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Electronium:The Future Was Then

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Electronium:The Future Was Then BAM 2013 Next Wave Festival #Electronium Brooklyn Academy of Music Alan H. Fishman, Karen Brooks Hopkins, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Adam E. Max, Vice Chairman of the Board Electronium:The Future Was Then Produced by BAM In association with Questlove and Richard Nichols BAM Howard Gilman Opera House Oct 25 & 26 at 8pm Approximate running time: two hours including one intermission Ahmir “Questlove” Thompson Kirk Douglas Jeremy Ellis — Live Drum Machine How To Dress Well Rahzel Sonnymoon Emily Wells Metropolis Ensemble conducted by Andrew Cyr BAM 2013 Next Wave Festival sponsor Viacom is the BAM 2013 Music Sponsor Commission support for Electronium provided by The Virginia B. Toulmin Foundation Electronium Metropolis Ensemble conducted by Andrew Cyr: Kristin Lee, violin (concertmaster) Francisco Fullana, violin Karen Kim, viola Hiro Matsuo, cello Mellissa Hughes, soprano Virginia Warnken, alto Geoffrey Silver, tenor Jonathan Woody, bass-baritone ADDITIONAL PRODUCTION CREDITS Arrangements by Daniel Felsenfeld, DD Jackson, Patrick McMinn and Anthony Tid Lighting design by Albin Sardzinski Sound engineering by John Smeltz Stage design by Alex Delaunay Stage manager Cheng-Yu Wei Electronium references the first electronic synthesizer created exclusively for the composition and performance of music. Initially created for Motown by composer-technologist Raymond Scott, the electronium was designed but never released for distribution; the one remaining machine is undergoing restoration. Complemented by interactive lighting and aural mash-ups, the music of Electronium: The Future Was Then honors the legacy of the electronium in a production that celebrates both digital and live music interplay. Who’s Who Photo: Dino Perrucci AHMIR “QuESTLOVE” THOMPSON is the Over Tonight” for the season premiere of Monday drummer and co-founder, with his former high Night Football. school classmate Tariq Trotter, of the hip-hop group the Roots. The son of doo-wop star Lee In 2001 Questlove helped create the Philadel- Andrews, Thompson was exposed to music at an phia Experiment, a collaborative instrumental early age and performing on drums by the age of jazz trio with bassist Christian McBride and seven. His parents enrolled him at the Philadel- avant-garde jazz pianist Uri Caine. In 2011 he phia High School for the Creative and Performing partnered with Parisian star Keren Ann to present Arts, where he was exposed to a wide range of Philly-Paris Lockdown, a one-night celebration of music and other performing arts. 1900s Paris that took place at the Philadelphia International Festival of the Arts. In 2012 he Questlove has an active career in music outside conceived and curated Shuffle Culture, a multi- of his work with the Roots, now the house artist concert engagement produced by BAM band for Late Night with Jimmy Fallon. He has that explored technology’s role in our relation- produced the work of such artists as Common, ship with modern music. In addition to the list D’Angelo, Jill Scott, Erykah Badu, Jay-Z, and of awards and nominations he has received as more recently Al Green, Amy Winehouse, and a member of the Roots, Thompson was named John Legend. He has played drums on albums Best Scribe in Esquire’s 2006 Esky Music by Christina Aguilera, John Mayer, and Joshua Awards, was ranked 2nd in Rolling Stone’s list of Redman, to name a few, and was one of a hand- “50 Top Tweeters in Music,” and placed 8th in ful of musicians picked to back Hank Williams Jr. a Rolling Stone reader’s poll for “Best Drummers on a new version of “All My Friends Are Coming of all Time.” Who’s Who Photo courtesy the artist JEREMY ELLIS—LiVE DRUM MACHINE Ellis expands his genre as the foremost teacher pioneers an emerging style of music performance in his field providing clinics at venues such as on drum machines with the finesse of a classical Full Sail University, the Atlanta Institute of Music, pianist and the soul of a Motown child. Since Rockhal, and a TED talk. Along with live clinics, 1999, this acclaimed figurehead in new music Ellis shares lessons on the JeremyEllisMusic You- has performed in dozens of countries, in part Tube channel and released a unique, full-length thanks to sponsorships with innovative compa- tutorial on MacProVideo.com. nies like Propellerheads and Native Instruments. Currently working on a studio album, he looks Events for MTV Scratch, an invite from JJ forward to seeing his son crawl, and joining Abrams to play on the bridge of the Starship Questlove again this fall before touring Japan. Enterprise, Google Zeitgeist, and sharing the BAM stage with Questlove highlight his career. Who’s Who Photo courtesy the artist HOW TO DRESS WELL Tom Krell, who adopted the name How to Dress Love, released on his blog as a free download Well in 2004, grew up a fan of pop and R&B in in 2009, followed by six more EPs, and nearly the late 80s and early 90s—like everyone else 40 scorched yet flawless (and free) tracks. from the TRL generation. He sang along with Lefse Records put out one of these songs as the Britney and Mariah until his early teens when single “Ready for the World,” and also released he became enamored with early 2000s emo HTDW’s darkly introspective debut album, Love in high school, and in his 20s, drone, Michael Remains, which came out in October 2010 to Nyman, and harsh noise. In Brooklyn, his music much acclaim. He then signed with Domino performances were improvisational and included Records and in 2012 released his next album, layers of his vocals, delays and reverbs, and Total Loss, which he described as an “album swells of high frequency screeches; after moving about mourning and sharing.” This record to Germany in 2009, Krell’s work became far showed noteworthy development of the HTDW more composed, and he spent the bulk of 2009 project with his layered vocals mixing with creating hypnotic, melisma-driven tracks. He fractured hip-hop beats, cinematic strings, cool combined his passion for R&B, his penchant for sentiment, and much more focused production. sad stuff, and his love of abstract sounds on lo-fi This album was likewise received with huge recordings such as the EP The Eternal praise, making Krell’s forthcoming third record a very exciting prospect. Who’s Who Photo courtesy the artist RAHZEL, born Rozell Manely Brown in 1964 in Queens, NY, is one of few vocalists capable of singing or rapping while simultaneously beatboxing. As a boy he enjoyed deejaying, emceeing, breakdancing, and beatboxing. Rahzel’s influences include Biz Markie, Doug E Fresh, Buffy of the Fat Boys, Bobby McFerrin, and Al Jarreau. His first big break came in 1995 when he appeared on the Roots’ album, Do You Want More?!!!??! Rahzel has also worked with Erykah Badu, Ben Harper, Com- mon, Björk, and the Crystal Method. Photo courtesy the artist SONNYMOON is the brainchild of musicians Dane Orr (NY), Anna Wise (CA), and Joe Welch (VA). Their dynamic journey through an experimental approach to pop music began in 2009 when front- woman Anna Wise and producer Dane Orr began making music together after meeting in Boston. Though they caught the interest of listeners with soothing covers of Drake and Beyoncé, the group presents a wide array of sounds. From synthesized textures and samples to hard-hitting drum grooves, Sonnymoon often explores odd meters and unusual musical states, with Wise’s vocals guiding the trip. Sonnymoon has released two albums: Golden Age and Sonnymoon, and an EP: 2012. They have shared the stage with the Roots, Shabazz Palaces, Flying Lotus, Teebs, Shigeto, and Gonjasufi. Wise also appears on Kendrick Lamar’s album, good kid, m.A.A.d city. Sonnymoon is currently located in San Francisco and working on a third album. Who’s Who Photo: Shervin Lainez EMILY WELLS has been hailed for her multi- nary fusion experimental dance music, lyrical instrumental ambidexterity, a symphonic introspection, and classical complexity, the new embroidering of swirling strings, ingenious elec- album is stunningly austere, recorded solely with tronics, and intricate beats sewn together with voice and guitar. Trained as a classical violin- celestial vocals and deeply personal song craft. ist, in live performance Wells creates her own Her latest release, Mama Acoustic Recordings, sonic “spaceship,” an ever-growing arsenal of sees the New York-based singer, musician, and synthesizers, beat machines, and live drums, producer casting it all aside, reimagining songs all tied together with live sampling and a genre first heard on 2012’s acclaimed Mama. Where agnostic approach that is diverse, distinctive, and that collection was marked by Wells’ extraordi- utterly her own. Who’s Who Photo: Ed Lefkowicz Photo courtesy the artist ANDREW CYR (conductor), nominated for a METROPOLIS ENSEMBLE is a New York–based Grammy, is a leader in the rapidly growing chamber orchestra dedicated to making classical contemporary music scene. His passion for music in its most contemporary forms. Founded creating platforms for outstanding emerging in 2006 by Grammy-nominated conductor composers and performing artists to make new Andrew Cyr, Metropolis Ensemble has commis- music led him to found Metropolis Ensemble sioned 90 works of music from a dynamic mix in 2006. A multifaceted musician, Cyr has led of emerging composers. Metropolis Ensemble performances with a number of internationally has been presented by Lincoln Center, BAM, known musical artists who defy classification, Celebrate Brooklyn!, Le Poisson Rouge, Carn- including Ahmir “Questlove” Thompson, Deer- egie’s Weill Music Institute, New Victory Theater hoof, and Babx. Recent engagements include (in collaboration with ROH II and The Opera his debut with the Colorado Symphony in 2013, Group), Wordless Music, and in broadcasts on his off-Broadway debut at New Victory Theater NPR and NBC’s Late Night with Jimmy Fallon.
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