VPL AGM 2020 Document Pack.Indd

Total Page:16

File Type:pdf, Size:1020Kb

VPL AGM 2020 Document Pack.Indd Candidates standing for election under Notice item 1 The two directors retiring by rotation at the AGM and standing for re-election are Simon Wheeler and Geoff Kempin. Geoff Kempin Geoff began his career in the music industry in 1974, marketing new releases for EMI Records. In 1980, EMI appointed him Founder of their visual company Picture Music International. He was a Founder / Director of VPL in that year and has been a Director up until the present date – the last four years as Chairman of VPL. His career has been dedicated to having video monetised through broadcast and home video business. In 1997, Geoff was a Founder / Director of Eagle Rock Entertainment, where he remains Executive Director following its acquisition by Universal Music in 2016. He is Executive Producer of many live concerts, documentaries, and music based mini-series including Classic Albums and most recently Icons Music Behind The Lens currently being broadcast on Sky. Simon Wheeler Previously a musician, engineer, producer, remixer and promoter, Simon has been with The Beggars Group since 1990. Starting work with online distribution in 1997, Simon has since worked with almost every significant entity in digital media. He has spoken at most music conferences around the world on digital music and media strategy, made statements to the UK parliament and has testified at the USA's CRB webcasting proceedings. But the most important role is keeping the Beggars Group of labels at the forefront of all new technologies to deliver its roster of artists to the widest possible audience. The Beggars Group represents 4AD, Matador, Rough Trade, XL Recordings and Young Turks..
Recommended publications
  • WECON LX3V-4AD Module
    WECON LX3V-4AD Module Wecon Technology Co., Ltd. Website: http://www.we-con.com.cn/en Technical Support: [email protected] Skype: fcwkkj Phone: 86-591-87868869 LX3V-4AD Extension Module 1. Introduction The LX3V-4AD special module has four input channels.The input channels receive analog signals and convert them into a digital value.This is called an A/D conversion, the maximum resolution is 12 bits. The selection of voltage or current based input/output is by user wiring.Analog ranges of -10 to 10V DC (resolution:5mV), and/or 4 to 20mA, -20 to 20mA(resolution:20µA) may be selected. Data transfer between the LX3V-4AD and the LX3V main unit is by buffer memory exchange. There are 32 buffer memories (each of 16 bits) in the LX3V-4AD. LX3V-4AD consume 5V voltage from LX3V main unit or active extension unit,90mA current of power supply. 2. Dimensions ① Extension cable and connector ② Com LED:Light when communicating ③ Power LED:Light when connect to 24V ④ State LED:Light when normal condition ⑤ Module name ⑥ Analog signal output terminal ⑦ Extension module interface ⑧ DIN rail mounting slot ⑨ DIN rail hook ⑩ Mounting holes(φ4.5) - 2 - 3. Terminal layouts ① The analog input is received through a twisted pair shielded cable. This cable should be wired separately from power lines or any other lines which may induce electrical noise. ② If a voltage ripple occurs during input, or there is electrically induced noise on the external wiring, connect a smoothing capacitor of 0.1 to 0.47µF, 25V. ③ If you are using current input, connect the V+ and I+ terminals to each other.
    [Show full text]
  • Tx2n-4Ad-Tc Special Function Block User's Guide
    HCFA CORPORATION LIMITED TX2N-4AD-TC SPECIAL FUNCTION BLOCK USER’S GUIDE This manual contains text, diagrams and explanations which will guide the reader in the correct installation and operation of the TX2N-4AD-TC special function block and should be read and understood before attempting to install or use the unit. Guidelines for the Safety of the User and Protection of the TX2N-4AD-TC special function block. This manual should be used by trained and competent personnel. The definition of such a person or persons is as follows: a) Any engineer using the product associated with this manual, should be of a competent nature, trained and qualified to the local and national standards. These engineers should be fully aware of all aspects of safety with regards to automated equipment. b) Any commissioning or service engineer must be of a competent nature, trained and qualified to the local and national standards. c) All operators of the completed equipment should be trained to use this product in a safe and coordinated manner in compliance to established safety practices. Note: The term ‘completed equipment’ refers to a third party constructed device which contains or uses the product associated with this manual. Notes on the Symbols Used in this Manual At various times throughout this manual certain symbols will be used to highlight points of information which are intended to ensure the users’ personal safety and protect the integrity of equipment. 1) Indicates that the identified danger WILL cause physical and property damage. 2) Indicates that the identified danger could POSSIBLYcause physical and property damage.
    [Show full text]
  • Mediated Music Makers. Constructing Author Images in Popular Music
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew.
    [Show full text]
  • Fx-4Ad User Manual
    Foreword 0 This manual provides technical information on the use of the FX4ADspecial function block in connec- tion with theFX programmable controller. 0 Users should ensure that the details of this manual are studied and understood before attempting to in- stall or use theseunits. CONTENTS 1. INTRODUCTION 1 2. CONFIGURATION AND SPECIFICATIONS 2 3. WIRING 5 4. BUFFER MEMORY ASSIGNMENT 8 5. STATUS INFORMATION 12 6. OPERATION PROCEDURE 14 7. PRELIMINARY CHECKS 17 Chapter 8 is concerned with the changing of the default settings. 8. ADJUSTING GAIN AND OFFSET 18 If you don't plan to change these defaults, you can skip this section. 9. COMMANDSFROM / TO 24 10. REFERENCE 25 1. INTRODUCTION (1) Introduction Configuration (4) Unit The FX-4AD analog input unit converts up to 4 The enclosure of the FX-4AD unit resembles to channels of analog input (either voltage or cur- that of the 16 I/O point extension blocks, but rent) into .12-bit digital readings and transfers the number of 110 points occupied by theFX- the data to an FX series programmable control- 4AD is actually 8 (you can count them as either ler. Optical coupling is used to ensure that volt- input or output points). For the purposes of age surges do not damage other areas of your power consumption, the FX-4AD unit draws equipment. 30mA from the 5V supply of the base unit. Use this figure to calculate whether the base unit (2) Compatible PCs has enough power to support this and other special blocks. Versions 2.0 or later of the FX series of pro- grammable controllers (those with serial nos.
    [Show full text]
  • Soundbyte Will Bring You Dynamic and Diverse Content Including
    May 15, 2012 Vol 1 Issue 1 INTRODUCING SoundByte will bring you dynamic and diverse content including SoundExchange news, artist interviews, industry experts’ insights, and tips for performers, record labels and service providers. We hope you enjoy our first edition. www.soundexchange.com INTRODUCING SOUNDBYTE It has been a while since we last published an edition of our former SoundExchange newsletter, NewsExchange. However, our readers can rest assured that we have not hit ‘pause’ on the myriad of initiatives we’ve undertaken this past year. In fact, with so many activities underway, we thought it appropriate to re-launch the SoundExchange newsletter — with a new name, a fresh look and different approach on sharing our many organizational enhancements. IN THIS ISSUE SouNdExchaNgE REpoRt 3 REgIStER foR NEW MuSIc SEMINaR 5 BoaRd MEMBER pRofIlE: dIck huEy 6 fRoM thE aRtIStS 14 SuBMIt youR IdEaS 15 2 May 15, 2012 www.soundexchange.com Vol 1 Issue 1 SOUNDEXCHANGE REPORT SoundExchange not only appointed former general counsel, Michael huppe, as the new president, but has also made several significant additions to “staff up” across the organization. this includes a new executive team, data management, claims and communication departments. as a whole, the staff is committed to advancing initiatives that ensure digital performance royalties make their way into the hands of the creative community. these efforts include the establishment of new departments dedicated to managing metadata and resolving rights owner disputes; the rollout of simplified payee statements; and continued advocacy for royalty structures that recognize the vital role that the creators of music play for digital services.
    [Show full text]
  • BBC Radio 2 | Fri 01 Jan - Sat 31 Dec 2016 Between 00:00 and 24:00 Compared to 06 Jan 2017 Between 00:00 and 24:00
    BBC Radio 2 | Fri 01 Jan - Sat 31 Dec 2016 between 00:00 and 24:00 Compared to 06 Jan 2017 between 00:00 and 24:00 Pos LW Artist Title Company Owner R. date Plays LW plays Trend 1 Justin Timberlake Can't Stop The Feeling RCA SME 06 May 2016 155 New -- 2 Lukas Graham 7 Years Warner Bros R.. WMG 23 Jun 2015 140 New -- 3 DNCE Cake By The Ocean Island UMG 15 Sep 2015 131 New -- 4 Coldplay Hymn For The Weekend Parlophone WMG 04 Dec 2015 108 New -- 5 Shadows, The Foot Tapper Columbia SME - 106 New -- 6 Travis 3 Miles High Caroline Inte.. UMG 26 Feb 2016 103 New -- 7 ABC Viva Love Virgin EMI UMG 08 Apr 2016 98 New -- 8 Sigma feat. Take That Cry 3beat Ind. 15 Jul 2016 97 New -- 9 Emeli Sandé Breathing Underwater Virgin EMI UMG 27 Oct 2016 95 New -- 9 Gwen Stefani Make Me Like You Interscope UMG 25 Mar 2016 95 New -- 9 Michael Bublé Nobody But Me Warner Bros R.. WMG 18 Aug 2016 95 New -- 12 ABC The Flames Of Desire Virgin EMI UMG 27 May 2016 94 New -- 12 Shaun Escoffery When The Love Is Gone Dome/MVKA Ind. 17 Jun 2016 94 New -- 12 Tom Odell Magnetised Columbia SME 14 Apr 2016 94 New -- 15 Jamie Lawson Cold In Ohio Atlantic WMG 16 Dec 2015 93 New -- 15 Joe & Jake You're Not Alone Sony CMG SME 23 Feb 2016 93 New -- 15 Rag'N'Bone Man Human Columbia SME 20 Jul 2016 93 New -- 18 Travis Animals Caroline Inte.
    [Show full text]
  • The Xx Slipper Video - 'On Hold'
    28-11-2016 16:31 CET The xx slipper video - 'On Hold' The xx slipper video regissert av Alasdair McLellan Se video HER - Limited Edition ‘On Hold’ 7” vinyl tilgjengelig nå. - 7 kvelder på London’s O2 Academy Brixton utsolgt på 1 dag. Mandag 28.november 2016 – The xx slipper i dag video for ‘On Hold’, den første singelen fra trioens etterlengtede tredje album ‘I See You’. Videoen ble skutt i Marfa, Texas, hvor bandet skrev og spilte inn deler av albumet ‘I See You’, og er regissert av den anerkjente filmskaperen og fotografen Alasdair McLellan. Se video ‘On Hold’ HER The xx sier:“Today we get to share our new video for ‘On Hold’ with you! The video is directed by the brilliant Alasdair McLellan, whose work we all adore... It was filmed in Marfa, Texas, a very special place to us, where we wrote and recorded some of our new album. We have a lot of love and respect for the people of the USA, having played hundreds of shows across the country over the past years. We hope this video reflects just some of the warmth and acceptance we have encountered there.” The xx annonserer også at ‘On Hold’ slippes på en helt spesiell limitert 7” vinyl. Den limiterte 7" vinylen. Denne kan forhåndsbestilles hos oss nå. I tillegg kan The xx dele at de har satt ny salgsrekord på Londons O2 Academy Brixton. Trioen tar over den legendariske konsertscenen 8-15 mars, og spiller for totalt 35.000 personer over syv kvelder. Alle billettene forsvant på rekordfart.
    [Show full text]
  • Analog Control Edition
    FX3G/FX3U/FX3GC/FX3UC SERIES PROGRAMMABLE CONTROLLERS USER'S MANUAL Analog Control Edition Voltage / Current Input FX3G-2AD-BD FX3U-4AD FX3U-4AD-ADP FX3UC-4AD Voltage / Current Output FX3G-1DA-BD FX3U-4DA FX3U-4DA-ADP Voltage / Current Input / Output Mixture FX3U-3A-ADP Temperature Sensor Input FX3U-4AD-PT-ADP FX3U-4AD-PTW-ADP FX3U-4AD-PNK-ADP FX3U-4AD-TC-ADP Safety Precautions (Read these precautions before use.) Before installation, operation, maintenance or inspection of this product, thoroughly read through and understand this manual and all of the associated manuals. Also, take care to handle the module properly and safely. This manual classifies the safety precautions into two categories: and . Indicates that incorrect handling may cause hazardous conditions, resulting in death or severe injury. Indicates that incorrect handling may cause hazardous conditions, resulting in medium or slight personal injury or physical damage. Depending on the circumstances, procedures indicated by may also cause severe injury. It is important to follow all precautions for personal safety. Store this manual in a safe place so that it can be taken out and read whenever necessary. Always forward it to the end user. 1. DESIGN PRECAUTIONS • Make sure to have the following safety circuits outside of the PLC to ensure safe system operation even during external power supply problems or PLC failure. Otherwise, malfunctions may cause serious accidents. 1) Most importantly, have the following: an emergency stop circuit, a protection circuit, an interlock circuit for opposite movements (such as normal vs. reverse rotation), and an interlock circuit (to prevent damage to the equipment at the upper and lower positioning limits).
    [Show full text]
  • Seven Nation Army Lyrics Pdf
    Seven nation army lyrics pdf Continue 2003 single The White Stripes Seven Nation ArmySingle by The White Stripesfrom the album ElephantB-sideGood to MeReleasedMarch 7, 2003StudioTo Rag 2002 (London)Genre Alternative Rock Garage Rock Length3:52Label XL V2 Third Man Author Songs (s) Jack WhiteProducer (s) Jack WhiteThe White band singles chronology Candy Cane Children (2002) Seven Nation Army (2003) I Just Don't Know What to Do With Myself (2003) Music video Seven Nation Army on YouTube Seven Nation Army - song of American rock duo White Stripes. It debuted on their fourth studio album, Elephant, and was released by XL Recordings and V2 Records in March 2003 as the lead single, through 7-inch vinyl and CD formats. Written and produced by Jack White, the song consists of distorted vocals, a simple drum rhythm and a bass-like riff created by playing guitar through the step-change effect. The song was written in the charts of many countries, and its success contributed to the popularity of the White Stripes and the movement of the revival of garage rock. In addition to praising his riff and drumbeat, critics rated Seven Nation Army as one of the best songs of the 2000s decade. It won Best Rock Song at the 46th Annual Grammy Awards, and the music video for director Alex and Martin's song won Best Editing in a Video at the 2003 MTV Video Music Awards. Seven Nation Army became a sporting anthem, usually appearing in audience chants, in which a series of o sounds or the name of an athlete are sung to the tune of a riff of a song.
    [Show full text]
  • Counting the Music Industry: the Gender Gap
    October 2019 Counting the Music Industry: The Gender Gap A study of gender inequality in the UK Music Industry A report by Vick Bain Design: Andrew Laming Pictures: Paul Williams, Alamy and Shutterstock Hu An Contents Biography: Vick Bain Contents Executive Summary 2 Background Inequalities 4 Finding the Data 8 Key findings A Henley Business School MBA graduate, Vick Bain has exten­ sive experience as a CEO in the Phase 1 Publishers & Writers 10 music industry; leading the British Academy of Songwrit­ ers, Composers & Authors Phase 2 Labels & Artists 12 (BASCA), the professional as­ sociation for the UK's music creators, and the home of the Phase 3 Education & Talent Pipeline 15 prestigious Ivor Novello Awards, for six years. Phase 4 Industry Workforce 22 Having worked in the cre­ ative industries for over two decades, Vick has sat on the Phase 5 The Barriers 24 UK Music board, the UK Music Research Group, the UK Music Rights Committee, the UK Conclusion & Recommendations 36 Music Diversity Taskforce, the JAMES (Joint Audio Media in Education) council, the British Appendix 40 Copyright Council, the PRS Creator Voice program and as a trustee of the BASCA Trust. References 43 Vick now works as a free­ lance music industry consult­ ant, is a director of the board of PiPA http://www.pipacam­ paign.com/ and an exciting music tech start­up called Delic https://www.delic.net­ work/ and has also started a PhD on gender diversity in the UK music industry at Queen Mary University of London. Vick was enrolled into the Music Week Women in Music Awards ‘Roll Of Honour’ and BBC Radio 4 Woman’s Hour Music Industry Powerlist.
    [Show full text]
  • 071-921 5990 Ames Consortium Buys Beck 4-Play Aring the Receivership
    NCWSDESK:NEWS DESK: 071-921 5990 WEWSFILENEWSFILE London finally acquires Factory name MancheslerLondonManchester Records labellabel has Factory. compleledcompieted Following negotialionsnegoliations Iwotwoyears yoars to revivereviveof talks.talks, Ames consortium receiverLondonrecelver acquired Léonard theCimlsCurtis Factory & Partners. name lasllast As expecled expectedFriday fromfrom A&RASB ,opérations will be headed for Ihethe by label,label, former expecledexpected Factory toCommunicationsta be called FacloryFactory 2 Binning,headBinning. Tony London Wilson, managing assisledassisted director byby InIn The Colin City's Bell Bindi stressed buys backbeck 4-Play that Ihethe deal does not includeinclude thethe Factory catalogue, newwhichnewViniReilly ViniReilly isis slillstill for album. sale. FacloryFactory 2'sT'a firslfirst release will be a boughtTroubled oui rctailcrof rcccivership 4-Play by bas a consor- been tionahiparelail chain with will major bo to suppliera,improvo ita which rcla- consideropportimiliesduringaring thcthe rcccivership.receivership. foroporatingcon- "We will also tium headcd by ils founder Phil Ames were threatoned when 4-Play first hit cessions, bccause they suit our trading Thorn EMI EMI: disappointed no music those demergeryetdemerger who were expecting yet itit to directorand former Keith EMI Staton. Records group sales repayproblems £l,9ra a ycar in debts ago andat a ratewas offorced 25p into format."Soon after he adds. 4-Play went intn r»ceiver. announce a demerger of its music and reniairental ReCCRccciver
    [Show full text]
  • Beggars Group Sustainability Policy
    BEGGARS GROUP SUSTAINABILITY POLICY Beggars Group is a record company incorporating five labels: 4AD, Matador, Rough Trade, XL Recordings and Young. Our aim is to discover, develop and market new and interesting music wherever we perceive excellence, originality and commitment. We employ over 150 people with offices in London, New York and Los Angeles. We recognise that the landscape within we operate in is changing rapidly, underpinned by the Paris Agreement of 2015. Taking action on sustainability issues is important to our stakeholders - including our artists and employees - and to the continued success of our business. Our ambition is for UK-managed operations to become ‘carbon negative’ by the end of 2022, and US-managed operations by the end of 2024. We will concentrate action on the areas of our business that have the highest environmental impacts, including product manufacturing, distribution, business travel and energy consumption in the properties that we own. Specifically, we are committed to: • Measuring and reporting our scope one, two and three greenhouse gas (GHG) emissions annually • Establishing a decarbonisation pathway aligned with climate science and reporting progress against this annually • Identifying an internal price on residual GHG emissions that we cannot reduce • Offsetting residual emissions using best-practice frameworks We will achieve these commitments by: • Engaging manufacturers, suppliers and industry groups on sustainability issues and driving tangible actions • Reducing business travel related emissions • Improving the sustainability credentials of products we produce • Reducing energy use in our offices and studios • Installing renewable energy infrastructure on buildings we own and switching to renewable tariffs • Ensuring compliance with all applicable environmental legislation • Communicating with and engaging employees on environmental issues This policy will be reviewed on an annual basis and communicated to all employees, suppliers and partners.
    [Show full text]