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Terkena Serangan COVID-19, Aktor Jepang Sonny Chiba Meninggal di Usia 82 Realitarakyat.com – Aktor asal Jepang Sonny Chiba meninggal karena COVID-19 di usia 82 tahun. Dilansir dari People, Jumat (20/8/2021), manajer Sonny Chiba mengonfirmasi berita meninggalnya aktor tersebut pada Oricon News Jepang. Dia mengabarkan bahwa Sonny meninggal pada Kamis (19/8/2021) di rumah sakit saat berjuang melawan pneumonia yang disebabkan oleh COVID-19. Lebih lanjut, dia mengatakan bahwa Sonny sebelumnya telah dirawat di rumah sakit sejak 8 Agustus lalu. Sonny Chiba meninggalkan tiga orang anak yaitu uri Manase, Mackenyu Arata dan Gordon Maeda yang semuanya juga merupakan aktor. Menanggapi kabar duka dari kematian aktor legenda tersebut, para penggemar dan pembuat film pun memberikan penghormatan kepada Sonny di media sosial. “Sonny Chiba yang hebat meninggal hari ini pada usia 82, korban lain dari COVID-19,” tulis penulis Ted Geoghegan di Twitter. “Seorang legenda seni bela diri dengan enam sabuk hitam yang dimulai di TV tokusatsu, Chiba membuat lebih dari 120 film untuk Toei dan merupakan bintang aksi paling populer di Jepang selama beberapa dekade. Tonton salah satu filmnya hari ini.” lanjutnya. “Legenda aksi sejati. Film Anda abadi dan energi Anda adalah inspirasi,” kata aktor Lewis Tan. menambahkan. Sonny Chiba lahir di Sadaho Maeda di Fukuoka, Jepang pada tahun 1939. Dia mulai belajar seni bela diri pada 1950-an di bawah bimbingan master Karate Masutatsu “Mas” Oyama. Dia mendapatkan sabuk hitam tingkat pertama pada tahun 1965. Pada tahun 1984, Sonny memiliki sabuk hitam tingkat empat di karate dan kemudian memegang sabuk hitam tambahan di ninjutsu, shorinji kempo, judo, kendo dan karate goju-ryu. Di Amerika Serikat, Sonny paling dikenal karena tampil dalam film Quentin Tarantino pada tahun 2003, “Kill Bill Volume 1”. Dia memerankan tokoh Hattori Hanzo yang merupakan pensiunan ahli pedang dan memiliki restoran sushi yang membuat pisau untuk karakter Uma Thurman. Tak hanya itu, Sonny juga sempat berperan dalam “The Fast and the Furious: Tokyo Drift” pada 2006. Dia memerankan Kamata, paman dari penjahat utama Takashi di film tersebut. (ndi).

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H K a N D C U L T F I L M N E W S
More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma..
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Masaaki Hatsumi and Togakure Ryu
How Ninja Conquered the World THE TIMELINE OF SHINOBI POP CULTURE’S WORLDWIDE EXPLOSION Version 1.3 ©Keith J. Rainville, 2020 How did insular Japan’s homegrown hooded set go from local legend to the most marketable character archetype in the world by the mid-1980s? VN connects the dots below, but before diving in, please keep a few things in mind: • This timeline is a ‘warts and all’ look at a massive pop-culture phenomenon — meaning there are good movies and bad, legit masters and total frauds, excellence and exploitation. It ALL has to be recognized to get a complete picture of why the craze caught ﬁre and how it engineered its own glass ceiling. Nothing is being ranked, no one is being endorsed, no one is being attacked. • This is NOT TO SCALE, the space between months and years isn’t literal, it’s a more anecdotal portrait of an evolving phenomenon. • It’s USA-centric, as that’s where VN originates and where I lived the craze myself. And what happened here informed the similar eruptions all over Europe, Latin America etc. Also, this isn’t a history of the Japanese booms that predated ours, that’s someone else’s epic to outline. • Much of what you see spotlighted here has been covered in more depth on VintageNinja.net over the past decade, so check it out... • IF I MISSED SOMETHING, TELL ME! I’ll be updating the timeline from time to time, so if you have a gap to ﬁll or correction to offer drop me a line! Pinholes of the 1960s In Japan, from the 1600s to the 1960s, a series of booms and crazes brought the ninja from shadowy history to popular media.
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FIRST STRIKE N Awesome Thrill Ride Leaturiig the World's Most Explosive Action Star Fghiing for America for the First Time
NEW LINE'S most exelesite IV. world's ter star !opts action irme. ter the ttrst NO STUNTMAN, NO FEAR, America NO EQUAL... Jackie Chan's FIRST STRIKE n awesome thrill ride leaturiig the world's most explosive action star fghiing for America for the first time. In the air, on the groind End under water, the stunts are real! Mastered in high definition to bring you the ultimate video and audio gt._arityl Chan's authen- tic action and hilarious hercic3 r-na.ce Jackie Chan's First Strike one of the most exciting, -un and unique film S.R.P. experiences you'll ever have. Ra-ed PC -13. VHS #N4556V, "There is no greater p Spanish #N4557V, Wiaesc -een #N4601V $19.98 action performer ali "Jackie Chan's the world's top action star." - Dave Kehr, NY Daily W idescree - Roger Ebert, Chicago Sul -Times ThAT TIl: NOC61` KICK! 11111131114.-11rCEIfI\Ell KICK 011leflt r r ) THE KICK i STRET r1 iii 5 r.1 r 1 ' l e ,I,t. got E,nR ;- , . t / J of the some set containing collet-Aces, made # N4301V A must-have arts films ever me ma rt ral n most aweso hter Collector's Ed Street F ig é The Street Fighter-#N4300 Return 01 S l F her sLast Reveng SyreQ The g Fig hter-#N4302E Sister St eet LECTOR'S IOESEEEEE EeIfIeE STREET Abused, but always invin- COLLECTOR'S EDITION t FIGHTER Sonny Ch JE is ; act, cible, Chiba returns...and Sonny Chiba explodes on meaner Inc bade- that means trouble.
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Facebook Unveils Virtual Reality 'Workrooms'
Established 1961 11 Sunday, August 22, 2021 Lifestyle Features onny Chiba, a Japanese martial arts humble, caring and friendly man.” who recruited him in a competition for new Hattori Hanzo, who forges a sword to help Sexpert and actor who appeared in Born Sadaho Maeda in 1939 in talent. In the wake of Bruce Lee’s world- Uma Thurman in her quest for revenge in Quentin Tarantino’s “Kill Bill,” has died Fukuoka, in the southwest of Japan, Chiba wide success, Chiba made a name for him- “Kill Bill.” In 2006, Chiba also had a role in from COVID-19 complications, his agent studied martial arts throughout the 1960s, self outside Japan as an ultra-violent “The Fast and the Furious: Tokyo Drift.” In this ﬁle photo Sonny Chiba attends the world said Thursday. He was 82. “Sonny passed becoming a particular expert in karate. His henchman in “The Street Fighter” trilogy. Beal said Chiba had been due to work on premiere of the new Japanese/American co- away from COVID-19 yesterday,” Timothy skills landed him numerous roles in That performance left an impression on “Outbreak Z,” a zombie movie starring production of the feature ﬁlm ‘Take a Chance’ Beal told AFP. “Such tragic news. He was a Japanese films and television series, a youthful Tarantino, who would later cast Wesley Snipes. — AFP at ArcLight Hollywood in Hollywood. — AFP great friend and an awesome client. Such a including with the influential Toei studio, him to play samurai-turned-sushi-chef etflix will soon premiere a docu- seat went to Hayley Arceneaux, 29, a Nmentary series chronicling physician assistant, who survived cancer Inspiration4, the world’s first all- as a child and will become the first per- civilian space mission, the streaming son to go into space with a prosthesis.
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Introduction 1 Samurai in Videogames 2 the Cinematic Factor 16 Samurai of Legend 26 Mythification, Immersion and Interactivity 3
INTRODUCTION 1 SAMURAI IN VIDEOGAMES 2 Sword of the Samurai (2003, JP) 2 The W ay of the Samurai (2002, JP) 6 Onimusha W arlords (2001, JP) 8 Throne of Darkness (2001, USA) 11 Shogun: total W ar, the warlord edition (2001, UK) 13 THE CINEMATIC FACTOR 16 The lone swordsman 16 Animé 20 The Seven Samurai 23 The face of the silver screen warrior 24 SAMURAI OF LEGEND 26 Musashi 26 Yagyu Jubei 28 Oda Nobunaga 30 MYTHIFICATION, IMMERSION AND INTERACTIVITY 32 Mythification 32 Immersion, Interactivity and Representation 34 CONCLUSION 39 BIBLIOGRAPHY 41 Introduction The Samurai, everyone has a certain mental image of these warriors, be it the romanticized noble warrior or the ruthless fighter, or even the lone wanderer who is trying to change his fate by the sword. These images of the Samurai are most often based on popular (mediated) productions like the Japanese period film (Jidai Geki) and, most recently, Samurai videogames. It is this last and newest of these mediated productions, the videogame, which will be the main subject of this Thesis. I will start by describing videogames that incorporate these warriors, then I will try to determine if film has had any influence on this representation. From the influence of film I will move on to other contemporary media: the novel, Animé films and Manga comics. It is my goal to determine in what manner all these forms of contemporary media have influenced the representation of the Samurai in videogames. I will use a theory by Desser, which he calls —Mythification of history“. Desser claims in his book, —The Samurai films of Akira Kurosawa“, that the Japanese film has a tendency to elevate certain historical periods, figures, facts and legends into mythic proportions.
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Second Batch of Anti-COVID-19 Equipment Donated by Indian Gov't
GROW SAPLINGS, NURTURE CLUSTERS OF TREE AND CONSERVE FORESTS FOR BETTER SOCIETY PAGE-8 (OPINION) Vol. VIII, No. 124, 14th Waxing of Wagaung 1383 ME www.gnlm.com.mm Saturday, 21 August 2021 Republic of the Union of Myanmar Five-Point State Administration Council Road Map of the State Notification No 247/2021 13th Waxing of Wagaung 1383 ME Administration Council 20 August 2021 1. The Union Election Commission will be reconstituted and its mandated tasks, including the scrutiny of Extension of public holidays for further voter lists, shall be implemented in accordance with prevention, control and treatment over the law. 2. Effective measures will be taken with added infection of COVID-19 momentum to prevent and manage the COVID-19 pandemic. THE State Administration Council has set the successive public holidays for the five times to 3. Actions will be taken to ensure the speedy recovery head off the infection chains of COVID-19 for the people to abide by the restricted disciplines during the public holidays. In order to soonest reach the normal situation by controlling the of businesses from the impact of COVID-19. infection of COVID-19, the notification was announced that the period from 23 to 31 August 2021 4. Emphasis will be placed on achieving enduring peace was further set as the successive public holidays (except for the Central Bank of Myanmar and for the entire nation in line with the agreements set its subordinate government banks and private banks under the specific situation) in accord with out in the Nationwide Ceasefire Agreement. Section 25 of the Negotiable Instruments Act.
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Kinji Fukasaku, El Cine De La Crueldad.Japan Cult Cinema 19
Kinji Fukasaku, el cine de la crueldad.Japan Cult Cinema 19/29.05.06 Otra forma de ver cine Kinji Fukasaku, el cine de la crueldad.Japan Cult Cinema Viernes 19 20.30h Kinji Fukasaku, el cine de la crueldad (I) Policía contra el crimen organizado (Kenkei tai shoshiki boryoku / Cops v Thugs), de Kinji Fukasaku. Japón, 1975. 100’. V.O.S. en inglés y español electrónico. Sábado 20 20.30 h Kinji Fukasaku, el cine de la crueldad (II) Mafioso callejero (Gendai yakuza: hito-Kiro yota / Street Mobster), de Kinji Fukasaku. Japón, 1972. 92’. V.O.S. en inglés y español electrónico. Domingo 21 20.30h Kinji Fukasaku, el cine de la crueldad (III) Japan organized crime boss - Nihon boryoku- dan: Kumicho, de Kinji Fukasaku .Japon, 1969. 97’. V.O.S. en inglés y español electrónico. Viernes 26 20.30h Kinji Fukasaku, el cine de la crueldad (IV) Simpatía por los perdedores (Bakuto gaijin butai/ Sympathy for the Underdog), de Kinji Fukasaku. Japón, 1971. 93’. V.O.S. en inglés y español electrónico. Sábado 27 20.30 h Kinji Fukasaku, el cine de la crueldad (V) Codicia a la luz del día (Hakuchu no buraikan/ Greed in Broad Daylight), de Kinji Fukasaku. Japón, 1961. 82’. V.O.S. en inglés y español electrónico. Domingo28 20.30 h Kinji Fukasaku, el cine de la crueldad (y VI) Samurai del Shogun (Yagyû ichizoku no inbô/The Shogun's Samurai/ The Yagyu Conspiracy), de Kinji Fukasaku. Japón, 1978. 130’. V.O.S. en inglés y español electrónico. - 2 - Otra forma de ver cine La Cinemateca UGT, Casia Asia y Japan Foundation, presentan el ciclo: Kinji Fukasaku, el cine de la crueldad.
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Diplomarbeit Schwert & Faust
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT SCHWERT & FAUST Kultureller Austausch OST-WEST / WEST-OST Am Beispiel physischer Techniken asiatischer Kampf-Kunst-Filme Verfasserin Mag. Art. Hannelore Hanja Dirnbacher angestrebter akademischer Grad Magistra der Philosophie Wien, 2009 Studienkennzahl lt. Studienblatt: A 317 295 Studienrichtung lt. Studienblatt: Theater- Film- und Medienwissenschaft Betreuerin / Betreuer: Prof. Dr. Ulf Birbaumer INHALT Zugang zur Thematik………………..……………………………….……1 1. Kontakte Ost-West Historischer Überblick...……………………….17 1.1. Japonisme………………………………………………………….....18 1.2. Kontakte Ost West in der Theaterkonzeption………………………..22 1.3. Ost-West Kontakte im Film der 1920-er Jahre………………………23 1.4. Fernöstliche Kultur, und Filmschnitt Technik……………………….24 1.5. Japanische Filmkultur und der Westen………………………………25 1.6. Der Japonisme martialer Körperkünste……………………………...26 Filmliste chronologisch…………………………………...................28 2. Beeinflussungen – der Western – die 1950-er und 60-er Jahre…... ..29 2.1. Der Deutsche Western……………………………………………….29 2.2. Der Italo Western – „Spaghetti Western“………………………........30 2.3. „Yojimbo“ ( 1961 ) „Per un pugno die Dollari“ ( 1964 )…………....32 2.3.1. Yojimbo Ken Do……………………………………………......33 2.3.2. Die Thematik…………………………………………………...34 2.4. Western in Italia……………………………………………………...36 2.5. Der neue Rollen Typ…………………………………………………37 2.6. Gesichter im Italo Western…………………………………………...39 2.7. Der zweite Film in Sereie…………………………………………….41 2.7.1. Ein Ken Do Duell……………………………………………….42 2.7.2. Der italienische Folgefilm Sergio Leones……………………....43 2.8. Der Weg des „Spaghetti Western“…………………………………...45 2.8.1. Das Schweigen im Schnee……………………………………...45 2.8.2. Italo Stile………………………………………………………..46 2.9. Il Western „Buffone“………………………………………………...49 2.9.1. Diverse Techniken……………………………………………...50 2.9.2.
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Alternative Titles Index
VHD Index - 02 9/29/04 4:43 PM Page 715 Alternative Titles Index While it's true that we couldn't include every Asian cult flick in this slim little vol- ume—heck, there's dozens being dug out of vaults and slapped onto video as you read this—the one you're looking for just might be in here under a title you didn't know about. Most of these films have been released under more than one title, and while we've done our best to use the one that's most likely to be familiar, that doesn't guarantee you aren't trying to find Crippled Avengers and don't know we've got it as The Return of the 5 Deadly Venoms. And so, we've gathered as many alternative titles as we can find, including their original language title(s), and arranged them in alphabetical order in this index to help you out. Remember, English language articles ("a", "an", "the") are ignored in the sort, but foreign articles are NOT ignored. Hey, my Japanese is a little rusty, and some languages just don't have articles. A Fei Zheng Chuan Aau Chin Adventure of Gargan- Ai Shang Wo Ba An Zhan See Days of Being Wild See Running out of tuas See Gimme Gimme See Running out of (1990) Time (1999) See War of the Gargan- (2001) Time (1999) tuas (1966) A Foo Aau Chin 2 Ai Yu Cheng An Zhan 2 See A Fighter’s Blues See Running out of Adventure of Shaolin See A War Named See Running out of (2000) Time 2 (2001) See Five Elements of Desire (2000) Time 2 (2001) Kung Fu (1978) A Gai Waak Ang Kwong Ang Aau Dut Air Battle of the Big See Project A (1983) Kwong Ying Ji Dut See The Longest Nite The Adventures of Cha- Monsters: Gamera vs.
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Conventions of This Guide
The VINTAGE NINJA Movie & TV Guide VOL. 1: JAPAN, LIVE ACTION — 1920s-1980s © Keith J. Rainville, 2021 You want to see the movies Sho Kosugi grew up watching, the ones that inspired animation designers and video game artists of the 80s and 90s, the ones the James Bond people ripped off in the 60s, but where to start? Or, you’ve amassed a collection of these gems already but know there’s more out there. Here’s a user- friendly reference for both pursuits, with quick-and-easy recommendations for Japanese ninja titles from the silent era to the late 80s — their general flavor and tone, varying trends and tropes, and a lot of surprises. CONVENTIONS OF THIS GUIDE: • TITLES — for better or worse I’ve used the most commonly used translations out there. These are often the most accessible references to these films so, even if the title’s been butchered, there’s still a practical advantage when searching them out. • VN as an entity has to be cautious when it comes to supporting/endorsing certain not-so-authorized film collecting activities out there, so sorry, there’s no links here... • YES THERE’S MORE TO COME! This will be updated often and I have a huge stack of discs and files awaiting input. Plus future volumes on Anime, Japan 1990—present, Hong Kong/Chinese films, ninja-like hooded heroes, and more. • Yes, we welcome corrections and additions. Email me through the website. • See the Appendixes at the end for more info! Images © Shochiku Co., Ltd, 1965. Text © Keith J.
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Country Singer Tom T. Hall Dies They Were “The Opposite of What We Thought of in Alex Trebek
ARAB TIMES, SUNDAY, AUGUST 22, 2021 NEWS/FEATURES 13 People & Places TV Past scrutinized Mike Richards out as ‘Jeopardy!’ host LOS ANGELES, Aug 21, (AP): Producer Mike Rich- ards stepped down from his brief tenure as host of “Jeopardy!” after a report about past misogynistic comments surfaced this week and following a drum- beat of criticism about his selection and how it was made. Richards was chosen last week as the successor to Alex Trebek, a decision that was seen as divisive from the beginning after the show had embarked on a search that included actors, sports ﬁ gures, journalists and celebrities. Earlier this week, The Ringer website revealed de- meaning comments about women, the homeless and others that Richards had made on a 2013-14 podcast, “The Randumb Show.” The clips were removed on- line after the report was posted. “Over the last several days it has become clear that mov- ing forward as host would be too much of a distraction for our fans and not the right move for the show,” Richards said in a note to the “Jeopardy!” staff on Friday. Richards said a search for a new host will begin, with guest hosts returning to continue pro- Richards duction for the new season. But viewers will get to see the short-lived emcee in action. The episodes that Richards taped Thursday will air when the show re- turns for its 38th season starting Sept. 13; a do-over with a substitute host would be a slap at the contest- ants and further undermine the show.
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Love in the Time of Transcultural Fusion: Cinephilia, Homage and KILL BILL 2005
Repositorium für die Medienwissenschaft Jenna Ng Love in the Time of Transcultural Fusion: Cinephilia, Homage and KILL BILL 2005 https://doi.org/10.25969/mediarep/11991 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Ng, Jenna: Love in the Time of Transcultural Fusion: Cinephilia, Homage and KILL BILL. In: Marijke de Valck, Malte Hagener (Hg.): Cinephilia. Movies, Love and Memory. Amsterdam: Amsterdam University Press 2005, S. 65– 79. DOI: https://doi.org/10.25969/mediarep/11991. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell 3.0 Lizenz zur Verfügung Attribution - Non Commercial 3.0 License. For more information gestellt. Nähere Auskünfte zu dieser Lizenz finden Sie hier: see: https://creativecommons.org/licenses/by-nc/3.0 https://creativecommons.org/licenses/by-nc/3.0 Love in the Time of Transcultural Fusion Cinephilia, Homage and Kill Bill Jenna Ng I. Introduction There is an inherent difficulty in defining love. Douglas Hofstadter’s ironic de- finition lies more in demonstrating the impracticalities of general recursion than in a genuine attempt for perspicuity. Love simply seems too mystical a force to be registered compactly by facile explanation; it is lamely compared – love “like a red, red rose,” or love that “resembles the eternal rocks beneath” – or else shrugged off as inexplicable phenomena: “love without reason… No wisdom, no judgement / No caution, no blame…” It is presumably too compli- cated an emotion to analyse, too multifaceted for deconstruction, too profound for definitive scrutiny. The love of cinema suffers from a similar ambiguity.
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