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Martha's Vineyard Concert Series
THA’S VINEY AR ARD M SUMMER 2017 CONCERT SERIES 2ND ANNUAL SEASON ALL SHOWS ON SALE NOW! MVCONCERTSERIES.COM MARTHA’S VINEYARD CONCERT SERIES your year - round connection to Martha’s Vineyard SUmmER LINE-UP! JUNE 28 • AIMEE MANN over 6,500 photo, canvas WITH SPECIAL GUEST JONATHAN COULTON images & metal prints published agendas JULY 6 • LOUDON WAINWRIGHT III daily photos calendars JULY 13 • PINK MARTINI sent to your inbox notecards WITH LEAD SINGER CHINA FORBES JULY 18 • GRAHAM NASH JULY 23 • PRESERVATION HALL JAZZ BAND JULY 29 • JACKOPIERCE WITH SPECIAL GUEST IAN MURRAY FROM VINEYARD VINES AUGUST 15 • THE CAPITOL STEPS ALL NEW SHOW! ORANGE IS THE NEW BARACK AUGUST 19 • ARETHA FRANKLIN AUGUST 21 • DIRTY DOZEN BRAss BAND AUGUST 23 • BLACK VIOLIN GET YOUR TICKETS TODAY! www.vineyardcolors.com MVCONCERTSERIES.COM AIMEE MANN WITH SPECIAL GUEST JONATHON COULTON WEDNESDAY, JUNE 28 | MARTHA’S VINEYARD PAC Aimee Mann is an American rock singer-songwriter, bassist and guitarist. In 1983, she co-founded ‘Til Tuesday, a new-wave band that found success with its first album, Voices Carry. The title track became an MTV favorite, winning the MTV Video Music Award for Best New Artist, propelling Mann and the band into the spotlight. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than ‘Til Tuesday’s albums, and received uniformly positive reviews upon its release in the summer of 1993. Mann’s song “Save Me” from the soundtrack to the Paul Thomas Anderson film Magnolia was nominated for an Academy® Award and a Grammy®. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
October 13, 2019 St
October 13, 2019 St. Peter the Apostle University & Community Parish The Catholic Center at Rutgers University Celebrating a Marian Year 2018-2019 SACRED HISTORY · St. Peter the Apostle University and Community Parish is one of the oldest Catholic churches in New Jersey. The Cornerstone of the Church was laid in 1856, upon the completion of the lower church, which now serves as the Parish hall and offices. WEEKEND MASS SCHEDULE: NOVENA PRAYERS: Mondays at 7:30pm in the Catholic Saturday: 9:00 a.m. Center Chapel 5:00 p.m. Vigil Sunday: 8:00 a.m., 11:00 a.m., 6:00 p.m. BAPTISMS: Normally scheduled on the second & fourth Sundays of the Holy Days of Obligation: For an updated schedule of Masses, month at 12:30pm (not during Lent). Please observe the please visit StPeterNewBrunswick.org. requirements for sponsors. Must contact the office in advance to register. First-time parents are required to attend a baptism WEEKDAY MASS SCHEDULE: formation session. Monday – Friday: 7:30 a.m. in St. Peter’s Church WEDDINGS: Monday – Thursday: 12:15 p.m. in the Catholic Center Chapel Marriage arrangements should be made one year in advance of the wedding. Please call the parish office before making CONFESSION (Sacrament of Reconciliation): other definitive plans. Once a wedding is approved and the Mondays: 12:45 - 1:30 p.m.; 7:00 p.m. - 8:00 p.m. (CC Chapel) date is confirmed, the required marriage preparation process Saturdays: 11:00 a.m. – 12:00 noon; and by appointment may commence. PASTORAL CARE OF THE SICK: EMERGENCY CONTACT INFORMATION: In the case of an emergency requiring a priest after business Please call the parish office to make arrangements for hours, please call 732-545-6185. -
Eliot, As Is Well Known, Chose Conrad's Words for His Epigraph to the Hoilow Men'
LEITURA -INGLÊS: ENSINO E LITERATURAS, n, 36. p. 71-83, jul./dez, 2005 FROM LILAC TO LARKSPUR: SELF-REFUTATION IN T. S. ELIOTS LATER POETRYl^» Chris Joyce^*' Abstract: This paper argues tliat much of Eliot's poetr}'is xinconsdously self-refutational and self-deceived. Onr attention is distracted from tliis by its lyricism and inrensely personal poignancy. Disgust at the contemplation of humanity, and self-disgust, underlie Eliot's parodie treatment of life: the horror of the sinfulness of the flesh, which can 'only die'. I argue that, while \ve cannot ask a poet to give an untruthful report of experience,something is wrong when the creative faculty is given so strongly to expressions of general disgust, over and above ElÍot's anti-semitism, niisogyny, sexual ambivalence and prurience. To counterbalance this effect, Eliot posits tlie ambivalent 'enchantment' of 'death's twilight kingdom', with its promise of redemption from sin, and tlie enchantment of chüdhood memories, which he presents as uldmately beguiiing and illusory. But in 'Marina' die quasi-liturgical passage on spiritual death is 'placed' by the effect of the poem as a whole. Similarly, the life and vitaüty of the sixth section of 'Ash- Wednesday' evokes poetic values wliich repudiate the author's conscious intentions. In 'Little Gidding' he recalls Tliings ill done and done to others' harm.* Itis the compound ghost who speaks (containing the Eliodc alter-ego), die Brunetto Latini of Canto of the Inferno. That Eliot is, in a broad sense, sexually — and dierefore humanly — maladjusted explains die persistent presence in liis work of a condidon which 'remains to poison life and obstruct acdon,' His major cridcs have been curiously uncridcal in this regard. -
HOW MAGNOLIA GOT ITS NAME O
o HOW MAGNOLIA GOT ITS NAME o By Bob Kildall As legend has it, native madronas dotted the bluffs seafaring explorers observed as they passed this place we call Magnolia before it had a name. Supposedly an explorer mistook those trees for magnolias and Magnolia Bluff was born. The mistake is understandable. Both the magnolia and madrona trees are broadleaf evergreens. They are of comparable size, with large leathery leaves that are alike in shape and have a brown- to rust-colored undercoat. The tree canopies look similar as well, especially in the early stages of a madrona’s growth.1, 2 But who chose the name for our community—and when did this occur? Interestingly, the answers are uncertain and have been debated for many years. Aleua L. Frare mentioned several possibilities in her 1975 Magnolia history book: “The Magnolia area was first recognized when an early explorer of Puget Sound looked up at the high promontory emerging in the early morning fog, saw the huge madrona trees leaning down from the 300-ft. yellow cliffs, and made a black mark on his chart. Down in his dimly lit cabin he entered ‘Magnolia Bluff’ in his log. “Historians have had a field-day ever since guessing who had the bad eyesight. Some say [Capt. George] Vancouver, who named everything in sight. Others say Lt. Charles Wilkes, who named West Point and fifty other landmarks. And then there was Dr. George Davidson, a botanist with a United States Coast & Geodetic Survey team—badly in need of glasses.” 3 In Brandt Morgan’s 1979 book Enjoying Seattle’s Parks, Morgan attributed the mistake to Davidson: “Magnolia is actually a misnomer. -
Magnolia Grandiflora 'Little Gem'
Fact Sheet ST-375 October 1994 Magnolia grandiflora ‘Little Gem’ ‘Little Gem’ Southern Magnolia1 Edward F. Gilman and Dennis G. Watson2 INTRODUCTION This cultivar of Southern Magnolia has a compact, upright growth habit more typical of a multistemmed shrub than a single-trunked tree (Fig. 1). It grows at a slow rate to a height of perhaps 30 to 35 feet with an 8 to 12-foot spread and flowers at two or three years old. It is surprising to see a Magnolia flower when it is only three or four feet tall. ‘Little Gem’ Southern Magnolia forms a dense, dark green oval or pyramidal shape, making it suited for screen or hedge planting. GENERAL INFORMATION Scientific name: Magnolia grandiflora ‘Little Gem’ Pronunciation: mag-NO-lee-uh gran-dih-FLOR-uh Common name(s): ‘Little Gem’ Southern Magnolia Family: Magnoliaceae USDA hardiness zones: 7 through 10A (Fig. 2) Origin: native to North America Uses: container or above-ground planter; espalier; wide tree lawns (>6 feet wide); medium-sized tree lawns (4-6 feet wide); recommended for buffer strips around parking lots or for median strip plantings in the highway; near a deck or patio; screen; narrow tree lawns (3-4 feet wide); specimen; residential street tree; no proven urban tolerance Availability: somewhat available, may have to go out of the region to find the tree Figure 1. Young ‘Little Gem’ Southern Magnolia. DESCRIPTION Height: 20 to 40 feet Spread: 8 to 12 feet 1. This document is adapted from Fact Sheet ST-375, a series of the Environmental Horticulture Department, Florida Cooperative Extension Service, Institute of Food and Agricultural Sciences, University of Florida. -
Aimee Mann's Idea of Eccentric Covers the Waterfront
Sunday, June 15, 2008 N N H 3 ArtScene From Carnegie to ‘Candide’ Light Opera role tempts Brian Cheney back to a Tulsa stage BY JAMES D. WATTS JR. World Scene Writer Candide For Brian Cheney, having the title role WHEN: in Light Opera Oklahoma’s production of 8 p.m. Saturday “Candide” is a slightly bittersweet experi- ence. WHERE: It’s a role that Cheney has always wanted Williams Theater, Tulsa Performing Arts Center, Second to do, and the main reason why the tenor Street and Cincinnati Avenue. has returned for his second season with LOOK. TICKETS: “I have a wife and two daughters, ages $25-$29, 596-7111 or www.tulsaworld.com/mytix 7 and 5, and working with this company means I’m going to be away from them for two months,” Cheney said. “And it’s always LOOK will be using the version created tough to be away for so long a time, so in 1973, the so-called “Chelsea” version, there’s got to be a good reason to do it. named for the theater where it debuted. “And that’s what ‘Candide’ is for me,” he The book is by Wheeler, who streamlined said. “Eric (Gibson, LOOK artistic director) the show into a single act that more closely and I started talking about this show before follows Voltaire’s original story. we finished last season’s productions. When “One of the great things about this ver- Eric said he was serious about doing ‘Can- sion is that it gives the audience a clearer dide,’ I said I was in, and I’d do whatever focus,” Cheney said. -
Notre Dame Welcomes Dr. Judith A. Dwyer As Its 4Th President Notre
Annual Report2013-14 inside VISIONSVISIONSACADEMY of NOTREAcademy DAME of de NotreNAMUR Dame de Namur FALL 2014 NotreNotre DameDame WelcomesWelcomes Dr.Dr. JudithJudith A.A. DwyerDwyer asas itsits 4th4th PresidentPresident VISIONS MAGAZINE . FALL 2014 . 1 MESSAGE FROM THE PRESIDENT How does the Notre Dame community describe excellence? I am pleased to share this combined issue of Visions and the 2013-2014 Annual Report of Gifts with you. The magazine portion highlights the academic rigor, community engagement, and spiritual depth that continue to define our tradition of educational excellence. The report testifies to the generosity of so many members of our community, who support our mission and core values. Together, they tell the story of how the Academy honors the past, celebrates the present, and secures the future in the pioneering spirit of the Sisters of Notre Dame de Namur. Judith A. Dwyer, Ph.D. How does Notre Dame describe excellence? Our students excel in academic, President artistic, and athletic achievements. Our alumnae continue to lead and achieve Eileen Wilkinson (see article on Margaret [Meg] Kane ’99, this year’s Notre Dame Award recipient, Principal on page 12). It is this legacy and dynamic learning environment that the gifts described in the Annual Report support. Jacqueline Coccia Academic Dean The “Our Time to Inspire” campaign seeks to ensure Notre Dame’s reputation Madeleine Harkins The Mansion. The Mansion continues to be a defining part of our school and our lives. as a premier Catholic academy for young women by providing an enhanced, Dean of Student Services 8 innovative, and dynamic learning environment. -
Tcjayfund.Org • Spring 2017
jay fund blitz tcjayfund.org • spring 2017 Our mission is to help families tackle childhood cancer by providing comprehensive financial, emotional and practical support. From diagnosis to recovery and beyond, we are part of the team, allowing parents to solely focus on their child’s well being. Our goal is to BE THERE for parents facing the unthinkable so they can BE THERE for their families. Coach’s Corner Dear Friends, It is great to be back in Jacksonville, and Judy and I can’t thank you enough for the warm welcome. Even though we’ve called New York home for over a decade, with our continuous work through the Jay Fund, we feel like we never left Florida. Of course, we feel the same way about the families in the NY/NJ metro region. Our goal has always been to BE THERE for the communities where I was an NFL Head Coach, and Jay Fund voices I am thrilled to continue our work in both areas. “Elijah was so touched you guys still think of him A perfect day means doing something for someone and include him even though he is not in treatment who can never repay you. A football team comes right now. As his mom, thank you for that! It has been a long struggle, one that still continues together to win a game, but through the Jay Fund, in many ways, this was a nice break and a good communities come together to help their own. time for us to enjoy as a family. “ Elijah’s mom Coming together in unity of purpose makes us stronger. -
Modes of Expression in the Songs of Aimee Mann Amy M
Macalester College DigitalCommons@Macalester College Music Honors Projects Music Department 5-20-2008 Modes of Expression in the Songs of Aimee Mann Amy M. Coddington Macalester College, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/musi_honors Recommended Citation Coddington, Amy M., "Modes of Expression in the Songs of Aimee Mann" (2008). Music Honors Projects. 4. https://digitalcommons.macalester.edu/musi_honors/4 This Honors Project - Open Access is brought to you for free and open access by the Music Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Music Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Modes of Expression in the Songs of Aimee Mann Amy M. Coddington Senior Honors Thesis Advisor: Mark Mazullo Readers: Chris Gable and Peter Mercer-Taylor Macalester College, Music Department Spring 2008 2 Table of Contents Abstract 3 Introduction 4 Song analyses I. How Am I Different (Bachelor No. 2, 2000) 8 II. That’s How I Knew This Story Would Break My Heart (The Forgotten Arm, 2005) 13 III. Choice in the Matter (I’m With Stupid, 1995) 16 IV. Invisible Ink (Lost in Space, 2002) 20 V. The Fall of the World’s Own Optimist (Bachelor No.2, 2000) 25 Conclusion 31 Acknowledgements 33 Appendix I: Chordal analyses and lyrics of songs 34 Appendix II: Works Consulted 44 3 Abstract Singer-songwriter Aimee Mann has been creating music, both as a solo artist and as a former member of the band 'Til Tuesday, for the past twenty years. -
A History of the University of Manchester Since 1951
Pullan2004jkt 10/2/03 2:43 PM Page 1 University ofManchester A history ofthe HIS IS THE SECOND VOLUME of a history of the University of Manchester since 1951. It spans seventeen critical years in T which public funding was contracting, student grants were diminishing, instructions from the government and the University Grants Commission were multiplying, and universities feared for their reputation in the public eye. It provides a frank account of the University’s struggle against these difficulties and its efforts to prove the value of university education to society and the economy. This volume describes and analyses not only academic developments and changes in the structure and finances of the University, but the opinions and social and political lives of the staff and their students as well. It also examines the controversies of the 1970s and 1980s over such issues as feminism, free speech, ethical investment, academic freedom and the quest for efficient management. The author draws on official records, staff and student newspapers, and personal interviews with people who experienced the University in very 1973–90 different ways. With its wide range of academic interests and large student population, the University of Manchester was the biggest unitary university in the country, and its history illustrates the problems faced by almost all British universities. The book will appeal to past and present staff of the University and its alumni, and to anyone interested in the debates surrounding higher with MicheleAbendstern Brian Pullan education in the late twentieth century. A history of the University of Manchester 1951–73 by Brian Pullan with Michele Abendstern is also available from Manchester University Press. -
Magnolia Secrets
Magnolia Secrets BY GRAYSON COPELAND Isobel “Stupid steps!” In my current state of distress I somehow managed to trip up the stairs leading to the front porch of my best friend’s house. I make it to the front door without further injury, but I’m not able to raise my fist to knock. I stare at my reflection in the bright brass knocker and decide it’s probably better for everyone if I compose myself before going inside. I try to smooth my wind-wild hair as I walk slowly across porch, the varnished wood boards creaking and moaning with each of my steps as I make my way to a set of rocking chairs at the far end. In one, I sit back and rub my hands together against the biting cold which has taken up residence in our little town for weeks, now. The street in front of the house is quiet, the cold keeping most sane people inside in the warmth where they should be. I count my breaths slowly as I wipe my mascara-streaked face with my sleeve and attempt to re-school my hair into something presentable. A wind gust wind rockets across the porch, leaving my legs quivering as I stand from the rocker. I make my way back to the door and knock twice. The green paint of the door is a too-quick reminder of the color of my mother’s face when I came home to find her crying yesterday. I push the memory out of my head in time to hear the lock click, and the squeak of the hinges as the door is pulled open.