The Folk Project September 2021
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Neil Foster Carries on Hating Keith Listens To
April 2017 April 96 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Chuck Berry, Capital Radio Jazzfest, Alexandra Palace, London, 21-07-79, © Paul Harris Neil Foster carries on hating Keith listens to John Broven The Frogman's Surprise Birthday Party We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 An unidentified man spotted by Bill Haynes stuffing a pie into his face outside Wilton’s Music Hall mumbles: “ HOLD THE THIRD PAGE! ” Hi Gang, Trust you are all well and as fluffy as little bunnies for our spring edition of Tales From The Woods Magazine. WOW, what a night!! I'm talking about Sunday 19th March at Soho's Spice Of Life venue. Charlie Gracie and the TFTW Band put on a show to remember, Yes, another triumph for us, just take a look at the photo of Charlie on stage at the Spice, you can see he was having a ball, enjoying the appreciation of the audience as much as they were enjoying him. You can read a review elsewhere within these pages, so I won’t labour the point here, except to offer gratitude to Charlie and the Tales From The Woods Band for making the evening so special, in no small part made possible by David the excellent sound engineer whom we request by name for our shows. As many of you have experienced at Rock’n’Roll shows, many a potentially brilliant set has been ruined by poor © Paul Harris sound, or literally having little idea how to sound up a vintage Rock’n’Roll gig. -
Signers of the United States Declaration of Independence Table of Contents
SIGNERS OF THE UNITED STATES DECLARATION OF INDEPENDENCE 56 Men Who Risked It All Life, Family, Fortune, Health, Future Compiled by Bob Hampton First Edition - 2014 1 SIGNERS OF THE UNITED STATES DECLARATION OF INDEPENDENCE TABLE OF CONTENTS INTRODUCTON Page Table of Contents………………………………………………………………...………………2 Overview………………………………………………………………………………...………..5 Painting by John Trumbull……………………………………………………………………...7 Summary of Aftermath……………………………………………….………………...……….8 Independence Day Quiz…………………………………………………….……...………...…11 NEW HAMPSHIRE Josiah Bartlett………………………………………………………………………………..…12 William Whipple..........................................................................................................................15 Matthew Thornton……………………………………………………………………...…........18 MASSACHUSETTS Samuel Adams………………………………………………………………………………..…21 John Adams………………………………………………………………………………..……25 John Hancock………………………………………………………………………………..….29 Robert Treat Paine………………………………………………………………………….….32 Elbridge Gerry……………………………………………………………………....…….……35 RHODE ISLAND Stephen Hopkins………………………………………………………………………….…….38 William Ellery……………………………………………………………………………….….41 CONNECTICUT Roger Sherman…………………………………………………………………………..……...45 Samuel Huntington…………………………………………………………………….……….48 William Williams……………………………………………………………………………….51 Oliver Wolcott…………………………………………………………………………….…….54 NEW YORK William Floyd………………………………………………………………………….………..57 Philip Livingston…………………………………………………………………………….….60 Francis Lewis…………………………………………………………………………....…..…..64 Lewis Morris………………………………………………………………………………….…67 -
In New York City
Outdoors Outdoors THE FREE NEWSPAPER OF OUTDOOR ADVENTURE JULY / AUGUST / SEPTEMBER 2009 iinn NNewew YYorkork CCityity Includes CALENDAR OF URBAN PARK RANGER FREE PROGRAMS © 2009 Chinyera Johnson | Illustration 2 CITY OF NEW YORK PARKS & RECREATION www.nyc.gov/parks/rangers URBAN PARK RANGERS Message from: Don Riepe, Jamaica Bay Guardian To counteract this problem, the American Littoral Society in partnership with NYC Department of Parks & Recreation, National Park Service, NYC Department of Environmental Protection, NY State Department of Environmental Conservation, Jamaica Bay EcoWatchers, NYC Audubon Society, NYC Sierra Club and many other groups are working on various projects designed to remove debris and help restore the bay. This spring, we’ve organized a restoration cleanup and marsh planting at Plum Beach, a section of Gateway National Recreation Area and a major spawning beach for the ancient horseshoe crab. In May and June during the high tides, the crabs come ashore to lay their eggs as they’ve done for millions of years. This provides a critical food source for the many species of shorebirds that are migrating through New York City. Small fi sh such as mummichogs and killifi sh join in the feast as well. JAMAICA BAY RESTORATION PROJECTS: Since 1986, the Littoral Society has been organizing annual PROTECTING OUR MARINE LIFE shoreline cleanups to document debris and create a greater public awareness of the issue. This September, we’ll conduct Home to many species of fi sh & wildlife, Jamaica Bay has been many cleanups around the bay as part of the annual International degraded over the past 100 years through dredging and fi lling, Coastal Cleanup. -
Speakers Biographies
7th Annual Sustainable Raritan Conference and Awards Ceremony Two States: One Bay A bi-state conversation about the future of the Raritan Bay Douglass Student Center Rutgers, The State University of New Jersey 100 George Street, New Brunswick, NJ 08901 Friday, June 12, 2015 Participant Biographies Carl Alderson is the Mid-Atlantic Fisheries Habitat Restoration Coordinator for the NOAA Fisheries Restoration Center, stationed at the Howard National Marine Science Lab in Highlands, NJ. Through his career Carl has provided management, restoration planning and technical design guidance to coastal habitat projects valued at over $50 million dollars through NOAA’s Damage Assessment Remedial and Restoration Program and Community- based Restoration Grants Program. Projects improve passage of migratory fish, and enhance shellfish and wetland habitats; often with the additional benefit of site remediation. As coordinator for NOAA efforts in Delaware, Pennsylvania, New York and New Jersey, Carl has developed relationships between federal, state and local partners that led to significant leveraging of project funds. Carl is a graduate of the Rutgers University, School of Environmental and Biological Sciences - Landscape Architecture Program. Before joining NOAA in 2002, Carl led a team of NYC scientists in a decade long effort to acquire, protect and restore tidal and freshwater wetlands, marine bird and fish habitat as compensation for natural resources damages resulting from oil spills in NY Harbor. Kate Anderson, Chief, Clean Water Regulatory Branch, USEPA. Kate Anderson is the branch manager for the Clean Water Regulatory Branch in the Environmental Protection Agency‘s Clean Water Division in EPA’s New York office. Her branch is responsible for a variety of CWA regulatory programs in New York, New Jersey, Puerto Rico, and the Virgin Islands, including, NPDES permitting, Total Maximum Daily Loads (TMDL), water quality standards, dredged materials management and the Marine Protection Research and Sanctuaries Act enforcement. -
Folk Music Society Newsletter
UPDATED as of 3/20/2018 also see Events Calendar, p.11 Folk Music Society of New York, Inc. March. 2018 vol. 53 No. 3 March Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club; Woodside, 8pm 4 Sun Annual Pete Seeger Memorial Sing; John St. Ch., 2pm 4 Sun Gathering Time; 4pm, Good Coffee House, Brooklyn 7 Wed Folk Open Sing; 7pm in Brooklyn 10 Sat Pat Lamanna & Sharleen Leahey & Lydia Adams Davis; Peoples' Voice Cafe, 8pm 11 Sun Upper West Side Song Swap at HINY; 58pm 12 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 7 14 Wed Sunnyside Singers Club; performer Marie Mularczyk O'Connell & the Mountain Maidens, 8pm 17 Sat Dian Killian + Alice Farrell + Alison Kelley; PVC, 8pm 18 Sun Shanty Sing on Staten Island, 25 pm 18 Sun Lois Morton; 24pm at O.S.A. Hall, 220 E. 23 St; 24pm 21 Wed Sunnyside Singers Club CANCELED due to weather 23 Fri Keith Murphy, 7:30pm at O.S.A. Hall, 220 E. 23 St 24 Sat Colleen Kattau + John Ziv & Tom Weir; Peoples' Voice 29 Thur Newsletter Mailing, 7pm in Jackson Heights, Queens 31 Sa Sam Harmet & Erica Mancini; New World Folk Club, 4 6pm at the Scratcher Bar April Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, 8pm 4 Wed Folk Open Sing; 7pm in Brooklyn 8 Sun Tom Ghent; 4pm, Good Coffee House, Brooklyn 8 Sun Upper West Side Song Swap at HINY, 58pm 9 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. -
The United States, Great Britain, the First World
FROM ASSOCIATES TO ANTAGONISTS: THE UNITED STATES, GREAT BRITAIN, THE FIRST WORLD WAR, AND THE ORIGINS OF WAR PLAN RED, 1914-1919 Mark C. Gleason, B.S. Thesis Prepared for the Degree of MASTER OF SCIENCE UNIVERSITY OF NORTH TEXAS May 2012 APPROVED: Geoffrey Wawro, Major-Professor Robert Citino, Committee Member Michael Leggiere, Committee Member Richard McCaslin, Chair of the Department of History James D. Meernik, Acting Dean of the Toulouse Graduate School Gleason, Mark C. From Associates to Antagonists: The United States, Great Britain, the First World War, and the Origins of WAR PLAN RED, 1914-1919. Master of Arts (History), May 2012, 178 pp., bibliography, 144 titles. American military plans for a war with the British Empire, first discussed in 1919, have received varied treatment since their declassification. The most common theme among historians in their appraisals of WAR PLAN RED is that of an oddity. Lack of a detailed study of Anglo- American relations in the immediate post-First World War years makes a right understanding of the difficult relationship between the United States and Britain after the War problematic. As a result of divergent aims and policies, the United States and Great Britain did not find the diplomatic and social unity so many on both sides of the Atlantic aspired to during and immediately after the First World War. Instead, United States’ civil and military organizations came to see the British Empire as a fierce and potentially dangerous rival, worthy of suspicion, and planned accordingly. Less than a year after the end of the War, internal debates and notes discussed and circulated between the most influential members of the United States Government, coalesced around a premise that became the rationale for WAR PLAN RED. -
64997 Frontier Loriann
SPRING/SUMMER 2010 akes Off y Project T ace Histor e Aerosp RM Th T STO ERFEC THE P TING T PAIN PAS THE ING VEY SUR The Huntington Library, Art Collections, and Botanical Gardens The Huntington Library, Art Collections, and Botanical Gardens FROM THE EDITOR SENIOR STAFF OF THE HUNTINGTON STEVEN S. KOBLIK UNDER THE RADAR President GEORGE ABDO Vice President for Advancement JAMES P. FOLSOM Marge and Sherm Telleen/Marion and Earle Jorgensen Director of the Botanical Gardens N THE 1970 S, LOCKHEED’S HIGHLY CLASSIFIED SKUNK WORKS KATHY HACKER operation began developing what became known as the F-117 Stealth Executive Assistant to the President fighter. Under the supervision of Ben Rich (see photo, at bottom), engi - SUSAN LAFFERTY neers at the Burbank outfit designed a plane with flat panels that could Nadine and Robert A. Skotheim Director of Education Ideflect radar signals. The project itself remained top secret well into the 1980s, SUZY MOSER although by then Southern California had become widely acknowledged as the Associate Vice President for Advancement center of the aerospace industry, employing more than a half million people. JOHN MURDOCH In “Taking Flight” (page 10), historian Peter Westwick says that “Southern Hannah and Russel Kully Director of Art Collections California as we know it would not exist without aerospace.” He writes about ROBERT C. RITCHIE W. M. Keck Foundation Director of Research The Huntington’s new Aerospace History Project, a collection that includes Ben RANDY SHULMAN Rich’s archive as well as the personal papers and oral histories of other corporate Assistant Vice President for Advancement leaders, design engineers, and manufacturing engineers that together give scholars LAURIE SOWD perspectives “from corporate boardrooms to engineering bullpens to the shop Associate Vice President for Operations floor.” Until now, the historical impact of the industry had gone largely unnoticed ALISON D. -
Woodrow Wilson's Colonial Emissary: Edward M. House and the Origins of the Mandate System, 1917-1919
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 8-2013 Woodrow Wilson's Colonial Emissary: Edward M. House and the Origins of the Mandate System, 1917-1919 Scot D. Bruce University of Nebraska-Nebraska Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the Diplomatic History Commons Bruce, Scot D., "Woodrow Wilson's Colonial Emissary: Edward M. House and the Origins of the Mandate System, 1917-1919" (2013). Dissertations, Theses, & Student Research, Department of History. 63. https://digitalcommons.unl.edu/historydiss/63 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WOODROW WILSON’S COLONIAL EMISSARY: EDWARD M. HOUSE AND THE ORIGINS OF THE MANDATE SYSTEM, 1917-1919 by Scot David Bruce A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: History Under the Supervision of Professor Lloyd E. Ambrosius Lincoln, Nebraska August, 2013 WOODROW WILSON’S COLONIAL EMISSARY: EDWARD M. HOUSE AND THE ORIGINS OF THE MANDATE SYSTEM, 1917-1919 Scot D. Bruce, Ph.D. University of Nebraska, 2013 Advisor: -
Nick 2014 Winter Newsletter
nickelodeon Music Club Crescent Heights Community Hall - 1101 - 2nd Street N.W. Mailing address: P. O. Box 63016, Stadium RPO Calgary, AB T2N 4S5 www.thenick.ca 34th Season: Winter 2014 elcome to the 2nd half of our 34th anniversary sea- Tickets son at the Nick! We will present some old friends • 2014-2015 GOLD CARD renewals will commence (for a and a bunch of terrific newcomers. The home of the limited time) starting February 22nd. There is a waiting list WNickelodeon is the Crescent Heights Community Hall (1101 - 2nd for GOLD CARDS that aren’t renewed - email us if you Street NW). Seating is first-come first serve with the following wish to be added to the waiting list. exception: season’s ticket holders who arrive early will be given Please send your email to: [email protected] preferential admission from 6:50 - 7:00 P.M. Our ticket capacity is 193 patrons, and 110 are season’s ticket holders. Concerts begin at 7:30 p.m. with the doors opening at 7:00 p.m. Online Ticket Sales An evening at the Nick begins with an opening act, followed by • $25 Advance Tickets for ALL January to April 2014 concerts go on sale two sets by our featured performer. Breaks between sets allow December 13 at www.brownpapertickets.com time for socializing and indulging in an entree, great cakes, pop- corn and other refreshments. Advance Ticket Sales At The Nick Guitar Raffle! The Nick will once again conduct a raffle for a Bristol BD-16 • Starting at our first club on January 11th, and at each club Dreadnought guitar and wall hanger, generously donated by Mike MacLeod thereafter, Nick patrons may purchase advance tickets for and The Acoustic Guitar. -
RED HOUSE RECORDS Publicity Contact: Ellen Stanley • [email protected] • (651) 644-4161
RED HOUSE RECORDS Publicity Contact: Ellen Stanley • [email protected] • (651) 644-4161 DANNY SCHMIDT man of many moons RHR-CD-232 • Release Date: February 8, 2011 _________ “Danny Schmidt is a force of nature: a blue moon, a hundred-year flood, an avalanche of a singer-songwriter.” - Sing Out! “idiosyncratic, meticulously constructed songs...infused with intellect and quirkiness.” - New Yorker _________ Red House Records is pleased to announce the February 8, 2011 release of Man of Many Moons, the new album from Austin folksinger Danny Schmidt. Recognized for his sharp wit and poetic sensibility, he has been called “a rare breed” by the Austin Chronicle--a musician’s musician who is respected for his highly original writing and loved for his captivating performances. Since the release of his Red House debut Instead the Forest Rose to Sing, he has emerged from the underground music scene to become one of America’s most significant songwriters. The album garnered rave reviews and charted for months on folk and Americana radio, making No Depression’s “Best of 2009” list and becoming the #2 most played folk album that year. Now, with the release of his new album, Danny confirms that he is “one of the great singer- songwriters of his generation” (Heaven Magazine). On Man of Many Moons, Danny returns to a purely acoustic sound, bringing us an album that is truly stripped down to the songs themselves. “The vision for the production was to try and allow the songs the breath and space to remain simple and intimate,” he says. “It’s, for the most part, me and my guitar and the songs. -
34Th Annual Washington Folk Festival Is the Folklore Soci- Washington Area
Volume 50, Number 9 NEWSLETTERfsgw.org May 2014 Riki Schneyer CD release concert 34th Sunday, May 18 • Annual 8 pm at WES FSGW is marking our 50th anniversary by celebrating our music and our community, and this CD-release event gives us a fine opportunity for a Washington celebration. As the daughter of FSGW founding members Helen and Sol Schneyer, Riki Schneyer has been part of the FSGW commu- Folk Festival nity since its beginning. Born into a family of musicians, visual artists, and activists, she has been making music and art since before she could stand up. The Schneyer May 31 and June 1, household where she grew up in Kensington, MD, served as a gathering place for musicians, tradition bearers, budding artists and revival- 12 noon to 7 pm ists who lived in and passed through the The 34th annual Washington Folk Festival is the Folklore Soci- Washington area. It was a treasure ety’s most ambitious annual event featuring over 450 of the best tradition- trove of multicultural influences: al musicians, storytellers, dancers and craftspeople from the area. The festi- blues singers, ballad collectors, val has as its mission to showcase the rich diversity of traditional culture that is Scottish weavers, musicians found in our Greater Washington from all parts of the Brit- Area. It includes five stages, simulta- ish Isles, American neously presenting music and dance for a total of nearly 70 hours of live performance. Continued It also provides a lively storytelling stage, dance on page 2 workshops in the Spanish Ballroom, a craft market- place in the old Bumper Car Pavilion, periodic street performances, a pipe-band parade and many sponta- neous picking sessions in Glen Echo’s pick-nick grove. -
Refrain, Again: the Return of the Villanelle
Refrain, Again: The Return of the Villanelle Amanda Lowry French Charlottesville, VA B.A., University of Colorado at Boulder, 1992, cum laude M.A., Concentration in Women's Studies, University of Virginia, 1995 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia August 2004 ___________________________________ ___________________________________ ___________________________________ ___________________________________ ABSTRACT Poets and scholars are all wrong about the villanelle. While most reference texts teach that the villanelle's nineteen-line alternating-refrain form was codified in the Renaissance, the scholar Julie Kane has conclusively shown that Jean Passerat's "Villanelle" ("J'ay perdu ma Tourterelle"), written in 1574 and first published in 1606, is the only Renaissance example of this form. My own research has discovered that the nineteenth-century "revival" of the villanelle stems from an 1844 treatise by a little- known French Romantic poet-critic named Wilhelm Ténint. My study traces the villanelle first from its highly mythologized origin in the humanism of Renaissance France to its deployment in French post-Romantic and English Parnassian and Decadent verse, then from its bare survival in the period of high modernism to its minor revival by mid-century modernists, concluding with its prominence in the polyvocal culture wars of Anglophone poetry ever since Elizabeth Bishop’s "One Art" (1976). The villanelle might justly be called the only fixed form of contemporary invention in English; contemporary poets may be attracted to the form because it connotes tradition without bearing the burden of tradition. Poets and scholars have neither wanted nor needed to know that the villanelle is not an archaic, foreign form.