DOCSLIB.ORG

Serger Hanger Cover

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Serger Hanger Cover Supply List Heirloom Sergery Hanger Cover www.portlandsewing.com [email protected] Supplies: Serger ¼ yd. taffeta 1¼ yd. narrow ribbon 2 yds. flat lace with one scalloped edge, 2¼ "- 3" wide ¼ yd. flat lace not scalloped 2" wide 1 spool 40 wt rayon thread (to coordinate with ribbon) 4 cones serger thread (to coordinate with fabric) Blue water-soluble marking pen Seam sealant Havel double-eyed needle (You can find all items at Portland Sewing.) Notes: -- Check to make sure the pattern fits the hanger you want to cover. -- Always sew from right side of fabric unless otherwise specified. -- You'll see tension settings below; check your machine's manual to see what they recommend. Back. Fold fabric in half, and cut in half. Use pattern to cut one hanger cover back on fold. Cut remaining fabric into a rectangle. Serge the following stitches, then cut the front. Attach lace and ribbon Stitch: Three thread flatlock narrow (right needle) Tension Settings: Needle-0, Upper Looper-3, Lower Looper-9; Babylock Stitch Selector: D Thread: Upper Looper-Rayon thread. Needle and Lower Lower-Serger thread Stitch Length: 2.5 Stitch Width: 4 Blade: Disengaged 1. Mark center of fabric piece for front with marking pen. 2. Center lace on right side. 3. Create a fold along edge of lace by folding fabric wrong sides together. SKBlair-Portland Sewing © May 2002 4. Serge. Guide fold next to edge of machine’s platform through all thicknesses from top to bottom. 5. Repeat on other side from top to bottom. Open and flatten. 6. Mark a line 1-1/2" from right edge of lace. 7. Fold fabric wrong sides together and place ribbon along folded edge. 8. Sew ribbon to fabric from top to bottom, open, and flatten. 9. Repeat to serge another piece of ribbon on other side of lace. Add pintucks Stitch: 3-Thread Narrow (right needle) Tension Settings: All on Neutral (typically 3-5). Babylock Stitch Selector: B Thread: Upper Looper-Rayon Thread. Needle and Lower Lower-Serger thread Stitch Length: 2.5 Stitch Width: 3.0 Blade: Disengaged 10. Mark a line 1½ " from ribbon. 11. To create pintucks, fold fabric wrong sides together. 12. Serge. 13. Serge two more pintucks ⅝" apart. 14. Repeat on other side. 15. Press pintucks to outside edge. 16. Using pattern included, cut out front. Fold fabric down middle of lace. Place fold of pattern on fold of fabric. Gather lace Stitch: 4-Thread (both needles) Tension Settings: All on Neutral (typically 3-5). Babylock Stitch Selector: A Thread: Serger thread Stitch Length: 4 Stitch Width: 7.5 Blade: Engaged Differential Feed: 1.3 17. Gather lace: Serge flat edge of lace, guiding it carefully. Put it all together Stitch settings and blade same as above except Stitch Length: 2.5 Thread: Serger thread 18. Place front and back right sides together and sew up one side seam. Serge around top edge. Don’t serge top edge closed! 19. With right sides together serge flat edge of gathered lace to bottom edge of hanger cover. Pull down and flatten so scallops hang down. 20. Serge remaining side seam together, starting at bottom of lace. 21. Secure threads with seam sealant or wrap start, flip finish technique or Havel double-eyed needle. 22. Use Havel double-eyed needle to weave remaining ribbon through threads around top edge of cover and tie in a bow. SKBlair-Portland Sewing © May 2002 .
Load more

Recommended publications
  • Rolled Edge Napkins Created By: Melinda Stephenson
    Beginning Serging: Rolled Edge Napkins Created by: Melinda Stephenson One of the most often used stitches on your serger, apart from the four thread overlock, is the rolled edge. This works beautifully on napkins, as well as for hemming difficult to hem, slippery chiffon. To learn how to serge a rolled hem, start with either 100% cotton, 100% linen or a cotton/linen blend. These natural fabrics work best for napkins as they absorb moisture. Polyester or any synthetic fabric blends are not recommended for making napkins— they just don’t absorb as well. Supplies: • Cotton or linen squares cut to 18 or 20” • Scrap fabric cut from the same linen or cotton • 2 cones serger thread • 1 cone Wooly Nylon • Seam sealant (Fray-Check) 3. Set Tension: • Instruction manual a. Right needle: Normal • Optional: clear wash-away stabilizer b. Upper Looper: 2-3 (check your owner’s manual) Machine Set-up c. Lower Looper: 5-7 (check your owner’s manual) 3-thread Rolled Hem 4. Set Stitch Length: 1.0-2.0 (check your owner’s 1. Remove your left needle. manual) 2. Thread your machine: Wooly Nylon in Upper 5. Set Differential Feed: 1.0 or N (if edges draw in Looper and serger thread in right needle and and pucker, try .5) lower looper. 6. Set Stitch Finger: disengaged 7. Set knife: engaged elnaUSA.com Page 1 Beginning Serging: Rolled Edge Napkins Practice: 5. Stitch a few stitches until your napkin is about halfway beneath the presser foot, right up to, Using a piece of scrap fabric that is the same but not beneath, the needle.
    [Show full text]
  • Skinny Scarves by SUSAN BECK
    This article originally appeared in Through the Needle ONLINE Issue 9 Skinny Scarves by SUSAN BECK These long, narrow scarves made of t-shirt knit or sheer fabric are fast to make and fun to wear – one, two, or even three at a time! They’re a great item to make for craft fairs and bazaars – and they also make great gifts! Directions Cut a rectangle of fabric 10” wide and 3 yards long. Note: The more lightweight the fabric, the wider the scarf can be (12”-14”). If the fabric has more bulk, you can cut it very narrow (6”-8”). Thread the serger for a 3-thread rolled hem, adjusting the tensions as directed in your user manual. Generally, the needle tension will be normal, the upper looper tension will be loose, and the lower tension will be tight. Sew a sample on fabric scraps to decide if the resulting rolled edge looks the way you want it to. Adjust the settings as needed. Different fabric types and weights may require different tension adjustments for the perfect rolled edge. Serge all four edges of the scarf, starting at one end and serging off the opposite end, and trimming the edge slightly as you go. Supplies • 3 yards of lightweight, sheer, or single knit fabric in polyester, cotton, rayon, or silk (yardage will make 4-6 scarves) • Serger with 2- or 3-thread rolled hem capabilities • Three cones or spools of fine (60-weight) thread to match or blend with the fabric • Seam sealant Tip: Hold your hand lightly on the fabric to the left of Option 3: To wear the foot to make sure the fabric is going under the two or three scarves needle and not falling away after it passes the knife.
    [Show full text]
  • Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C
    DOCUMENT RESUME ID 087 919 CB 001 018 AUTHOR Hayes, Philip TITLE Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C. Vocational Education Media Center.; South Carolina State Dept. of Education, Columbia. Office of Vocational Education. PUB DATE 72 NOTE 100p. EDRS PRICE MF-$0.75 HC-$4.20 DESCRIPTORS Business Education; Clothing Design; *Distributive Education; *Guides; High School Curriculum; Manuals; Student Developed Materials; *Student Projects IDENTIFIERS *Career Awareness; South Carolina ABSTRACT This semester-length guide for high school distributive education students is geared to start the student thinking about the vocation he would like to enter by exploring one area of interest in marketing and distribution and then presenting the results in a research paper known as an area of distribution manual. The first 25 pages of this document pertain to procedures to follow in writing a manual, rules for entering manuals in national Distributive Education Clubs of America competition, and some summary sheet examples of State winners that were entered at the 25th National DECA Leadership Conference. The remaining 75 pages are an example of an area of distribution manual on "How Fashion Changes Relate to Fashion Designing As a Career," which was a State winner and also a national finalist. In the example manual, the importance of fashion in the economy, the large role fashion plays in the clothing industry, the fast change as well as the repeating of fashion, qualifications for leadership and entry into the fashion world, and techniques of fabric and color selection are all included to create a comprehensive picture of past, present, and future fashion trends.
    [Show full text]
  • Historic Costuming Presented by Jill Harrison
    Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
    [Show full text]
  • Angela Wolf Demonstrates Easy Ways to Sew with Silk
    Series 100 www.itsseweasytv.com 110-1 Angela Wolf demonstrates hemming techniques on silk. Sewing with Silk Charmeuse Supplies: o Pattern: Angela Wolf Patterns #AW-1103 available at www.AngelaWolf.com o Sewing Machine Needle: . Universal 70/10 - Always use a new needle when sewing with silk, this will prevent snagging. o Thread options . Either 100% silk, 100% mercerized cotton, or 100% polyester (listed in order of quality with silk being the first choice) . Use same thread in the bobbin o Clay chalk for marking - DO NOT use wax chalk on silk! o Glass head pins o Iron with steam, check for leaking first as that can stain your silk. Steps o Pre-shrink your fabric: . If you plan on dry cleaning your finished product, take you fabric to your local dry cleaner and ask them to dry clean and "steam press". The steam press will preshrink your fabric. Another option is washing in cold water either by hand or with a delicate cycle. Then either hang to dry or very low heat. I would recommend washing a small swatch of fabric first to test. Washing silk charmeuse will change the hand of the fabric a little, so make sure that is what you want - although you will end up with a very easy to take care of top. o Set up sewing machine with a 2.5 stitch length. Techniques o French seam: . Start with the fabric wrong sides together. Pin your seam. Sew a straight seam with a 1/2 inch seam allowance. Trim seam allowance to just about 1/8th of an inch.
    [Show full text]
  • Serger Techniques
    Serger Techniques Table of Contents Balanced Serger Stitches ....... ..... .. .... 1 Flatlock Applique .... .......... ...... .. .. .. ....6 Four-Thread Serg ing .. .......... .... .. .... .. 1 Decorative Lace Reinforcing Tape Application .......... 1 and Tape Application .... .......... .. .. ..... .7 Soft Gathering ............ .... ... ... ..... .. .....2 Rolled Edge .... .. ..... ....... ...... ......... .. ..... 7 Three-Thread Se rging ...... ... ..... ........ 2 Napkin Fin ish Rolled Edge ............... .8 Edge Hemming and Finishing .... ... ... 2 Tablecloth Edging .... ... .............. ... .. ....8 Lingerie Seams ......... ............. ......... ... 3 Formal and Bridal Wear ..... .... .. ... .. ....9 Lace Joining ...... ........ ............. .... .. ..... 3 Scarf Edge Rolled Hem ....... .... ... ....... .9 Multipurpose Guide Foot .... ... ..... .... 4 Spaghetti Straps .. .. ....... .... .... ... .. ........ 9 Durable Three-Thread Blind Hem .... 4 Fabric Flowers ... ... ... ....... ..... .... .. ...... 1O Decorative Serging ...... ..... .... ...... ... .... 4 Stitch Variations - Heirloom .... .... .. 10 Decorative Thread Serging .. ....... ... .5 Pin Tucking .. ....... .. ....... .. ............... ... 11 Basic Three-Thread Flatlock .... .. ... .... .5 Heirloom Lace Insertion ..... ........... .. 11 Flatlock Topstitching ... .... ....... ..........6 Gathering Foot Quick Start Guide .... 12 Balanced Serger Stitches • Balanced stitches are used in construction applications such as seams, overcasting, edgings and finishes. • A
    [Show full text]
  • Denim – Construction and Common Terminology
    Denim – Construction and Common Terminology Denim Construction Denim is made from rugged tightly woven twill, in which the weft passes under two or more warp threads. Lengthwise, yarns are dyed with indigo or blue dye; horizontal yarns remain white. The yarns have a very strong twist to make them more durable, but this also affects the denim’s color. The yarns are twisted so tightly that the indigo dye usually colors only the surface, leaving the yarns center white. The blue strands become the threads that show on the outside of your denim, and the white are the ones that make the inside of your denim look white. This produces the familiar diagonal ribbing identifiable on the reverse of the fabric. Through wear, the indigo yarn surface gives way, exposing the white yarn underneath which causes denim to fade. Jeans are basic 5 pockets pants, or trousers, made from denim. The word comes from the name of a sturdy fabric called serge, originally made in Nimes, France. Originally called serge de Nimes (fabric of Nimes), the name was soon shortened to denim (de Nimes). Denim was traditionally colored blue with natural indigo dye to Black denim make blue Jeans, though “jean” then denoted a different, lighter cotton textile; the contemporary use of jean comes from the French word for Genoa, Italy, where the first denim trousers were made. Jeans transcend age, economic and style barriers. Washes, embellishments, leg openings and labels fluctuate with fashion whims, but jeans themselves have reached iconic status. Cross hatch denim Common terminology used in Denim fabric construction and processing ANTI-TWIST is a step in the finishing process, before sanforization, that corrects denim’s natural tendency to twist in the direction of the diagonal twill weaves.
    [Show full text]
  • The Wearing Qualities of Wool Serge
    South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Agricultural Experiment Station Technical Bulletins SDSU Agricultural Experiment Station 1947 The eW aring Qualities of Wool Serge : A Comparison Between the Physical Characteristics of New and Worn Materials Agricultural Experiment Station Follow this and additional works at: http://openprairie.sdstate.edu/agexperimentsta_tb Recommended Citation Agricultural Experiment Station, "The eW aring Qualities of Wool Serge : A Comparison Between the Physical Characteristics of New and Worn Materials" (1947). Agricultural Experiment Station Technical Bulletins. 18. http://openprairie.sdstate.edu/agexperimentsta_tb/18 This Article is brought to you for free and open access by the SDSU Agricultural Experiment Station at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Agricultural Experiment Station Technical Bulletins by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. T ECHNICAL BULLETIN 6 MAY, 1947 THE WEARING QUALITIES OF - WOOL SERGE A Comparison Between the Physical · Characteristics of New and Worn Materials Department of Home Economics AGRICULTURAL EXPERIMENT STATION South Dakota State Colleg~ of Agriculture and Mechanic Arts Brookings, S. D. THE WEARING QUALITIES OF WOOL SERGE A Comparison Between the
    [Show full text]
  • Key Officers List (UNCLASSIFIED)
    United States Department of State Telephone Directory This customized report includes the following section(s): Key Officers List (UNCLASSIFIED) 9/13/2021 Provided by Global Information Services, A/GIS Cover UNCLASSIFIED Key Officers of Foreign Service Posts Afghanistan FMO Inna Rotenberg ICASS Chair CDR David Millner IMO Cem Asci KABUL (E) Great Massoud Road, (VoIP, US-based) 301-490-1042, Fax No working Fax, INMARSAT Tel 011-873-761-837-725, ISO Aaron Smith Workweek: Saturday - Thursday 0800-1630, Website: https://af.usembassy.gov/ Algeria Officer Name DCM OMS Melisa Woolfolk ALGIERS (E) 5, Chemin Cheikh Bachir Ibrahimi, +213 (770) 08- ALT DIR Tina Dooley-Jones 2000, Fax +213 (23) 47-1781, Workweek: Sun - Thurs 08:00-17:00, CM OMS Bonnie Anglov Website: https://dz.usembassy.gov/ Co-CLO Lilliana Gonzalez Officer Name FM Michael Itinger DCM OMS Allie Hutton HRO Geoff Nyhart FCS Michele Smith INL Patrick Tanimura FM David Treleaven LEGAT James Bolden HRO TDY Ellen Langston MGT Ben Dille MGT Kristin Rockwood POL/ECON Richard Reiter MLO/ODC Andrew Bergman SDO/DATT COL Erik Bauer POL/ECON Roselyn Ramos TREAS Julie Malec SDO/DATT Christopher D'Amico AMB Chargé Ross L Wilson AMB Chargé Gautam Rana CG Ben Ousley Naseman CON Jeffrey Gringer DCM Ian McCary DCM Acting DCM Eric Barbee PAO Daniel Mattern PAO Eric Barbee GSO GSO William Hunt GSO TDY Neil Richter RSO Fernando Matus RSO Gregg Geerdes CLO Christine Peterson AGR Justina Torry DEA Edward (Joe) Kipp CLO Ikram McRiffey FMO Maureen Danzot FMO Aamer Khan IMO Jaime Scarpatti ICASS Chair Jeffrey Gringer IMO Daniel Sweet Albania Angola TIRANA (E) Rruga Stavro Vinjau 14, +355-4-224-7285, Fax +355-4- 223-2222, Workweek: Monday-Friday, 8:00am-4:30 pm.
    [Show full text]
  • B.Des. (Fashion Design)
    Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERITY, LUCKNOW FACULTY OF ARCHITECTURE AND PLANNING B.Des. (Fashion Design) Scheme of Teaching, Examination & Syllabus (Session 2020-21) Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. DES. (Fashion Design) SCHEME OF TEACHING AND EXAMINATIONS B.Des.: I Semester w.e.f. 2020 -2021 Continuous Exam Teaching Exam & Subject Subject Assessments Examination Marks Time Subject Name Credits Sessional Code Category Hours/ Periods Marks (Hr) L Tu St/P Total T P/V Total BD101 PC Theory of Design-I 2 1 3 3 50 50 50 100 3 BD102 CF Ergonomics 2 1 3 3 50 50 50 100 3 BD103 CF Civilization Culture & Fashion 1 1 2 2 50 50 50 100 3 BD104 PD Communication skills 1 1 2 2 60 40 40 100 3 BD105 CF Sketching 1 2 3 3 60 40 40 100 - BD106 CF Visualization and Representation-I 1 4 5 3 60 40 40 100 - BD107 CF Model Making/ Workshop 1 3 4 3 60 40 40 100 - BD108 CF Basic Design-I 2 6 8 5 50 50 50 100 3 Total Credit’s Total 11 4 15 30 24 800 GRAND TOTAL Notes: A semester contains approximately of 16 working weeks (90 workdays) each. The examinations of all subjects are conducted at the end of the semester. The viva-voce and practical examinations of subjects are jointly conducted by two examiners: one internal and one external. Abbreviations: L = Lectures; Tu = Tutorial; St/P = Studio/Practical; T = Theory; P/V = Practical/Viva-voce, PC = Professional Core; CF = Core Foundation; DE = Departmental Elective; PD = Professional Development; HS = Human Sciences; AC = Applied Compulsory Course; BS = Building Sciences; OE = Other Departmental Elective; PE = Professional Elective Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B.
    [Show full text]
  • A Dictionary of Men's Wear Works by Mr Baker
    LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000
    [Show full text]
  • 1 Segment Title: Serge and Sew a Simple Broomstick Skirt Host
    Segment Title: Serge and Sew a Simple Broomstick Skirt Host: Joanne Banko Serge and Sew a beautiful broomstick skirt! Broomstick style skirts are easy to make, especially when you use the serger to speedily gather long lengths of fabric for the multiple tiers. You may be interested to know that this skirt style was popular with Navajo women in the 1870’s. They would create the tiers from lightweight cotton and sew skirts to wear with their brightly colored peasant style blouses. In the resource list at the end of these instructions you’ll find information about an optional Folkwear commercial pattern for a traditional Navajo blouse, and a one size fits most broomstick skirt. Today it’s common to see broomstick skirts along with trendy “boho” styles in stores and catalogs. This multiple tiered skirt is popular for traveling since the casual pleats or “wrinkles” are characteristic of the style. You can make this skirt using a combination of your serger and sewing machine for a stylish skirt with the look of ready to wear. The instructions presented here are for a skirt customized to your own personal measurements. In an afternoon you can sew this skirt using a three-thread serger stitch along with a simple straight stitch on the sewing machine. As an added bonus you’ll have the satisfaction of being able to say you made it yourself! Follow along as I give you a simple formula for the measurements and take you through each step for making this boho chic skirt! Are you ready? Let’s go sew! Materials and Supplies featured in this episode: The Brother XV8500D Dream Machine with the Sew Straight™ Laser guide for sewing the skirt.
    [Show full text]