Hercules and Cacus in Vergil's Aeneid
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II DIVA ANGERONA Everyone Knows How Often Both in Ancient and More
II DIVA ANGERONA Everyone knows how often both in ancient and more recent times scholars have attempted to interpret the nature and name of the goddess Angerona. And yet to me we seem to have made hardly any progress in this attempt. Aust 1 and Wissowa 2 have collected the relevant passages from ancient authors and other documents which I think it unnecessary to copy out. Neither the disease of angitia nor 'worries to be dispelled,' as urged on us by the ancients, are of any help towards an interpretation. Mommsen 3 thought Angerona was a goddess in charge of the New Year. He sought to derive the name from angerendum, &1to 't'ou &voccpepea6ocL 't'Ov ~A.Lov. The explanation was accepted by Wissowa but rightly rejected by others (Walde-Hofmann s.v. 'ganz unwahrscheinlich'). Recently Eva Fiesel 4 and Altheim 6 have sought an Etruscan origin for the name and connected it with the gentilitial name anx.arie, ancarie, anx.aru, ancaru. The suggestion is rejected by Vetter,8 and I cannot agree with it either. To the arguments offered by Vetter I can add the following. First, the derivatives in Latin of Etruscan names ending in -u usually end in -onius not -onus. 7 Secondly, the name Angerona seems to fit very well into a large series of such names belonging to truly Roman (or Sabine) goddesses. First of all we have Abeonam, Adeonam, Intercidonam, all 1 RE I, 2I8gff. 1 Rosch. Lex. I, 348ff; Rel. u. Kult.• 24I. 8 CIL I p. 409. ' Language II (1935) 122ff. -
Superhero Sponsorship Opportunities The
SUPERHERO SPONSORSHIP OPPORTUNITIES SUPERMAN: Title Sponsorship (only 1 available) SOLD • Name and logo placed at the top center on back of race t-shirt • Prominent logo placement on race brochure and website • Company name prominent on all event publicity • Prominent signage at start/finish line • Special verbal recognition at race • 8 complimentary entries for race (includes 8 t-shirts) • Complimentary pre-race breakfast THE INCREDIBLE HULK: $2,500 • Name and logo placed near the top on back of race t-shirt • Special placement of logo on race brochure and website • Company name on all event publicity • Banner at registration area on day of race • Signage at start/finish line • Special verbal recognition at race • 6 complimentary entries for race (includes 6 t-shirts) • Complimentary pre-race breakfast IRONMAN: $1,000 • Name and logo placed at middle top on back of race t-shirt • Special recognition on race brochure and website • Company name on some event publicity • Signage prominently displayed on day of race • Special v Complimentary pre-race breakfast • Verbal recognition on day of race • 4 complimentary entries for race (includes 4 t-shirts) • Complimentary pre-race breakfast CAPTAIN AMERICA: $500 • Name and logo placed at middle bottom on back of race t-shirt • Listing on race brochure and website • Signage displayed on day of race • Verbal recognition on day of race • 3 complimentary entries for race (includes 3 t-shirts) • Complimentary pre-race breakfast HERCULES: $250 • Signage displayed on day of race • Verbal recognition -
Livy's View of the Roman National Character
James Luce, December 5th, 1993 Livy's View of the Roman National Character As early as 1663, Francis Pope named his plantation, in what would later become Washington, DC, "Rome" and renamed Goose Creek "Tiber", a local hill "Capitolium", an example of the way in which the colonists would draw upon ancient Rome for names, architecture and ideas. The founding fathers often called America "the New Rome", a place where, as Charles Lee said to Patrick Henry, Roman republican ideals were being realized. The Roman historian Livy (Titus Livius, 59 BC-AD 17) lived at the juncture of the breakdown of the Roman Republic and the rise of the Roman Empire. His 142 book History of Rome from 753 to 9 BC (35 books now extant, the rest epitomes) was one of the most read Latin authors by early American colonists, partly because he wrote about the Roman national character and his unique view of how that character was formed. "National character" is no longer considered a valid term, nations may not really have specific national characters, but many think they do. The ancients believed states or peoples had a national character and that it arose one of 3 ways: 1) innate/racial: Aristotle believed that all non-Greeks were barbarous and suited to be slaves; Romans believed that Carthaginians were perfidious. 2) influence of geography/climate: e.g., that Northern tribes were vigorous but dumb 3) influence of institutions and national norms based on political and family life. The Greek historian Polybios believed that Roman institutions (e.g., division of government into senate, assemblies and magistrates, each with its own powers) made the Romans great, and the architects of the American constitution read this with especial care and interest. -
Les Troyens Die Trojaner
Hector Berlioz (1803-1869) Hector Berlioz (* 11. Dezember 1803 in La Côte-Saint-André, Département Isère; † 8. März 1869 in Paris) Les Troyens Die Trojaner Grand opéra en cinq actes Große Oper in fünf Akten Paroles de Hector Berlioz, d’après les livres II et Text von Hector Berlioz nach Teil II und IV der IV de l’Énéide de Virgile Aeneis von Vergil (und nach William Shakespeare) Erstdruck Choudens, Paris (1885); Deutsch von Bernd Feuchtner NA Bärenreiter (1969/70) Wissenschaftliche Beratung Pascal Paul-Harang Personnages BESETZUNG Énée, héros troyen, fils de Vénus et d’Anchise Äneas (trojanischer Held, Sohn der Venus und (ténor) des Anchises) Ŕ Jugendlicher Heldentenor Chorèbe, jeune prince d’Asie, fiancé de Choröbus / Schatten des Choröbus (junger Fürst Cassandre (baryton) aus Asien, Verlobter der Kassandra) Ŕ Bariton Panthée, prêtre troyen, ami d’Énée (basse) Panthus (trojanischer Priester, Freund des Äneas) Ŕ Bass Narbal, ministre de Didon (basse) Narbal (Minister der Dido) Ŕ Bass Iopas, poète tyrien de la cour de Didon (ténor) Iopas (Dichter am Hof der Dido) Ŕ Tenor Ascagne, jeune fils d’Énée (15 ans) (soprano) Askanius (Sohn des Aeneas, 15 Jahre) Ŕ Sopran/Mezzosopran Cassandre, prophétesse troyenne, fille de Priam Kassandra / Schatten der Kassandra (trojanische (mezzo-soprano) Seherin, Tochter des Priamos) Ŕ Dramatischer Mezzosopran Didon, reine de Carthage, veuve de Sichée Dido (Königin von Karthago, Witwe des Fürsten prince de Tyr (mezzo-soprano) Sychäus von Tyros) Ŕ Dramatischer Sopran Anna, sœur de Didon (contralto) Anna (Schwester -
Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
2017 Tsjcl Certamen Novice Division Round 1
2017 TSJCL CERTAMEN NOVICE DIVISION ROUND 1 TU 1 What mythological group was made up of Thalia, Terpsichore, and seven others? THE MUSES B1 Who was the mother of the Muses? MNEMOSYNE B2 In one story, the Muses were said to have been born when what creature touched the Helicon spring? PEGASUS TU 2 From what Latin verb with what meaning do we get the English words overt and aperture? APERIO = TO OPEN, UNCOVER, DISCLOSE B1 From what Latin verb with what meaning do we get the English words augment and auction? AUGEO = TO INCREASE B2 From what Latin verb with what meaning do we get the English word obedience? AUDIO = TO HEAR, LISTEN TO TU 3 For the verb capio, capere give the 3rd person, plural, future, active, indicative CAPIENT B1 Change capient to the future perfect CEPERINT B2 Change ceperint to the passive voice CAPTI ERUNT TU 4 What structure located between the Palatine and Aventine Hills was known for its chariot racing? CIRCUS MAXIMUS B1&B2 The emperor Domitian added two colored factions to the original four. For five points each, name these colors PURPLE & GOLD 1 2017 TSJCL CERTAMEN NOVICE DIVISION ROUND 1 TU 5 Say in Latin: Do you like learning the Latin language? AMASNE / AMATISNE / DILIGISNE / DILIGITISNE DISCERE LINGUAM LATINAM? B1 Say in Latin: You are not going to school tomorrow, are you? NUM CRAS AD SCHOLAM IS / ITIS? // NUM ES ITURUS / ESTIS ITURI AD SCHOLAM CRAS? B2 Say in Latin: You want to win this contest don’t you? NONNE HOC CERTAMEN VIS / VULTIS / CUPIS / CUPITIS VINCERE? [SCORE CHECK] TU 6 What state has the motto “ad astra per aspera”? KANSAS B1 What state has the motto “dum spiro, spero”? SOUTH CAROLINA B2 What is the Latin motto of the state of Missouri? SALUS POPULI SUPREMA LEX (ESTO) TU 7 Give the accusative singular for the phrase solum animal. -
Romano-Italic Relations and the Origins of the Social War
Managing Empire: Romano-Italic Relations and the Origins of the Social War by Owen James Stewart, BA (Hons) School of Humanities Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Tasmania February, 2019 STATEMENTS AND DECLARATIONS Declaration of Originality This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. Owen James Stewart Date: 18/02/2019 Authority of Access This thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. Owen James Stewart Date: 18/02/2019 Statement Regarding Published Work Contained in Thesis The publisher of the paper comprising the majority of Chapter 1.4 (pages 29 to 42) hold the copyright for that content and access to the material should be sought from the respective journal. The remaining non-published content of the thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. Owen James Stewart Date: 18/02/2019 ii ACKNOWLEDGEMENTS I would like to thank all those who served as my supervisor throughout this project: Geoff Adams, with whom it all began, for his enthusiasm and encouragement; Jonathan Wallis for substituting while other arrangements were being made; and Jayne Knight for her invaluable guidance that made submission possible. -
11Ffi ELOGIA of the AUGUSTAN FORUM
THEELOGIA OF THE AUGUSTAN FORUM 11ffi ELOGIA OF THE AUGUSTAN FORUM By BRAD JOHNSON, BA A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Brad Johnson, August 2001 MASTER OF ARTS (2001) McMaster University (Classics) Hamilton, Ontario TITLE: The Elogia of the Augustan Forum AUTHOR: Brad Johnson, B.A. (McMaster University), B.A. Honours (McMaster University) SUPERVISOR: Dr. Claude Eilers NUMBER OF PAGES: v, 122 II ABSTRACT The Augustan Forum contained the statues offamous leaders from Rome's past. Beneath each statue an inscription was appended. Many of these inscriptions, known also as elogia, have survived. They record the name, magistracies held, and a brief account of the achievements of the individual. The reasons why these inscriptions were included in the Forum is the focus of this thesis. This thesis argues, through a detailed analysis of the elogia, that Augustus employed the inscriptions to propagate an image of himself as the most distinguished, and successful, leader in the history of Rome. III ACKNOWLEDGEMENTS I would like to thank my supervisor, Dr. Claude Eilers, for not only suggesting this topic, but also for his patience, constructive criticism, sense of humour, and infinite knowledge of all things Roman. Many thanks to the members of my committee, Dr. Evan Haley and Dr. Peter Kingston, who made time in their busy schedules to be part of this process. To my parents, lowe a debt that is beyond payment. Their support, love, and encouragement throughout the years is beyond description. -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
THE HERO and HIS MOTHERS in SENECA's Hercules Furens
SYMBOLAE PHILOLOGORUM POSNANIENSIUM GRAECAE ET LATINAE XXIII/1 • 2013 pp. 103–128. ISBN 978-83-7654-209-6. ISSN 0302-7384 Mateusz Stróżyński Instytut Filologii Klasycznej Uniwersytetu im. Adama Mickiewicza ul. Fredry 10, 61-701 Poznań Polska – Poland The Hero and His Mothers in Seneca’S Hercules FUreNs abstraCt. Stróżyński Mateusz, The hero and his mothers in Seneca’s Hercules Furens. The article deals with an image of the heroic self in Seneca’s Hercules as well as with maternal images (Alcmena, Juno and Megara), using psychoanalytic methodology involving identification of complementary self-object relationships. Hercules’ self seems to be construed mainly in an omnipotent, narcissistic fashion, whereas the three images of mothers reflect show the interaction between love and aggression in the play. Keywords: Seneca, Hercules, mother, psychoanalysis. Introduction Recently, Thalia Papadopoulou have observed that the critics writing about Seneca’s Hercules Furens are divided into two groups and that the division is quite similar to what can be seen in the scholarly reactions to Euripides’ Her- akles.1 However, the reader of Hercules Furens probably will not find much 1 See: T. Papadopoulou, Herakles and Hercules: The Hero’s ambivalence in euripides and seneca, “Mnemosyne” 57:3, 2004, pp. 257–283. The author reviews shortly the literature about the play and in the first group of critics, of those who are convinced that Hercules is “mad” from the beginning, but his madness gradually develops, she enumerates Galinsky (G.K. Galinsky, The Herakles Theme: The adaptations of the Hero in literature from Homer to the Twentieth Century, Oxford 1972), Zintzen (C. -
The Hercules Story Pdf, Epub, Ebook
THE HERCULES STORY PDF, EPUB, EBOOK Martin W. Bowman | 128 pages | 01 Aug 2009 | The History Press Ltd | 9780752450810 | English | Stroud, United Kingdom The Hercules Story PDF Book More From the Los Angeles Times. The god Apollo. Then she tried to kill the baby by sending snakes into his crib. Hercules was incredibly strong, even as a baby! When the tasks were completed, Apollo said, Hercules would become immortal. Deianira had a magic balm which a centaur had given to her. July 23, Hercules was able to drive the fearful boar into snow where he captured the boar in a net and brought the boar to Eurystheus. Greek Nyx: The Goddess of the Night. Eurystheus ordered Hercules to bring him the wild boar from the mountain of Erymanthos. Like many Greek gods, Poseidon was worshiped under many names that give insight into his importance Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Athena observed Heracles shrewdness and bravery and thus became an ally for life. The name Herakles means "glorious gift of Hera" in Greek, and that got Hera angrier still. Feb 14, Alexandra Dantzer. History at Home. Hercules was born a demi-god. On Wednesday afternoon, Sorbo retweeted a photo of some of the people who swarmed the U. Hercules could barely hear her, her whisper was that soft, yet somehow, and just as the Oracle had predicted to herself, Hera's spies discovered what the Oracle had told him. As he grew and his strength increased, Hera was evermore furious. -
Bellona Issn 1897-7065 Issn
BELLONAnr 3/2014 (678) M INISTERSTWO Światu potrzeba więcej ISSN 1897-7065 wrażliwych serc i mniej zimnej stali. STEFAN WYSZYŃSKI O BRONY N ARODOWEJ 3 BELLONA Pismo naukowe wydawane przez Ministerstwo Obrony Narodowej RADA NAUKOWA „KWARTALNIKA BELLONA” gen. dyw. dr Anatol Wojtan (przewodniczący) prof. dr hab. inż. Radosław Trębiński (zastępca przewodniczącego) płk rez. dr Józef Zieliński (sekretarz) prof. dr hab. Kazimierz Doktór płk rez. nawig. prof. nadzw. dr hab. Marek Grzegorzewski prof. dr hab. Marian Kozub kmdr por. rez. prof. nadzw. dr hab. Krzysztof Kubiak prof. dr hab. Jan Maciejewski prof. dr hab. Andrzej Makowski gen. dyw. rez. prof. dr hab. Bogusław Pacek prof. dr hab. Józef Półturzycki płk rez. prof. nadzw. dr hab. Ryszard Szczepanik prof. dr hab. Bogdan Szulc płk prof. dr hab. Mariusz Wiatr płk prof. dr hab. Jarosław Wołejszo płk prof. dr hab. Marek Wrzosek gen. dyw. rez. prof. nadzw. dr hab. Krzysztof Załęski 1918–1950 Bellona 1950–2007 Myśl Wojskowa BELLONA Pismo naukowe wydawane przez Ministerstwo Obrony Narodowej Rocznik XCVI (VIII) Nr 3/2014 (678) Warszawa Wojskowy Instytut Wydawniczy Al. Jerozolimskie 97, 00-909 Warszawa 60, www.polska-zbrojna.pl tel.: +48 22 684 53 65, faks: +48 22 684 55 03 e-mail: [email protected] Redaktor naczelny: Wojciech Kiss-Orski tel.: +48 22 684 02 22 Redaktor prowadzący: płk rez. dr Józef Zieliński tel.: 664 053 037 e-mail: [email protected] [email protected] Opracowanie redakcyjne: Teresa Wieszczeczyńska tel.: 725 880 231 zdjęcie na okładce: Piotr Rams Opracowanie graficzne: Małgorzata Mielcarz fotoedytor: Andrzej Witkowski Tłumaczenie na jęz. ang.: Anita Kwaterowska Egzemplarze czasopisma są dostępne w wewnętrznym kolportażu wojskowym oraz w prenumeracie.