FIRST STRIKE N Awesome Thrill Ride Leaturiig the World's Most Explosive Action Star Fghiing for America for the First Time

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FIRST STRIKE N Awesome Thrill Ride Leaturiig the World's Most Explosive Action Star Fghiing for America for the First Time

NEW LINE'S most exelesite IV. world's ter star !opts action irme. ter the ttrst NO STUNTMAN, NO FEAR, America NO EQUAL... Jackie Chan's FIRST STRIKE n awesome thrill ride leaturiig the world's most explosive action star fghiing for America for the first time. In the air, on the groind End under water, the stunts are real! Mastered in high definition to bring you the ultimate video and audio gt._arityl Chan's authen- tic action and hilarious hercic3 r-na.ce Jackie Chan's First Strike one of the most exciting, -un and unique film S.R.P. experiences you'll ever have. Ra-ed PC -13. VHS #N4556V, "There is no greater p Spanish #N4557V, Wiaesc -een #N4601V $19.98 action performer ali "Jackie Chan's the world's top action star." - Dave Kehr, NY Daily W idescree - Roger Ebert, Chicago Sul -Times ThAT TIl: NOC61` KICK! 11111131114.-11rCEIfI\Ell KICK 011leflt r r ) THE KICK i STRET r1 iii 5 r.1 r 1 ' l e ,I,t. got E,nR ;- , . t / J of the some set containing collet-Aces, made # N4301V A must-have arts films ever me ma rt ral n most aweso hter Collector's Ed Street F ig é The Street Fighter-#N4300 Return 01 S l F her sLast Reveng SyreQ The g Fig hter-#N4302E Sister St eet LECTOR'S IOESEEEEE EeIfIeE STREET Abused, but always invin- COLLECTOR'S EDITION t FIGHTER Sonny Ch JE is ; act, cible, Chiba returns...and Sonny Chiba explodes on meaner Inc bade- that means trouble. He's the screen as the meanest tougher He's hi-3,d :0 been beaten once...now, karate master ever to rule silence a :quea 3r, but Sonny Chiba is deter- the streets, and the great- finds hi - wl' as the mined to not only get est martial arts sensation target air h3 proves even, but get revenge, since Bruce Lee! Exactly as he is "TF e ultimate the last revenge! seen in theaters, plus three movie I: ad ass!° VHS #N4384E, original theatrical trailers! -Chris Niter, N. Po,t Rated R ALL FOR Rated R VHS #N4431 E, Full R frais_ Hate': $9.98 Full frame $9.98 #N4300E $9.98 Unrated #N4383E Widescre i 4N44821 98 Widescreen #N4301V $19.98 a $19.98 P S.R.P.' www.americanradiohistory.com.

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H K a N D C U L T F I L M N E W S
More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma..
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Masaaki Hatsumi and Togakure Ryu
How Ninja Conquered the World THE TIMELINE OF SHINOBI POP CULTURE’S WORLDWIDE EXPLOSION Version 1.3 ©Keith J. Rainville, 2020 How did insular Japan’s homegrown hooded set go from local legend to the most marketable character archetype in the world by the mid-1980s? VN connects the dots below, but before diving in, please keep a few things in mind: • This timeline is a ‘warts and all’ look at a massive pop-culture phenomenon — meaning there are good movies and bad, legit masters and total frauds, excellence and exploitation. It ALL has to be recognized to get a complete picture of why the craze caught ﬁre and how it engineered its own glass ceiling. Nothing is being ranked, no one is being endorsed, no one is being attacked. • This is NOT TO SCALE, the space between months and years isn’t literal, it’s a more anecdotal portrait of an evolving phenomenon. • It’s USA-centric, as that’s where VN originates and where I lived the craze myself. And what happened here informed the similar eruptions all over Europe, Latin America etc. Also, this isn’t a history of the Japanese booms that predated ours, that’s someone else’s epic to outline. • Much of what you see spotlighted here has been covered in more depth on VintageNinja.net over the past decade, so check it out... • IF I MISSED SOMETHING, TELL ME! I’ll be updating the timeline from time to time, so if you have a gap to ﬁll or correction to offer drop me a line! Pinholes of the 1960s In Japan, from the 1600s to the 1960s, a series of booms and crazes brought the ninja from shadowy history to popular media.
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Established 1961 11 Sunday, August 22, 2021 Lifestyle Features onny Chiba, a Japanese martial arts humble, caring and friendly man.” who recruited him in a competition for new Hattori Hanzo, who forges a sword to help Sexpert and actor who appeared in Born Sadaho Maeda in 1939 in talent. In the wake of Bruce Lee’s world- Uma Thurman in her quest for revenge in Quentin Tarantino’s “Kill Bill,” has died Fukuoka, in the southwest of Japan, Chiba wide success, Chiba made a name for him- “Kill Bill.” In 2006, Chiba also had a role in from COVID-19 complications, his agent studied martial arts throughout the 1960s, self outside Japan as an ultra-violent “The Fast and the Furious: Tokyo Drift.” In this ﬁle photo Sonny Chiba attends the world said Thursday. He was 82. “Sonny passed becoming a particular expert in karate. His henchman in “The Street Fighter” trilogy. Beal said Chiba had been due to work on premiere of the new Japanese/American co- away from COVID-19 yesterday,” Timothy skills landed him numerous roles in That performance left an impression on “Outbreak Z,” a zombie movie starring production of the feature ﬁlm ‘Take a Chance’ Beal told AFP. “Such tragic news. He was a Japanese films and television series, a youthful Tarantino, who would later cast Wesley Snipes. — AFP at ArcLight Hollywood in Hollywood. — AFP great friend and an awesome client. Such a including with the influential Toei studio, him to play samurai-turned-sushi-chef etflix will soon premiere a docu- seat went to Hayley Arceneaux, 29, a Nmentary series chronicling physician assistant, who survived cancer Inspiration4, the world’s first all- as a child and will become the first per- civilian space mission, the streaming son to go into space with a prosthesis.
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Introduction 1 Samurai in Videogames 2 the Cinematic Factor 16 Samurai of Legend 26 Mythification, Immersion and Interactivity 3
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403 Forbidden
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Diplomarbeit Schwert & Faust
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Alternative Titles Index
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Conventions of This Guide
The VINTAGE NINJA Movie & TV Guide VOL. 1: JAPAN, LIVE ACTION — 1920s-1980s © Keith J. Rainville, 2021 You want to see the movies Sho Kosugi grew up watching, the ones that inspired animation designers and video game artists of the 80s and 90s, the ones the James Bond people ripped off in the 60s, but where to start? Or, you’ve amassed a collection of these gems already but know there’s more out there. Here’s a user- friendly reference for both pursuits, with quick-and-easy recommendations for Japanese ninja titles from the silent era to the late 80s — their general flavor and tone, varying trends and tropes, and a lot of surprises. CONVENTIONS OF THIS GUIDE: • TITLES — for better or worse I’ve used the most commonly used translations out there. These are often the most accessible references to these films so, even if the title’s been butchered, there’s still a practical advantage when searching them out. • VN as an entity has to be cautious when it comes to supporting/endorsing certain not-so-authorized film collecting activities out there, so sorry, there’s no links here... • YES THERE’S MORE TO COME! This will be updated often and I have a huge stack of discs and files awaiting input. Plus future volumes on Anime, Japan 1990—present, Hong Kong/Chinese films, ninja-like hooded heroes, and more. • Yes, we welcome corrections and additions. Email me through the website. • See the Appendixes at the end for more info! Images © Shochiku Co., Ltd, 1965. Text © Keith J.
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Love in the Time of Transcultural Fusion: Cinephilia, Homage and KILL BILL 2005
Repositorium für die Medienwissenschaft Jenna Ng Love in the Time of Transcultural Fusion: Cinephilia, Homage and KILL BILL 2005 https://doi.org/10.25969/mediarep/11991 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Ng, Jenna: Love in the Time of Transcultural Fusion: Cinephilia, Homage and KILL BILL. In: Marijke de Valck, Malte Hagener (Hg.): Cinephilia. Movies, Love and Memory. Amsterdam: Amsterdam University Press 2005, S. 65– 79. DOI: https://doi.org/10.25969/mediarep/11991. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell 3.0 Lizenz zur Verfügung Attribution - Non Commercial 3.0 License. For more information gestellt. Nähere Auskünfte zu dieser Lizenz finden Sie hier: see: https://creativecommons.org/licenses/by-nc/3.0 https://creativecommons.org/licenses/by-nc/3.0 Love in the Time of Transcultural Fusion Cinephilia, Homage and Kill Bill Jenna Ng I. Introduction There is an inherent difficulty in defining love. Douglas Hofstadter’s ironic de- finition lies more in demonstrating the impracticalities of general recursion than in a genuine attempt for perspicuity. Love simply seems too mystical a force to be registered compactly by facile explanation; it is lamely compared – love “like a red, red rose,” or love that “resembles the eternal rocks beneath” – or else shrugged off as inexplicable phenomena: “love without reason… No wisdom, no judgement / No caution, no blame…” It is presumably too compli- cated an emotion to analyse, too multifaceted for deconstruction, too profound for definitive scrutiny. The love of cinema suffers from a similar ambiguity.
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