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Daft Punk, La Toile Et Le Disco: Revival Culturel a L'heure Du Numerique
Daft Punk, la Toile et le disco: Revival culturel a l’heure du numerique Philippe Poirrier To cite this version: Philippe Poirrier. Daft Punk, la Toile et le disco: Revival culturel a l’heure du numerique. French Cultural Studies, SAGE Publications, 2015, 26 (3), pp.368-381. 10.1177/0957155815587245. halshs- 01232799 HAL Id: halshs-01232799 https://halshs.archives-ouvertes.fr/halshs-01232799 Submitted on 24 Nov 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. © Philippe Poirrier, « Daft Punk, la Toile et le disco. Revival culturel à l’heure du numérique », French Cultural Studies, août 2015, n° 26-3, p. 368-381. Daft Punk, la Toile et le disco Revival culturel à l’heure du numérique PHILIPPE POIRRIER Université de Bourgogne 26 janvier 2014, Los Angeles, 56e cérémonie des Grammy Awards : le duo français de musique électronique Daft Punk remporte cinq récompenses, dont celle de meilleur album de l’année pour Random Access Memories, et celle de meilleur enregistrement pour leur single Get Lucky ; leur prestation live, la première depuis la sortie de l’album, avec le concours de Stevie Wonder, transforme le Staples Center, le temps du titre Get Lucky, en discothèque. -
Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90 -
Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
A Frampton Family Affair Peter Frampton and Son Julian Show Us the Way
Peter Frampton had a monster hit with his 1976 album, “Frampton Comes Alive!” PHOTO BY MICHAEL ZAGARIS BY PHOTO A Frampton Family Affair Peter Frampton and son Julian show us the way. BY MELONIE MAGRUDER | PHOTOGRAPHY BY JOEY CARMAN hat do you do when you’re known for record- “Acoustic Classics,” and the 40 years between this effort and his ing the (at one point) best-selling album of 1976 monster hit, “Frampton Comes Alive!” seems to sit easily. all time, for playing with the most respected In this new venture, perennial favorites like “Do You Feel Like musicians on the planet, for having a poster of We Do,” “Lines On My Face” and “Sail Away” are reheard with your face plastered on millions of teenage girls’ an intimacy so immediate, it sounds like you invited Frampton Wwalls across the nation and for a decades-long history of sold- and a couple of his friends to play for you in your living room. out tours with audiences bopping to your signature hit electro- Frampton’s only obstacle to producing another hit album might rock riffs from 40 years ago? have been in deciding which songs out of his long, historical You strip it all down and record an acoustic album. canon he should include. Peter Frampton has been touring to promote his 18th album, “We decided it should just be things I personally wanted,” FALL 2016 | 39 Julian Frampton, who is on tour with his dad, Peter, said playing guitar is “part of his DNA.” Frampton told MTM. “Obviously, you want the most popular songs, but maybe something that hasn’t been heard in awhile.” His rich vocals have not lost a whisper of a note. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
David Bowie Is… at the V&A Museum Sector – Temporary Install / AV
David Bowie Is… at the V&A Museum Sector – Temporary install / AV Project Overview London’s Victoria and Albert Museum is the world’s leading museum of art and design and has curated a unique exhibition on one of the most influential artists of our time, David Bowie. The exhibition runs from 23rd March to 11th August 2013 and takes visitors on a multi-faceted journey of sound and style. As well as its cleverly designed visual elements, the exhibition relies heavily on audio, and the V&A worked in partnership with Sennheiser, using a range of equipment including its guidePORT audio guide system and two immersive 3D sound simulations, to deliver visitors the best possible audio experience. Challenge overview The exhibition is designed as an immersive audio experience, so sound quality is one of the most critical elements. The audio technology needed to work seamlessly with the visual elements and in an intuitive way so as not to distract visitors’ attention and affect their enjoyment of the exhibition. The audio installation also had to take into account the historic nature of the building and its construction, which contains a lot of metal, placing additional demands on the technology to overcome signal loss. Solution overview ‘David Bowie is’ integrates over 300 objects and costumes from the David Bowie Archive with high-quality sound and video to create a seamless and innovative evocation of Bowie’s career over six decades. Fittingly for a tribute to an artist who has embraced technology throughout his career, the exhibition uses cutting edge tools to blend sound and vision, including Sennheiser’s guidePORT system. -
Song Lists and Suggestions
Song Lists and Suggestions 1. Ceremony 2. Cocktail Hour 3. Grand Entrance 4. Dinner 5. First Dance 6. Father Daughter Dance 7. Mother Son Dance 8. Bouquet Toss 9. Garter Toss 10. Cake Cutting 11. Wedding (Top 200) If you don’t see a song you want, I probably already have it or I will be happy to get it. Page 1 of 1 Ceremony CD 20 songs, 1.2 hours, 133.9 MB Name Time Album Artist 1 All of Me (In the Style of John Lege… 4:38 Modern Acoustic Music for Beautif… Acoustic Guitar Guy 2 At Last (String Quartet Tribute to E… 2:40 The Gay Wedding Collection Vitamin String Quartet 3 Bittersweet Symphony 3:40 Symphonic Rock Royal Philharmonic Orchestra 4 Bridal March 1:48 For a Lifetime Jonathan Cain 5 Can't Help Falling in Love 2:54 Can't Help Falling in Love - Single Haley Reinhart 6 Can't Help Falling In Love 4:32 Vitamin String Quartet Tribute to M… Vitamin String Quartet 7 Canon in D 5:24 Wedding Music: Instrumental Song… Wedding Music Experts: The O'Nei… 8 The Cello Song 3:17 The Piano Guys The Piano Guys 9 From This Moment On 4:34 Wedding Music: Instrumental Song… Wedding Music Experts: The O'Nei… 10 Here Comes the Sun 3:20 Instrumental Songs - Soft Rock Gu… Instrumental Songs Music 11 In My Life 2:27 In My Life - A Piano Tribute to the… TJR 12 Just The Way You Are 4:22 The Piano Guys 2 The Piano Guys 13 Just the Way You Are 3:14 The Modern Wedding Collection, V… Vitamin String Quartet 14 Latch (Acoustic) 3:41 Nirvana Sam Smith 15 Marry Me 3:25 Save Me, San Francisco (Bonus Tr… Train 16 Over The Rainbow, Simple Gifts 3:44 The Piano Guys The -
Clayton Cameron
Clayton Cameron Clayton Cameron has a dynamic career that has already crossed many barriers in the world of music. From Sammy Davis Jr. to Tony Bennett, Clayton continues to push the envelope of contemporary drumming and brushes to their very limits. After the release of the 1990 video, “The Living Art of Brushes” Clayton has been given the honorary title “Brush Mas- ter”. Since the release of this ground breaking video Clayton has noticed a wonderful reaction from the drumming com- munity, “It’s been wonderful watching the growing interest in this art form. I never thought that my rhythmic tapping on empty oatmeal boxes would lead to such a distinction as Brush Master. My parents always thought I just loved oatmeal for breakfast. The fact is I knew the sooner I emptied the box...the sooner I’d have another cardboard drum.” Born in Los Angeles, California Clayton began playing bongos at the age of seven. By age twelve his fascination with drums became so apparent his parents decided to buy him his first drum set and sent Clayton to music school for drum lessons. “I guess they tired of my oatmeal box drumming as much as I tired of eating those hearty oats every morning.” Clayton went on to get a degree in music from California State University at Northridge. During college, he played in clubs around L.A behind artists who were mentors to him. They included vocalist O.C Smith, Ernie Andrews, Jimmy Weatherspoon, instrumentalist Teddy Edwards, Larry Gails( of Thelonious Monk fame) and Gerald Wilson. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
A Case Study Utilizing Music
THE EVOLVING SELF: A CASE STUDY UTILIZING MUSIC LYRICS TO STUDY EGO IDENTITY by KENT STEWART MICHAEL STEVE THOMA, COMMITTEE CHAIR DEBORAH CASPER SARA TOMEK JAMES JACKSON RICK HOUSER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Educational Studies in Psychology, Research Methodology, and Counseling in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2019 Copyright Kent Stewart Michael 2019 ALL RIGHTS RESERVED ABSTRACT Musicians have written about developmental transitions and the associated struggles for as long as language has been acquired and they have had the means by which to document their lyrics. Modern lyricists have ached about childhood and yearned for home as they enter young adulthood, while others have been preoccupied with romantic interests gained and lost during adolescence and beyond. Some musicians have even delved into questioning social issues, theological paradigms, decisions made by governments, and moral dilemmas in lyrics. Regardless of the developmental crisis being discussed, lyrics have been a medium in which musicians have publicly wrestled with their existential existence. Unfortunately, there is lack of representation in analyzing musical lyrics and other forms of pop culture for personality development in psychological research. This study illustrates a procedure for coding manifestations of three psychosocial stages in music lyrics from an artist’s first album to the most recent album. More specifically, identity, intimacy, and generativity themes were analyzed in John Mayer’s lyrics written during his adolescence, young adulthood, and emerging middle adulthood. Erik Erikson’s psychosocial stage theory is utilized to explain Mayer’s personality at the time each album was released and the development of personality over time. -
Simone Biles
Simone Biles: defying the laws of physics? MCINERNEY, Ciaran <http://orcid.org/0000-0001-7620-7110> and KELLEY, John <http://orcid.org/0000-0001-5000-1763> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/14332/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version MCINERNEY, Ciaran and KELLEY, John (2016). Simone Biles: defying the laws of physics? +Plus magazine. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk What is the energy Simone needs for the move? To perform the ‘Biles’, Simone needs to travel and spin. Her take-off energy therefore needs to incorporate these two elements: [1] 퐸푘 푡푎푘푒-표푓푓 = 퐸푘 푙푛푒푎푟 + 퐸푘 푟표푡푎푡표푛푎푙 We can break this equation down a bit by considering that she moves up and forward: [2] 퐸푘 푡푎푘푒-표푓푓 = 퐸푘 푣푒푟푡푐푎푙 + 퐸푘 ℎ표푟푧표푛푡푎푙 + 퐸푘 푟표푡푎푡표푛푎푙 To simplify the problem, we assume that the gymnast is a point mass, i.e. the gymnast is just a point particle. If you wanted to do a more accurate job, you could model each segment of the gymnast separately and combine the values appropriately in a global reference frame (figure 1). Kinetic energy is dependent on the speed and the mass of a body: 1 [3] 퐸 = 푚푣2 푘 푙푛푒푎푟 2 Equation 3 is for linear energy and we will use that equation to calculate 퐸푘 푣푒푟푡푐푎푙 and 퐸푘 ℎ표푟푧표푛푡푎푙. In the ‘Biles’, there are two rotations about Simone’s somersaulting axis and a half rotation about her twisting axis. -
John Mayer, See John Mayer (Disambiguation)
For other people named John Mayer, see John Mayer (disambiguation). John Mayer Mayer at the Mile High Music Festival on July 20, 2008 Born John Clayton Mayer October 16, 1977 (age 36) Bridgeport, Connecticut, U.S. Residence Montana, U.S. Education Center for Global Studies at Brien McMahon High School Alma mater Berklee College of Music Occupation recording artist, producer Home town Fairfield, Connecticut, U.S. Parents Richard Mayer Margaret Hoffman Musical career pop Genres blues acoustic blue-eyed soul rock country folk Guitar Instruments vocals omnichord piano harmonica percussion Years active 1998—present Arista Records Labels Aware Records Columbia Records John Mayer Trio Associated acts Fall Out Boy David Ryan Harris Website johnmayer.com John Clayton Mayer (/ˈmeɪ.ər/)[1] (born October 16, 1977) is an American recording artist and producer.[2] Born inBridgeport, Connecticut, and raised in Fairfield, he attended Berklee College of Music in Boston. He moved to Atlanta in 1997, where he refined his skills and gained a following, and he now lives in Montana.[3] His first two studio albums,Room for Squares (2001) and Heavier Things (2003), did well commercially, achieving multi-platinum status.[4] In 2003, he won a Grammy Award for Best Male Pop Vocal Performance for "Your Body Is a Wonderland."[5] Mayer began his career performing mainly acoustic rock, but gradually began a transition towards the blues genre in 2005 by collaborating with renowned blues artists such as B. B. King, Buddy Guy, and Eric Clapton, and by forming theJohn Mayer Trio. The blues influence can be heard throughout his 2005 live album Try! with the John Mayer Trio and his third studio album Continuum, released in September 2006.