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Murakami Haruki's Short Fiction and the Japanese Consumer Society By
Murakami Haruki’s Short Fiction and the Japanese Consumer Society By © 2019 Jacob Clements B.A. University of Northern Iowa, 2013 Submitted to the graduate degree program in East Asian Language and Cultures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ___________________________ Chair: Dr. Elaine Gerbert ___________________________ Dr. Margaret Childs ___________________________ Dr. Ayako Mizumura Date Defended: 19 April 2019 The thesis committee for Jacob Clements certifies that this is the approved version of the following thesis: Murakami Haruki’s Short Fiction and the Japanese Consumer Society _________________________ Chair: Dr. Elaine Gerbert Date Approved: 16 May 2019 ii Abstract This thesis seeks to describe the Japanese novelist Murakami Haruki’s continuing critique of Japan’s modern consumer-oriented society in his fiction. The first chapter provides a brief history of Japan’s consumer-oriented society, beginning with the Meiji Restoration and continuing to the 21st Century. A literature review of critical works on Murakami’s fiction, especially those on themes of identity and consumerism, makes up the second chapter. Finally, the third chapter introduces three of Murakami Haruki’s short stories. These short stories, though taken from three different periods of Murakami’s career, can be taken together to show a legacy of critiquing Japan’s consumer-oriented society. iii Acknowledgments I would like to thank my committee, Dr. Maggie Childs and Dr. Ayako Mizumura, for their guidance and support throughout my Master's degree process. In particular, I would like to thank Dr. Elaine Gerbert her guidance throughout my degree and through the creation of this thesis. -
Columbia Music Entertainment, Inc
August 08, 2008 Press Release Columbia Music Entertainment Issues Notice of Consolidated Business Results for First Quarter of Fiscal Year Ending March 2009 Columbia Music Entertainment Inc. (hereinafter CME; Head Office: Minato-ku, Tokyo; Representative Executive Officer & Chairman: Strauss Zelnick, Chief Executive Officer (CEO): Sadahiko Hirose) today gives notice that it has issued its consolidated business results indicating the Company’s overall performance for the first quarter of the fiscal year ending March 31, 2009 (FY 2008 Q1; April 1 ~ June 30, 2008). During the current first quarter under review, the Company’s consolidated sales totaled 4,505 million yen (an increase of 2.2% compared with the same quarter of the previous fiscal year). The main reasons for this result were that although sales of the Company’s in-house produced titles and sales in the Custom Sales Business both declined, sales in the Digital Business grew by 20% year-on-year, and in addition, sales of the Company’s 100%-owned subsidiary Creative Core Inc. were included in the Q1 figures for the first time. With regard to the profit and loss situation, during the first quarter, sales of titles in the Enka/ Kayokyoku, Animation and Educational Departments all reached their planned targets, but due to slippage of major releases of J-Pop/J-Rock titles., overall sales were lower than planned. In addition, in the Custom Sales Business, in the first quarter of the previous fiscal year, mail order sales of large-scale products made a significant contribution to total sales. However, during the current first quarter under review there were no similar large-scale products, and this resulted in a decline in sales in the Custom Sales Business. -
Mayor of Mitaka City Keiko Kiyohara Self-Introduction
EROPA Conference 2013 (Tokyo) Theme: Enhancing the Quality of Government C: Governance (Policy Issues): Public Private Partnership Significance of collaboration among citizens, academics, industry and public sector in resolving regional issues ~ Case study of Mitaka City, Tokyo ~ Mayor of Mitaka City Keiko Kiyohara Self-introduction Participated as a citizen when I was student in my early 20s in compilation of Mitaka City’s first basic plan Engaged in activities of citizens’ council and other council meetings as an academic researcher living in Mitaka City Put forward policy proposals while engaging, as a citizen and a researcher, in policy-research activities at the community- building institute in Mitaka City Participated in drafting of the city’s basic scheme and the basic plan from scratch, undertaken by Mitaka Citizen Conference of Plan for 21st Century, which I co-headed as a representative of citizens, a publicly applied position Elected mayor of Mitaka City in 2003, now serving the third term for a total service of 11 years 1 Mitaka city.Tokyo◇http://www.city.mitaka.tokyo.jp/ Current situation of Mitaka City Foundation: Nov. 3, 1950 Total area: 16.5 km2 Population: 180,223 (male: 88,496 female: 91,727) No. of households: 89,513 Mitaka PR ambassador: Poki 2 Mitaka city.Tokyo◇http://www.city.mitaka.tokyo.jp/ Mitaka known as a city of history, culture, and science City-run animation museum Ghibli Museum, Mitaka Dazai Osamu Literary Salon National Astronomical Observatory of Japan 3 Mitaka city.Tokyo◇http://www.city.mitaka.tokyo.jp/ -
Understanding the Establishment of Femininity in Enka Through Misora Hibari and Fuji Keiko
Situations 8.1 (2015): 23-44 ISSN: 2288-7822 A Tale of Two Stars: Understanding the Establishment of Femininity in Enka through Misora Hibari and Fuji Keiko Tong Koon Fung Benny (Australian National University) Abstract To date, most female portrayals and performances in the Japanese popular music genre of enka have been understood in terms of the homogenous ideal of the subservient, outdated image of “the traditional Japanese woman.” Yet, two of enka’s most important female singers, the “queen of enka” Misora Hibari and “the girl destined to carry enka’s star” Fuji Keiko, possess starkly contrasting images in the public imagi- nation—something that tends to question the adequacy of homogenous understandings of enka’s femininity, based allegedly on Japanese tradition. In this paper, I examine the careers of Hibari and Fuji with a focus on the conditions of musical production and promotion, utilizing biographical accounts and critiques of these two singers. Through this analysis, I argue that dominant representations of female “subservience,” “outdatedness” and of the “Japanese-ness” in enka emerged out of contingent decisions that particular musical producers and singers made within the context of the Japanese music industry in the 1960s and 1970s. The argument offers a more recent historical origin for the stereotypical femininity of enka, highlighting the dialectical relationship between individual-level musical praxis and certain Japanese social discourses in those decades. These complex forces condemned Fuji in her late career to obscurity, while ultimately securing Hibari’s status as a national symbol of perseverance. Keywords: enka, Japanese popular music, Misora Hibari, Fuji Keiko, identity construction and representation, contingency, femininity, nationalism 24 Tong Koon Fung Benny Introduction When Misora Hibari, who had built up a reputation as the “queen of enka”[enka no joō], passed away from pneumonia on June 24, 1989, major newspapers and television outlets interrupted their regular reports and programming schedules to pay lavish tributes. -
S O U N D P L a N
SOUND PLANET E C H A N N E L L I S T 2 012 . 10 … INSTRUMENTAL … Corresponds to the Internet Request A E B F C G D H I J K 01 REQUEST J-POP 01 J-POP Hits Now 01 Seasonal Music( J-Pop Best Selection) 01 Seasonal Music( Easy Listening) Seasonal Music( Nursery Instrumental) 01 J-POP & Popular Hits Now 01 Baby Songs 01 Time Notice 02 REQUEST General Japanese Pops 02 J-ROCK 02 GIRLS ROCK 02 Seasonal Music( Music Box) Seasonal Music( J-POP Instrumental) 02 GIRLS J-POP 02 Play Songs For Children 02 Temporary 1 03 REQUEST Enka / Kayokyoku 03 Enka 03 SOFT ROCK 03 usen for Café Après-midi 03 J-HOUSE 03 All Time Kids Hits 03 Temporary 2 04 REQUEST Enka / Kayokyoku 04 Idol 04 HOUSE NATION 04 HOUSE MUSIC( 125bpm) 04 J-TECHNO POP 04 Early Teen Pops Now 04 Weather Forecast 05 REQUEST J-POP/Popular 05 Japanese Folk Songs 05 salon jazz 05 LOUNGE MUSIC 05 Acoustic J-POP 05 Fairlyland Music 05 06 Kayo☆Hits Parade 06 Senior Rice Pops 06 Colorful Pop Styling 06 Afternoon Tea Music 06 Light Classic 06 Nursery Rhymes 06 Seasonal Music / Exhibition 1 07 Popular☆Hits Parade 07 Monthly Artist Selection J-POP 07 Organic Soul 07 Dance Beat Easy Listening Acoustic 07 Light Jazz 07 Melody of Acorn Forest 07 08 Healing Classic 08 Weekly Artist Selection J-POP 08 Organic SSW ~Slow Life Music~ 08 TRANCE( Instrumental) Easy Listening Casual 08 Bossa Nova BGM 08 MINNANOUTA 08 Nostalgic TV Songs 09 Jazz for Gastronomic Ambience 09 Best of Show-wa era Kayokyoku Group Sounds 09 J-LOUNGE 09 Funky Beat Heartful Strings 09 J-POP Bossa Nova BGM 09 Happy♪Kiddy Songs 09 Seasonal -
Hospitals with Staff Who Speak Foreign Languages File Your Tax
Monthly Published monthly by: Mitaka Municipal Office, Tokyo Edited by: Secretariat and Public Relations Section Mitaka Municipal Office 1-1-1, Nozaki, Mitaka, Tokyo 181-8555 Corporate Number: 8000020132047 Phone: 0422-45-1151 URL: http://www.city.mitaka.lg.jp/ foreign/english/index.html Mitaka City News, providing information on public services, lives and events of Mitaka City, is published on the 1st of every month. February 1, 2020 No. 243 ©2001 スタジオジブリ File Your Tax Return as Early as Possible Inquiries: Musashino Tax Office, Tel: 0422-53-1311 Based on Japanese tax laws, a foreign resident living in Japan for one year or longer may have to file a tax return. Since the service counters become very crowded in March, please file your tax return as early as possible. ◇ Income Tax and Special Income Tax for Reconstruction ◆ Tax Report Completion Site Filing period: February 17 (Mon.) to March 16 (Mon.) Date and time: Weekdays from February 17 through March 16, 8:30 a.m. to 4:00 p.m. Payment due date: March 16 Location: Musashino Tax Office (3-27-1, Kichijoji-honcho, Musashino City) ◇ Gift Tax Application: Simply go to the site during the aforementioned period. Filing period: February 3 (Mon.) to March 16 Notes: Payment due date: March 16 1. On February 24 (Mon., national holiday) and March 1 (Sun.), the site will offer ◇ Consumption Tax and Local Consumption Tax of Private Business advice on completing the return and accept completed ones as well. However, Filing period: Until March 31 (Tue.) the site will not handle phone consultations, receive national tax or issue tax Payment due date: March 31 payment certificates. -
Self-Introduction
Self‐introduction I am… Yurika Matsui University • I am a student of… The University of Tokyo (3rd year) • My major is… Civil engineering Image (left) : http://maskweb.jp/b_todaieng_1_1.html Image (right): http://www.u‐tokyo.ac.jp/history/index_j.html Time table Mon. Tue. Wed. Thu. Fri. Strength of English Case study of Statistics Materials international project Technology Urban planning Transportation Management Environment of transfer and the earth infrastructure Macro‐ Development Geotechnology Seminar Japanese economics and (about India) architecture infrastructure Landscape Basic project Basic project (English) Urbanlogy 2,3,4 2,3,4 Basic project 1Basic project Basic project Spatial 2,3,4 2,3,4 information I am from… • Japan ‐Tokyo ‐Mitaka Mitaka • 三鷹 ‐三(mi)…three ‐鷹(taka)…hawk →place for training of falconry image (upper):http://ja.wikipedia.org/wiki/三鷹市 Image (lower):http://www.metro.tokyo.jp/PROFILE/ map_to.htm In Mitaka… • Inokashira Park Image:(flower):http://www.kensetsu.metro.tokyo.jp/seibuk/inokashira/siki.html image (park):http://www.kensetsu.metro.tokyo.jp/seibuk/inokashira/index.html Image (elephant ):http://www.tokyo‐zoo.net/zoo/ino/about.html GHIBLI MUSEUM, MITAKA image:http://travel.jp.msn.com/domestic_guide/B13010613.html STUDIO GHIBLI • Japanese animation company e.g… *My neighbor Totoro *Princess Mononoke *Spirited away image (totoro):http://d.hatena.ne.jp/drifting_girl/20100802/p1 image (princess mononoke) : http://blogs.yahoo.co.jp/ kira_alicetear/28908521.html image (spirited away): http://www.ghibli.jp/10info/007687.html -
Your Quick Guide to the Inokashira Campus April 2016 – Inokashira Campus Opens
2016 Kyorin University Your Quick Guide to the Inokashira Campus April 2016 – Inokashira Campus Opens Gaze up above the front entrance of the Main Building and you will see, carved into the stone, three concepts in Latin that embody the spirit of the university – Truth, Goodness, and Beauty. Inokashira Campus Three Faculties Relocate from Hachioji Guide 1 A Kyorin Education, Marked by Ties between Medicine and Humanities In 2016, fi fty years after its establishment, Kyorin University is relocating its Faculty of Health Sciences, Faculty of Social Sciences, Faculty of Foreign Studies, and the Graduate Schools of Health Sciences and International Cooperation Studies from its Hachioji Campus to the new Inokashira Campus in the green, suburban Musashino area, closer in to the center of Tokyo. The new Inokashira Campus will be only a convenient ten-minute walk from the Mitaka Campus that is home to the Faculty of Medicine, Faculty of Health Sciences Department of Nursing (School of Nursing), Graduate School of Medicine, the Kyorin University Hospital operated by the Faculty of Medicine, and the Nursing School affi liated with the Faculty of Medicine. This linkage of the new Inokashira Campus with the Mitaka Campus will strengthen opportunities for academic exchange among the medical and health sciences and the humanities and social sciences, permitting Kyorin University to put its strengths as a comprehensive institution of higher learning to best use in promoting education. “This relocation from the Hachioji Campus should bring the interchanges among these four faculties, including their academic interactions, even closer than before, giving each of them an even stronger, deeper educational foundation. -
Peran Sakamoto Ryūichi Dalam Perkembangan Musik Populer Jepang
UNIVERSITAS INDONESIA PERAN SAKAMOTO RYŪICHI DALAM PERKEMBANGAN MUSIK POPULER JEPANG MAKALAH NON-SKRIPSI SEKAR HAYUNING GALIH NPM 1206248073 FAKULTAS ILMU PENGETAHUAN BUDAYA PROGRAM STUDI JEPANG DEPOK JANUARI 2016 Peran Sakamoto ..., Sekar Hayuning Galih, FIB UI, 2016 Peran Sakamoto ..., Sekar Hayuning Galih, FIB UI, 2016 Peran Sakamoto ..., Sekar Hayuning Galih, FIB UI, 2016 PERAN SAKAMOTO RYŪICHI DALAM PERKEMBANGAN MUSIK POPULER JEPANG Sekar Hayuning Galih Program Studi Jepang, Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia [email protected] Abstrak Skripsi ini membahas peranan Sakamoto Ryūichi terhadap munculnya genre baru dan perkembangan musik populer Jepang. Penelitian ini adalah penelitian kualitatif dengan desain deskriptif. Hasil penelitian menunjukkan bahwa peraj Ryuichi Sakamoto berpengaruh terhadap munculnya genre techno-pop di Jepang dan perkembangan musik jenis electronic dan semacamnya pada era selanjutnya. Hal ini dapat dilihat dari banyaknya artis-artis baru yang mengusung genre techno dan festival musik dengan genre serupa, serta tempat-tempat seperti klub yang menyediakan instrumen elektronik seperti synthesizer bagi para penggemar musik techno. THE ROLE OF SAKAMOTO RYŪICHI ON THE DEVELOPMENT OF POPULAR MUSIC IN JAPAN Abstract The study focuses on the role of Sakamoto Ryūichi for the born of new music genre and the development of popular music in Japan. This study is categorized as qualitative study with a description method. Result of the study reveals that Sakamoto Ryūichi has played a main role on the new music genre of techno-pop in Japan and the development of the other electronic-music for the following era. It can be seen from many artists who chose this new techno genre and many festival music were conducted with similar genre. -
Sound Planet E Channel List 2016.04 … Instrumental
SOUND PLANET E CHANNEL LIST 2016.04 … INSTRUMENTAL A E B F C G D H I J K 01 REQUEST J-POP 01 J-POP Hits Now 01 Seasonal Music(J-POP Best Selection) 01 ■ Seasonal Music(Easy Listening) ■ Seasonal Music(Nursery Instrumental) 01 J-POP & Popular Hits Now 01 ■ Baby Songs 01 Time Notice 02 REQUEST General Japanese Pops 02 J-ROCK 02 GIRLS POP 02 ■ Seasonal Music(Music Box)■ Seasonal Music(J-POP Instrumental) 02 GIRLS J-POP 02 Play Songs For Children 02 Temporary 1 03 REQUEST Enka / Kayokyoku 03 Enka 03 SOFT ROCK 03 usen for Café Après-midi 03 CLUB PARTY J-POP 03 All Time Kids Hits 03 Temporary 2 04 REQUEST Enka / Kayokyoku 04 Idol 04 HOUSE NATION 04 HOUSE MUSIC(125bpm) 04 Kawaii J-POP 04 Early Teen Pops Now 04 Weather Forecast 05 REQUEST J-POP / Popular 05 Japanese Folk Songs 05 salon jazz 05 LOUNGE MUSIC 05 Acoustic J-POP 05 Fairlyland Music 05 06 Kayo☆Hits Parade 06 Show-wa Era Kayo-pops 06 Colorful Pop Styling 06 Afternoon Tea Music 06 ■ Light Classic 06 Nursery Rhymes 06 Seasonal Music / Exhibition 1 07 Popular☆Hits Parade 07 R&B CLASSICS 07 Organic Soul 07 ■ Dance Beat ■ Easy Listening Acoustic 07 ■ Light Jazz 07 Melody of Acorn Forest 07 08 ■ Healing Classic 08 HIP HOP CLASSICS 08 Organic SSW ~Slow Life Music~ 08 ■ TRANCE(Instrumental) ■ Easy Listening Casual 08 ■ Bossa Nova BGM 08 MINNANOUTA 08 JBS 09 ■ Jazz for Gastronomic Ambience 09 Show-wa Era popular song Kayokyoku 60's Hits 09 J-LOUNGE 09 ■ Funky Beat ■ Heartful Strings 09 ■ J-POP Bossa Nova BGM 09 Happy♪Kiddy Songs 09 Seasonal Music / Exhibition 2 10 ■ Comfortable Easy Listening -
The Kohaku Song Contest: a Community in Performance
The Kohaku¯ Song Contest: A Community in Performance Shelley D. Brunt In a concert hall, Tokyo, an elderly couple clutch their prized tickets and watch the exciting, live event unfold before them. In Hawai’i, a group of young expatriates sing along with the lively radio broadcast. In rural Japan, a Tokyo ‘Office Lady’ sits with her parents under a heated quilt (kotatsu) and glances up at the song lyrics on the television screen between mouthfuls of New Year soba noodles.1 These situations typify the annual ritual of experiencing Kohaku¯ utagassen (The Red and White Song Contest), the eagerly anticipated popular music concert held on New Year’s Eve at NHK Hall in Tokyo.2 This long-running evening program unites professional bands and soloists to perform songs of varied subject matter, ranging from culturally specific food to scenic rural landscapes. In many ways, the contest is a light-hearted battle of the sexes: female and male performers are divided into Red and White teams, respectively.3 Seated in a row in the body of the concert hall are celebrity judges and at the end of the program they, and a capacity audience of approximately 3500 people, vote to determine the winning team. Following the program’s first broadcast in 1951,4 Kohaku¯ has evolved from a humble one- hour radio show into an extravagant television production exceeding four hours, most notably the result of advancing technologies and broadcast mediums. In recent times, Kohaku¯ has been transmitted throughout Japan and to eighty countries and regions via radio, cable and satellite media.5 What is particularly significant about Kohaku¯ is its ability to achieve extremely high television ratings in Japan. -
Cd List 2007
CD LIST 2007 JAPANESE CD ENCYCLOPAEDIA TRADITIONAL JAPANESE MUSIC/ Crossover genres CD nr. Title Artist (Genre) 1001 ”New” Ondekoza 1002 Ondekoza Ondekoza 1003 Poetry of Japan The Cleveland Orchestra Sinfonietta 1004 Fujiyama Odekoza 1005 Nihon no Oto 1006 Japanese melodies Stern, Rampal and Yo-Yo Ma 1007 Hana/Shakuhachi Nihon no Shijyou K. MIYATA / K. YAMAMOTO / Royal Pops 1008 Tsugaru Shamisen ~ Tsugaru Jyongara Bushi ~ Michiya MITSUHASHI 1009 Koto. Oiwai no shirabe Various artists (Koto music - Japanese long zither) 1010 Bon Odori Ketteiban ~ Odotte Tanoshii (Traditional folk dance) 1011 Nihon no Seigaku / Composer Series Rentaro TAKI 1012 The Art of the Koto, vol. 1: Celestial Harmonies Nanae YOSHIMURA (Koto music) 1013 On a Treetop Nanae YOSHIMURA (Koto music) 1014 Taqsim Nanae YOSHIMURA (Koto music) 1015 Voices Phantasma, Flame Nanae YOSHIMURA (Koto music) 1016 Best Take Nanae YOSHIMURA (Koto music) 1017 Berlin concert: The Quiet Ages 2000 Eitetsu Hayashi (drums, incl. Taiko) 1018 Gagaku: Court Music of Japan Tokyo Gakuso (gagaku) 1019 Yukyo: Taiko, New Sound from Tradition Furyudaigaku-Matsurishu 1020 Nagauta; Songs accompanied by shamisen and drums Various artists (Nagauta) 1021 Biwa: Traditional string instrument Various artists (Biwa music - Japanese lute) 1022 Edo Kiyari: Tokyo labour songs from Edo period Various artists (vocal only) 1023 Kiyomoto: Reciting stories accompanied by Shamisen Various artists 1024 Tokiwazu: Shamisen music Various artists 1025 Yokyoku: Vocal part of Noh music Various artists 1026 Zokkyoku: Folk