no pressure. Any musical style was possible.” On its follow-up, the band opted for what Smith calls a more “confi ned” Brendon Urie, Spencer Smith Jennifer Tzar approach, allowing their budding enthusiasm for ’60s psychedelic rock to lead them down the rabbit hole of Pretty. OOdddd., a Sgt. Pepper-style concept record. PANIC!PANIC! ATAT THE DISCODISCO VicesVices & VirtuesVirtues retains some of those No need for alarm—the synth-popsters have retro elements, but Urie and Smith mostly dust off the synths and deliver gigantic returned to the dance fl oor arena-emo choruses like the one heard on the lead single “The Ballad of Mona Lisa.” WHEN PANIC! AT THE DISCO Ross had just quit, leaving singer-guitarist “One album got it out of our system,” Smith announced in July 2009 that it was reinserting Brendon Urie and drummer Spencer Smith says. -
Tv Advertised Lp's
AUSTRALIAN RECORD LABELS TV ADVERTISED LABELS 1970 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, SEPTEMBER 2018 1 ACKNOWLEDGEMENTS MANY THANKS TO PAUL ELLWOOD FOR HELP WITH J & B. ANDREW RENAUT’S WEBSITE LISTS MANY OF THE MAJESTIC / K-TEL COMPILATIONS: https://majesticcompilations.com/ CONCEPT RECORDS CONCEPT RECORD PTY LTD, 139 MURRAY ST, PYRMONT, 2009 // 37 WHITING ST, ARTARMON, 2064. BEGUN BY THEO TAMBAKIS AS A J & B SPECIAL PRODUCTS LABEL. ACTIVE FROM 1984. CC 0001 BREAKIN’ IT UP VARIOUS 1984 CC 0002 HOWLIN’ FOR HITS 2LP VARIOUS 1984 CC 0003 LOVE THEMES INSPIRED BY TORVILL & DEAN VARIOUS CC 0004 THAT’S WHAT I CALL ROCK ‘N’ ROLL VARIOUS CC 0005 THE BOP WON’T STOP VARIOUS 1985 CC 0006 THE HITS HITS HITS MACHINE 2LP VARIOUS 1985 CC 0007 MASTERWORKS COLLECTION VARIOUS 1985 CC 0008 CC 0009 LOVE ME GENTLY VARIOUS CC 0010 4 STAR COUNTRY 2LP DUSTY, REEVES, WHITMAN, WILLIAMS CC 0011 CC 0012 THE DANCE TAPES VARIOUS 1985 CC 0013 KISS-THE SINGLES KISS 1985 CC 0014 THE VERY BEST OF BRENDA LEE 2LP BRENDA LEE 1985 CC 0015 SOLID R.O.C.K. VARIOUS 1985 CC 0016 CC 0017 CC 0018 HIT AFTER HIT VARIOUS 1985 CC 0019 BANDS OF GOLD 2LP VARIOUS CC 0020 THE EXTENDED HIT SUMMER 2LP VARIOUS 1985 CC 0021 METAL MADNESS 2LP VARIOUS 1985 CC 0022 FROM THE HEART VARIOUS 1986 CC 0023 STEPPIN’ TO THE BEAT VARIOUS 1986 CC 0024 STARDUST MELODIES NAT KING COLE CC 0025 THE VERY BEST OF OZ ROCK 2LP VARIOUS 1986 CC 0026 SHE BOP VARIOUS 1986 CC 0027 TI AMO VARIOUS 1986 CC 0028 JUMP ‘N’ JIVE VARIOUS 1986 CC 0029 TRUE LOVE WAYS VARIOUS 1986 CC 0030 PUTTIN’ ON