Guide to Mens Watch Brands
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Introduction to Astronomy from Darkness to Blazing Glory
Introduction to Astronomy From Darkness to Blazing Glory Published by JAS Educational Publications Copyright Pending 2010 JAS Educational Publications All rights reserved. Including the right of reproduction in whole or in part in any form. Second Edition Author: Jeffrey Wright Scott Photographs and Diagrams: Credit NASA, Jet Propulsion Laboratory, USGS, NOAA, Aames Research Center JAS Educational Publications 2601 Oakdale Road, H2 P.O. Box 197 Modesto California 95355 1-888-586-6252 Website: http://.Introastro.com Printing by Minuteman Press, Berkley, California ISBN 978-0-9827200-0-4 1 Introduction to Astronomy From Darkness to Blazing Glory The moon Titan is in the forefront with the moon Tethys behind it. These are two of many of Saturn’s moons Credit: Cassini Imaging Team, ISS, JPL, ESA, NASA 2 Introduction to Astronomy Contents in Brief Chapter 1: Astronomy Basics: Pages 1 – 6 Workbook Pages 1 - 2 Chapter 2: Time: Pages 7 - 10 Workbook Pages 3 - 4 Chapter 3: Solar System Overview: Pages 11 - 14 Workbook Pages 5 - 8 Chapter 4: Our Sun: Pages 15 - 20 Workbook Pages 9 - 16 Chapter 5: The Terrestrial Planets: Page 21 - 39 Workbook Pages 17 - 36 Mercury: Pages 22 - 23 Venus: Pages 24 - 25 Earth: Pages 25 - 34 Mars: Pages 34 - 39 Chapter 6: Outer, Dwarf and Exoplanets Pages: 41-54 Workbook Pages 37 - 48 Jupiter: Pages 41 - 42 Saturn: Pages 42 - 44 Uranus: Pages 44 - 45 Neptune: Pages 45 - 46 Dwarf Planets, Plutoids and Exoplanets: Pages 47 -54 3 Chapter 7: The Moons: Pages: 55 - 66 Workbook Pages 49 - 56 Chapter 8: Rocks and Ice: -
Flick's Free Power Competition Terms and Conditions 1. from Time to Time
Flick’s Free Power Competition Terms and Conditions 1. From time to time Flick Energy Limited (‘Flick’) may run competitions on Facebook offering the chance to win either a week, or a month’s, free power (‘Free Power Competition’). These terms and conditions apply to entrants to such competitions. 2. Existing Flick customers who apply to enter a Free Power Competition by following the instructions provided by Flick in any given case, including complying with the necessary competition deadlines, may go in the draw to win a week, or a month’s, free power with Flick (depending on what is offered in the relevant competition). Valid entry into a Free Power Competition will be at Flick’s reasonable discretion. 3. The prize for a Free Power Competition includes credit on the winner’s Flick account (‘Prize Credit’) to the value of: - the average weekly bill in the winner’s region, relating to their specific load group (either a standard or a low user) and price plan, for an offer of a week’s free power; or - four times the average weekly bill in the winner’s region, relating to their specific load group (either a standard or a low user) and price plan, for an offer of a month’s free power. 4. Flick will contact the winner as soon as possible after the date specified for the prize draw to notify them that they have won, and of the value of the Prize Credit and when it will be applied. The Flick customer will continue to receive normal bills during this time, but will not be charged for those bills until the Prize Credit has been used. -
British Media Kit 2021 British Vogue Is the Authority on Fashion, Beauty and Lifestyle, and Is a Destination for Women to Learn, Be Challenged, Inspired and Empowered
British Media Kit 2021 British Vogue is the authority on fashion, beauty and lifestyle, and is a destination for women to learn, be challenged, inspired and empowered. Under Edward Enninful’s unmatched global editorial status, British Vogue has become the undisputed Fashion Bible in the United Kingdom and is leading the cultural zeitgeist worldwide. 20M 796K TOTAL REACH READERSHIP 190K 14M CIRCULATION SOCIAL FOLLOWERS 6M 72% DIGITAL UNIQUES ABC1 £130K 59% AVERAGE HHI LONDON / SE 95% 87% SEE JEWELLERY AS VALUE TRAVELLING GOOD INVESTMENT ABROAD HIGHLY £7.9K £2.9K AVERAGE ANNUAL AVERAGE ANNUAL SPEND ON FASHION SPEND ON BEAUTY & WELLNESS Sources: ABC Jan-Dec 2020; Pamco 4, 2020; GA Nov-Jan 2020/2021; Conde Nast Luxury Survey 2019; Conde Nast Beauty Survey 2020 2 “Before I got the job I spoke to certain women and they felt they were not represented by the magazine, so I wanted to create a magazine that was open and friendly. A bit like a shop that you are not scared to walk into. You are going to see all different colours, shapes, ages, genders, religions. That I am very excited about.” EDWARD ENNINFUL, OBE BRITISH VOGUE EDITOR-IN-CHIEF & VOGUE’S EUROPEAN EDITORIAL DIRECTOR 3 “I’m excited to assume this highly-coveted role. In a moment when continuous change across the communications, fashion and luxury industries creates dynamic and exhilarating opportunities for the strongest media brands, Vogue’s unrivalled equity sets it apart as the best of the best.” VANESSA KINGORI, MBE BRITISH VOGUE PUBLISHING DIRECTOR 4 BRITISH SOCIETY OF MAGAZINE -
Programming Sex, Gender, and Sexuality: Infrastructural Failures in the “Feminist” Dating App Bumble
Programming Sex, Gender, and Sexuality: Infrastructural Failures in the “Feminist” Dating App Bumble Rena Bivens & Anna Shah Hoque Carleton University ABSTRACT Background Bumble is a self-declared “feminist” dating app that gives women control over initiating conversations with potential matches. Analysis Through a material-semiotic analysis of Bumble’s software and online media about the app, this article critically investigates how gender, sex, and sexuality are produced and given meaning by Bumble’s programmed infrastructure. Conclusions and implications Since the epistemological underpinnings of Bumble’s design centre gender as the solitary axis of oppression, the authors argue that the app’s infrastructure generates an ontological relationship between gender, sex, and sexuality that narrows the ca - pacity to achieve its creators’ stated social justice objectives. Several infrastructural failures are detailed to demonstrate how control and safety are 1) optimized for straight cisgender women, and 2) contingent on the inscription of an aggressive form of masculinity onto straight male bodies. Keywords Computer science; Electronic culture (internet-based); Sociotechnical; Feminism/ gender; Technology RÉSUMÉ Contexte Bumble est une application de rencontres prétendument « féministe » qui donne aux femmes le pouvoir d’initier des conversations avec des compagnons potentiels. Analyse Cet article effectue une analyse sémiotique matérielle de Bumble et de commentaires en ligne sur cette application dans le but d’examiner comment l’infrastructure programmée de Bumble produit le genre, le sexe et la sexualité et leur donne du sens. Conclusions et implications Bumble a une perspective épistémologique selon laquelle le genre est la seule source d’oppression. Or, d’après les auteurs, ce point de vue encourage un rapport ontologique entre genre, sexe et sexualité qui entrave la capacité des créateurs à atteindre leurs objectifs de justice sociale. -
Vogue Media Kit 2019
MEDIA KIT 2019 EDWARD ENNINFUL OBE A NEW ERA OF BRITISH VOGUE “Before I got the job I spoke to certain women and they felt they were not represented by the magazine, so I wanted to create a magazine that was open and friendly. A bit like a shop that you are not scared to walk into. You are going to see all different colours, shapes, ages, genders, religions. That I am very excited about.” - Editor-In-Chief, Edward Enninful, OBE The first issue under Enninful was The December 2017 issue. VA N E S S A K I N G O R I M B E “I’m excited to assume this highly-coveted role. In a moment when continuous change across the communications; fashion and luxury industries creates dynamic and exhilarating opportunities for the strongest media brands, Vogue’s unrivalled equity sets it apart as the best of the best.” - Publishing Director, Vanessa Kingori, MBE Vanessa is the first new Publishing Director at British Vogue in a quarter of a century. Having begun her tenure in January 2018, she ushers in a new direction in Vogue’s business strategy. BRITISH VOGUE LEADERSHIP TEAM ACHIEVEMENTS & AWARDS 2018 Edward Enninful OBE Vanessa Kingori MBE Goldsmith’s, University of London | University of the Arts London | Honorary Honorary Fellowship Doctorate “Enninful’s trailblazing work on Italian and “The first female publisher in British Vogue’s American Vogue and W Magazine led to his 102 year-long history, Vanessa Kingori MBE is appointment at British Vogue – where he has instrumental to the creative vision and continued to innovate and inspire.” emphasis on diversity -
Platon the New Yorker World-Renowned, Award-Winning Photographer
Platon The New Yorker World-Renowned, Award-Winning Photographer After working for British Vogue for several years, Platon was invited to New York City to work for the late John Kennedy Jr. and his political magazine, George. Shooting portraits for a range of international publications including Rolling Stone, The New York Times Magazine, Vanity Fair, Esquire, GQ and The Sunday Times Magazine, Platon developed a special relationship with TIME Magazine, producing over 20 covers for them. In 2007, he photographed Russian Premier Vladimir Putin for TIME Magazine's “Person of the Year” cover. This image was awarded 1st prize at the World Press Photo Contest. In 2008, he signed a multi-year contract with The New Yorker. As the staff photographer, he has produced several largescale photo essays, two of which won ASME Awards in 2009 and 2010. Platon's New Yorker portfolios have focused on themes including the U.S Military, portraits of world leaders and the Civil Rights Movement. In 2009, Platon teamed up with Human Rights Watch to help them celebrate those who fight for equality and justice in countries suppressed by political forces. These projects have highlighted human rights defenders from Burma as well as the leaders of the Egyptian revolution. Following his coverage of Burma, Platon photographed Aung San Suu Kyi for the cover of TIME—days after her release from house arrest. In 2011, Platon was honored with a Peabody Award for collaboration on the topic of Russia's Civil Society with The New Yorker magazine and Human Rights Watch. Platon has published four book of his work: Platon’s Republic (Phaidon Press, 2004), a retrospective of his early work; Power (Chronicle, 2011), 100 portraits of the world’s most powerful leaders; China: Through the Looking Glass (The Metropolitan Museum of Art, 2015), in collaboration with The Metropolitan Museum of Art, and Service (Prestel, 2016), dedicated to the men and women in the United States Military, their physical and psychological wounds, their extraordinary valor, and the fierce emotions that surround those who serve. -
The Hacker Voice Telecomms Digest #2.00 LULU
P3 … Connections. P5 … You Got Mail… Voicemail. P7 … Unexpected Hack? P8 … Rough Guide To No. Stations pt2. P12 … One Way/One Time Pads. P16 … Communications. Your Letters, Answered… Perhaps! P17 … The Hacker Voice Projects. P19 … Automating Network Enumeration. P22 … An Introduction to Backdoors. The Hackers Voice Digest Team P27 … Interesting Numbers. Editors: Demonix & Blue_Chimp. Staff Writers: Belial, Blue_Chimp, Naxxtor, Demonix, P28 … Phreaking Bloody Adverts! Hyper, & 10Nix. Pssst! Over Here… You want one of these?! Contributors: Skrye, Vesalius, Remz, Tsun, Alan, Desert Rose & Zinya. P29 … Intro to VoIP for Practical Phreaking Layout: Demonix. Cover Graphics : Belial & Demonix. P31 … Google Chips. Printing: Printed copies of this magazine (inc. back issues) are available from P32 … Debain Ubuntu A-Z of Administration. www.lulu.com. Thanks : To everyone who has input into this issue, especially the people who have P36 … DIY Tools. submitted an article and gave feedback on the first Issue. P38 … Beginners Guide to Pen Testing. Back Page: UV’s World War Poster Productions. P42 … The Old Gibson Phone System. What is The Hackers Voice? The Hackers Voice is a community designed to bring back hacking P43 … Introduction to R.F.I. and phreaking to the UK . Hacking is the exploration of Computer Science, Electronics, or anything that has been modified to P55 … Unexpected Hack – The Return! perform a function that it wasn't originally designed to perform. Hacking IS NOT EVIL, despite what the mainstream media says. We do not break into people / corporations' computer systems and P56 … Click, Print, 0wn! networks with the intent to steal information, software or intellectual property. -
Tail Flick Revision 1.4
Instruction manual Tail Flick Revision 1.4 Pain Inflammation SKU: 37560 SAFETY CONSIDERATIONS Although this instrument has been designed with international safety standards, it contains information, cautions and warnings which must be followed to ensure safe operation and to retain the instrument in safe conditions. Service and adjustments should be carried out by qualified personnel, authorized by Ugo Basile organization. Any adjustment, maintenance and repair of the powered instrument should be avoided as much as possible and, when inevitable, should be carried out by a skilled person who is aware of the hazard involved. Capacitors inside the instrument may still be charged even if the instrument has been disconnected from its source of supply. Your science, our devices More than 35.000 citations Back to content CE CONFORMITY STATEMENT Manufacturer UGO BASILE srl Address Via G. di Vittorio, 2 – 21036 Gemonio, VA, ITALY Phone n. +39 0332 744574 Fax n. +39 0332 745488 We hereby declare that Instrument. TAIL-FLICK UNIT Catalog number 37560 is manufactured in compliance with the following European Union Directives and relevant harmonized standards • 2006/42/CE on machinery • 2014/35/UE relating to electrical equipment designed for use within certain voltage limits • 2014/30/UE relating to electromagnetic compatibility • 2011/65/UE and 2015/863/UE on the restriction of the use of certain hazardous substances in electrical and electronic equipment C.E.O Mauro Uboldi Nome / Name September 2020 Date Firma / Signature MOD. 13 Rev. 1 Product features and general information The 37560 innovates the Ugo Basile classic tail New features: flick unit; this innovative version introduces • 4.3” touch screen display for calibration,- some new features and a large touch display set-up and results helping the user to set-up the experiment in • TTL input/output signals for synchronisation a more efficient way. -
LGBTQ Timeline of the 21 Century
LGBTQ Timeline of the 21 st Century 2001 Same-sex marriages laws : o Came into effect : The Netherlands (with joint adoption) Civil Union/Registered Partnership laws : o Came into effect : Germany (without adoption until Oct 2004, then with step-adoption only) o Passed : Finland (without joint adoption until May 2009, then with step-adoption) Limited Partnership laws : o Passed and Came into effect : Portugal (without joint adoption) (replaced with marriage in 2010) o Came into effect : Swiss canton of Geneva (without joint adoption) Anti-discrimination legislation : US states of Rhode Island (private sector, gender identity) and Maryland (private sector, sexual orientation) Equalization of age of consent : Albania , Estonia , Liechtenstein and United Kingdom . Repeal of Sodomy laws : US state of Arizona Decriminalisation of homosexuality : the rest of the United Kingdom's territories [citation needed ] Homosexuality no longer an illness : China Marches and Prides : Protesters disrupt the first Pride march in the Serbian city of Belgrade The first memorial in the United States honoring LGBT veterans was dedicated in Desert Memorial Park , Cathedral City, California. [1] Helene Faasen and Anne-Marie Thus , from the Netherlands, became the first two women to legally marry. [2] 2002 Civil Union/Registered Partnership laws : o Passed and Came into effect : Canadian province of Quebec (with joint adoption) o Came into effect : Finland (without joint adoption until May 2009, then with step-adoption) o Passed : Argentinian city of -
Dorothy Todd's Modernist Experiment in British Vogue, 1922 -1926, by Amanda
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. “A plea for a renaissance”: Dorothy Todd’s Modernist experiment in British Vogue, 1922 -1926 Figure 1 Amanda Juliet Carrod A thesis submitted for the degree of Doctor of Philosophy in English Literature June 2015 Keele University Abstract This is not a fashion paper: Modernism, Dorothy Todd and British Vogue "Style is thinking."1 In 1922, six years after its initial inception in England, Vogue magazine began to be edited by Dorothy Todd. Her spell in charge of the already renowned magazine, which had begun its life in America in 1892, lasted until only 1926. These years represent somewhat of an anomaly in the flawless history of the world's most famous fashion magazine, and study of the editions from this era reveal a Vogue that few would expect. Dorothy Todd, the most enigmatic and undocumented figure in the history of the magazine and, arguably within the sphere of popular publications in general, used Vogue as the vehicle through which to promote the innovative forms in art and literature that were emerging at the beginning of the twentieth century. -
The Design and Evaluation of a Flick Gesture for 'Back'
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UC Research Repository The Design and Evaluation of a Flick Gesture for ‘Back’ and ‘Forward’ in Web Browsers Michael Moyle Andy Cockburn Human-Computer Interaction Lab Department of Computer Science University of Canterbury Christchurch, New Zealand {mjm184, andy}@cosc.canterbury.ac.nz does so by gesturing with the cursor in the direction of the Abstract desired item. If the user hesitates in their selection, the full Web navigation relies heavily on the use of the ‘back’ button to pie-menu is displayed. traverse pages. The traditional back button suffers from the The following fictitious scenario drives our evaluation of distance and targeting issues that govern Fitts’ Law. An gesture-based navigation: Microsoft and Netscape have alternative to the button approach is the use of marking menus—a released new versions of their browsers that support gesture based technique shown to improve access times of commonly repeated tasks. This paper describes the gestural navigation for the back and forward actions. We implementation and evaluation of a gesture-based mechanism for wish to understand whether these new features increase the issuing the back and forward commands in web navigation. efficiency of navigation, whether users quickly learn to use Results show that subjects were able to navigate significantly them, and whether users appreciate them. Efficiency is faster when using gestures compared to the normal back button. evaluated in two experiments that represent common web Furthermore, the subjects were extremely enthusiastic about the browsing tasks. Subjects used Microsoft Internet Explorer technique, with many expressing their wish that “all browsers for all evaluation tasks. -
More Page-By-Page Bonus Material
More Page-by-Page Bonus Material p.4 ‘Thuggish men… vessel’s cargo.’ (The piers at Hoboken were a focus for organised crime. In 1947 and 1948, The New York Sun ran a Pulitzer Prize-winning exposé of waterfront corruption and violence. Yet the problem persisted, culminating in two gangland executions near the entrance to Pier 3. Budd Schulberg, the journalist, screenwriter and novelist, was inspired by The New York Sun articles to write a long feature on the subject for The Saturday Evening Post. It provided the basis for his script of the Oscar-winning movie, On the Waterfront (1954), which was filmed on location in Hoboken.) p.5 ‘During its… fashion-world celebrity’. (Anna Wolkoff’s shop opened in June 1935 and closed in January 1939. Even after its closure, she retained her status as a minor celebrity. Confirmation of this is provided by the decision of Clark’s shoes to pay her to endorse a limited edition of women’s shoes, bearing a printed version of her autograph. These were being promoted as late as June 1939.) p.8 ‘Roughly the size… a balcony’. (The Nordic League’s meeting was held in the Great Hall at Caxton Hall.) p.8 ‘Tonight she had… and fascism.’ (Enid Riddell’s escort was Bob Ramsay, son of Captain Archibald Henry Maule Ramsay, one of the key figures within the Nordic League.) p.9 ‘Her clipped… elocution lessons.’ (Each week Miss Reade, the elocution mistress at St James’s School, would make all the girls press their hands against their stomachs while they recited the tongue-twisting lines, ‘Gold, gold, hard and cold, hugged right down to the churchyard’s mould, scorned by the young and loved by the old.’ p.9 ‘Or she could… Sylphides.’ (The entertainments were billed as follows: ‘Hashem Khan: Russian and Gipsy Songs; Russian Ballet, Irina Baronova and Anton Dolin in ‘Pas de deux’ from Ballet ‘Les Sylphides’.