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Ecco Il Jazz Nascosto Nel Vecchio Mahler

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Ecco Il Jazz Nascosto Nel Vecchio Mahler 24SPE06A2407 ZALLCALL 11 22:57:34 07/23/98 Venerdì 24 luglio 1998 6 l’Unità2 GLI SPETTACOLI/MUSICA Genova, sorprendente concerto di Uri Caine che svela le radici klezmer del compositore Nomine Desderi direttore Regio di Torino Ecco il jazz nascosto Sarà Claudio Desderi,cantan- te, direttore d’orchestra e già direttore del Teatro Verdi di Pisa, è stato nominato diret- tore artistico del Teatro Regio di Torino, in sostituzione di Claudio Majer, dimissionario nel vecchio Mahler da marzo e ora al San Carlo di Napoli.Lohacomunicatoieri GENOVA. Tempo addietro, conver- (con lui Keith Jarreth arretra a ciò intatta. Cresciuti nella New York violino di Mark Feldman, il con- il sovrintendente Giorgio sando con John Zorn, gli accennavo che in effetti è: un intrattenitore a della radical jewish culture (il gan- trabbasso di Michael Formanek, il Balmas, che ha scelto Desderi al fatto che oggi il jazz può forse con- cinque stelle), ma così accademico glio musicale forse più propulsivo sax di Dave Binney, la tromba di come «uomo nato nel teatro, siderarsi tramontato come genere e intellettualizzato da suggerire, e dirompente di questa fine seco- Ralph Alessi, la batteria del giova- che ha cominciato a cantare a musicale specifico, ma che, nondi- appunto, l’immagine lo) questi musicisti de- nissimo ed entusiasta Jim Black, la 26 anni e che quindi conosce meno,lasciaallanostraepocaun’ere- di un crepuscolo. L’e- vono tutto al jazz radi- consolle di Dj Olive. Li unisce lavitadiunteatroeiproble- dità imprescindibile e di straordina- satto contrario è suc- La scena radicale cale dal quale derivano quella mentalità di cui sopra, l’in- midichivilavora». ria ricchezza: una mentalità aperta, cesso invece con Uri newyorkese l’estrema libertà di tuire il percorso che conduce al intrisa dell’attitudine improvvisati- Caine e il suo grup- condotta, la sfrontata cuore della musica di Mahler: la 24SPE06AF01 Cinema va,capacedicimentarsiereinventare po, altro pool ne- esplora le padronanza di qualsia- volontà di stringere insieme tutto 2.0 qualunque lingua e contesto. Zorn, wyorkese di prima li- affinità con il sistilema.Malaloro il mondo sonoro che gli suonava 25.50 «Independent» che non è mai d’accordo, rispose che nea, finalmente mondo musica non è jazz: l’au- dentro, il sublime, il popolare, il critica Pieraccioni l’ipotesi era molto interessante, ma ascoltato dal vivo do- tore che sta sui leggii, triviale, facendosene complice forse troppo idilliaca. «Purtroppo, po essercene inna- sinfonico del infatti è Gustav Ma- senza remore e trasfigurandolo in La quiete e l’equilibrio ecolo- disse, esistono anche figure come morati all’uscita di- musicista. C’è hler. Si ascoltano pagi- uno shock musicale ad altissima gico del parco dellaGarfagna- Wynton Marsalis». Inoltre, secondo quell’album capola- un disco: ne tratte dalla Quinta, temperatura. Da Uri Caine e com- na vengono turbati dalla lui il jazz ha ancora parecchio da dire voro che si chiama imperdibile dalla Prima, dalla Se- pagni ci viene un’ammaliante rive- troupe di Pieraccioni, che sta in quanto tale. Al concerto inaugura- Urlicht/Primal Light. conda sinfonia, dai Lie- lazione di Mahler e delle sue radici girando nella zona il suo nuo- le di Genova Jazz, ascoltando il trio Un po‘ di delusione der eines Fahrenden Ge- musicali boeme e yiddish (ossia vo film, Il mio West con Da- del pianista Brad Mehldau - recentis- l’avevamo messa in sellen eccetera: le si ri- klezmer). Non è neanche una rilet- vid Bowie e Harvey Keitel. sima supernova della scena newyor- conto. Eppure, no- conosce con un sussul- tura: è un’analisi, un’interpretazio- Lo riporta il quotidiano bri- kese - veniva da dare un po‘ ragio- nostante una serata to, abbaglianti, inedite, ne inoppugnabile, che nessun sag- tannico «The Indepen- ne a Zorn. Raffinatissimo, ipercol- logisticamente un po‘ sfortunata e di una bellezza che stordisce. Spes- gio in forma di parole potrebbe dent», raccontando che i to, manipolatore di contrappunti l’assenza di alcuni interpreti del so le note sono tali e quali, ma l’at- rendere in modo così lampante. curiosi attratti dal cast e le prosciugati, in un’atmosfera in bi- calibro di Dave Douglas e Don By- mosfera è un’altra, siamo in un Per chi può, Uri Caine sarà domani manovre della troupe di- lico fra Tristano e la Mitteleuropa ron presenti nel disco, l’inegua- mondo diverso, anzi a cavallo di aMantovaeil26aClusone. sturbano gli animali che se più estenuata, Mehldau snocciola gliabile aura che irradia da questa molti mondi. Attorno al pianofor- ne vanno dal territorio e un jazz di nobilissima caratura musica ne è uscita sostanzialmente te di Caine ci sono il portentoso Giordano Montecchi come tutto prosegua in bar- ba alle proteste degli abi- tanti e della Lipu. JAZZ Il musicista del Mali ha inaugurato il Marsala Festival Teatro Schultz e Snoopy Africa blues con la chitarra di Tourè a Broadway In scena anche Chick Corea e Brad Mehldau, mentre stasera è la volta di Paolo Fresu e domani Joe Zawinul. Il compositore Gustav Mahler Charles Schultz approda a Broadway:sembrainvattiche MARSALA. La sostituzione è stata il papà dei Peanuts abbia ac- dell’ultimo momento: Al di Meola, cettato di collaborare con il Contro caro-cd che doveva tenere l’unica data italia- regista Michael Mayer per ri- na per inaugurare lunedì scorso il IV portare in scena a Broadway il una campagna Festival Jazz di Marsala, ha dato for- musical del 1967 Sei un bra- dei giovani Ds fait per indisposizione di Aziza Mu- v’uomo Charlie Brown.La stafà Zadeh, il pianista del suo World 24SPE06AF03 partecipazione di Schultz al Sinfonia. Ma è stata ugualmente una progetto è una prima per il Una cartolina contro il caro- festa, perché il sostituto, AliFarka 3.0 creatore di Snoopy & co., cd: lo propone la Sinistra Tuorè,cantanteechitarristadelMali, 9.0 notoriamente un solitario. giovanile dei Democratici di ha fatto cantare e ballare molti degli Charlie Brown, Linus e Sinistra che ha lanciato una oltre 4000 che hanno invaso la bella Snoopy anni Novanta de- campagna nazionale. Oltre piazza Porta Nuova della cittadina si- butteranno a Manhattan 200mila cartoline inviate a ciliana. Nessun rimborso dei biglietti 24SPE06AF02 nella primavera del 1999 politici, personaggi della per gli scontenti, perché tutti i con- dopo una lunga tournée in musica, dell’industria certi della rassegna, che dura la bel- 3.0 tutta America. discografica, della cultura e lezza di otto giorni, con i nomi altiso- 9.0 dello spettacolo da rispedire nanti,sonogratuiti.MarsalaDocJazz Lirica alla Presidenza del Festival è stato pensato e voluto per Consiglio per aderire essere un punto di riferimento obbli- Sopra, Joe Zawinul, Morto il baritono all’iniziativa «Più musica, gatorio per tutti gli appassionati di a fianco Hermann Prey meno costi, uguale cultura». jazz (non solo della Sicilia). In cartel- The Blues Brothers Intanto i Ds hanno lone, dopo le presenze di John 24SPE06AF04 Band È morto, stroncato da un in- presentato, allegato alla McLaughlin, Maria Pia De Vito e Mi- e a sinistra farto, all’età di 69 anni, il legge finanziaria ‘98, un chael Brecker, ci sarà stasera il quar- 3.0 il chitarrista grande baritono tedesco Her- ordine del giorno che tettodiPaoloFresu,mentredomaniè 9.0 John McLaughlin mann Prey. Il cantante, che si impegna il governo a lavoltadelgruppoTerraArsaedelJoe ospiti era esibito soltanto tre giorni promuovere presso la Ue Zawinul Syndacate. Chiusura lunedì al Marsala Festival fa in un concerto al teatro di un’equiparazione tra conTheBluesBrothersBand. Monaco, era conosciuto in consumo dei beni musicali e Ma torniamo al concerto di AliFar- tutto il mondo per la sua par- beni librari, con ka Tourè (vincitore di un Grammy, ticolarissima voce che gli conseguente abbassamento nel 1995, per il disco con John Lee consentiva inediti virtuosi- dell’Iva. Anche la Fimi, Hooker, e collaboratore fidato di Ry jazz, con linee melodiche di anda- veroeproprio,conunaseratamemo- stetto («Origin», perché con esso è cina alla poesia. Corea, dal canto suo, smi e per il suo stile. Nato l’11 l’associazione che riunisce le Cooder), che si è presentato con tre mento discendente, a cuigli altrimu- rabile. Al cospetto di 5000 persone e appunto tornato ai suoni acustici de- era in forma smagliante e ha presen- luglio del 1929 a Berlino, Prey major discografiche, si percussionisti e un cantante. Il suo sicisti rispondono nella tipica forma con più di tre ore di musica, si sono gli esordi), comprendente tre fiati tato una serie di pezzi suoi e di stan- cominciò la sua carriera nel dichiarad’accordo: che modo di suonare la chitarra elettrica di «chiamata e risposta». I tre ritmi «confrontati» due pianisti: la matri- (Steve Wilson al sax alto, Bob Shep- dard arrangiati con sapiente dinami- Coro Mozart della capitale a differenza c’è - commenta il si rifà alle tecniche escogitate da illu- hanno sostenuto tutto con forza e cola Brad Mehldau (ventotto anni) e pard al tenore e Steve Davis al trom- smo e fresca inventiva, lasciando dieci anni. Il debutto all’Ope- direttore Enzo Mazza - tra stribluesmendelpassato:dàmaggio- coesione dimostrando come la musi- il veterano Chick Corea (cinquanta- bone) e ritmica. Di Mehldau meravi- molto spazio agli interventi dei com- ra di statobavaresee al Metro- un disco e un libro dei re importanza alla espressivitàche al- caafricana abbia raggiunto la perfe- sette). Il primo alla testa di un trio glia come, basandosi su un impianti- pagni(dicuicièpiaciutal’inesorabile politan di New York ci fu nel Beatles? la tecnica. Il suo canto è invece di di- zione nella stratificazione complica- classico (i bravissimi Larry Grana- no tradizionale, riesca a tirare fuori luciditàdelgiovaneWilson). 1960. retta derivazione africana e ha carat- tadeiritmi. dier, contrabbasso e Jorge Rossy, bat- idee personali, con le quali riesce a teristiche che si sono tradotte nel Il giorno dopo, si è passati al jazz teria); il secondo con un nuovo se- raggiungere un’intensità emotiva vi- Aldo Gianolio LA RASSEGNA Marx, sesso e rock in palcoscenico 24SPE06AF05 2.0 Ecco il Todi Festival 9.0 ROMA.
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