Annual Report 2Oo8–2Oo9
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®L)T Finjtn Lejus-®Lisenitr O the LINDEN NEWS, Eetablished 1927
< t 0 ®l)t finJtn lejus-®lisenitr O The LINDEN NEWS, eetablished 1927. combined with The LINDEN OBSERVER, established 1920. Entered second class ma.. nui’er PRICE: 5 Cents Vol. II, No. 45 8 PAGES LINDEN, N. J, THURSDAY, MAY 2, 1957 fie I '■ *1' L ‘‘ d e'i. N J * LINDEN Linden Library Director ^ I.iiideii Dancer ^Know Yourf Fealiircal in Oh io SCENE To Assume State Chair | Viola Maihl, director o f : Policeman Robert F. Lohr of 1309 Thel ti.e Linden Public Library, who by PETE BARTUS ma terrace, a senior at the New ha.< been .serving a.s chairman of Brunswick evening division of the library development commit Rutgers University, has been tee of the New Jersey Library A.s- Patrolman George Modrak lives 1 elected to the Hutger.s Honor .sociation, will become pre.sident- a. 319 CurtLs Street and was bom i Society ,the top honor group of elect of the state organization at in Ne-«' York City on September j the four evening branches of the annual .spring conference, to 12, 1928. He attended Public j University College, it ha.s been be held at the Hotel Berkeley- School No. l , j announced by the University. Carteret, Asbury Park, on May 2, Linden Jr. High Initiation of the twenty-six men S, and 4. School, and -v.-a.s | selected wil Ibe made on Satur Mi.s.s Harriet Proudfoot will be graduated from j day, April 27, at 7;00P.M. at come president of the Children’s Linden H ig h ; Zig’s Restaurant. -
What Inflamed the Iraq War?
Reuters Institute for the Study of Journalism Fellowship Paper, University of Oxford What Inflamed The Iraq War? The Perspectives of American Cartoonists By Rania M.R. Saleh Hilary Term 2008 1 ACKNOWLEDGEMENT I would like to express my deepest appreciation to the Heikal Foundation for Arab Journalism, particularly to its founder, Mr. Mohamed Hassanein Heikal. His support and encouragement made this study come true. Also, special thanks go to Hani Shukrallah, executive director, and Nora Koloyan, for their time and patience. I would like also to give my sincere thanks to Reuters Institute for the Study of Journalism, particularly to its director Dr Sarmila Bose. My warm gratitude goes to Trevor Mostyn, senior advisor, for his time and for his generous help and encouragement, and to Reuter's administrators, Kate and Tori. Special acknowledgement goes to my academic supervisor, Dr. Eduardo Posada Carbo for his general guidance and helpful suggestions and to my specialist supervisor, Dr. Walter Armbrust, for his valuable advice and information. I would like also to thank Professor Avi Shlaim, for his articles on the Middle East and for his concern. Special thanks go to the staff members of the Middle East Center for hosting our (Heikal fellows) final presentation and for their fruitful feedback. My sincere appreciation and gratitude go to my mother for her continuous support, understanding and encouragement, and to all my friends, particularly, Amina Zaghloul and Amr Okasha for telling me about this fellowship program and for their support. Many thanks are to John Kelley for sharing with me information and thoughts on American newspapers with more focus on the Washington Post . -
World War I Poster and Ephemera Collection: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c86h4kqh Online items available World War I Poster and Ephemera Collection: Finding Aid Finding aid prepared by Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens. Prints and Ephemera The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2014 The Huntington Library. All rights reserved. World War I Poster and Ephemera priWWI 1 Collection: Finding Aid Overview of the Collection Title: World War I Poster and Ephemera Collection Dates (inclusive): approximately 1914-1919 Collection Number: priWWI Extent: approximately 700 items Repository: The Huntington Library, Art Collections, and Botanical Gardens. Prints and Ephemera 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains approximately 700 World War I propaganda posters and related ephemera dating from approximately 1914 to 1919. The posters were created primarily for government and military agencies, as well as private charities such as the American Committee for Relief in the Near East. While the majority of the collection is American, it also includes British and French posters, and a few Austro-Hungarian/German, Canadian, Belgian, Dutch, Italian, Polish, and Russian items. Language: English. Note: Finding aid last updated on July 24, 2020. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. -
Rolf Armstrong Biography
ARTIST BROCHURE Decorate Your Life™ ArtRev.com Rolf Armstrong Rolf Armstrong is best known for the calendar girl illustrations he produced for Brown and Bigelow's Dream Girl in 1919. Sometimes labeled the father of the American pin-up, his pastel illustrations set the glamour-art standard for feminine beauty that would dominate the genre for the next four decades. He was also noted for his portraits of silent film and motion picture stars as well as for his pin-ups and magazine covers. Armstrong was born in 1889 in Bay City, Michigan and settled in Bayside, New York on the shore of Little Neck Bay, while keeping his studio in Manhattan. His interest in art developed shortly after his family moved to Detroit in 1899. His earlier works are primarily 'macho' type sketches of boxers, sailors, and cowboys. Armstrong had previously been a professional boxer and accomplished seaman, and the ruggedly handsome artist was seldom seen without his yachting cap. He continued to sail his entire life and could be found sailing with movie stars such as James Cagney when the Armstrongs were in California. In fact, he was a winner of the Mab Trophy with his sailing canoe "Mannikin" and competed in other events at the Canoe championship of America held in the 1000 Islands in New York. Armstrong left Detroit for Chicago to attend the Art Institute of Chicago. While he was there he taught baseball, boxing, and art. New York became Armstrong's next home and magazine covers became his primary focus. His first was in 1912 for Judge magazine. -
Norman Rockwell from the Collections of George Lucas and Steven Spielberg
Smithsonian American Art Museum TEACHER’S GUIDE from the collections of GEORGE LUCAS and STEVEN SPIELBERG 1 ABOUT THIS RESOURCE PLANNING YOUR TRIP TO THE MUSEUM This teacher’s guide was developed to accompany the exhibition Telling The Smithsonian American Art Museum is located at 8th and G Streets, NW, Stories: Norman Rockwell from the Collections of George Lucas and above the Gallery Place Metro stop and near the Verizon Center. The museum Steven Spielberg, on view at the Smithsonian American Art Museum in is open from 11:30 a.m. to 7:00 p.m. Admission is free. Washington, D.C., from July 2, 2010 through January 2, 2011. The show Visit the exhibition online at http://AmericanArt.si.edu/rockwell explores the connections between Norman Rockwell’s iconic images of American life and the movies. Two of America’s best-known modern GUIDED SCHOOL TOURS filmmakers—George Lucas and Steven Spielberg—recognized a kindred Tours of the exhibition with American Art Museum docents are available spirit in Rockwell and formed in-depth collections of his work. Tuesday through Friday from 10:00 a.m. to 11:30 a.m., September through Rockwell was a masterful storyteller who could distill a narrative into December. To schedule a tour contact the tour scheduler at (202) 633-8550 a single moment. His images contain characters, settings, and situations that or [email protected]. viewers recognize immediately. However, he devised his compositional The docent will contact you in advance of your visit. Please let the details in a painstaking process. Rockwell selected locations, lit sets, chose docent know if you would like to use materials from this guide or any you props and costumes, and directed his models in much the same way that design yourself during the visit. -
2-A Rockwell Freedom of Speech
Freedom of Speech, The Saturday Evening Post, 1943, 1943 Norman Rockwell (1894–1978) Oil on Canvas (45 ¾ x 35 ½ in) Norman Rockwell Museum NORMAN ROCKWELL [1894–1978] 19 a Freedom of Speech, The Saturday Evening Post, 1943 After Japan attacked Pearl Harbor on December 7, 1941, What is uncontested is that his renditions were not only vital to America was soon bustling to marshal its forces on the home the war effort, but have become enshrined in American culture. front as well as abroad. Norman Rockwell, already well known Painting the Four Freedoms was important to Rockwell for as an illustrator for one of the country’s most popular maga- more than patriotic reasons. He hoped one of them would zines, The Saturday Evening Post, had created the affable, gangly become his statement as an artist. Rockwell had been born into character of Willie Gillis for the magazine’s cover, and Post read- a world in which painters crossed easily from the commercial ers eagerly followed Willie as he developed from boy to man world to that of the gallery, as Winslow Homer had done during the tenure of his imaginary military service. Rockwell (see 9-A). By the 1940s, however, a division had emerged considered himself the heir of the great illustrators who left their between the fine arts and the work for hire that Rockwell pro- mark during World War I, and, like them, he wanted to con- duced. The detailed, homespun images he employed to reach tribute something substantial to his country. a mass audience were not appealing to an art community that A critical component of the World War II war effort was the now lionized intellectual and abstract works. -
The Cooper Union for the Advancement of Science and Art Atcooper 2 | the Cooper Union for the Advancement of Science and Art
Winter 2008/09 The Cooper Union for the Advancement of Science and Art atCooper 2 | The Cooper Union for the Advancement of Science and Art Message from President George Campbell Jr. Union The Cooper Union has a history characterized by extraordinary At Cooper Union resilience. For almost 150 years, without ever charging tuition to a Winter 2008/09 single student, the college has successfully weathered the vagaries of political, economic and social upheaval. Once again, the institution Message from the President 2 is facing a major challenge. The severe downturn afflicting the glob- al economy has had a significant impact on every sector of American News Briefs 3 U.S. News & World Report Ranking economic activity, and higher education is no exception. All across Daniel and Joanna Rose Fund Gift the country, colleges and universities are grappling with the prospect Alumni Roof Terrace of diminished resources from two major sources of funds: endow- Urban Visionaries Benefit ment and contributions. Fortunately, The Cooper Union entered the In Memory of Louis Dorfsman (A’39) current economic slump in its best financial state in recent memory. Sue Ferguson Gussow (A’56): As a result of progress on our Master Plan in recent years, Cooper Architects Draw–Freeing the Hand Union ended fiscal year 2008 in June with the first balanced operat- ing budget in two decades and with a considerably strengthened Features 8 endowment. Due to the excellent work of the Investment Committee Azin Valy (AR’90) & Suzan Wines (AR’90): Simple Gestures of our Board of Trustees, our portfolio continues to outperform the Ryan (A’04) and Trevor Oakes (A’04): major indices, although that is of little solace in view of diminishing The Confluence of Art and Science returns. -
Papers/Records /Collection
A Guide to the Papers/Records /Collection Collection Summary Collection Title: World War I Poster and Graphic Collection Call Number: HW 81-20 Creator: Cuyler Reynolds (1866-1934) Inclusive Dates: 1914-1918 Bulk Dates: Abstract: Quantity: 774 Administrative Information Custodial History: Preferred Citation: Gift of Cuyler Reynolds, Albany Institute of History & Art, HW 81-20. Acquisition Information: Accession #: Accession Date: Processing Information: Processed by Vicary Thomas and Linda Simkin, January 2016 Restrictions Restrictions on Access: 1 Restrictions on Use: Permission to publish material must be obtained in writing prior to publication from the Chief Librarian & Archivist, Albany Institute of History & Art, 125 Washington Avenue, Albany, NY 12210. Index Term Artists and illustrators Anderson, Karl Forkum, R.L. & E. D. Anderson, Victor C. Funk, Wilhelm Armstrong, Rolf Gaul, Gilbert Aylward, W. J. Giles, Howard Baldridge, C. LeRoy Gotsdanker, Cozzy Baldridge, C. LeRoy Grant, Gordon Baldwin, Pvt. E.E. Greenleaf, Ray Beckman, Rienecke Gribble, Bernard Benda, W.T. Halsted, Frances Adams Beneker, Gerritt A. Harris, Laurence Blushfield, E.H. Harrison, Lloyd Bracker, M. Leone Hazleton, I.B. Brett, Harold Hedrick, L.H. Brown, Clinton Henry, E.L. Brunner, F.S. Herter, Albert Buck, G.V. Hoskin, Gayle Porter Bull, Charles Livingston Hukari, Pvt. George Buyck, Ed Hull, Arthur Cady, Harrison Irving, Rea Chapin, Hubert Jack. Richard Chapman, Charles Jaynes, W. Christy, Howard Chandler Keller, Arthur I. Coffin, Haskell Kidder Copplestone, Bennett King, W.B. Cushing, Capt. Otho Kline, Hibberd V.B Daughterty, James Leftwich-Dodge, William DeLand, Clyde O. Lewis, M. Dick, Albert Lipscombe, Guy Dickey, Robert L. Low, Will H. Dodoe, William de L. -
Denver Art Museum to Present the Power of Art in Norman Rockwell: Imagining Freedom Traveling Exhibition Features Depictions of Franklin D
Images available upon request. Denver Art Museum to Present the Power of Art in Norman Rockwell: Imagining Freedom Traveling exhibition features depictions of Franklin D. Roosevelt’s Four Freedoms alongside contemporary selections by artists responding to these freedoms today DENVER—June 19, 2020—The Denver Art Museum (DAM) will soon open Norman Rockwell: Imagining Freedom, an exhibition focused on the artist’s 1940s depictions of Franklin D. Roosevelt’s Four Freedoms and a contemporary response to these freedoms. Popularized by Rockwell’s interpretation following President Roosevelt’s 1941 speech, the freedoms include the Freedom of Speech, Freedom of Worship, Freedom from Want and Freedom from Fear. Organized and curated by the Norman Rockwell Museum and curated locally by Timothy J. Standring, Gates Family Foundation Curator at the Denver Art Museum, with contemporary works from the museum’s own collections curated by Becky Hart, Vicki and Kent Logan Curator of Modern and Contemporary Art, the exhibition will be on view from June 26, 2020 to Sept. 7, 2020, in the Anschutz and Martin & McCormick special exhibition galleries. “The presentation of Norman Rockwell: Imagining Freedom is the most comprehensive traveling exhibition to date of creative interpretations of Franklin Delano Roosevelt’s Four Freedoms,” said Christoph Heinrich, Frederick and Jan Mayer Director of the DAM. “We look In the 1940s, Roosevelt’s administration turned to the forward to presenting works that will challenge our visitors arts to help Americans understand the necessity of to consider the concepts of the common good, civic defending and protecting the Four Freedoms, which were engagement and civil discourse through artworks of the not immediately embraced, but later came to be known past and present.” as enduring ideals. -
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M. -
PRINTS, DRAWINGS, PAINTING and OTHER WORKS on PAPER August 2014
PRINTS, DRAWINGS, PAINTING AND OTHER WORKS ON PAPER August 2014 1. (1948 Campaign Poster) Henry A. Wallace, Glen Taylor and Rockwell Kent. LABOR! VOTE LABOR. American Labor Party Poster for the Presidential campaign of 1948, including the candidacies of Henry A, Wallace for President, Glen Tayor for Vice President and Rockwell Kent for Congress. 17 x 11 inches. Letterpress reading as follows: "LABOR!/Vote Labor/Wallace for President/Taylor for Vice Presdident/Rockwell Kent for Congress/VOTE ROW C/American Labor Party." The candidates were running on the Progressive Party ticket, which was supported by the American Labor Party. Wallace had been Vice President under FDR, Glen Taylor was the incumbent Senator from Idaho (and a former country singer), and Rockwell Kent was, of course a well known artist and author with extremely liberal politcal views; Kent had a dairy farm in AuSable Forks, NY at the time of this campaign, and presumably ran for Congress in the district in which the farm was located. In nice condition, with minor browning at the edges. Very rare. $1500.00 2. Abeles, Sigmund. PHILOSOPHY STUDENT. Wood engraving, not dated. Inscribed "artist proof" and signed in pencil. 9 x 12 inches. In excellent condition. $300.00 3. Abramovitz, Albert (American, born Latvia, 1879-1963). STRIKE. Linoleum cut on wove paper, c. 1930s. Signed in pencil, and monogrammed "AA" in the block. Edition size not known. 11 5/8 x 9 7/8 inches, 321 x 252 mm., plus wide margins. This print is likely one that Aramovitz did for the WPA Federal Arts Project between 1935 and 1939. -
THE NORMAN ROCKWELL MUSEUM at Stockbridge
The Port olio SPRING 2000 THE NORMAN ROCKWELL MUSEUM at Stockbridge www.nrm.org Director's Thanks On behalf of the board of directors and The Girl Rockwell our staff, 1 have the immense pleasure of announcing a most generous gift from Diane Disney Miller-the 1941 Norman Gave to Disney Rockwell oil painting Girl Reading the Post. This important Saturday Evening David Verzi, External Relations Coordinator Post cover directly ties the art of Norman Rockwell to the magazine that he was The original oil painting for the Saturday Evening Post cover of March 1, associated with for over forty-five years. It was bequeathed to the museum by the 1941, Girl Reading the Post, stands as a token of respect and friendship daughter of the other famous American between two cultural icons- the 20th-century's giants of animation illustrator, Walt Disney. We are so very and illustration. Norman Rockwell gave the painting to Walt Disney in grateful to Diane Disney Miller for her 1943 during the illustrator's brief residence in Alhambra, California. extraordinarily generous act in giving Rockwell inscribed the work, "To Walt Disney, one of the really great this painting to the Norman Rockwell artists- from an admirer, Norman Rockwell." Museum and to people all over the world who come here to experience the incredible joy of seeing original paint T he admiration was mutual, as Disney hung in the office of the famed car ings by Rockwell. once wrote to Rockwell, "I thought your toonist, then for some years it was in Four Freedoms were great.