DOCSLIB.ORG

KO KNOWLEDGE ORGANIZATION Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
KO KNOWLEDGE ORGANIZATION Contents Knowl. Org. 46(2019)No.3 KO KNOWLEDGE ORGANIZATION Official Journal of the International Society for Knowledge Organization ISSN 0943 – 7444 International Journal devoted to Concept Theory, Classification, Indexing and Knowledge Representation Contents Articles Letters to the Editor Graham Freeman and Robert J. Glushko. Guohua Xiao. Organization, Not Inspiration: A Historical Knowledge Ontology: A Tool for the Unification Perspective of Musical Information Architecture ................... 161 of Knowledge................................................................................ 236 Lielei Chen and Hui Fang. Birger Hjørland. An Automatic Method for Extracting Innovative Annual Progress in Knowledge Organization (KO)? Ideas Based on the Scopus® Database .................................... 171 Annual Progress in Thesaurus Research? ................................. 238 Debashis Naskar and Subhashis Das. Books Recently Published ...................................................... 240 HNS Ontology Using Faceted Approach ................................ 187 Robin A. Moeller and Kim E. Becnel. “Why On Earth Would We Not Genrefy the Books?”: A Study of Reader-Interest Classification In School Libraries ........................................................................................ 199 Reviews of Concepts in KO Wendy Korwin and Haakon Lund. Alphabetization ............................................................................ 209 Emma Stuart. Flickr: Organizing and Tagging Images Online ...................... 223 Knowl. Org. 46(2019)No.3 KNOWLEDGE ORGANIZATION KO Official Journal of the International Society for Knowledge Organization ISSN 0943 – 7444 International Journal devoted to Concept Theory, Classification, Indexing and Knowledge Representation KNOWLEDGE ORGANIZATION José Augusto Chaves GUIMARÃES, Departamento de Ciência da Informacão, Universidade Estadual Paulista–UNESP, Av. Hygino Muzzi This journal is the organ of the INTERNATIONAL SOCIETY FOR Filho 737, 17525-900 Marília SP Brazil. E-mail: [email protected] KNOWLEDGE ORGANIZATION (General Secretariat: Amos DA- VID, Université de Lorraine, 3 place Godefroy de Bouillon, BP 3397, Michael KLEINEBERG, Humboldt-Universität zu Berlin, Unter den 54015 Nancy Cedex, France. E-mail: [email protected]. Linden 6, D-10099 Berlin. E-mail: [email protected] Editors Kathryn LA BARRE, School of Information Sciences, University of Illi- nois at Urbana-Champaign, 501 E. Daniel Street, MC-493, Champaign, IL Richard P. SMIRAGLIA (Editor-in-Chief), Institute for Knowledge Or- 61820-6211 USA. E-mail: [email protected] ganization and Structure, Shorewood WI 53211 USA. E-mail: [email protected] Devika P. MADALLI, Documentation Research and Training Centre (DRTC) Indian Statistical Institute (ISI), Bangalore 560 059, India. Joshua HENRY, Institute for Knowledge Organization and Structure, E-mail: [email protected] Shorewood WI 53211 USA. Daniel MARTÍNEZ-ÁVILA, Departamento de Ciência da Informação, Peter TURNER, Institute for Knowledge Organization and Culture, Universidade Estadual Paulista–UNESP, Av. Hygino Muzzi Filho 737, Shorewood WI 53211 USA. 17525-900 Marília SP Brazil. E-mail: [email protected] J. Bradford YOUNG (Bibliographic Consultant), Institute for Knowledge Widad MUSTAFA el HADI, Université Charles de Gaulle Lille 3, URF Organization and Structure, Shorewood WI 53211, USA. IDIST, Domaine du Pont de Bois, Villeneuve d’Ascq 59653, France. E-mail: [email protected] Editor Emerita H. Peter OHLY, Prinzenstr. 179, D-53175 Bonn, Germany. Hope A. OLSON, School of Information Studies, University of Wiscon- E-mail: [email protected] sin-Milwaukee, Milwaukee, Northwest Quad Building B, 2025 E New- port St., Milwaukee, WI 53211 USA. E-mail: [email protected] M. Cristina PATTUELLI, School of Information, Pratt Institute, 144 W. 14th Street, New York, New York 10011, USA. Series Editors E-mail: [email protected] Birger HJØRLAND (Reviews of Concepts in Knowledge Organization), K. S. RAGHAVAN, Member-Secretary, Sarada Ranganathan Endowment Department of Information Studies, University of Copenhagen. E-Mail: for Library Science, PES Institute of Technology, 100 Feet Ring Road, [email protected] BSK 3rd Stage, Bangalore 560085, India. E-mail: [email protected]. María J. LÓPEZ-HUERTAS (Research Trajectories in Knowledge Heather Moulaison SANDY, The iSchool at the University of Missouri, Organization), Universidad de Granada, Facultad de Biblioteconomía y 303 Townsend Hall, Columbia, MO 65211, USA. Documentación, Campus Universitario de Cartuja, Biblioteca del Colegio E-mail: [email protected] Máximo de Cartuja, 18071 Granada, Spain. E-mail: [email protected] M. P. SATIJA, Guru Nanak Dev University, School of Library and Infor- Editorial Board mation Science, Amritsar-143 005, India. E-mail: [email protected] Thomas DOUSA, The University of Chicago Libraries, 1100 E 57th St, Chicago, IL 60637 USA. E-mail: [email protected] Aida SLAVIC, UDC Consortium, PO Box 90407, 2509 LK The Hague, The Netherlands. E-mail: [email protected] Melodie J. FOX, Institute for Knowledge Organization and Structure, Shorewood WI 53211 USA. E-mail: [email protected]. Renato R. SOUZA, Applied Mathematics School, Getulio Vargas Foundation, Praia de Botafogo, 190, 3o andar, Rio de Janeiro, RJ, 22250- Jonathan FURNER, Graduate School of Education & Information Stud- 900, Brazil. E-mail: [email protected] ies, University of California, Los Angeles, 300 Young Dr. N, Mailbox 951520, Los Angeles, CA 90095-1520, USA. Rick SZOSTAK, University of Alberta, Department of Economics, 4 E-mail: [email protected] Edmonton, Alberta, Canada, T6G 2H4. E-mail: [email protected] Claudio GNOLI, University of Pavia, Science and Technology Library, Joseph T. TENNIS, The Information School of the University of Wash- via Ferrata 1, I-27100 Pavia, Italy. E-mail: [email protected] ington, Box 352840, Mary Gates Hall Ste 370, Seattle WA 98195-2840 USA. E-mail: [email protected] Ann M. GRAF, School of Library and Information Science, Simmons University, 300 The Fenway, Boston, MA 02115 USA. Maja ŽUMER, Faculty of Arts, University of Ljubljana, Askerceva 2, E-mail: [email protected] Ljubljana 1000 Slovenia. E-mail: [email protected] Jane GREENBERG, College of Computing & Informatics, Drexel University, 3141 Chestnut Street, Philadelphia, PA 19104 USA, E-mail: [email protected] Knowl. Org. 46(2019)No.3 161 G. Freeman and R. J. Glushko. Organization, not Inspiration: A Historical Perspective of Musical Information Architecture Organization, Not Inspiration: A Historical Perspective of Musical Information Architecture Graham Freeman*, Robert J. Glushko** *Dan School of Drama and Music, Queen's University, Harrison LeCaine Hall, 39 Bader Lane, Kingston, Ontario, Canada, K7L 3N6, <[email protected]> ** University of California, Berkeley, Cognitive Science Program, 140 Stephens Hall, Berkeley CA 94720, USA, <[email protected]> Graham Freeman is a musicologist and technical writer in Toronto, Canada. He received his PhD from the University of Toronto and is currently teaching at Queen’s University and at George Brown College. Bob Glushko is an adjunct full professor at the University of California at Berkeley in the Cognitive Science Program. He has had more than thirty years of experience in information systems and service design, content management, electronic publishing and ebooks, internet commerce, and human factors in computing systems. He founded or co-founded four companies, including Veo Systems in 1997, which pioneered the use of XML for electronic business. Veo’s innovations included the Common Business Library (CBL), the first native XML vocabulary for business-to-business transactions, and the Schema for Object-Oriented XML (SOX), the first object-oriented XML schema language. Freeman, Graham and Robert J. Glushko. 2019. “Organization, not Inspiration: A Historical Perspective of Musical Information Architecture.” Knowledge Organization 46(3): 161-170. 28 references. DOI:10.5771/0943- 7444-2019-3-161. Abstract: The organization of musical resources in a piece of music is opaque for everyone but for those with the highest levels of musical education. For the average listener, the specific vocabulary of musical organization is usually replaced by metaphorical language relating to inspiration and musical affect, or by a social perspective that rids the music of its specific theoretical language and provides a more relatable perspective of the music as a historical and communal event. We examine the ways in which information architecture and organizational theory can surface the inner workings of music in a relatable and approachable way. We consider music as a series of design resources that composers draw upon and organize according to a series of constraints that create a sense of musical structure to which the listener can relate. After a general introduction to the literature relating to constraints and creativity, we use two historical anecdotes that provide accessible demonstrations of how musicians in the seventeenth and twentieth centuries organized their musical resources both for their own compositional needs and for the purposes of didactic communication. Received: 23 September 2018; Revised: 26 January 2019; Accepted: 27 March 2019 Keywords: music, musical resources, constraints, organizing systems, composers, information 1.0 Introduction ity?;” “What genre?;” “Which structure?” If
Load more

Recommended publications
  • Proposal to Encode 0D5F MALAYALAM LETTER ARCHAIC II
    Proposal to encode 0D5F MALAYALAM LETTER ARCHAIC II Shriramana Sharma, jamadagni-at-gmail-dot-com, India 2012-May-22 §1. Introduction In the Malayalam Unicode encoding, the independent letter form for the long vowel Ī is: ഈ where the length mark ◌ൗ is appended to the short vowel ഇ to parallel the symbols for U/UU i.e. ഉ/ഊ. However, Ī was originally written as: As these are entirely different representations of Ī, although their sound value may be the same, it is proposed to encode the archaic form as a separate character. §2. Background As the core Unicode encoding for the major Indic scripts is based on ISCII, and the ISCII code chart for Malayalam only contained the modern form for the independent Ī [1, p 24]: … thus it is this written form that came to be encoded as 0D08 MALAYALAM LETTER II. While this “new” written form is seen in print as early as 1936 CE [2]: … there is no doubt that the much earlier form was parallel to the modern Grantha , both of which are derived from the old Grantha Ī as seen below: 1 ma - īdṛgvidhā | tatarāya īṇ Old Grantha from the Iḷaiyānputtūr copper plates [3, p 13]. Also seen is the Vatteḻuttu Ī of the same time (line 2, 2nd char from right) which also exhibits the two dots. Of course, both are derived from old South Indian Brahmi Ī which again has the two dots. It is said [entire paragraph: Radhakrishna Warrier, personal communication] that it was the poet Vaḷḷattōḷ Nārāyaṇa Mēnōn (1878–1958) who introduced the new form of Ī ഈ.
    [Show full text]
  • Alphabetization† †† Wendy Korwin*, Haakon Lund** *119 W
    Knowl. Org. 46(2019)No.3 209 W. Korwin and H. Lund. Alphabetization Alphabetization† †† Wendy Korwin*, Haakon Lund** *119 W. Dunedin Rd., Columbus, OH 43214, USA, <[email protected]> **University of Copenhagen, Department of Information Studies, DK-2300 Copenhagen S Denmark, <[email protected]> Wendy Korwin received her PhD in American studies from the College of William and Mary in 2017 with a dissertation entitled Material Literacy: Alphabets, Bodies, and Consumer Culture. She has worked as both a librarian and an archivist, and is currently based in Columbus, Ohio, United States. Haakon Lund is Associate Professor at the University of Copenhagen, Department of Information Studies in Denmark. He is educated as a librarian (MLSc) from the Royal School of Library and Information Science, and his research includes research data management, system usability and users, and gaze interaction. He has pre- sented his research at international conferences and published several journal articles. Korwin, Wendy and Haakon Lund. 2019. “Alphabetization.” Knowledge Organization 46(3): 209-222. 62 references. DOI:10.5771/0943-7444-2019-3-209. Abstract: The article provides definitions of alphabetization and related concepts and traces its historical devel- opment and challenges, covering analog as well as digital media. It introduces basic principles as well as standards, norms, and guidelines. The function of alphabetization is considered and related to alternatives such as system- atic arrangement or classification. Received: 18 February 2019; Revised: 15 March 2019; Accepted: 21 March 2019 Keywords: order, orders, lettering, alphabetization, arrangement † Derived from the article of similar title in the ISKO Encyclopedia of Knowledge Organization Version 1.0; published 2019-01-10.
    [Show full text]
  • The Book Unbound: Two Centuries of Indian Print 14Th-15Th July 2017 H.L
    The Book Unbound: Two Centuries of Indian Print 14th-15th July 2017 H.L. Roy Auditorium, Jadavpur University Abstracts Keynote Address A Note on the Use of Punctuation in Early Printed Books in Bengali Swapan Chakravorty Punctuation was sparse and uneven in Bengali handwritten books. Poetry, it is well known, used the vertical virgule to end the first line of an end-stopped couplet (payaar), and two vertical lines at the end of the second. For triplets or tripadis, each set of three used a space between the first and the second, and the first set was closed by a vertical line and the second by a pair of virgulae. These marks were not necessarily grammatical or rhetorical, but more often than not prosodic. Line divisions, however, were erratic and optional, even after the introduction of print. Punctuated prose appeared only with the coming of print, instances of earlier manuscript prose being rare except in letters and a few documents relating to property, court orders and land records. Rammohan Roy's (1772-1833) early Bengali prose hardly employed punctuation. Between 1819 and 1833, when he was trying to fashion a modern prose and to codify its grammar, we see his texts using a sprinkling of commas, question marks and semi- colons. Common wisdom persuades us that it was Iswarchandra Vidyasagar (1820-91), scholar, author, social activist and printer, who standardized punctuation in Bengali printed prose. The disposition of Western punctuation, paragraphs and line-divisions could at times be excessive in Vidyasagar, impeding the rhetorical flow of a passage and distorting the 'eye-voice span'.
    [Show full text]
  • Tattoo Lettering Alphabet Cursive
    Tattoo Lettering Alphabet Cursive billyboy.Rotatory Southand parallelism Amos apotheosises Josh never youthfully. outshining his Anatole! Playfully uninured, Mauritz arrays snatcher and rejuvenise You place free you create very own font and the tattoo artist will just copy the design you want. As there is very important when one of them are satisfy you can also be added above and handwriting style tattoo lettering and building trust and cursive. Ancient forms of fairly well, done is a woefully defective writing for. Without it available for more poles than here are a cursive alphabet crafts cursive font? Cursive in your pixel id here not a kind of cursive tattoo lettering is. This pin was discovered by sis. Each top of these worksheets focuses on them different letter read the alphabet and is no into three sections. Tattoo lettering is a proximity of design used in letters and numbers. Pons online dictionary lettering styles include tribal traditional sailor blackletter fancy cursive tattoo fontsimages added above and building trust and flares, or greeting cards. See more ideas about Polish alphabet, Polish, Alphabet. My favorite is Google Fonts. Tattoo lettering alphabet, in tattoo lettering designs mesh well, while display tattoo lettering alphabet is. The fonts can be opened and used in any software everything can read standard fonts! As cursive tattoo lettering alphabet, alter looks russian, alphabet letter in only lowercase characters make this pin leading to its is. This king was discovered by Sis. See more poles than here any software that are satisfy you can still be used for your early years students must first trace, but is not.
    [Show full text]
  • ALPHABETUM Unicode Font for Ancient Scripts
    (VERSION 14.00, March 2020) A UNICODE FONT FOR LINGUISTICS AND ANCIENT LANGUAGES: OLD ITALIC (Etruscan, Oscan, Umbrian, Picene, Messapic), OLD TURKIC, CLASSICAL & MEDIEVAL LATIN, ANCIENT GREEK, COPTIC, GOTHIC, LINEAR B, PHOENICIAN, ARAMAIC, HEBREW, SANSKRIT, RUNIC, OGHAM, MEROITIC, ANATOLIAN SCRIPTS (Lydian, Lycian, Carian, Phrygian and Sidetic), IBERIC, CELTIBERIC, OLD & MIDDLE ENGLISH, CYPRIOT, PHAISTOS DISC, ELYMAIC, CUNEIFORM SCRIPTS (Ugaritic and Old Persian), AVESTAN, PAHLAVI, PARTIAN, BRAHMI, KHAROSTHI, GLAGOLITIC, OLD CHURCH SLAVONIC, OLD PERMIC (ANBUR), HUNGARIAN RUNES and MEDIEVAL NORDIC (Old Norse and Old Icelandic). (It also includes characters for LATIN-based European languages, CYRILLIC-based languages, DEVANAGARI, BENGALI, HIRAGANA, KATAKANA, BOPOMOFO and I.P.A.) USER'S MANUAL ALPHABETUM homepage: http://guindo.pntic.mec.es/jmag0042/alphabet.html Juan-José Marcos Professor of Classics. Plasencia. Spain [email protected] 1 March 2020 TABLE OF CONTENTS Chapter Page 1. Intr oduc tion 3 2. Font installati on 3 3. Encod ing syst em 4 4. So ft ware req uiremen ts 5 5. Unicode co verage in ALP HAB ETUM 5 6. Prec ompo sed cha racters and co mbining diacriticals 6 7. Pri vate Use Ar ea 7 8. Classical Latin 8 9. Anc ient (po lytonic) Greek 12 10. Old & Midd le En glis h 16 11. I.P.A. Internati onal Phon etic Alph abet 17 12. Pub lishing cha racters 17 13. Mi sce llaneous ch aracters 17 14. Espe ran to 18 15. La tin-ba sed Eu ropean lan gua ges 19 16. Cyril lic-ba sed lan gua ges 21 17. Heb rew 22 18.
    [Show full text]
  • Greekkeys Unicode 2008 USER’S GUIDE
    i GreekKeys Unicode 2008 USER’S GUIDE by Donald Mastronarde ©2008 American Philological Association GreekKeys Unicode 2008 User’s Guide ii NEITHER THE AMERICAN PHILOLOGICAL ASSOCIATION NOR APPLE INC. NOR MICROSOFT CORPORATION MAKES ANY WARRANTIES, EITHER EXPRESS OR IMPLIED, REGARDING THE ENCLOSED COMPUTER SOFTWARE PACKAGE, ITS MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE. IN NO EVENT WILL APPLE INC. OR MICROSOFT CORPORATION OR THE AMERICAN PHILOLOGICAL ASSOCIATION BE LIABLE FOR ANY CONSEQUENTIAL, INCIDENTAL OR INDIRECT DAMAGES (INCLUDING DAMAGES FOR DOWNTIME, COSTS OF RECOVERING OR REPRODUCING DATA AND THE LIKE) ARISING OUT OF THE USE OR INABILITY TO USE GREEKKEYS, EVEN IF THEY HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. BECAUSE SOME STATES DO NOT ALLOW THE EXCLUSION OR LIMITATION OF LIABILITY FOR CONSEQUENTIAL OR INCIDENTAL DAMAGES, THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU. GreekKeys 2008 Licenses See the document GreekKeysLicense.pdf, which is included in the download and also available at https://webfiles.berkeley.edu/~pinax/greekkeys/pdfs/GreekKeysLicense.pdf Macintosh and OS X are registered trademarks of Apple Inc. Microsoft Word is a registered trademark of Microsoft Corporation. PostScript is a registered trademarks of Adobe Systems, Inc. Other brand or product names are trademarks of their respective holders. iii Online sales GreekKeys 2008 is sold via a web store hosted by eSellerate at: http://store.esellerate.net/apa/apagreekkeys Technical support Technical support for this product is limited.
    [Show full text]
  • Greekkeys 2015
    GreekKeys 2015 USER GUIDE by Donald Mastronarde ©2015 Society for Classical Studies ii NEITHER THE SOCIETY FOR CLASSICAL STUDIES NOR APPLE INC. NOR MICROSOFT CORPORATION MAKES ANY WARRANTIES, EITHER EXPRESS OR IMPLIED, REGARDING THE ENCLOSED COMPUTER SOFTWARE PACKAGE, ITS MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE. IN NO EVENT WILL APPLE INC. OR MICROSOFT CORPORATION OR THE SOCIETY FOR CLASSICAL STUDIES BE LIABLE FOR ANY CONSEQUENTIAL, INCIDENTAL OR INDIRECT DAMAGES (INCLUDING DAMAGES FOR DOWNTIME, COSTS OF RECOVERING OR REPRODUCING DATA AND THE LIKE) ARISING OUT OF THE USE OR INABILITY TO USE GREEKKEYS, EVEN IF THEY HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. BECAUSE SOME STATES DO NOT ALLOW THE EXCLUSION OR LIMITATION OF LIABILITY FOR CONSEQUENTIAL OR INCIDENTAL DAMAGES, THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU. GreekKeys 2015 Licenses The licenses for the keyboards and fonts are in the GK2015 Licenses folder in the GK2015 Documentation folder included in the download. They are also available at the SCS web site. Macintosh and OS X are registered trademarks of Apple Inc. Microsoft Word is a registered trademark of Microsoft Corporation. PostScript is a registered trademarks of Adobe Systems, Inc. Other brand or product names are trademarks of their respective holders. iii Distribution GreekKeys 2015 is distributd by the Society for Classical Studies at the association’s web site.
    [Show full text]
  • Engines of Order: a Mechanology of Algorithmic Techniques
    A Mechanology Engines of Algorithmic of Order Techniques BERNHARD RIEDER Amsterdam University Press Engines of Order The book series RECURSIONS: THEORIES OF MEDIA, MATERIALITY, AND CULTURAL TECHNIQUES provides a platform for cuttingedge research in the field of media culture studies with a particular focus on the cultural impact of media technology and the materialities of communication. The series aims to be an internationally significant and exciting opening into emerging ideas in media theory ranging from media materialism and hardware-oriented studies to ecology, the post-human, the study of cultural techniques, and recent contributions to media archaeology. The series revolves around key themes: – The material underpinning of media theory – New advances in media archaeology and media philosophy – Studies in cultural techniques These themes resonate with some of the most interesting debates in international media studies, where non-representational thought, the technicity of knowledge formations and new materialities expressed through biological and technological developments are changing the vocabularies of cultural theory. The series is also interested in the mediatic conditions of such theoretical ideas and developing them as media theory. Editorial Board – Jussi Parikka (University of Southampton) – Anna Tuschling (Ruhr-Universität Bochum) – Geoffrey Winthrop-Young (University of British Columbia) Engines of Order A Mechanology of Algorithmic Techniques Bernhard Rieder Amsterdam University Press This publication is funded by the Dutch Research Council (NWO). Chapter 1 contains passages from Rieder, B. (2016). Big Data and the Paradox of Diversity. Digital Culture & Society 2(2), 1-16 and Rieder, B. (2017). Beyond Surveillance: How Do Markets and Algorithms ‘Think’? Le Foucaldien 3(1), n.p.
    [Show full text]
  • Orginalschriftliche Katalogisierung Von Arabica
    HUMBOLDT-UNIVERSITÄT ZU BERLIN INSTITUT FÜR BIBLIOTHEKS- UND INFORMATIONSWISSENSCHAFT BERLINER HANDREICHUNGEN ZUR BIBLIOTHEKS- UND INFORMATIONSWISSENSCHAFT HEFT 199 ORIGINALSCHRIFTLICHE KATALOGISIERUNG VON ARABICA CHANCEN UND HINDERNISSE VON CHRISTOPH RAUCH 2 ORIGINALSCHRIFTLICHE KATALOGISIERUNG VON ARABICA CHANCEN UND HINDERNISSE VON CHRISTOPH RAUCH Berliner Handreichungen zur Bibliotheks- und Informationswissenschaft Begründet von Peter Zahn Herausgegeben von Konrad Umlauf Humboldt-Universität zu Berlin Heft 199 3 Rauch, Christoph Originalschriftliche Katalogisierung von Arabica : Chancen und Hindernisse / von Christoph Rauch. - Berlin : Institut für Bibliotheks- und Informationswissenschaft der Humboldt-Universität zu Berlin, 2007. - 81 S. - (Berliner Handreichungen zur Bibliotheks- und Informationswissenschaft ; 199) Zugl.: Berlin, Humboldt-Universität, Masterarbeit, 2006 ISSN 14 38-76 62 Abstract: Die vorliegende Arbeit beschäftigt sich mit der Problematik der Formalerschließung arabischer Medien. Eingangs wird sich detailliert mit den Fragen von Transliteration und Transkription der arabischen Schrift auseinander gesetzt. Im zweiten Abschnitt werden Argumente für eine originalschriftliche Katalogisierung in Online-Katalogen dargelegt. Am Beispiel der Katalogisierungspraxis in den USA (OCLC, RLG, LC) und bedeutender Bibliotheken der arabischen Welt (z.B. Bibliotheca Alexandrina) wird der gegenwärtige Entwicklungsstand vorgestellt und analysiert. Es folgt eine ausführliche Darstellung der Katalogisierungspraxis an verschiedenen Bibliotheken
    [Show full text]
  • The Missing Scripts Project
    The Missing Scripts Project Johannes Bergerhausen · Thomas Huot-Marchand Abstract. The Missing Scripts Project, started in 2016, is a long-term initiative that aims to identify writing systems which are not yet encoded in the Unicode standard. As of today, there are still 140 scripts not yet to be used on computers and smart phones. The first step in 2018 was a web site and a silk screen poster presenting one glyph for each of the 290 world’s writing systems: www.worldswritingsystems.org. The project is a joint effort of ANRT Nancy, France; IDG Mainz, Germany and SEI, Berkeley, USA. Visible Speech, 1867 Alexander Melville Bell, a Scottish phonetician, developed a universal phonetic notation system called ‘Visible Speech’ which could represent every sound in every human language. The abstract, often circular symbols, could also help the deaf learn to understand spoken language. Melville Bell’s son Alexander Graham Bell, continued his father’s work on ‘Visible Speech’, involving himself intensively with the physiognomy of the human voice. In 1876, he would submit his new invention to the patent office: the telephone. International Phonetic Alphabet, 1888 The International Phonetic association, established in 1886 by the French linguist Paul-Édouard Passy, introduced the International Pho- netic Alphabet (IPA) in 1888. These characters were developed on the basis of Latin and Greek characters, revealing the bias of the researchers Johannes Bergerhausen 0000-0001-5235-6779 Hochschule Mainz, School of Design, Holzstraße 36, D-55116 Mainz, Germany E-mail: [email protected] Thomas Huot-Marchand Atelier National de Recherche Typographique (ANRT), School of Art and Design Nancy, 1, place Charles Cartier-Bresson, 54013 Nancy Cedex, France E-mail: [email protected] Y.
    [Show full text]
  • Alphabetum IV Missing Scripts V5.Indd
    MISSING SCRIPTS ALPHABETUM IV 2019 � MISSING SCRIPTS THE PROPOSALS Johannes Bergerhausen Ilka Helmig Alphabetum IV September 28 — November 24, 2019 West Den Haag, The Netherlands With luck, the future of computing and electronic communications will be longer than the past. Joseph D. Becker, Unicode 88, 1988 Missing Scripts — the proposals Johannes Bergerhausen Visible Speech, 1867 Alexander Melville Bell, a Scottish phonetician, devel- oped a universal phonetic notation system called ‘Visible Speech’ which could represent every sound in every hu- man language. The abstract, often circular symbols, could also help the deaf learn to understand spoken language. Melville Bell’s son Alexander Graham Bell, continued his father’s work on ‘Visible Speech’, involving himself inten- sively with the physiognomy of the human voice. In 1876, he would submit his new invention to the patent office: the telephone. International Phonetic Alphabet, 1888 The International Phonetic association, established in 1886 by the French linguist Paul Édouard Passy, intro- duced the International Phonetic Alphabet (IPA) in 1888. These characters were developed on the basis of Latin and Greek characters, revealing the bias of the research- ers of that time. They missed the chance of taking more appropriate characters from other writing systems. 7 Aerodynamic phonetics, 1888 Johanna Zinke, a German art teacher, developed a pro- cess by which the spoken sounds of any human speaker could be made photographically visible. The spoken sound is in this process not only an acoustic phenomenon, but also a quickly generated three-dimensional form akin to those produced in fluid dynamics and chaos theory. Intergalactic Network, 1962 J.
    [Show full text]
  • Greekkeys 2015
    GreekKeys 2015 USER GUIDE (Revised June 2018) by Donald Mastronarde ©2015 Society for Classical Studies ii NEITHER THE SOCIETY FOR CLASSICAL STUDIES NOR APPLE INC. NOR MICROSOFT CORPORATION MAKES ANY WARRANTIES, EITHER EXPRESS OR IMPLIED, REGARDING THE ENCLOSED COMPUTER SOFTWARE PACKAGE, ITS MERCHANTABILITY OR ITS FITNESS FOR ANY PARTICULAR PURPOSE. THE EXCLUSION OF IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. THIS WARRANTY PROVIDES YOU WITH SPECIFIC LEGAL RIGHTS. THERE MAY BE OTHER RIGHTS THAT YOU MAY HAVE WHICH VARY FROM STATE TO STATE. IN NO EVENT WILL APPLE INC. OR MICROSOFT CORPORATION OR THE SOCIETY FOR CLASSICAL STUDIES BE LIABLE FOR ANY CONSEQUENTIAL, INCIDENTAL OR INDIRECT DAMAGES (INCLUDING DAMAGES FOR DOWNTIME, COSTS OF RECOVERING OR REPRODUCING DATA AND THE LIKE) ARISING OUT OF THE USE OR INABILITY TO USE GREEKKEYS, EVEN IF THEY HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. BECAUSE SOME STATES DO NOT ALLOW THE EXCLUSION OR LIMITATION OF LIABILITY FOR CONSEQUENTIAL OR INCIDENTAL DAMAGES, THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU. GreekKeys 2015 Licenses The licenses for the keyboards and fonts are in the GK2015 Licenses folder in the GK2015 Documentation folder included in the download. They are also available at the SCS web site. Macintosh and OS X are registered trademarks of Apple Inc. Microsoft Word is a registered trademark of Microsoft Corporation. PostScript is a registered trademarks of Adobe Systems, Inc. Other brand or product names are trademarks of their respective holders. iii Distribution GreekKeys 2015 is distributd by the Society for Classical Studies at the association’s web site.
    [Show full text]