ARCHITECTURALLY SOUND Engineered / Zoning / Construct

Total Page:16

File Type:pdf, Size:1020Kb

ARCHITECTURALLY SOUND Engineered / Zoning / Construct Monolithic 同一方向安装 ARCHITECTURALLY SOUND Engineered / Zoning / Construct China India Rest of Asia Beijing / Tianjin / Wuhan /Shenzhen Bangalore Manila T +86 10 6465 1206 T +91 98459 14059 T +63 915 816 7127 Shanghai / Suzhou / Nanjing Chennai Seoul Hangzhou / Hefei T +91 98408 98963 T +82 2 3783 0747 T +86 21 6145 1758 Delhi Singapore Chengdu / Chongqing T +91 98104 77922 T +65 6593 1301 www.millikencarpet.com T +86 181 1727 5593 Mumbai Tokyo Guangzhou T +91 98926 00362 T +81 3 5203 8406 2710024918 T +86 20 3846 8085 Jakarta Issued Jul 2019 Hong Kong T +6221 5289 7330 T +852 3956 2259 INSPIRED. INSPIRING. 源于灵感 智启灵感 Construct, Zoning and Engineered in Art Nouveau, monolithic installation Construct and Zoning in Art Nouveau, monolithic installation 2 3 Zoning and Engineered in Baroque, monolithic installation Engineered in Baroque, monolithic installation 4 5 在不同色彩层次中丰富大面积空间。 自由拼接,拓展更多设计可能性。 Use accent color to make use of space and to expand design possibility. Construct, Zoning and Engineered in Gothic, monolithic installation 6 7 Construct, Zoning and Engineered in Art Nouveau, monolithic installation Engineered in Bauhaus, monolithic installation 8 9 Construct and Zoning in High Tech, monolithic installation 10 11 INSPIRED. INSPIRING. 源于灵感 智启灵感 Beginning with solid architectural elements, trace out a meticulous inspiring space. From dark to light, natural color transition as music notes, slowly flow along elegant and pure, brand new tones lighting up the space. 以坚实的建筑元素为起点, 勾画更细致的灵动空间。 从深到浅,颜色自然过渡, 如音符点染其中慢慢流动, 或优雅、或清新, 全新的色彩和空间区隔, 让室内的每寸光线,都瞬间被点亮。 Construct, Zoning and Engineered in Bauhaus, monolithic installation 12 13 These three patterns share the same colorline for easier coordination. (Multi-tile random repeat) Engineered Zoning Construct Colorline EN15-4 Art Deco ZO15-4 Art Deco CO15-4 Art Deco EN44-14 Victorian Era ZO44-14 Victorian Era CO44-144 Victorian Era EN152-139 Baroque ZO152-139 Baroque CO152-139 Baroque EN81-15 Art Nouveau ZO81-15 Art Nouveau CO81-15 Art Nouveau EN6-48 Beaux-Arts ZO6-48 Beaux-Arts CO6-48 Beaux-Arts EN52-159 High Tech ZO52-159 High Tech CO52-159 High Tech EN69-121 Renaissance ZO69-121 Renaissance CO69-121 Renaissance EN13-171 Modernism ZO13-171 Modernism CO13-171 Modernism EN182-73 Neoclassical ZO182-73 Neoclassical CO182-73 Neoclassical EN94-122 Bauhaus ZO94-122 Bauhaus CO94-122 Bauhaus EN118-152 Dadaism ZO118-152 Dadaism CO118-152 Dadaism EN79-153 Gothic ZO79-153 Gothic CO79-153 Gothic 14 15 Monolithic 同一方向安装 ARCHITECTURALLY SOUND Engineered / Zoning / Construct China India Rest of Asia Beijing / Tianjin / Wuhan /Shenzhen Bangalore Manila T +86 10 6465 1206 T +91 98459 14059 T +63 915 816 7127 Shanghai / Suzhou / Nanjing Chennai Seoul Hangzhou / Hefei T +91 98408 98963 T +82 2 3783 0747 T +86 21 6145 1758 Delhi Singapore Chengdu / Chongqing T +91 98104 77922 T +65 6593 1301 www.millikencarpet.com T +86 181 1727 5593 Mumbai Tokyo Guangzhou T +91 98926 00362 T +81 3 5203 8406 2710024918 T +86 20 3846 8085 Jakarta Issued Jul 2019 Hong Kong T +6221 5289 7330 T +852 3956 2259.
Recommended publications
  • Brief History of Architecture in N.C. Courthouses
    MONUMENTS TO DEMOCRACY Architecture Styles in North Carolina Courthouses By Ava Barlow The judicial system, as one of three branches of government, is one of the main foundations of democracy. North Carolina’s earliest courthouses, none of which survived, were simple, small, frame or log structures. Ancillary buildings, such as a jail, clerk’s offi ce, and sheriff’s offi ce were built around them. As our nation developed, however, leaders gave careful consideration to the structures that would house important institutions – how they were to be designed and built, what symbols were to be used, and what building materials were to be used. Over time, fashion and design trends have changed, but ideals have remained. To refl ect those ideals, certain styles, symbols, and motifs have appeared and reappeared in the architecture of our government buildings, especially courthouses. This article attempts to explain the history behind the making of these landmarks in communities around the state. Georgian Federal Greek Revival Victorian Neo-Classical Pre – Independence 1780s – 1820 1820s – 1860s 1870s – 1905 Revival 1880s – 1930 Colonial Revival Art Deco Modernist Eco-Sustainable 1930 - 1950 1920 – 1950 1950s – 2000 2000 – present he development of architectural styles in North Carolina leaders and merchants would seek to have their towns chosen as a courthouses and our nation’s public buildings in general county seat to increase the prosperity, commerce, and recognition, and Trefl ects the development of our culture and history. The trends would sometimes donate money or land to build the courthouse. in architecture refl ect trends in art and the statements those trends make about us as a people.
    [Show full text]
  • Historic Art-Deco in the Heart of the Dtphx Music Scene
    HISTORIC ART-DECO IN THE HEART OF THE DTPHX MUSIC SCENE 747 W VAN BUREN ST, PHOENIX, AZ 85007 HISTORIC ART DECO BUILDING FOR SALE ABOUT THE PROPERTY 747 W. Van Buren is a 2,821 SF historic Art Deco/Art Moderne building superbly located adjacent to some of Phoenix’s most exciting music, entertainment and nightlife. Many of these venues, such as Crescent Ballroom, The Van Buren and The Valley Bar are located in historic adaptive-reuse projects, bringing a distinctive new personality to the area. 747 W. Van Buren brings a unique opportunity to add to the growing Downtown entertainment scene, with this rare sale. Located just West of the Southwest corner of Van Buren and 7th Avenue, the location is within walking distance of both the Grand Avenue Arts District and the Roosevelt Row Arts District, as well as the Downtown ASU Campus. These areas continue to grow, and with many new multifamily projects having just been completed or currently under construction, the area is dense with young urban professionals and recent graduates. As Downtown Phoenix continues to become a more walkable urban core filled with activity, restaurants, nightlife and tourism, this location is a rare opportunity to develop something extraordinary and make a permanent mark on the future of our city. INTERSECTION OF VAN BUREN AND CENTRAL AVENUE ART DECO DESIGN IN PHOENIX (1925-1940s) Art Deco is a style of visual arts, architecture and design that first appeared in France just before World War I. Some examples of Art Deco Architecture in Phoenix include The Luhrs Tower, The City-County Building, The Orpheum Theatre and The Arizona Biltmore Hotel.
    [Show full text]
  • “International Style” and Its Interpretation at the Beginning Of
    DOI: 10.4467/25438700SM.18.048.9213 VIKTOR PROSKURYAKOV*, YULIYA BOHDANOVA**, RUSLAN YURIYCHUK*** use the terminology of the countries of which these lands Basic material statement were part of during the times of researched objects con - At the beginning of the 21st century interest struction. in studying art and architecture of the 20th In connection to this, recently in order to characterize archi- century has increased. Unfortunately, cultural “International style” and its tecture of the first third of the 20th century, on the territory of achievement of the period which has begun Ukraine the term “modernism” is widely used, which in its after World War II has not gained overall rec- meaning is close to understanding of “international style” ognition yet, it can be at least claimed about interpretation at the beginning of by Le Corbusier. Ukrainian wikipedia, as the most accessible the territories of Ukraine. Nevertheless, the source, provides the following explanation of these terms first third of the 20th century is currently in fo- “architecture of modernism generalizes a few tendencies in cus of numerous world researchers. Address- the XXI century itself, styles in architecture which appeared in the 20 th cen- ing what questions can most frequently be tury and tried to bring the features of dashing technological found in scientific published works dedicated advance into architecture. Modernism was one of prevail- to this historical period? Abstract ing styles of the 20th century architecture and still adheres The article is dedicated
    [Show full text]
  • Art Deco Inventory
    ART DECO INVENTORY INFORMATION & PHOTOGRAPHS ART DECO INVENTORY CONTENTS PAGE i Notes ii - v Maps of Napier vi - x Numerical List of Buildings xi - xv Alphabetical List of Buildings PUBLICATION DETAILS First edition published 1991 Compiled by Amanda Bilman and Tom Gill for the ART DECO TRUST in association with the NAPIER CITY COUNCIL Revised 1995 & 1997 by Kirsten Ratcliffe (Napier City Council) Second Edition published 2004 Compiled by Napier City Council with the assistance of The Art Deco Trust NOTES Name of Building This is either the current name on the building’s facade, the name of its current owner or the name of the original owner Architect: The Architect responsible for the post-quake appearance of the building, unless specified otherwise Builder: The Builder responsible for the post-quake appearance of the building, unless specified otherwise Cost: Generally the contract price taken for the building permit application Historic Places Trust Classification: The classification assigned to the building under the Historic Places Act 1993 The categories are: Category 1: Places of outstanding historical, special or cultural heritage, significance or value Category 2: Places of historical or cultural heritage, significance or value Plans in existence: All building ‘X’ files are held at Napier City Council offices. The Natusch Partnership and Dead Storage D/S files are held at Judd Fenwick Team Architecture Ltd, 1 Craven Street, (please note that there is a search and copy charge to view these plans). The Louis Hay Dead Storage files are held at the Hawkes Bay Museum. In addition to the photograph references given in this inventory, there are many photos held by the Art Deco Trust, The Alexander Turnbull Library (Wellington) and the Berry Library (Hawkes Bay Museum).
    [Show full text]
  • Art Deco at Fair Park
    Art Deco at Fair Park Fair Park is home to one of the greatest concentrations of early 20th century Art Deco exposition buildings in the world. For the Texas Centennial Exposition and World's Fair of 1936, a total of fifty structures were erected. Twenty -one of those survive today, including the centerpiece of the entire project, the Hall of State. Enjoy learning the history of Art Deco, touring the art and architecture of Fair Park, and discovering some of the episodes from history that inspired the vision of Hall of State architect Donald Barthelme. Teacher’s Materials Teacher’s The Origins of Art Deco The term Art Deco comes from the 1925 Paris Ex- hibition Internationale des Arts Décoratifs et Industriels Modernes (which translates to the “International Exhibi- tion of Decorative and Industrial Arts”). The exposition was dedicated to the display of modern decorative arts, exhibiting the work of thousands of designers from all over Europe. Several countries sponsored pavilions, deco- rative temporary buildings that housed exhibits showcas- ing the splendors of their national culture. The exposition attracted over 16 million visitors, marking the high point of the first phase of Art Deco. The Primavera Pavilion, inspired by African thatched huts. The host city played a very large role in the exhibition. Following the devastation wrought by the Great War, Europe entered a rebuilding era, and France was determined to lead the way. Parisi- ans had traditionally been trendsetters in fashion and the arts, and once again they sought to be the world leaders in style. The exhibition helped to es- tablish the preeminence of French taste and luxury goods.
    [Show full text]
  • Art Deco : a Mode of Mobility
    Épine 0,5788 po. – 320 p. – 140 M Prix 9 PHYLLIS-LAMBERT atrimoine urbain atrimoine urbain Prize 2011 his book argues that mobility is the central theme of the interwar mode of design known today as Art Deco. It is present on the very surfaces of Art Deco objects and architecture – in iconography and general formal qualities (whether the zigzag rectilinear forms WINDOVER MICHAEL popular in the 1920s or curvilinear streamlining of the 1930s). By focussing on mobility as a means of tying the seemingly disparate quali- ties of Art Deco together, Michael Windover shows how the surface-level expressions correspond as well with underpinning systems of mobility, including those associated with migration, transportation, commodity exchange, capital, and communication. Journeying across the globe – from a skyscraper in Vancouv er, B.C., to a department store in Los Angeles, and from super-cinemas in Bombay (Mumbai) to radio cabinets in Canadian living rooms – this richly illustrated book examines the reach of Art Deco as it affected public cultures. Windover’s innovative perspective exposes some of the socio- political consequences of this “mode of mobility” and offers some reasons as to how and why Art Deco was incorporated into everyday lifestyles around the world. MICHAEL WINDOVER, Ph.D., is an Assistant Professor in the School for Studies in Art & Culture at Carleton University in Ottawa where he teaches in the History and Theory of Architecture Program. His research interests focus on modern visual and material culture, especially designed Michael environments in the twentieth century. Windover Foreword by A MODE OF MOBILITY . Rhodri Windsor Liscombe ART DECO ART ISBN 978-2-7605-3512-1 Presses ,!7IC7G0-fdfbcb! de l’Université PUQ.CA du Québec 3512-Couvert.indd All Pages 12-08-21 10:55 atrimoine urbain Series edited by Lucie K.
    [Show full text]
  • Cubism Futurism Art Deco
    20TH Century Art Early 20th Century styles based on SHAPE and FORM: Cubism Futurism Art Deco to show the ‘concept’ of an object rather than creating a detail of the real thing to show different views of an object at once, emphasizing time, space & the Machine age to simplify objects to their most basic, primitive terms 20TH CENTURY ART & ARCHITECTURE Cubism & Picasso Pablo Picasso 1881-1973 Considered most influential artist of 20th Century Blue Period Rose Period Analytical Cubism Synthetic Cubism 20TH CENTURY ART & ARCHITECTURE Cubism & Picasso Early works by a young Picasso Girl Wearing Large Hat, 1901. Lola, the artist’s sister, 1901. 20TH CENTURY ART & ARCHITECTURE Cubism & Picasso Picasso’s Blue Period Blue Period (1901-1904) Moves to Paris in his late teens Coping with suicide of friend Paintings were lonely, depressing Major color was BLUE! 20TH CENTURY ART & ARCHITECTURE Cubism & Picasso Picasso’s Blue Period Pablo Picasso, Blue Nude, 1902. BLUE PERIOD 20TH CENTURY ART & ARCHITECTURE Cubism & Picasso Picasso’s Blue Period Pablo Picasso, Self Portrait, 1901. BLUE PERIOD 20TH CENTURY ART & ARCHITECTURE Cubism & Picasso Picasso’s Blue Period Pablo Picasso, Tragedy, 1903. BLUE PERIOD 20TH CENTURY ART & ARCHITECTURE Cubism & Picasso Picasso’s Blue Period Pablo Picasso, Le Gourmet, 1901. BLUE PERIOD 20TH CENTURY ART & ARCHITECTURE Cubism & Picasso Picasso’s work at the National Gallery (DC) 20TH CENTURY ART & ARCHITECTURE Cubism & Picasso Picasso’s Rose Period Rose Period (1904-1906) Much happier art than before Circus people as subjects Reds and warmer colors Pablo Picasso, Harlequin Family, 1905. ROSE PERIOD 20TH CENTURY ART & ARCHITECTURE Cubism & Picasso Picasso’s Rose Period Pablo Picasso, La Familia de Saltimbanques, 1905.
    [Show full text]
  • ART DECO and BRAZILIAN MODERNISM a Dissertation
    SLEEK WORDS: ART DECO AND BRAZILIAN MODERNISM A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirement for the degree of Doctor in Philosophy in Spanish By Patricia A. Soler, M.S. Washington, DC January 23, 2014 Copyright by Patricia A. Soler All rights reserved ii SLEEK WORDS: ART DECO AND BRAZILIAN MODERNISM Patricia A. Soler, M.S. Thesis advisor: Gwen Kirkpatrick, Ph.D. ABSTRACT I explore Art Deco in the Brazilian Modernist movement during the 1920s. Art Deco is a decorative arts style that rose to global prominence during this decade and its proponents adopted and adapted the style in order to nationalize it; in the case of Brazil, the style became nationalized primarily by means of the application of indigenous motifs. The Brazilian Modernists created their own manifestations of the style, particularly in illustration and graphic design. I make this analysis by utilizing primary source materials to demonstrate the style’s prominence in Brazilian Modernism and by exploring the handcrafted and mechanical techniques used to produce the movement’s printed texts. I explore the origins of the Art Deco style and the decorative arts field and determine the sources for the style, specifically avant-garde, primitivist, and erotic sources, to demonstrate the style’s elasticity. Its elasticity allowed it to be nationalized on a global scale during the 1920s; by the 1930s, however, many fascist-leaning forces co- opted the style for their own projects. I examine the architectural field in the Brazil during the 1920s.
    [Show full text]
  • Educator Guide a Landmark Repurposed
    A Landmark Repurposed: From Post Office to Art Museum Educator Guide Contents 01 Tennessee State Standards and Frist Resources 02 A Landmark Repurposed: From Post Office to Art Museum 03 Nashville Architecture 04 Marr & Holman, Architects 05 Nashville during the Depression 06 Building a Way Out 07 Stripped Classicism 08 Art Deco Cover: John Schweikert 09 Icons of an Era 10 The New Post Office Organized by the Frist Art Museum 11 Recycling the Nashville Post Office Presenting Sponsor 12 Art Changes Lives: Celebrating Twenty Years of the Frist Art Museum The Frist Art Museum is supported in part by 13 Pre-Visit Activities Enjoy Art Is All Around You Videos and Activities The Frist Art Museum gratefully acknowledges the generosity of our Test Your Vocabulary O'Keeffe Circle members in funding this exhibition: Match the Icons Judy and Joe Barker Patricia Frist Elcan and Charles A. Elcan Jennifer and Billy Frist 16 Post-Visit Activity: Survey, Repurpose, Julie and Tommy Frist Patricia C. Frist* and Thomas F. Frist, Jr., MD and Design a Building Lynn and Ken Melkus R. Milton and Denice Johnson Sid and Linda Pilson 18 Glossary Delphine and Ken Roberts Anne and Joe Russell Mr. and Mrs James C. Seabury III 19 Answer Keys Olivia L. Tyson This list is current as of January 13, 2021. *Deceased We also thank the members of the Art Deco Society, whose support helps with the upkeep and maintenance of our historic 919 Broadway building. FristArtMuseum.org Tennessee State Standards Fine Arts Standards Critical Thinking in Context By analyzing, interpreting, and evaluating artworks, These standards are designed to equip students students fulfill the Respond domain of Tennessee’s with specific skills and strategies needed for work- Fine Arts Standards.
    [Show full text]
  • A Study on the Development of Products Appearance Designs of “ART DECO” Style
    Asian Social Science; Vol. 12, No. 2; 2016 ISSN 1911-2017 E-ISSN 1911-2025 Published by Canadian Center of Science and Education A Study on the Development of Products Appearance Designs of “ART DECO” Style 1 Yan Chang 1 Art Institute, Xi’an University of Science and Technology, Shaanxi Province, China Correspondence: Yan Chang, Room 2111, Building No.2, Beautiful Yard (Mei Li De Yuan Zi), No. 92 Ding Bai Road, Yan Ta District, Xi'an 710065, Shaanxi Province, China. Tel: 86-29-13572440533. E-mail: [email protected] Received: November 17, 2015 Accepted: December 4, 2015 Online Published: January 12, 2016 doi:10.5539/ass.v12n2p46 URL: http://dx.doi.org/10.5539/ass.v12n2p46 Abstract Objective: The analysis on the development of the products appearance designs of the “ART DECO” style provides reference and theoretical basis for the design of modern products. The research on the world products appearance designs of certain phase help correct people’s cognition of the concept. Method: From the early twentieth Century to the 40s of twentieth Century, nearly half a century, the style of product designs aimed at the content. Different stages, different factions, different designers and design works classification research have been conducted. Conclusion: By studying the development of the products appearance designs with the “ART DECO” style, two basic developmental orientations can be concluded: characteristics of a product is a revival direction for traditional decoration; it is also a regressive direction for abstract decoration. Keywords: ART DECO, product, appearance design, development 1. Introduction “ART DECO” is the abbreviation of “Art Decoration”, which refers to the style of decoration arts.
    [Show full text]
  • Diapositive 1
    Art Deco, a never-ending question! When I am asked, “What is Art Deco?” I often like to answer, – Light: Even more than concrete, electric light is the modern « That’s a never-ending question! » thereby opening the “building block” of Art Deco. It sculpts space and is diffused and discussion rather than closing it. In this essay I will try to be indirect. Its source is never seen, but it creates the mood more specific as I share my definition of Art Deco. I’m an conveyed by a space. architect, so I’ll use architecture as my primary point of departure. – Exoticism: Defined as the art of using décor to provide the sensation of being in the here now and at the meantime far What makes Art Deco a style in its own right is the phases it away. Exoticism is the art of illusion and embellishment. The passed through during its evolution, like the Greco-Roman, the exotic décor is stylized enough to leave room for one’s fantasies. Romanesque-Gothic, or the Classical-Baroque. Art Deco burst Every house is a monument of sorts, and every building is, to forth in the 1910s; staked its claim in the 1920s; reached its some extent, a steamer bound for a distant land. peak in the 1930s; and finally became more baroque by the 1940s. This evolution took half a millennium for other styles, but – Uchronia: Art Deco often creates an alternative reality, a for Art Deco, it required less than half a century. reinterpretation of antiquity, a Hollywood-like ambiance, or a bright future.
    [Show full text]
  • Analysis of the Art Deco Style of Architecture in Tulsa, Oklahoma
    ANALYSIS OF THE ART DECO STYLE OF ARCHITECTURE IN TULSA, OKLAHOMA By JEANNE DIEHL STEINMAN \ Bachelor of Science in Home Economics Oklahoma State University Stillwater, Oklahoma 1982 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of >~!\STER OF SCIE:,CE December, 1984 ANALYSIS OF THE ART DECO STYLE OF ARCHITECTURE IN TULSA, OKLAHOMA Thesis Approved: ,, , ,. ,/ ;.fhesis Ad;f~er ,. ! ·-. .· ·- ~ ..... .' / '•.. : .. ·'1 -/j ;;?_ .. ~- : J ' / •. ",/) • V,~'/ / .-',,•- ·· /,, '-C. ., ,, __ Dean of the Graduate College ii ACKNOWLEDGEMENTS There are many people to whom I wish to give credit for contributing guidance and valuable information, which was used in the preparation of this thesis. Of these many people, I thank the librarians, family, friends, The Tulsa Junior League, and the authors of all past litera­ ture. I would like to give special credit to Dr. Betsy Gabb, whose instruction, guidance, and everlasting optimism led to the completion of this thesis. I also thank Kenneth P. Larson and Dr. Margaret Weber for their assistance as committee members. I extend sincere appreciation to all my family and friends, especially my mother and father, Russell and Lois Diehl, who have been supportive of all my endeavors. Finally, I wish to extend special gratitude to my husband, Kevin P. Steinman, who read revisions, and edited many pages of my work, and also for taking the photographs of the Tulsa buildings analysed. I also want to thank my brother, Bob Diehl, for developing the photographs used in the thesis. iii TABLE OF CONTENTS Chapter Page I.
    [Show full text]