Insert Material – Brass Versus Stainless Steel by Michael J
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Treatise on Combined Metalworking Techniques: Forged Elements and Chased Raised Shapes Bonnie Gallagher
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 1972 Treatise on combined metalworking techniques: forged elements and chased raised shapes Bonnie Gallagher Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Gallagher, Bonnie, "Treatise on combined metalworking techniques: forged elements and chased raised shapes" (1972). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. TREATISE ON COMBINED METALWORKING TECHNIQUES i FORGED ELEMENTS AND CHASED RAISED SHAPES TREATISE ON. COMBINED METALWORKING TECHNIQUES t FORGED ELEMENTS AND CHASED RAISED SHAPES BONNIE JEANNE GALLAGHER CANDIDATE FOR THE MASTER OF FINE ARTS IN THE COLLEGE OF FINE AND APPLIED ARTS OF THE ROCHESTER INSTITUTE OF TECHNOLOGY AUGUST ( 1972 ADVISOR: HANS CHRISTENSEN t " ^ <bV DEDICATION FORM MUST GIVE FORTH THE SPIRIT FORM IS THE MANNER IN WHICH THE SPIRIT IS EXPRESSED ELIEL SAARINAN IN MEMORY OF MY FATHER, WHO LONGED FOR HIS CHILDREN TO HAVE THE OPPORTUNITY TO HAVE THE EDUCATION HE NEVER HAD THE FORTUNE TO OBTAIN. vi PREFACE Although the processes of raising, forging, and chasing of metal have been covered in most technical books, to date there is no major source which deals with the functional and aesthetic requirements -
Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
Hercules Jewelry Project
Hercules Knot Jewelry Series I thoroughly enjoyed my wire wrapping jewelry projects, but in the course of researching and building the class, I was inspired to learn real metalsmithing. I’ve been assembling earrings and necklaces for decades, but suddenly I really wanted to solder, and set gems, and fabricate! Fortunately, my good friend Fjorlief InHaga is a brilliant artisan, and she’s been teaching me and letting me use her studio. THE HERCULES KNOT aka HERAKLES, Reef Knot or Square Knot This motif represents strength and came to be associated with marriage. Brides wore their belts tied this way (see my paper on Roman Weddings). It was a common motif in the Greco-Roman world though the Republic and Early – Mid Empire. 1 2 3 Above, gold bracelet and ring from the 1st century BCE – 2nd CE. Silver mirror, 4th century CE. I imagine this would have been a lovely wedding present. Below: Necklaces dated to the 2nd-3rd century, an armband (#6), and rings from 5rd century BCE to 3rd CE . I have included only a small number of the large quantity of eXtant artifacts. Combined with the variations in assembly technique and clasps, the abundance of pieces shows that the Hercules Knot was a style that was widespread and made by many different artisans. 4 5 6 7 8 9 10 For my first project, I wanted to duplicate the look of these early Imperial necklaces of emerald and gold. For cost purposes, I used brass and glass, which was a commonly-used substitute for stones in period. -
Guide to Stainless Steel Finishes
Guide to Stainless Steel Finishes Building Series, Volume 1 GUIDE TO STAINLESS STEEL FINISHES Euro Inox Euro Inox is the European market development associa- Full Members tion for stainless steel. The members of Euro Inox include: Acerinox, •European stainless steel producers www.acerinox.es • National stainless steel development associations Outokumpu, •Development associations of the alloying element www.outokumpu.com industries. ThyssenKrupp Acciai Speciali Terni, A prime objective of Euro Inox is to create awareness of www.acciaiterni.com the unique properties of stainless steels and to further their use in existing applications and in new markets. ThyssenKrupp Nirosta, To assist this purpose, Euro Inox organises conferences www.nirosta.de and seminars, and issues guidance in printed form Ugine & ALZ Belgium and electronic format, to enable architects, designers, Ugine & ALZ France specifiers, fabricators, and end users, to become more Groupe Arcelor, www.ugine-alz.com familiar with the material. Euro Inox also supports technical and market research. Associate Members British Stainless Steel Association (BSSA), www.bssa.org.uk Cedinox, www.cedinox.es Centro Inox, www.centroinox.it Informationsstelle Edelstahl Rostfrei, www.edelstahl-rostfrei.de Informationsstelle für nichtrostende Stähle SWISS INOX, www.swissinox.ch Institut de Développement de l’Inox (I.D.-Inox), www.idinox.com International Chromium Development Association (ICDA), www.chromium-asoc.com International Molybdenum Association (IMOA), www.imoa.info Nickel Institute, www.nickelinstitute.org -
Weights of Various Metals in Pounds Per *Cubic Foot
Weights of Various Metals in Pounds Per *Cubic Foot Aluminum 168.48 Copper 559.87 Manganese 463.10 Silver 654.91 Antimony 419.99 Gold 1206.83 Mercury 849.00 Stainless Steel (18-8) 494.21 Beryllium 113.70 Gun Metal (Aver.) 544.00 Molybdenum 637.63 Steel, Cast/Rolled 490.00 Bismuth 611.00 Iridium 1396.00 Monel Metal 556.00 Tin 455.67 Brass (Approx.) 535.68 Iron 491.09 Nickel 555.72 Titanium 283.39 Bronze, Alum. 481.00 Iron, Cast Grey 442.00 Osmium 1402.00 Tungsten 1204.41 Bronze (Approx.) 541.00 Iron, Wrought 480.00 Palladium 712.00 Vanadium 374.97 Cadmium 540.86 Iron, Slag 172.00 Platinum 1339.20 Zinc 445.30 Chromium 428.00 Lead 707.96 Rhodium 755.00 *1728 CU. IN. PER CU. FT. Cobalt 552.96 Magnesium 108.51 Ruthenium 765.00 Weights of Other Materials in Pounds Per *Cubic Foot Acids, Muriatic, 40% 75.00 Earth, Common Loam 75.00-90.00 Maple, Hard 43.00 Rubber, Goods 94.00 Acids, Nitric, 91% 94.00 Earth, Dry/Loose 76.00 Maple, White 33.00 Sand, Clay & Earth, Dry 100.00 Acids, Sulphuric, 87% 112.00 Earth, Dry/Packed 95.00 Marble 170.00 Sand, Clay & Earth, Wet 120.00 Alcohol, 100% 49.00 Earth, Mud/Packed 115.00 Masonry, Rubble 130.00-150.00 Sand, Pure Quartz, Dry90.00-106.00 Asbestos 153.00 Elm, White 45.00 Masonry, Ashlar 140.00-160.00 Sandstone, Blustone 147.00 Ash, White, Red 40.00 Fats 58.00 Mortar 100.00 Slate 175.00 Asphaltum 81.00 Fir, Douglas 30.00 Mud, River 90.00 Snow, Freshly Fallen 10.00 Basalt 184.00 Fir, Eastern 25.00 Oil, Kerosene 52.00 Snow, Wet 50.00 Brick, Paving 150.00 Flour, Loose 28.00 Oil, Mineral 57.00 Soap Stone, Tall 169.00 Brick, Com. -
6 W Elding Accessories Tungsten Electrodes Magnesium Aluminum
Sylvania Tungsten Vendor Code: SYL Tungsten Electrodes Magnesium Magnesium alloys are in 3 groups. They are: (1) aluminum-zinc-magnesium, (2) aluminum-magnesium and (3) manganese-magnesium. Since magnesium will absorb a number of harmful ingredients and oxidize rapidly when subjected to welding heat, TIG welding in an inert gas atmosphere is distinctly advantageous. The welding of magnesium is similar, in many respects, to the welding of aluminum. Magnesium was one of the first metals to be welded commercially by the inert-gas nonconsumable process (TIG). Accessories Welding Aluminum The use of TIG welding for aluminum has many advantages for both manual and automatic processes. Filler metal can be either wire or rod and should be compatible with the base alloy. Filler metal must be Ground Dia. Length Electrodes dry, free of oxides, grease or other foreign matter. If filler metal becomes damp, heat for 2 hours at Part No. (inches) (inches) 250˚ F before using. Although AC high-frequency stabilized current is recommended, DC reverse polarity 0407G .040 7 has been successfully used for thicknesses up to 3/32". 1167G 1/16 7 Stainless Steel Pure 3327G 3/32 7 In TIG welding of stainless steel, welding rods having the AWS-ASTM prefixes of E or ER can be used as 187G 1/8 7 filler rods. However, only bare uncoated rods should be used. Stainless steel can be welded using AC high frequency stabilized current, however, for DC straight polarity current recommendations must be increased 5327G 5/32 7 6 25%. Light gauge metal less than 1/16" thick should always be welded with DC straight polarity using 0407GL .040 7 argon gas. -
Basic Facts About Stainless Steel
What is stainless steel ? Stainless steel is the generic name for a number of different steels used primarily for their resistance to corrosion. The one key element they all share is a certain minimum percentage (by mass) of chromium: 10.5%. Although other elements, particularly nickel and molybdenum, are added to improve corrosion resistance, chromium is always the deciding factor. The vast majority of steel produced in the world is carbon and alloy steel, with the more expensive stainless steels representing a small, but valuable niche market. What causes corrosion? Only metals such as gold and platinum are found naturally in a pure form - normal metals only exist in nature combined with other elements. Corrosion is therefore a natural phenomena, as nature seeks to combine together elements which man has produced in a pure form for his own use. Iron occurs naturally as iron ore. Pure iron is therefore unstable and wants to "rust"; that is, to combine with oxygen in the presence of water. Trains blown up in the Arabian desert in the First World War are still almost intact because of the dry rainless conditions. Iron ships sunk at very great depths rust at a very slow rate because of the low oxygen content of the sea water . The same ships wrecked on the beach, covered at high tide and exposed at low tide, would rust very rapidly. For most of the Iron Age, which began about 1000 BC, cast and wrought iron was used; iron with a high carbon content and various unrefined impurities. Steel did not begin to be produced in large quantities until the nineteenth century. -
The Stainless Steel Family
The Stainless Steel Family A short description of the various grades of stainless steel and how they fit into distinct metallurgical families. It has been written primarily from a European perspective and may not fully reflect the practice in other regions. Stainless steel is the term used to describe an extremely versatile family of engineering materials, which are selected primarily for their corrosion and heat resistant properties. All stainless steels contain principally iron and a minimum of 10.5% chromium. At this level, chromium reacts with oxygen and moisture in the environment to form a protective, adherent and coherent, oxide film that envelops the entire surface of the material. This oxide film (known as the passive or boundary layer) is very thin (2-3 namometres). [1nanometre = 10-9 m]. The passive layer on stainless steels exhibits a truly remarkable property: when damaged (e.g. abraded), it self-repairs as chromium in the steel reacts rapidly with oxygen and moisture in the environment to reform the oxide layer. Increasing the chromium content beyond the minimum of 10.5% confers still greater corrosion resistance. Corrosion resistance may be further improved, and a wide range of properties provided, by the addition of 8% or more nickel. The addition of molybdenum further increases corrosion resistance (in particular, resistance to pitting corrosion), while nitrogen increases mechanical strength and enhances resistance to pitting. Categories of Stainless Steels The stainless steel family tree has several branches, which may be differentiated in a variety of ways e.g. in terms of their areas of application, by the alloying elements used in their production, or, perhaps the most accurate way, by the metallurgical phases present in their microscopic structures: . -
Titanium, Aluminum Or Steel?
Titanium, Aluminum or Steel? Thomas G Stoebe Professor Emeritus, University of Washington, Seattle, WA and National Resource Center for Materials Technology Education Edmonds Community College 20000 68 Ave West Lynnwood, WA 98036 425-890-4652; [email protected] Copyright Edmonds Community College 2008 Abstract: Testing of metals is usually undertaken with sophisticated instruments. However, you can demonstrate to your students the basic differences between certain classes of metals using the simple spark test, presented here. You can even have your students test their “titanium” sports equipment to see if it really titanium! In many cases, they will find that the name “titanium” is used for marketing but little will be found in the product. In the process, students see the visible result of the carbon content in steel, and the lack of carbon in other materials, plus realize the reactivity of titanium metal. Module Objective: This simple demonstration provides an introduction to materials and materials testing. Even though this technique is limited to certain metals, it helps the student understand that different materials are different, and that materials that look alike are not necessarily the same. It also provides an opportunity to describe ferrous and non-ferrous materials and their basic differences, and one effect of heating on these different materials. Titanium is sufficiently reactive in air that it gives off sparks even with no carbon present. Since so many products today indicate that they are made of titanium, this test also provides a simple means to test for titanium in a product. This demonstration can also be expanded into a lab experiment to identify unknown materials. -
Copper Alloys
THE COPPER ADVANTAGE A Guide to Working With Copper and Copper Alloys www.antimicrobialcopper.com CONTENTS I. Introduction ............................. 3 PREFACE Conductivity .....................................4 Strength ..........................................4 The information in this guide includes an overview of the well- Formability ......................................4 known physical, mechanical and chemical properties of copper, Joining ...........................................4 as well as more recent scientific findings that show copper has Corrosion ........................................4 an intrinsic antimicrobial property. Working and finishing Copper is Antimicrobial ....................... 4 techniques, alloy families, coloration and other attributes are addressed, illustrating that copper and its alloys are so Color ..............................................5 adaptable that they can be used in a multitude of applications Copper Alloy Families .......................... 5 in almost every industry, from door handles to electrical circuitry to heat exchangers. II. Physical Properties ..................... 8 Copper’s malleability, machinability and conductivity have Properties ....................................... 8 made it a longtime favorite metal of manufacturers and Electrical & Thermal Conductivity ........... 8 engineers, but it is its antimicrobial property that will extend that popularity into the future. This guide describes that property and illustrates how it can benefit everything from III. Mechanical -
Tree Trio Bracelet Instructions
Tree Trio by FusionBeads.com Approximate finished length: 7 inches, adjustable Beads and other products needed for three bracelets: 32 - 3x4.5mm Antique Brass Plated Pewter Faceted Beads by TierraCast® (AP0155) 24 - 6mm Amazonite Faceted Round Gemstone Beads (SE2634) 24 - 6mm Flower Jade Round Beads (SE2404) 24 - 8mm Flower Jade Round Beads (SE2471) 1 - 26.5x18mm Antique Brass Plated Pewter Bird in Tree Pendant by TierraCast® (AP6110) 1 - Antique Brass Plated Brass Cupola Cord End by TierraCast® - Fits 6mm Cord (AP6102) 1 - 5mm Antique Brass Plated Base Metal 21 Gauge Open Jump Ring (BM2733) 6 inches - 24 Gauge Round Antique Brass Artistic Wire (AW2107) 8 feet - Light Ecru Pearl Cotton Thread #8 (SM3708) 36 inches - Clear Stretch Magic Elastic Cord .7mm diameter (SM4433) Tools needed to complete the bracelets: Round nose pliers Chain nose pliers Wire Cutters Beading Scissors 1-1/4 in. Blade Hypo Tube Cement (TL1202) Photography, text and jewelry design © 2016 Fusion Beads, Inc. Beading Techniques needed to complete the bracelets: Making a Tassel Opening and Closing a Jump Ring Knotting Stretch Magic Wire Wrapping Instructions to complete “Tree Trio” bracelets: Tassel bracelet: Step 1 Wrap the pearl cotton thread around three fingers (see Making a Tassel Technique) until the tassel is as thick as you’d like. Carefully pull the thread loops from your fingers, and trim excess thread. Step 2 Using round nose pliers, make a loop in the middle of a 6-inch length of wire. Photography, text and jewelry design © 2016 Fusion Beads, Inc. Step 3 Wrap the wire around the cord, and make a wire wrapped loop (see Wire Wrapping Technique) with the wire. -
Silver Or Gold: the Color of Brass Instruments in the Late Middle Ages
1 Silver or Gold: The Color of Brass Instruments in the Late Middle Ages Timothy J. McGee The purpose of this article is to lay out some details I have gathered about brass instruments during the late Middle Ages as a way of requesting assistance from the readers of this jour- nal. As will become immediately evident, I am using the word "brass" in its meaning as a synonym for "cup-mouthpiece instruments," because my question has to do with the actual material the instruments were made of. In the process of researching the activities of the civic musicians of Florence during the twelfth to the sixteenth centuries, I have encountered considerable confusion about the material used for trumpets and trombones, and about the symbolism intended by the use of particular metals. Here is what I have found. The earliest reference to the employment of civic musicians in Florence is from gov- ernment documents of 8 February 1292' naming six trumpet players (tubatores) along with a player of the cenamella (probably a double reed) and another who played cimballella (undoubtedly the cymbals). The civic ensemble, known as the trombadori, was part of the ceremonial presence of Florence, participating in all official functions such as the frequent processions welcoming distinguished foreign visitors to the city, civic celebrations in honor of saints' days, or assemblies in which the governing executive appeared in public. The trombadori also accompanied the military in the field, and acted as representatives of the city of Florence by participating in celebrations in other cities. The earliest reference is as follows: ..