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Old Cyrillic in Unicode*
Old Cyrillic in Unicode* Ivan A Derzhanski Institute for Mathematics and Computer Science, Bulgarian Academy of Sciences [email protected] The current version of the Unicode Standard acknowledges the existence of a pre- modern version of the Cyrillic script, but its support thereof is limited to assigning code points to several obsolete letters. Meanwhile mediæval Cyrillic manuscripts and some early printed books feature a plethora of letter shapes, ligatures, diacritic and punctuation marks that want proper representation. (In addition, contemporary editions of mediæval texts employ a variety of annotation signs.) As generally with scripts that predate printing, an obvious problem is the abundance of functional, chronological, regional and decorative variant shapes, the precise details of whose distribution are often unknown. The present contents of the block will need to be interpreted with Old Cyrillic in mind, and decisions to be made as to which remaining characters should be implemented via Unicode’s mechanism of variation selection, as ligatures in the typeface, or as code points in the Private space or the standard Cyrillic block. I discuss the initial stage of this work. The Unicode Standard (Unicode 4.0.1) makes a controversial statement: The historical form of the Cyrillic alphabet is treated as a font style variation of modern Cyrillic because the historical forms are relatively close to the modern appearance, and because some of them are still in modern use in languages other than Russian (for example, U+0406 “I” CYRILLIC CAPITAL LETTER I is used in modern Ukrainian and Byelorussian). Some of the letters in this range were used in modern typefaces in Russian and Bulgarian. -
Phonetic Characters, Fonts, and Editors Data and Other Documents Here
Phonetic characters, fonts, and editors Data and other documents here are composed using Times New Roman version 5.01, which includes the major unicode phonetic symbols. If you have problems displaying those characters (some appear as boxes), that probably means that you do not have a current version of TNR. A current version of TNR should be part of your operating system at least since Windows Vista, but an upgrade can be purchased. There are free unicode fonts with phonetic characters which can substitute for this version of TNR. The procedure is to download and install the font, then within your editor (such as Word), select the whole document and change the font to whichever font you just installed. The best choices are (in descending order of design preference): Titus Cyberbit Basic (http://titus.fkidg1.uni-frankfurt.de/unicode/tituut.asp) Doulos SIL (http://scripts.sil.org/cms/scripts/page.php?item_id=DoulosSIL_download#FontsDownload) Charis SIL (http://scripts.sil.org/cms/scripts/page.php?item_id=CharisSIL_download#FontsDownload) Gentium (http://scripts.sil.org/cms/scripts/page.php?item_id=Gentium_basic) Cardo (http://scholarsfonts.net/cardofnt.html) Sporadic problems have been reported using Open Office, in cases where text is cut and pasted from another document and the text contains overstrike diacritics (e.g. [æ ̃]), that some of the text is “double-printed”. This apparently can be overcome by pasting into a new (OO) document, saving, closing, re-opening, and then copying to the intended document. You will have to experiment; if it happens, at least you’ll know that you’re not alone.. -
The Fontspec Package Font Selection for XƎLATEX and Lualatex
The fontspec package Font selection for XƎLATEX and LuaLATEX Will Robertson and Khaled Hosny [email protected] 2013/05/12 v2.3b Contents 7.5 Different features for dif- ferent font sizes . 14 1 History 3 8 Font independent options 15 2 Introduction 3 8.1 Colour . 15 2.1 About this manual . 3 8.2 Scale . 16 2.2 Acknowledgements . 3 8.3 Interword space . 17 8.4 Post-punctuation space . 17 3 Package loading and options 4 8.5 The hyphenation character 18 3.1 Maths fonts adjustments . 4 8.6 Optical font sizes . 18 3.2 Configuration . 5 3.3 Warnings .......... 5 II OpenType 19 I General font selection 5 9 Introduction 19 9.1 How to select font features 19 4 Font selection 5 4.1 By font name . 5 10 Complete listing of OpenType 4.2 By file name . 6 font features 20 10.1 Ligatures . 20 5 Default font families 7 10.2 Letters . 20 6 New commands to select font 10.3 Numbers . 21 families 7 10.4 Contextuals . 22 6.1 More control over font 10.5 Vertical Position . 22 shape selection . 8 10.6 Fractions . 24 6.2 Math(s) fonts . 10 10.7 Stylistic Set variations . 25 6.3 Miscellaneous font select- 10.8 Character Variants . 25 ing details . 11 10.9 Alternates . 25 10.10 Style . 27 7 Selecting font features 11 10.11 Diacritics . 29 7.1 Default settings . 11 10.12 Kerning . 29 7.2 Changing the currently se- 10.13 Font transformations . 30 lected features . -
Applications and Innovations in Typeface Design for North American Indigenous Languages Julia Schillo, Mark Turin
Applications and innovations in typeface design for North American Indigenous languages Julia Schillo, Mark Turin To cite this version: Julia Schillo, Mark Turin. Applications and innovations in typeface design for North American Indige- nous languages. Book 2.0, Intellect Ltd, 2020, 10 (1), pp.71-98. 10.1386/btwo_00021_1. halshs- 03083476 HAL Id: halshs-03083476 https://halshs.archives-ouvertes.fr/halshs-03083476 Submitted on 22 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. BTWO 10 (1) pp. 71–98 Intellect Limited 2020 Book 2.0 Volume 10 Number 1 btwo © 2020 Intellect Ltd Article. English language. https://doi.org/10.1386/btwo_00021_1 Received 15 September 2019; Accepted 7 February 2020 Book 2.0 Intellect https://doi.org/10.1386/btwo_00021_1 10 JULIA SCHILLO AND MARK TURIN University of British Columbia 1 71 Applications and 98 innovations in typeface © 2020 Intellect Ltd design for North American 2020 Indigenous languages ARTICLES ABSTRACT KEYWORDS In this contribution, we draw attention to prevailing issues that many speakers orthography of Indigenous North American languages face when typing their languages, and typeface design identify examples of typefaces that have been developed and harnessed by histor- Indigenous ically marginalized language communities. -
African Fonts and Open Source
African fonts and Open Source Denis Moyogo Jacquerye September 17th 2008 ATypI ‘o8 Conference St. Petersburg, Russia, September 2008 1 African fonts and Open Source Denis Moyogo Jacquerye African fonts and Open Source This talk is about: ● African Orthographies (relevance, groups, requirements) ● Technologies for them (Unicode, OpenType) ● Implementation ● Raise awareness and interest ● Case for Open Source ATypI ‘o8 Conference St. Petersburg, Russia, September 2008 2 African fonts and Open Source Denis Moyogo Jacquerye Speaker Denis Moyogo Jacquerye ● Computer Scientist and Linguist ● Africanization consultant ● DejaVu Fonts co-leader ● African Network for Localization (ANLoc) ATypI ‘o8 Conference St. Petersburg, Russia, September 2008 3 African fonts and Open Source Denis Moyogo Jacquerye ANLoc African fonts work part of ANLoc project ● Facilitate localization ● Empowering through ICT ● Network of experts ● Sub-projects: Locales, Keyboards, Fonts, Spell checkers, Terminology, Training, Localization software, Policy. ATypI ‘o8 Conference St. Petersburg, Russia, September 2008 4 African fonts and Open Source Denis Moyogo Jacquerye African languages ● Lots of African languages (over 2000) ● 25 spoken by about half ● 80% don't have orthographies ● 20% do! ● Can emulate! ATypI ‘o8 Conference St. Petersburg, Russia, September 2008 5 African fonts and Open Source Denis Moyogo Jacquerye African languages ● Used every day by most ● Education is mostly in European language ● Used in spoken media ● Interest is rising ATypI ‘o8 Conference St. Petersburg, -
Proste Unikodne Vektorske Pisave
Proste unikodne vektorske pisave Primozˇ Peterlin Univerza v Ljubljani, Medicinska fakulteta, Institutˇ za biofiziko Lipiceˇ va 2, 1000 Ljubljana primoz.peterlin@biofiz.mf.uni-lj.si Povzetek Predstavljen je projekt prostih unikodnih vektorskih pisav. Uvodoma predstavimo stanje s pisavami v prostih programskih okoljih in motive za izdelavo prostih pisav. Osrednji del prispevka je namenjen opisu zasnove tipografije, ki vkljucujeˇ pismenke iz razlicnihˇ pisav. Sledi opis razlogov, zakaj je OpenType najboljsaˇ trenutno dostopna tehnologija. Zakljucimoˇ s pregledom stanja projekta in nacrtiˇ za delo v prihodnje. 1. Uvod se porajajo tako v akademskih jezikoslovnih krogih kot tudi “na terenu”, torej v okoljih, kjer ziˇ vijo govorci jezikov, ki Prosti operacijski sistemi, kot so GNU/Linux ter sistemi te pismenke uporabljajo. FreeBSD, OpenBSD in NetBSD, izhajajociˇ iz BSD Unixa, so od sistema Unix podedovali stihijsko obravnavanje pi- 1.1. Znaki in pismenke sav. Tako graficniˇ sistem X Window System uporablja svojo Standard ISO10646/Unicode (Unicode Consortium, obliko zapisa pisav, terminalski nacinˇ svojo, stavni program 2000) izrecno locujeˇ med “znaki” (angl. character) in “pi- T X pa spet svoje. Krajevna prilagoditev (lokalizacija) ta- E smenkami” (angl. glyph): “Characters reside only in the kih sistemov je zato po nepotrebnem bolj zapletena, kot bi machine, as strings in memory or on disk, in the backing bilo nujno potrebno, saj je treba poskrbeti za vsakega od store. The Unicode standard deals only with character locenihˇ podsistemov posebej. codes. In contrast to characters, glyphs appear on the Boljsaˇ resiteˇ v je uporaba enotne oblike zapisa pisave, screen or paper as particular representation of one or more ki ga uporabljajo vsi programi za prikaz pismenk na za- backing store characters. -
Language Technology SIL Cameroon Cameroon Keyboard
Language Technology SIL Cameroon Language Technology Basics Site SIL Cameroon Language Technology Dept. LangTechCameroon.info • Matthew Lee • Language Technology Consultant Cameroon Keyboard • Louis Pascal Ngono and John Roettele a • Language Technology Specialists Android goo.gl/Lfb9UP Language Technology SIL Cameroon Cette presentation... Site LangTechCameroon.info Cameroon Keyboard a Android goo.gl/Lfb9UP Language Technology SIL Cameroon Technologie Linguistique? Site LangTechCameroon.info Cameroon Keyboard a Android goo.gl/Lfb9UP Language Technology SIL Cameroon Site LangTechCameroon.info Cameroon Keyboard a Android goo.gl/Lfb9UP Language Technology 01 – WWW.LANGTECHCAMEROON.INFO SIL Cameroon • Nouvelles / News • Applis / Apps • Clavier Camerounais / Cameroon Keyboard • Ressources / Resources Site 02 – CAMEROON KEYBOARD/CLAVIER CAMEROUNAIS LangTechCameroon.info • Windows • Linux • Android! 03 – POLICES/FONTS Cameroon • Charis SIL Keyboard • Andika a • Doulos SIL 04 – ALPHABET GÉNÉRAL/GENERAL ALPHABET • L’alphabet / The Alphabet Android • Le Livre/ The Book goo.gl/Lfb9UP • Perspectives avenir / Into the Future Language Technology SIL Cameroon Le site / The site: Site LangTechCameroon.info LangTechCameroon.info Cameroon Keyboard Android goo.gl/Lfb9UP Language Technology SIL Cameroon News Site LangTechCameroon.info Cameroon Keyboard Android goo.gl/Lfb9UP Language Technology SIL Cameroon Apps Site LangTechCameroon.info Cameroon Keyboard Android goo.gl/Lfb9UP Language Technology SIL Cameroon Plus de ressources Site Listes des logiciels -
Fontspec.Pdf
The fontspec package Font selection for X LE ATEX and LuaLATEX Will Robertson and Khaled Hosny [email protected] 2015/09/24 v2.4e Contents 6.4 Priority of feature selection 15 6.5 Different features for dif- 1 History3 ferent font shapes . 16 6.6 Different features for dif- 2 Introduction3 ferent font sizes . 17 2.1 About this manual.... 3 2.2 Acknowledgements.... 3 7 Font independent options 18 7.1 Colour ........... 18 3 Package loading and options4 7.2 Scale............. 19 3.1 Maths fonts adjustments. 4 7.3 Interword space . 19 3.2 Configuration....... 5 7.4 Post-punctuation space . 20 3.3 Warnings.......... 5 7.5 The hyphenation character 20 7.6 Optical font sizes . 20 I General font selection5 II OpenType 22 4 Font selection6 4.1 By font name........ 6 8 Introduction 22 4.2 By file name........ 6 8.1 How to select font features 22 5 New commands to select font 9 Complete listing of OpenType families7 font features 23 5.1 More control over font 9.1 Ligatures.......... 23 shape selection....... 8 9.2 Letters ........... 23 5.2 Specifically choosing the 9.3 Numbers.......... 24 NFSS family . 10 9.4 Contextuals . 25 5.3 Choosing additional NFSS 9.5 Vertical Position . 25 font faces.......... 10 9.6 Fractions.......... 26 5.4 Math(s) fonts . 11 9.7 Stylistic Set variations . 27 5.5 Miscellaneous font select- 9.8 Character Variants . 27 ing details ......... 12 9.9 Alternates ......... 28 9.10 Style............. 29 6 Selecting font features 13 9.11 Diacritics......... -
Typesetting Phonology Papers
April 16, 2015 Michael Becker, [email protected] Typesetting phonology papers 1 Choosing your font Most modern fonts conform to Unicode specifications, which means that they can be used for a very wide variety of alphabets, including IPA. Most fonts, however, only cover some of Unicode, so it’s important to choose a font that has good IPA coverage. Here are some fonts with fairly good IPA coverage (look out for quirks and missing characters in some of them, though). ey are all free, and work on OS X, Windows, and Linux. ere is rarely any reason to use more than one font in any given paper, so just choose one font and go with it. Bold Italics Bold italics S C Linux Libertine yes yes yes yes Junicode yes yes yes yes Times New Roman yes yes yes yes¹ DejaVu Serif yes yes yes no Cardo yes yes no yes Charis SIL yes yes yes yes Doulos SIL no no no yes Gentium no yes no no Bold and italics are good for the usual reasons. Small Caps are needed for the names of constraints in constraint-based theories. Note that Microso Word will fake missing features from fonts that lack them; the result is usually less than aesthetically pleasing. ¹Times New Roman doesn’t actually have small caps, but if you are using XƎLATEX, there is a trick. First, download TeX Gyre Termes, which looks a lot like Times New Roman, and has small caps, but doesn’t have good IPA support. en pair the two fonts: \setromanfont[SmallCapsFont={TeX Gyre Termes},SmallCapsFeatures={Leers=SmallCaps}]{Times New Roman}. -
IPA Font Samples E-Ching Ng · Ling 110B · 12 Jan 2011
IPA font samples E-Ching Ng · Ling 110b · 12 Jan 2011 Serif fonts (12 point) Doulos SIL looks like Times New Roman. No predesigned boldboldbold or italics , but Word can generate imitations. Widely used (on my website too). Recommended for compatibility. ˈwaj ˈʃʊdṇt ə kʰw̥ɪkˈsɑːɾɪk̚ kʰəˈzɑːk ˈvæ̃m pajɹ ̩ ˈʤɑːɡ̚ ˈbeɹˌfʊt̚ why shouldn’t a quixotic Kazakh vampire jog barefoot ‘Why shouldn’t a quixotic Kazakh vampire jog barefoot?’ falʃəs yːbṇ fɔn ksylofoːnmuziːk kvɛlt je ːdṇ ɡrøːsərṇ ʦvɛrk Falsches Üben von Xylophonmusik quält jeden größeren Zwerg wrong practising of xylophonemusic bothers every larger dwarf ‘Wrong practising of xylophone music bothers every larger dwarf.’ Charis SIL is complete and professional. Harmonises quite well with the Yale font if you reduce font size by one point. Recommended for presentation purposes. ˈwaj ˈʃʊdṇt ə kʰw̥ɪkˈsɑːɾɪk̚ kʰəˈzɑːk ˈvæ̃m pajɹ ̩ ˈʤɑːɡ̚ ˈbeɹˌfʊt̚ why shouldn’t a quixotic Kazakh vampire jog barefoot ‘Why shouldn’t a quixotic Kazakh vampire jog barefoot?’ falʃəs yːbṇ fɔn ksylofoːnmuziːk kvɛlt je ːdṇ ɡrøːsərṇ ʦvɛrk Falsches Üben von Xylophonmusik quält jeden größeren Zwerg wrong practising of xylophonemusic bothers every larger dwarf ‘Wrong practising of xylophone music bothers every larger dwarf.’ Gentium Plus is compact and pretty. No predesigned boldboldbold,bold but Word can generate imitations. It’s a bit too pretty for me to concentrate on the text, though. ˈwaj ˈʃʊdṇt ə kʰw̥ɪkˈsɑːɾɪk̚ kʰəˈzɑːk ˈvæ̃m pajɹ ̩ ˈʤɑːɡ̚ ˈbeɹˌfʊt̚ why shouldn’t a quixotic Kazakh vampire jog barefoot ‘Why shouldn’t a quixotic Kazakh vampire jog barefoot?’ falʃəs yːbṇ fɔn ksylofoːnmuziːk kvɛlt je ːdṇ ɡrøːsərṇ ʦvɛrk Falsches Üben von Xylophonmusik quält jeden größeren Zwerg wrong practising of xylophonemusic bothers every larger dwarf ‘Wrong practising of xylophone music bothers every larger dwarf.’ 2 Linux Libertine is a very large font that tries to cover all the Unicode ranges. -
Complete Issue 25:0 As One
TEX Users Group PREPRINTS for the 2004 Annual Meeting TEX Users Group Board of Directors These preprints for the 2004 annual meeting are Donald Knuth, Grand Wizard of TEX-arcana † ∗ published by the TEX Users Group. Karl Berry, President Kaja Christiansen∗, Vice President Periodical-class postage paid at Portland, OR, and ∗ Sam Rhoads , Treasurer additional mailing offices. Postmaster: Send address ∗ Susan DeMeritt , Secretary changes to T X Users Group, 1466 NW Naito E Barbara Beeton Parkway Suite 3141, Portland, OR 97209-2820, Jim Hefferon U.S.A. Ross Moore Memberships Arthur Ogawa 2004 dues for individual members are as follows: Gerree Pecht Ordinary members: $75. Steve Peter Students/Seniors: $45. Cheryl Ponchin The discounted rate of $45 is also available to Michael Sofka citizens of countries with modest economies, as Philip Taylor detailed on our web site. Raymond Goucher, Founding Executive Director † Membership in the TEX Users Group is for the Hermann Zapf, Wizard of Fonts † calendar year, and includes all issues of TUGboat ∗member of executive committee for the year in which membership begins or is †honorary renewed, as well as software distributions and other benefits. Individual membership is open only to Addresses Electronic Mail named individuals, and carries with it such rights General correspondence, (Internet) and responsibilities as voting in TUG elections. For payments, etc. General correspondence, membership information, visit the TUG web site: TEX Users Group membership, subscriptions: http://www.tug.org. P. O. Box 2311 [email protected] Portland, OR 97208-2311 Institutional Membership U.S.A. Submissions to TUGboat, Institutional Membership is a means of showing Delivery services, letters to the Editor: continuing interest in and support for both TEX parcels, visitors [email protected] and the TEX Users Group. -
Download Phong Vk Sans Serif
Download phong vk sans serif Gilroy font vk. Jul 11, Download and install the Gilroy free font family by Radomir Dec 1, Gilroy is a modern sans serif with a geometric touch. Download, view, test-drive, bookmark free fonts. Features more than + results for font vk-sans serif. Related Rotis® W1G Sans Serif Volume Value Pack. We have free sans-serif fonts to offer for direct downloading · Fonts is your favorite site for free fonts since Intelo font vk. Jun 30, Download the free Clear Sans font by Intel. It could . It is a sans-serif font created in and has been downloaded times. Download the. free trial version below to get started. Fonts Vk Sans Serif Download For Powerpoint. Download Microsoft Sans Serif font free! Giao diện màn hình dùng font TCVN3 là MS Sans Serif. Đầu tiên bạn search xem cái tập tin nằm ở folder nào (nếu chưa có thì có thể download tại. source-sans-pro - Sans serif font family for user interface environments. Clone or download Download the fonts (OTF, TTF, WOFF, WOFF2, EOT). Making the web more beautiful, fast, and open through great typography. Browse the commercial free fonts classified as sans serif. Download OTF. Z Y M m 20db Jovanny Alegreya Sans font family by Juan Pablo del Peral. Download and install the Montserrat free font family by Julieta Ulanovsky as well as Z Y M m; Julieta Ulanovsky · sans serif; 18 Styles. Download and install the Inconsolata free font family by Raph Levien as well as test- drive and see a complete character set.