DOCSLIB.ORG

PRESS RELEASE Durban Gains Global Recognition Again 8 July 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PRESS RELEASE Durban Gains Global Recognition Again 8 July 2014 MEDIA RELEASE 08 July 2014 For immediate release Durban Gains Global Recognition Again! Durban makes it to the Top 21 List and is a strong contender to become the next New 7 Wonder City of the World, competing with the other leading finalist cities like Bangkok, Barcelona, Beirut, Chicago, Doha, Durban, Havana, Istanbul, Kuala Lumpur, La Paz, London, Mendoza, Mexico City, Mumbai, Perth, Quito, Reykjavik, Saint Petersburg, Seoul, Shenzhen and Vigan . His Worship the Mayor, Cllr James Nxumalo eagerly expressed that this achievement is a great honour for the City of Durban. To be positioned amongst other leading global cities of the world like London & Mumbai, proudly shows the commitment and competitive edge of our city as a leading Tourism, Events and Business Destination. We have recently been voted as the Friendliest City in South Africa and CNN voted Durban as one of the World’s most Underrated City’s, we are delighted that the World finally recognises the great potential of Durban. Phillip Sithole, Head of Durban Tourism states that this is a huge accolade for Durban, the tourism impact for a city to achieve this global status is tremendous, as visitors tend to visit cities that have been nominated on the 7 Wonder Lists. We are optimistic to be a finalist city and we show gratitude to all the voters that had confidence to vote for Durban. He also added that contributing to the success of the New7Wonders Cities initiative, the campaign needs to be more aggressively marketed and supported on a continent level, as we are the only city from Africa that made it to the Top 21 List. The next phase is critical and the city will do its utmost to increase the awareness and votes for Durban, to ensure we become a New 7 Wonder City of the World. The New7Wonders Cities campaign now enters its penultimate voting stage, which will run until 7 October, when the list of 21 will be reduced to 14. The 7 Official New7Wonders Cities will be revealed on 7 December 2014. Durban has found itself on this esteemed qualification list and has many significant offerings. The architectural masterpiece The Moses Mabhida Stadium, uShaka Marine World, one of the largest aquariums in the world, the International Convention Centre (ICC) is the leading conference centre in Africa, the warm hospitality, the rich cultural diversity and the vibrant urban lifestyle that reflects the energy and culture of the city all add to Durban’s well deserved positioning of being nominated to be on this list. Phillip Sithole, Head of Durban Tourism added , that the timing of this great achievement could not have come at a better time as the city prepares to launch its new Smart Cities Campaign, a documentary that forms part of the National Geographic Campaign in Washington on 16 July 2014. The NATGEO Partnership was launched in April 2012 and designed to encourage travel audiences to re-evaluate South African cities and see Durban as a 21st Century relevant ‘Liveable’ cities. National Geographic has created an engaging campaign of relevant and impactful content delivered across multiple global platforms to a curious, engaged audience of global traveller and thus far has reached an audience of 469 million global viewers. The World’s Smart Cities Programme will feature up to 18 of the world’s most liveable cities, cities capable of adapting and thriving with the growing urban trend, providing the best cities to live, visit, study and do business. The 1 hour long documentary is hosted by Digital Nomad Andrew Evans and Phindi Gule and focus on Destination Durban as a Smart City. The documentary will also bring to life unique and rich personality’s to share their stories and global icons like Joseph Shabalala of Ladysmith Black Mambazo will be profiled. The Launch will also be used as a platform to infiltrate a key source market, the USA to Durban and strategic partnerships will be forged to aggressively market the destination on a global level. Ends For more information, contact Durban Tourism - May Moodley – Tel : 031 3224169 Issued on behalf of : Phillip Sithole – Head of Durban Tourism – Cell : 0832888793 e-mail : [email protected] .
Load more

Recommended publications
  • Ladysmith Black Mambazo
    CAL PERFORMANCES PRESENTS Sunday, March 2, 2014, 7pm Zellerbach Hall Ladysmith Black Mambazo Joseph Shabalala ( with us in spiritual support ) Msizi Shabalala Russel Mthembu Albert Mazibuko Thulani Shabalala Thamsanqa Shabalala Sibongiseni Shabalala Abednego Mazibuko Ngane Dlamini Babuyile Shabalala Pius Shezi l a e L s i u L In Honor of Nelson Mandela Cal Performances’ (&')–(&'* season is sponsored by Wells Fargo. PLAYBILL ABOUT THE ARTISTS N 8679 , LADYSMITH BLACK MAMBAZO cele - the group’s ability to “chop down” any singing Ibrates over 50 years of joyous and uplifting rival who might challenge them. Their collec - music. Within Ladysmith’s singing are the in - tive voices were so tight and their harmonies so tricate rhythms and harmonies of their native polished that by the end of the 1960s the singers South African musical traditions. In those 50- were banned from competitions, although they plus years, the a cappella vocal group has cre - were welcome to participate as entertainers. ated a musical and spiritual message that has A radio broadcast in 1970 opened the touched a worldwide audience. Its singing door to the group’s first record contract—the efforts have garnered praise and accolades beginning of an ambitious discography that from a wide body of people, organizations, currently includes more than 50 recordings. and countries. Its p hilosophy in the studio was—and contin - As we all know, the father of their nation, ues to be—just as much about preservation of Nelson Mandela, passed away on December 5, musical heritage as it is about entertainment. 2013. His passing, while terribly sad, brings a The group sings a traditional music called isi - celebration for a life and message that cathamiya (is-cot-a- me -ya), which developed Ladysmith Black Mambazo has been con - in the mines of South Africa, where black nected with for many years.
    [Show full text]
  • Ladysmith Black Mambazo Monday, February 16, 2004 Theater Etiquette and Experiences
    A Performing Arts Series For Children PRESENTED BY THE MADISON CIVIC CENTER Ladysmith Black Mambazo Monday, February 16, 2004 Theater Etiquette and Experiences We have a wonderful opportunity at this performance to help youth learn about attending live performances. Sometimes young people do not realize how a live performance differs from watching a movie or television show. Please discuss the following with your students: 1. A live presentation has not been pre-recorded with the mistakes edited out. This makes it riskier for the performer and more exciting for the audience. It also means the audience contributes to the overall event. Each audience member affects those around him/her as well as the performer. The audience gives energy to the performer who uses that energy to give life to the performance. 2. An usher will show you where to sit. Walk slowly and talk quietly as you enter the theater. 3. If necessary, use the restroom before the performance begins. 4. Once you are seated, you may talk quietly to the people next to you until the performance begins. 5. When the lights dim, it is the signal that the performance is about to start. Stop talking and turn your attention to the stage. 6. Stay in your seat throughout the entire performance. 7. During the performance, listen quietly and watch closely. Talking during the performance will distract others around you, and the performers may think you’re not interested in the show. 8. LAUGHING IS APPROPRIATE. (Teachers, please do not hush the students while they are laughing.) If something is funny, it’s good to laugh.
    [Show full text]
  • Audiences Will Dance in Their Seats When the Grammy® Award-Winning
    March 1, 2011 Audiences will dance in their seats when the Grammy® award-winning South African ensemble Ladysmith Black Mambazo returns for a special one-night-only performance at the Annenberg Center Performance to include selections from the just released CD Songs from a Zulu Farm (Philadelphia, March 1, 2011) — Audiences will delight in the gentle, uplifting and intoxicating harmonies of the all-male a capella South African ensemble Ladysmith Black Mambazo when they return to the Annenberg Center stage for a special one-night-only performance on Friday, March 18 at 8:00 PM. The group will perform hits from their just released album Songs from a Zulu Farm, a collection of songs about growing up on the farm in South Africa, considered Ladysmith’s most personal album to date. Tickets for Ladysmith Black Mambazo are $20-$60. For tickets or for more information, please visit www.AnnenbergCenter.org or call 215.898.3900. Tickets can also be purchased in person at the Annenberg Center Box Office. Songs From A Zulu Farm, released on February 1, 2011, is a collection of South African children’s songs filled with lessons and sentiments that members of the group would have heard and sung themselves as children growing up on Zulu farms. Of the album Ladysmith founder and frontman Joseph Shabalala has said, “These are songs from the earliest time in our lives. When we sing these songs, we're singing from our personal history. We hope that these songs sung to South African children can be enjoyed by families in many other places in the world.” In 2010, Ladysmith Black Mambazo celebrated forty years of joyous and uplifting music that marries the intricate rhythms and harmonies of their native South African musical traditions to the sounds and sentiments of Christian gospel music.
    [Show full text]
  • Durban: a Return to Paradise and Its People
    DURBAN A Return to Paradise and its People welcome t to durban you are here CONTENTS 009 Foreword 010 History 016 City Plans 026 Faith 030 Commerce 036 Eating 042 Building 048 Design 054 Writing 058 Art 064 Music 072 Dance 076 Theatre 080 Film Published by eThekwini Municipality 084 Museums Commissioned by Ntsiki Magwaza 088 Getting Out eThekwini Communications Unit Words and layout Peter Machen 092 Sport Photography See photo credits 096 Mysteries Printed by Art Printers 100 Where to Stay Printed on Environmentally friendly Sappi Avalon Triple Green Supreme Silk paper 102 Governance ISBN 978-0-620-38971-6 104 Etcetera FOREWORD The face of Durban has changed citizens in to the mainstream of economic activity in eThekwini. dramatically over the past few years These plans are part of the Citys 2010 and Beyond Strategy. due to the massive investments in When the Municipality was planning for the 2010 World Cup, it did infrastructure upgrade that were kick- not just focus on the tournament but tried to ensure that infrastructural started ahead of the 2010 Fifa World improvements would leave a lasting legacy and improve the quality Cup. Many of the plans that were of life for its residents. Beyond the World Cup, these facilities, detailed in the previous edition of Durban together with the Inkosi Albert Luthuli International Convention Centre A Paradise and its People have now been completed and have and Ushaka Marine World, have helped Durban to receive global helped to transform Durban into a world class city that is praised by recognition as Africas sporting and events capital.
    [Show full text]
  • Ladysmith Black Mambazo Wednesday, February 17, 7:00 P.M. ET Virtual Performance with Artist Talkback
    Ladysmith Black Mambazo Wednesday, February 17, 7:00 p.m. ET Virtual Performance with Artist Talkback The UMass Fine Arts Center is supported by the New England Foundation for the Arts through the New England Arts Resilience Fund, part of the United States Regional Arts Resilience Fund, an initiative of the U.S. Regional Arts Organizations and The Andrew W. Mellon Foundation, with major funding from the federal CARES Act from the National Endowment for the Arts. UMass Amherst occupies the traditional land of the Nonotuck tribe. We would also like to acknowledge our neighboring Indigenous nations: the Nipmuc and the Wampanoag to the East, the Mohegan and Pequot to the South, the Mohican to the West, and the Abenaki to the North. The presentation of Ladysmith Black Mambazo is sponsored by: THE ARTISTS Thulani Shabalala Sibongiseni Shabalala Thamsanqa Shabalala Msizi Shabalala Albert Mazibuko Abednego Mazibuko Mfanafuthi Dlamini Pius Shezi Sabelo Mthembu PROGRAM 1. Love Your Neighbor 2. Nomathemba 3. Thalaza 4. Long Walk To Freedom 5. Joseph Shabalala Tribute 6. Hello My Baby 7. Tough Times Never Last 8. Never Give Up 9. Nqokonqoko 10. Homeless 11. Wenothanda Bantu 12. This Little Light of Mine ABOUT LADYSMITH BLACK MAMBAZO South Africa’s Five Time GRAMMY Award winning singing group, Ladysmith Black Mambazo, was founded in the early 1960s by Joseph Shabalala, a teenage Zulu farm boy living on the lands just outside the small town of Ladysmith. The groups name represents a combination of references: Ladysmith, Joseph’s hometown, honors his family history; Black for the black oxen he worked with and the strongest of farm animals symbolizes the strength of the group’s vocal singing and the Zulu word mambazo for chopping axe, a symbol of the group’s vocal ability.
    [Show full text]
  • Unrevised Hansard Mini Plenary Session – Committee Room E249 Thursday, 10 May 2018 Page: 1
    UNREVISED HANSARD MINI PLENARY SESSION – COMMITTEE ROOM E249 THURSDAY, 10 MAY 2018 PAGE: 1 THURSDAY, 10 MAY 2018 ____ PROCEEDINGS OF MINI-PLENARY SESSION – COMMITTEE ROOM E 249 ____ Members of the mini-plenary session met in Committee Room E249 at 14:00. The House Chairperson Mr C T Frolick took the Chair and requested members to observe a moment of silence for prayer or meditation. APPROPRIATION BILL Debate on Vote No 37 – Arts and Culture: The MINISTER OF ARTS AND CULTURE: House Chairperson, hon members, Chairpersons and Chief Executives of Public Entities, distinguished guests, members of the media, ladies and gentlemen, I want to extend my warmest greetings to all of you present; it gives me great joy to appear before Parliament to present our budget vote and also to interact with you the representatives of our people. UNREVISED HANSARD MINI PLENARY SESSION – COMMITTEE ROOM E249 THURSDAY, 10 MAY 2018 PAGE: 2 The centenary of Madiba and Ma Sisulu is celebrated this year under the theme: Be the legacy. Had President Nelson Mandela and Ma Sisulu lived they would have turned 100 years old this year. This year also marks the 40th anniversary of the untimely passing of that patriot and a combatant for African Liberation, Prof Robert Mangaliso Sobukwe. These patriots of our country were deeply influenced by the inscription found at the entrance of Solomon Mahlangu Freedom College in Mazimbu, Tanzania which reads thus: Ours was not for personal glory, nor distinction, but for a noble cause of our time - the liberation of the people of South Africa and the entire humanity.
    [Show full text]
  • About Ladysmith Black Mambazo Ladysmith Black Mambazo Was Created in the Early 1960S by Visionary Singer and Activist, Joseph Shabalala
    About Ladysmith Black Mambazo Ladysmith Black Mambazo was created in the early 1960s by visionary singer and activist, Joseph Shabalala. The group’s name comes from Shabalala’s hometown of Ladysmith, near the city of Durban, South Africa. Black refers to the strongest of all farm animals, the black ox. Mambazo is the Zulu word for axe, a symbol of the group’s vocal strength. The group is deeply rooted in a musical style called isicathamiya (is-cot-a-ME-Ya): a kind of a capella singing (using only voices with no music or instruments) featuring close harmonies and many voices blending different notes at once. This style usually includes hand movements and tight chorography, too. A radio broadcast in 1970 opened the door to their first record contract. Their philosophy in the studio was—and continues to be—as much about preservation of musical heritage as it is about entertainment. During the 1970's and early 1980's Ladysmith Black Mambazo established themselves as the most successful singing group in South Africa. In the mid-1980s, the American singer/songwriter Paul Simon visited South Africa and incorporated the group's rich harmonies into his famous Graceland album, a landmark recording that was considered crucial in introducing world music to mainstream audiences. The group is a legend in their native South Africa, and played a critical role in the international movement to end apartheid—the brutal system of racial segregation and minority rule that controlled South African life from 1948-1991. “Our aim from the beginning was to encourage South African people, especially the young people, that they have talent and are free to use their indigenous music and not try to be somebody else,” reported an original member of the ensemble.
    [Show full text]
  • University of Zululand Master of Music
    UNIVERSITY OF ZULULAND INDIGENOUS FEATURES INHERENT IN AFRICAN POPULAR MUSIC OF SOUTH AFRICA A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF MUSIC in the department of Music at the University of Zululand by THULASIZWE NKABINDE DECEMBER 1997 INDIGENOUS FEATURES INHERENT IN POPULAR MUSIC OF SOUTH AFRICA SUPERVISOR: PROF MK XULU DECLARATION The whole of this work is a product of my original thought and research. Where the contrary is found that willl always be acknowledged in full. THULASIZWE NKABINDE ACKNOWLEDGMENTS I would like to express my gratitude to Professor Musa ~IU for his patience, advice and guidance, without which this project would have been all the more difficult. My deepest appreciate goes to my father, Mr. Gibson Siyabonga Nkabinde, my wife Beauty and all my children, Khayelihle, Phelelani and Banele for all their support and encouragement, and to Ms Brenda Trimmel for her endless hours of typing and perfectionist care in the format of this project. I would also like to thank all those people who, in one way or another, made this project reach completion. They are: Professor Joseph Bhekizizwe Shabalala of the Ladysmith Black Mambazo, Marks Mankwane of the Makgona Tsohle Band, Mahlathini and the Mahotella Queens, Yvonne Chaka Chaka, Simon Buthelezi, Bongani Hlatshwayo, Print and Electronic Media, the entire SABC staff and the SABC Choristers, not forgetting the enormous support from the audience, the music lovers. DEDICATION This thesis is dedicated to my late mother Mrs Thembakuye Nkabinde who gave me all the support to pursue my career. ABSTRACT The central aim of this study is to identify those features in the music of Ladysmith Black Mambazo, Yvonne Chaka Chaka, Mahlathini and the Mahotella Queens that derive from Indigenous African music and show how they have been transformed to become part of popular idioms.
    [Show full text]
  • 20Th Edition | F Dircoza |
    Issue 20 A better South Africa * A better Africa * A better world DIRCO flickr thedircoza Edition th 20 @theDIRCOza South Africa’s Public Diplomacy in action Africa’s South DIRCOza www.dirco.gov.za Creating Conducive Conditions for Africa’s Development www.dirco.gov.za | f Dircoza | @theDIRCOza | thedircoza | DIRCO flickr The African Union Headquarters in Addis Ababa, Ethiopia In the spirit of Ubuntu UBUNTU magazine – issue 20 cSouth Africa’s Publicr Diplomacye in action dits Publisher UBUNTU Clayson Monyela a Nguni word meaning humanity Editor-in-Chief The Department of International Relations Michelle Greeff – [email protected] and Cooperation’s quarterly magazine Tel: +27 12 351 1743 Editor Delien Burger - [email protected] Tel: +27 12 351 0948 Advertising Nthabiseng Makuwa - [email protected] Tel: +27 12 351 0388 Distribution Olwethu Koli – [email protected] Tel: +27 12 351 0006 Photographers Jacoline Schoonees, Yandisa Monakali, Katlholo Maifadi and Yolande Snyman, Department of International Relations and Cooperation; United Kingdom Department for International Development; Government Communication and Information System; SA Tourism; Xinhua/Chen Cheng; Jonathan Gill, Flickr; The Melrose Gallery (Cape Town); Owl Rescue Centre, Facebook; Luke Daniel / Red Bull Content Pool; Technothermsa.com; Ms Universe, Facebook; Miss Universe 2019, Twitter; Design Indaba; Delia Oosthuizen; Michael Tellinger; Craig Foster; Andreas Wittich; Southern African Wildlife College; Atlantic Campaigns, Facebook Ben Duffy; Juanita Mulder, Pixaby; Jean van der Meulen, Pixabay; Anthea Pokroy; Kagga Kamma Nature Reserve, Facebook; Hayward's Grand Safari Company; Baviaans Camino, Facebook; The Workshop Ko Kasi, Facebook; Oceana Beach and Wildlife Reserve, Facebook; and Sarah Koning.
    [Show full text]
  • HIV/AIDS and Discourses of Stigma and Denial: the Interventive Nature of Music Performance
    HIV/AIDS and Discourses of Stigma and Denial: The Interventive Nature of Music Performance Thembela Vokwana Student No: 0011018F A Research Report submitted to the Faculty of Humanities, University of the Witwatersrand, in partial fulfilment of the requirements for the degree of Master of Arts (Cultural Studies) Supervisor: Professor C E Lucia Johannesburg February 2014 Abstract Discourses and general knowledge about HIV/AIDS filter down to the general population through the authoritative language of science and medicine, but various other role players also feature in such knowledge production. These include religious bodies, governments, and the general public. Each has noticeable effects on how HIV/AIDS is known, and more specifically, how those living with HIV/AIDS are treated in society. In this research, I use (auto)biographical texts by Cameron, Levin, McGregor and Steinberg as well as everyday talk, to analyse discursive processes around HIV/AIDS in South Africa. I examine the effects of language used in representing HIV/AIDS and explore how language contributes to a creation and maintenance of negative discourses that generate stigma, shame, and denial among those infected and affected. I then look at two films, one documenting the Mandela 46664 concert held in Greenpoint, Cape Town in 2003 which is captured together with other documentary material on the DVD 46664: The Event (2004), and the other called IThemba/Hope (also 2004), a documentary showing preparations of Sinikithemba choir, Umlazi, to perform at the 10th Conference on Retroviruses and Opportunistic Infections in Boston, USA. Through an examination of the music performances and extra-musical aspects, I interrogate how they can be seen to constitute an intervention potentially contributing to a counter discourse that helps to demystify HIV/AIDS in South Africa and destigmatize the disease.
    [Show full text]
  • Ladysmith Black Mambazo Notes.Indd
    CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Th ursday, March , , pm ladysmith black mambazo city of Durban, which provided him the oppor- Zellerbach Hall tunity to seek work in a factory. Leaving the fam- Mention African song and most people think of ily farm was not easy, but it was during this time South African practitioners of the vocal arts— that Joseph fi rst showed a talent for singing. After Solomon Linda, Miriam Makeba and, perhaps singing with several groups in Durban, he returned Ladysmith Black Mambazo more than anyone else in recent memory, Ladysmith to his hometown of Ladysmith and began to put Black Mambazo. Ladysmith Black Mambazo has together groups of his own. come to represent the traditional culture of South He was rarely satisfi ed with the results. “I felt Africa. Th ey are regarded as South Africa’s cultural there was something missing…. I tried to teach the emissaries at home and around the world. In , music that I felt, but I failed until , when a at Nelson Mandela’s request, Black Mambazo harmonious dream came to me. I always heard the accompanied the future President to the Nobel harmony from that dream and I said ‘Th is is the Peace Prize ceremony in Oslo, Norway. Mambazo sound that I want and I can teach it to my guys.’” sang again at President Mandela’s inauguration in In the early years, Joseph recruited members May . Th ey are a national treasure of the new of his family, and friends—brothers Headman and South Africa, in part because they embody the Jockey, cousins Albert and Abednego Mazibuko traditions suppressed in the old South Africa.
    [Show full text]
  • LADYSMITH BLACK MAMBAZO for Over 50 Years, South Africa's
    LADYSMITH BLACK MAMBAZO For over 50 years, South Africa’s Ladysmith Black Mambazo has warmed the hearts of audiences worldwide with their uplifting vocal harmonies, signature dance moves and charming onstage banter. With a deep respect for both their cultural and personal history, Ladysmith Black Mambazo is ever- evolving with an eye toward their long musical legacy. Over the years, the original members have welcomed a younger generation in their mission, passing along the tradition of storytelling and spreading their message of peace, love, and harmony to millions of people. The newer members, in turn, have infused the group with their youthful energy and the promise of a bright future. Ladysmith Black Mambazo founder Joseph Shabalala looks to these young men to carry on his dream to “keep South Africa alive in people’s hearts” for years to come. In 2014, Ladysmith Black Mambazo – led by founder and leader JOSEPH SHABALALA – celebrates over fifty years of joyous and uplifting music. Within this music are the intricate rhythms and harmonies of their native South African musical traditions. In those years, the a cappella vocal group has created a musical and spiritual spirit that has touched a worldwide audience. Their musical efforts over the past five decades have garnered praise and accolades from a wide body of people, organizations and countries. Assembled in the early 1960s in South Africa by Joseph, then a young farmboy turned factory worker, the group took the name Ladysmith Black Mambazo. Ladysmith is the name of Joseph’s hometown, about three hours west of Durban and 3 hours east of Johannesburg; Black being a reference to the oxen, the strongest of all farm animals; and Mambazo being the Zulu word for chopping axe, a symbol of the group’s ability to “chop down” any singing rival who might challenge them.
    [Show full text]