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PG Post 03.31.05 Vol.73#13F
The Prince George’s Post A COMMUNITY NEWSPAPER FOR PRINCE GEORGE’S COUNTY Since 1932 Vol. 75, No. 47 November 22 — November 28, 2007 Prince George’s County, Maryland Newspaper of Record Phone: 301-627-0900 25 Airspace Opened for Thanksgiving Fliers By DAN LAMOTHE Capital News Service BWI Thurgood Marshall Airport to Benefit from Decision essential projects, Bush said in his International Airport, said Jonathan 2006 Thanksgiving season, Dean WASHINGTON — Commercial prepared remarks, allowing its Dean, a BWI spokesman. said. Airport officials predict Nov. airliners will be able to fly unused employees to focus on limiting “It will benefit us, certainly, but 21, the day before Thanksgiving, military airspace to accommodate delays. BWI is typically a low-delay air- will be the busiest, with about an unprecedented number of peo- The decision benefits travelers port,” Dean said. “Of all the air- 74,000 travelers. ple traveling for Thanksgiving, using Baltimore-Washington ports serving the Northeast, we The changes will also be in President Bush has announced. International Thurgood Marshall have the lowest amount of delays place during the equally busy The additional airspace runs Airport, Maryland’s major airport, this year.” Christmas travel season, Bush said. from Maine to Florida. The Federal but not as much as it helps more About 490,000 travelers are Nationally, a record-setting 27 Aviation Administration will also delay-prone airports like New expected to use BWI from Nov. 19- million passengers are expected to About 490,000 travelers are expected to use BWI Thurgood place a moratorium on its non- York’s John F. -
Limitations on Copyright Protection for Format Ideas in Reality Television Programming
For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING By Kent R. Raygor and Edwin Komen* * Kent R. Raygor and Edwin Komen are partners in the Entertainment, Media, and Technology Group in the Century City, California and Washington, D.C. offices, respectively, of Sheppard Mullin Richter & Hampton LLP. The authors thank Ben Aigboboh, an associate in the Century City office, for his assistance with this article. 97 For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING I. INTRODUCTION Television networks constantly compete to find and produce the next big hit. The shifting economic landscape forged by increasing competition between and among ever-proliferating media platforms, however, places extreme pressure on network profit margins. Fully scripted hour-long dramas and half-hour comedies have become increasingly costly, while delivering diminishing ratings in the key demographics most valued by advertisers. It therefore is not surprising that the reality television genre has become a staple of network schedules. New reality shows are churned out each season.1 The main appeal, of course, is that they are cheap to make and addictive to watch. Networks are able to take ordinary people and create a show without having to pay “A-list” actor salaries and hire teams of writers.2 Many of the most popular programs are unscripted, meaning lower cost for higher ratings. Even where the ratings are flat, such shows are capable of generating higher profit margins through advertising directed to large groups of more readily targeted viewers. -
The Apprentice Free Download
THE APPRENTICE FREE DOWNLOAD Tess Gerritsen | 366 pages | 01 Aug 2003 | Random House Publishing Group | 9780345447869 | English | New York, NY, United States Бизнес - шоу "The Apprentice" The player must perform well in a series of business tasks, played across 18 minigamesto avoid a boardroom confrontation with Donald Trump and his advisors, George Ross and Carolyn Kepcher. Currently, the show is being broadcast by Band and Canal Sony. The Apprentice Malaysian version spin-off in Asiastarted on October 3,and aired every Monday on He presents two weekly shows on The Apprentice Lord Sugar tweet broke UK advertising rules, says watchdog. Pro Sieben fires "Hire or Fire" - show cancelled after first episode which was The Apprentice byviewers 2. The candidates are divided into two teams, treated as "corporations" within the show. Add the first question. Wikinews has related news: Award show producers try Emmy Idol. Sign in. Talking Points Memo. The Apprentice: Martha Stewart. The Apprentice host says his wife is upset he The Apprentice never been allowed to keep a statuette. The Apprentice franchise. Unfortunately, applications are now closed for the The Apprentice, however, this may well change if they decide to do two series next year. Williams and Jeff Lippencott of Ah2 Music. Retrieved July 11, For more information about how we hold your personal data, please see our privacy policy. Key scenes were filmed in Rotterdamalthough the Boardroom scenes take place in a theatre in the city of Bredawhich is the city where Ouborg's HQ. It has a very different visual and musical style to the US series, and in keeping with BBC guidelines, features no product placement. -
The Reality of Reality Television: Understanding the Unique Nature of the Reality Genre in Copyright Infringement Cases
Vanderbilt Journal of Entertainment & Technology Law Volume 8 Issue 1 Issue 1 - Winter 2005 Article 7 2005 The Reality of Reality Television: Understanding the Unique Nature of the Reality Genre in Copyright Infringement Cases J. Matthew Sharp Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation J. Matthew Sharp, The Reality of Reality Television: Understanding the Unique Nature of the Reality Genre in Copyright Infringement Cases, 8 Vanderbilt Journal of Entertainment and Technology Law 177 (2021) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol8/iss1/7 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. The Reality of Reality Television: Understanding the Unique Nature of the Reality Genre in Copyright Infringement Cases I. A BRIEF BACKGROUND ON COPYRIGHT INFRINGEMENT ............... 180 A. Protectinga Compilation of Ideas ..................... 181 B. SubstantialSimilarity and the Tests for Infringement ..... 183 II. RECENT CASES INVOLVING REALITY SHOWS AND IN FRIN GEM EN T ........................................................................... 186 III. THE PROBLEM: THE UNIQUENESS OF THE REALITY GENRE ..... 193 A. The Differences -
NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
March 2011 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on Lights, Camera, Action – and Brands! Brand in Entertainment CEO Rolfe Auerbach explains why DR marketers should try brand integration. BY CHRIS ROSICA The President’s Corner DVRs, TiVo and Hulu.com are just a few of the reasons why advertisers have created alternative ways to reach audiences rather than rely on traditional commercials. In Our first joint venture with the AIMP, the Music Industry movies, television programs, video games, live theater Toolbox on February 22nd, was an astounding success. productions, books—virtually every form of Hundreds of music industry professional flooded the entertainment—branded products increasingly have Gibson Showroom in Beverly Hills to network and check roles. Not only are products seen in passing like the out the products and services of cutting edge companies cereals on the shelves in Jerry Seinfeld’s kitchen, they in music and income tracking. are woven into plots. Giving products cameos or even I look forward to this evening's panel on Branding in the bigger parts has become a widely used and accepted Music Industry, moderated by CCC Past-President marketing practice, especially in movies. Cheryl Hodgson. Please make sure to join us next month when Past-President Teri Nelson Carpenter moderates a Movie-goers have grown accustomed to seeing familiar panel of guest from overseas discussing changes in the products on screen and even having them used as plot music industry from an International perspective. -
Reinventing Nollywood: the Impact of Online Funding and Distribution on Nigerian
Reinventing Nollywood: the impact of online funding and distribution on Nigerian cinema Abstract The Nigerian film industry often referred to as Nollywood, is currently experiencing significant transformations in its mode of production and distribution. These far-reaching transformations are driven by tech-savvy Nigerian filmmakers who are willing to consider innovative models in the filmmaking practice – from crowdfunding to content distribution via online platforms – in their effort to become relevant in the changing digital global marketplace. Drawing on pertinent case studies and in-depth interviews with stakeholders in the Nigerian film industry, this paper suggests that advances in digital technologies, such as the Internet and digital media are creating new ways for ‘new generation’ filmmakers in Nigeria to fund and circulate their creative work to a vast global audience. Keywords Nollywood, new media, digital distribution, Nigerian cinema, crowdfunding, crowdsourcing, online distribution, digital media, digital filmmaking, digital cinema. Introduction Whilst the mode of screen content production, circulation and consumption continue to transform in an age that is driven by technological innovations, change in market dynamics and audience behaviour are radically altering traditional business models globally. The drift is overthrowing institutional relationships, cultural hierarchies, and conventional business models (Curtin et al, 2014). In Nigeria especially, some of the traditional business models associated with the industry have become less viable as emerging and established filmmakers are increasingly looking to the Internet as an alternative means to raise funds and distribute their work. Although some of these web-based funding and distribution models are in their infancy, current trends in Nollywood suggest that these innovative approaches to film finance and distribution are gradually establishing themselves alongside the traditional Nollywood system. -
Alluvion! Seizing Momentum Driving Change
ALLUVION! SEIZING MOMENTUM DRIVING CHANGE ALLUVION! SEIZING MOMENTUM DRIVING CHANGE ALLUVION! SEIZING MOMENTUM DRIVING CHANGE WELCOME! Alluvion! Seizing Momentum, Driving Change Africa matters! Africa’s economic pulse has quickened, infusing the continent with new commercial vibrancy. Africa’s economic growth has given rise to an environment that can be characterized as “Alluvion” By definition this is an overflowing; an inundation; a flood of change. Relationships, policies, institutions are currently inundated with ideas and changing in non-linear ways. Continent wide, organizations are working at intersections of policy, institutional and behavior change to address those issues. There is an unprecedent- ed opportunity for a more strategic and collaborative, social impact agenda and a need to be adept at seizing the opportunities present in this overflow environment. Current dynamics are highly favorable for strengthening cross-sectoral collaboration. Over the last few years, new spaces have opened up for engaging actors around their com- parative advantages and respective interests as the benefits of partnering have become obvious. The private sector understands that it needs the access and knowledge of local partners and national governments to grasp the enormous opportunities available. Gover- ments and civil society organizations are recognizing the value of the resources, capaci- ties, and expertise that the private sector can bring to their development efforts. As the interests of various sectors continue to converge and improvements in regulatory environ- Doyin Oluntona ments make cooperating easier and safer, opportunities for partnerships continue to grow. Co-Founder/CEO, Uturn Africa The private sector is incentivized to invest in well thought out social ventures not just for immediate returns but for longer-term change that will strengthen the entire value chain and social stability. -
Appraisal of Media and Youth Entrepreneurship in Nigeria
83 APPRAISAL OF MEDIA AND YOUTH ENTREPRENEURSHIP IN NIGERIA Chinwe Okpoko Department of Mass Communication University of Nigeria, Nsukka. Anthony Chinedu Ekwueme Department of Mass Communication University of Nigeria, Nsukka. Abstract All over the world, particularly in a developing country like Nigeria, millions of youth daily roam the streets in desperate search of non-existing jobs. Given the high level of unemployment in Nigeria and the associated social vices, the need to open avenues through which youths can be gainfully employed and in addition create wealth becomes very imperative. One of these avenues is media entrepreneurship. The media are known to have diverse dimensions which provide opportunities for creative-minded youths to become significant job creators and income multipliers. Some of these opportunities can therefore be explored and exploited by our youths. Media entrepreneurship is used here to refer to any innovative effort to create wealth or job by exploiting the intrinsic relationship between the media, business and society. This exploratory study used available literature and observation to address the subject matter and makes recommendations. Key words: Entrepreneurship, Media entrepreneurship and youth Introduction The high level of global unemployment has, for some time now, been a major concern for governments across the world. Here and there, all over the world particularly in developing countries, millions of youths armed with certificates roam the streets desperately searching for non-existing jobs. According to Haftendorn and Salzano (2003, p.iii), “66 million young people are unemployed and an even higher number are underemployed…” This state of affairs and the attendant negative social consequences portend bleak future for youths in many developing countries if not properly addressed. -
1 RIAN ENGELEN Resumé
Cell: 310.486.4518 RIAN ENGELEN E-mail: [email protected] Resumé Skype: rianengelen Profession: Audio Supervisor | Production Sound Mixer | Boom Op Experience: 2000 – 2002: 2 Years Camera and Sound Assistance / Boom Swinger 2001 – 2002: Completed Courses in Sound and TV Production Commercial Voice Training 2003 – Present: 13 Years Location Sound Mixer | Boom Swinger 2009 – Present: 7 Years Audio Supervisor Travelled to 55 countries and worked in more than half of them. Member of The Academy of Television Arts and Sciences Listed on IMDB - the Internet Movie Database Awards / nominations for Shows on seasons that I have worked on: • Masterchef season 1 (South Africa) was nominated for “Best International Reality Series” at the 2013 International Emmy Awards. Show credit: Audio Supervisor. • Survivor was nominated 5 times for an Emmy in the category “Outstanding Sound Mixing for Nonfiction Programming” in 2005, 2006, 2009 and 2013. Show credit: Sound. Head of Sound / Audio Supervisor on: Survivor (American. CBS / Mark Burnett) season 31, 32, 33 & 34 | Audio Supervisor (HOD) and Production Sound Mixer. Survivor (American. CBS / Mark Burnett) season 29 & 30 | Reality Audio Supervisor. Giada Entertaining – Food Network Survivor (South African franchise) season 5 | Audio Supervisor (HOD) and Production Sound Mixer. 20 Contestants – all mic’d and multi-tracked, 1 Host. 8x reality sound kits. All Challenges and Tribals were set up with a line cut mix, no rehearsals. All Live to Tape. MasterChef season 1, South Africa – MNET & Shine Network (50 contestants; 3 hosts – all mic’d, multitracked plus line cut mix and in-ear Phonak directors feed to Hosts) | Audio Supervisor and Production Sound Mixer. -
View Digital Program
SATURDAY, OCTOBER 19, 2019 Johnson Center, Dewberry Hall George Mason University 4400 University Drive Fairfax, Virginia Black Alumni Chapter Forty Under 40 | 1 Forty Under 40 Honors Program Welcome and Purpose David C. Atkins, BS ’90 President, Black Alumni Chapter Greetings Trishana E. Bowden Vice President, Advancement and Alumni Relations and President, George Mason University Foundation Julian R. Williams Vice President, Compliance, Diversity and Ethics Dinner Recognition of Honorary Membership Hannibal S. Jackson, BA ’99 2019 Distinguished Black Alumnus Presentation of the 2019 Christopher Preston, BS ’96 Forty Under 40 Honorees Past President, Alumni Association Student Voices Egette D. Indelele 2019 Black Scholars Endowed Scholarship Recipient Jason L. Smith Soloist Presentation of the 2019 Tennille Smith Parker, BA ’97 Forty Under 40 Honorees Past President, Alumni Association Closing Remarks JaPrince Carter Senior Assistant Director, Alumni Relations, Chapter Liaison Janae D. Johnson ’11, ’15 Vice President of Events, Black Alumni Chapter A digital program booklet, inclusive of honoree information and patrons list, is available at alumni.gmu.edu/BAChonors2019-program. Follow the social conversation at #GMUBACHonors. Forty Under 40 | 2 Congratulations, Honorees! Tonight, we celebrate you, the honorees of the 2019 George Mason University Forty Under 40 Alumni Award, because you have exhibited the power within you to be pillars of change. This prestigious award salutes alumni leaders who are making tremendous strides in their chosen professions, and you have inspired, empowered, and embraced the world of business and your respective communi- ties. This honor is indicative of the true beauty and strength that you hold within! As president of the Black Alumni Chapter of George Mason University, I want you to know that we are proud to celebrate the culmination of your academic, career, and community successes, awarded via the Forty Under 40 Award. -
The Newsletter of Baylor Round Table
The Newsletter of Baylor Round Table INSPIRATIONAL CONNECTIONS FOR BAYLOR ROUND TABLE CONTINUE! One of the highlights of our year has become the Christmas celebration in Armstrong Browning Library. As we all face the hustle, bustle stress of the holidays, it is so fulfilling to pause and listen as the heavenly voices of the Baylor Chamber Singers remind us of the importance of slowing down and reflecting on the many blessings of the true meaning of Christmas. And if you have never heard the Chamber Singers perform in the McLean Foyer of Meditation, it is a moment like no other to uplift and inspire. This year didn’t disappoint on December 4 when the capacity crowd became hushed to hear the choir’s melodic voices “soar in celebration of the season.” The luncheon that followed was a heart-warming time to visit with long-time friends and make new ones among our members and guests. Ladies, the food was absolutely delicious and the desserts vanished as soon as the plates were passed around the room! And it’s always a delight to see what beautiful floral arrangements Martha Ervin has created for ABL and us. I want to personally thank our co-chairs Kay Mueller and Carol Schuetz for their outstanding leadership; the hard-working committee of Cyndie Burgess, Linda Cates, Martha Ervin, Sally Firmin, Nancy Harrison, Carolyn Hulme, Kathy Hutchison, Paula Lea, Ann May, Julibeth Parrish, and Allison Yanos; and the staff of Armstrong Browning for helping us host such a special event. January 17 kept the momentum going when Kellie Fischer, Executive Vice President and Chief Financial Officer for the Texas Rangers baseball organization captivated a full audience of Round Table members, their guests, and additional faculty, staff, and students in Kayser Auditorium of the Hankamer School of Business. -
On the Baylor Horizon.....A Publication of the Division of Student Life
On the Baylor Horizon.....a publication of the Division of Student Life Sign Up for Delta Delta Delta’s Kicks for Kids To sign up for a team, contact [email protected]. The second annual, all- university Kicks for Kids kickball tournament will be held on Thursday, September 25, and Friday, September 26, at the Baylor Sciences Building fields. All proceeds will be donated to St. Jude Children’s Research Hospital and Hillcrest Hospital. The deadline to sign up is Friday, September 19. For additional information, contact [email protected]. Sign Up for Freshman Retreat: “Awake” To sign up, visit the table at Chapel or contact [email protected]. The retreat will be held on Saturday, September 27, and Sunday, September 28, at Pine Cove. The cost is $75. For additional information, contact [email protected]. Vietnamese Student Association’s Mid-Autumn Moon Festival Tickets and Meetings Tickets are now available at the Ticket Office of the SUB. Tickets are $5 for members and $10 for nonmembers. The 16th Annual Mid-Autumn Moon Festival will be held on Saturday, September 27, 7:30 p.m. in the Barfield Drawing of the SUB. Meetings are held on Tuesdays, 7 p.m. in the Houston Room of the SUB. For additional information, contact [email protected] or [email protected]. Sign Up for the Bow-Wow-Meow River Run To sign up, visit www.abcrace.spruz.com. This 6K race and 1 mile fun run/pet walk will be held on Saturday, October 4, at the Bledsoe-Miller Recreating Center. Early Registration before Friday, September 19, is $15.