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Martha's Vineyard Concert Series
THA’S VINEY AR ARD M SUMMER 2017 CONCERT SERIES 2ND ANNUAL SEASON ALL SHOWS ON SALE NOW! MVCONCERTSERIES.COM MARTHA’S VINEYARD CONCERT SERIES your year - round connection to Martha’s Vineyard SUmmER LINE-UP! JUNE 28 • AIMEE MANN over 6,500 photo, canvas WITH SPECIAL GUEST JONATHAN COULTON images & metal prints published agendas JULY 6 • LOUDON WAINWRIGHT III daily photos calendars JULY 13 • PINK MARTINI sent to your inbox notecards WITH LEAD SINGER CHINA FORBES JULY 18 • GRAHAM NASH JULY 23 • PRESERVATION HALL JAZZ BAND JULY 29 • JACKOPIERCE WITH SPECIAL GUEST IAN MURRAY FROM VINEYARD VINES AUGUST 15 • THE CAPITOL STEPS ALL NEW SHOW! ORANGE IS THE NEW BARACK AUGUST 19 • ARETHA FRANKLIN AUGUST 21 • DIRTY DOZEN BRAss BAND AUGUST 23 • BLACK VIOLIN GET YOUR TICKETS TODAY! www.vineyardcolors.com MVCONCERTSERIES.COM AIMEE MANN WITH SPECIAL GUEST JONATHON COULTON WEDNESDAY, JUNE 28 | MARTHA’S VINEYARD PAC Aimee Mann is an American rock singer-songwriter, bassist and guitarist. In 1983, she co-founded ‘Til Tuesday, a new-wave band that found success with its first album, Voices Carry. The title track became an MTV favorite, winning the MTV Video Music Award for Best New Artist, propelling Mann and the band into the spotlight. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than ‘Til Tuesday’s albums, and received uniformly positive reviews upon its release in the summer of 1993. Mann’s song “Save Me” from the soundtrack to the Paul Thomas Anderson film Magnolia was nominated for an Academy® Award and a Grammy®. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
HOW MAGNOLIA GOT ITS NAME O
o HOW MAGNOLIA GOT ITS NAME o By Bob Kildall As legend has it, native madronas dotted the bluffs seafaring explorers observed as they passed this place we call Magnolia before it had a name. Supposedly an explorer mistook those trees for magnolias and Magnolia Bluff was born. The mistake is understandable. Both the magnolia and madrona trees are broadleaf evergreens. They are of comparable size, with large leathery leaves that are alike in shape and have a brown- to rust-colored undercoat. The tree canopies look similar as well, especially in the early stages of a madrona’s growth.1, 2 But who chose the name for our community—and when did this occur? Interestingly, the answers are uncertain and have been debated for many years. Aleua L. Frare mentioned several possibilities in her 1975 Magnolia history book: “The Magnolia area was first recognized when an early explorer of Puget Sound looked up at the high promontory emerging in the early morning fog, saw the huge madrona trees leaning down from the 300-ft. yellow cliffs, and made a black mark on his chart. Down in his dimly lit cabin he entered ‘Magnolia Bluff’ in his log. “Historians have had a field-day ever since guessing who had the bad eyesight. Some say [Capt. George] Vancouver, who named everything in sight. Others say Lt. Charles Wilkes, who named West Point and fifty other landmarks. And then there was Dr. George Davidson, a botanist with a United States Coast & Geodetic Survey team—badly in need of glasses.” 3 In Brandt Morgan’s 1979 book Enjoying Seattle’s Parks, Morgan attributed the mistake to Davidson: “Magnolia is actually a misnomer. -
Magnolia Grandiflora 'Little Gem'
Fact Sheet ST-375 October 1994 Magnolia grandiflora ‘Little Gem’ ‘Little Gem’ Southern Magnolia1 Edward F. Gilman and Dennis G. Watson2 INTRODUCTION This cultivar of Southern Magnolia has a compact, upright growth habit more typical of a multistemmed shrub than a single-trunked tree (Fig. 1). It grows at a slow rate to a height of perhaps 30 to 35 feet with an 8 to 12-foot spread and flowers at two or three years old. It is surprising to see a Magnolia flower when it is only three or four feet tall. ‘Little Gem’ Southern Magnolia forms a dense, dark green oval or pyramidal shape, making it suited for screen or hedge planting. GENERAL INFORMATION Scientific name: Magnolia grandiflora ‘Little Gem’ Pronunciation: mag-NO-lee-uh gran-dih-FLOR-uh Common name(s): ‘Little Gem’ Southern Magnolia Family: Magnoliaceae USDA hardiness zones: 7 through 10A (Fig. 2) Origin: native to North America Uses: container or above-ground planter; espalier; wide tree lawns (>6 feet wide); medium-sized tree lawns (4-6 feet wide); recommended for buffer strips around parking lots or for median strip plantings in the highway; near a deck or patio; screen; narrow tree lawns (3-4 feet wide); specimen; residential street tree; no proven urban tolerance Availability: somewhat available, may have to go out of the region to find the tree Figure 1. Young ‘Little Gem’ Southern Magnolia. DESCRIPTION Height: 20 to 40 feet Spread: 8 to 12 feet 1. This document is adapted from Fact Sheet ST-375, a series of the Environmental Horticulture Department, Florida Cooperative Extension Service, Institute of Food and Agricultural Sciences, University of Florida. -
Emmy® Awards
TH NATIONAL CAPITAL CHESAPEAKE BAY CHAPTER CHESAPEAKE BAY CAPITAL NATIONAL NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES NATIONAL JUNE 6 ® 23 EMMY AWARDS 2018 BETHESDA NORTH MARRIOTT HOTEL & CONFERENCE CENTER Winning teams are made of many winning people... sometimes more than the names included on the entry form! Was your work nominated for or awarded an Emmy® over the years? Was a co-worker or collaborator not included because of budgetary constraints? It’s never too late to purchase a beautiful plaque or crystal award celebrating these contributions. Select from elegant, high gloss rosewood finish plaques or our beautiful, translucent art glass featuring an image of the Emmy® statuette and personalized with an inscription celebrating your accomplishment. All prices include personalization, shipping not included. Nomination Plaque Plaque with Statuette Production Plaque Nomination Plaque: $125.00 Production Plaque with Regional Emmy® Statuette: $350.00 Production Plaque: $150.00 The 8” x 10” rosewood plaque Individuals who made a significant contribution to a winning Production plaques are for persons who commemorates work on Emmy® piece’s award-worthiness, but were not listed on the original made a significant contribution to a Nominated entries. entry, may purchase this 10½” x 13” ebony plaque which winning piece’s award-worthiness but were includes a Regional Emmy® Statuette. not listed on the original entry. Rosewood plaque is 10½” x 13”. Commemorative Statuette Curved Glass Nomination Commemorative Emmy®: $200.00 Curved Glass Nomination: $175.00 Stations, studios, and production A new translucent 10” x 7” curved glass companies may order a Commemorative commemorating work on Emmy® Emmy® statuette for public display at Nominated entries. -
Aimee Mann's Idea of Eccentric Covers the Waterfront
Sunday, June 15, 2008 N N H 3 ArtScene From Carnegie to ‘Candide’ Light Opera role tempts Brian Cheney back to a Tulsa stage BY JAMES D. WATTS JR. World Scene Writer Candide For Brian Cheney, having the title role WHEN: in Light Opera Oklahoma’s production of 8 p.m. Saturday “Candide” is a slightly bittersweet experi- ence. WHERE: It’s a role that Cheney has always wanted Williams Theater, Tulsa Performing Arts Center, Second to do, and the main reason why the tenor Street and Cincinnati Avenue. has returned for his second season with LOOK. TICKETS: “I have a wife and two daughters, ages $25-$29, 596-7111 or www.tulsaworld.com/mytix 7 and 5, and working with this company means I’m going to be away from them for two months,” Cheney said. “And it’s always LOOK will be using the version created tough to be away for so long a time, so in 1973, the so-called “Chelsea” version, there’s got to be a good reason to do it. named for the theater where it debuted. “And that’s what ‘Candide’ is for me,” he The book is by Wheeler, who streamlined said. “Eric (Gibson, LOOK artistic director) the show into a single act that more closely and I started talking about this show before follows Voltaire’s original story. we finished last season’s productions. When “One of the great things about this ver- Eric said he was serious about doing ‘Can- sion is that it gives the audience a clearer dide,’ I said I was in, and I’d do whatever focus,” Cheney said. -
Modes of Expression in the Songs of Aimee Mann Amy M
Macalester College DigitalCommons@Macalester College Music Honors Projects Music Department 5-20-2008 Modes of Expression in the Songs of Aimee Mann Amy M. Coddington Macalester College, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/musi_honors Recommended Citation Coddington, Amy M., "Modes of Expression in the Songs of Aimee Mann" (2008). Music Honors Projects. 4. https://digitalcommons.macalester.edu/musi_honors/4 This Honors Project - Open Access is brought to you for free and open access by the Music Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Music Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Modes of Expression in the Songs of Aimee Mann Amy M. Coddington Senior Honors Thesis Advisor: Mark Mazullo Readers: Chris Gable and Peter Mercer-Taylor Macalester College, Music Department Spring 2008 2 Table of Contents Abstract 3 Introduction 4 Song analyses I. How Am I Different (Bachelor No. 2, 2000) 8 II. That’s How I Knew This Story Would Break My Heart (The Forgotten Arm, 2005) 13 III. Choice in the Matter (I’m With Stupid, 1995) 16 IV. Invisible Ink (Lost in Space, 2002) 20 V. The Fall of the World’s Own Optimist (Bachelor No.2, 2000) 25 Conclusion 31 Acknowledgements 33 Appendix I: Chordal analyses and lyrics of songs 34 Appendix II: Works Consulted 44 3 Abstract Singer-songwriter Aimee Mann has been creating music, both as a solo artist and as a former member of the band 'Til Tuesday, for the past twenty years. -
Magnolia Secrets
Magnolia Secrets BY GRAYSON COPELAND Isobel “Stupid steps!” In my current state of distress I somehow managed to trip up the stairs leading to the front porch of my best friend’s house. I make it to the front door without further injury, but I’m not able to raise my fist to knock. I stare at my reflection in the bright brass knocker and decide it’s probably better for everyone if I compose myself before going inside. I try to smooth my wind-wild hair as I walk slowly across porch, the varnished wood boards creaking and moaning with each of my steps as I make my way to a set of rocking chairs at the far end. In one, I sit back and rub my hands together against the biting cold which has taken up residence in our little town for weeks, now. The street in front of the house is quiet, the cold keeping most sane people inside in the warmth where they should be. I count my breaths slowly as I wipe my mascara-streaked face with my sleeve and attempt to re-school my hair into something presentable. A wind gust wind rockets across the porch, leaving my legs quivering as I stand from the rocker. I make my way back to the door and knock twice. The green paint of the door is a too-quick reminder of the color of my mother’s face when I came home to find her crying yesterday. I push the memory out of my head in time to hear the lock click, and the squeak of the hinges as the door is pulled open. -
Baby Album 2021
Baby Album 2021 A supplement to All content © 2021 Sidney Daily News. All rights reserved. No portion of this publication may be reproduced in any form without permission from the publisher, except as permitted by U.S. copyright law. 2 Friday, April 30, 2021 BABY ALBUM 2021 Sidney Daily News OH-70231090 Sidney Daily News BABY ALBUM 2021 Friday, April 30, 2021 3 Alias Jay Allison Garrett Richard Ashbrook August 27, 2020 October 2, 2020 Sidney, Ohio Piqua, Ohio Parents Parents Noah & Kaitlyn Allison Phillip & Shanda Ashbrook Grandparents Grandparents Carl & Melissa Graber Alan & Ellen Ashbrook Red & Cheri Allison Mary Grise & the late Richard Slone OH-70233033 OH-70232965 Aria Rose Barlage Weston Michael Bodenmiller November 12, 2020 March 13, 2020 Russia, Ohio Sidney, Ohio Parents Parents Kyle & Alyssa Barlage Conner & Kelsey Bodenmiller Grandparents Grandparents Mike & Carla Drees Jim & Diane Oates Jim & Elaine Barlage Mike & Sara Bodenmiller OH-70233005 OH-70232366 Owen Michael Bowers Harper Diane Brandewie October 17, 2020 March 5, 2020 Sidney, Ohio Piqua, Ohio Parents Parents Ben & Katrina Bowers Kyle & Melissa Brandewie Grandparents Grandparents Richard & Joan Steinke Greg & Melissa Bowers Tom & Bec Martin Terry & Kathy Dudley OH-70233001 OH-70233437 4 Friday, April 30, 2021 BABY ALBUM 2021 Sidney Daily News Imaan Singh Brar Aurora Robin Cathcart December 10, 2020 March 15, 2020 Sidney, Ohio Sidney, Ohio Parents Parents Jagsir Singh & Gagandeep Brar Ryan Cathcart & Amanda Burton Grandparents Grandparents Gurmeet Singh Monte & Loretta -
The Mystery Magnolia Oa the Trail of Magaolia Taatasitpaaa La Medea
The mystery magnolia Oa the trail of Magaolia taatasitpaaa la Medea Joha G. Falrey aad Carl M. Schoeafeld The art of searching for plants in the mysterious and magical mountains of the Sierra Madre Oriental of Mexico is an arduous and challenging experience, but it is also exhilara- ting and exciting. It is a layering of time —past, present, and future. The patchwork of people, places, plants and events finm an integral composition that has become a way of life. The mountains of northeast Mexico are rich in natural beauty —spaces that are awesome and breathtaking —and the dramatic environmental changes which occur on the eastern side of this range have produced a variety of amaringly diverse habitats that are rich in numbers of plant species. It is not unusual to find dogwoods growing in a moist canyon on the northeast side of the mountain and walk only a few feet to see agaves and yuccas thriving on a hot and dry western slope. These phenomenal changes also occur when climbing in altitude. The myriad forms, colors, and textures of this exotic array of plants unfold into an unbelievably beautiful landscape that is indeed an intense experience. Being at the right place at the right time is an important factor in searching for plants. We have rarely returned &om one of our numerous expeditions (See Chronological Synopsis following. ) without being able to report the discovery of a new plant with potential use. Frequently it was found in an area that we had explored time and time again, but it was another season and a difierent time of day. -
Auteur Music in the Films of Wes Anderson
Wayne State University Wayne State University Dissertations 1-1-2013 What Is This Music? Auteur Music In The iF lms Of Wes Anderson Lara Rose Hrycaj Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Recommended Citation Hrycaj, Lara Rose, "What Is This Music? Auteur Music In The iF lms Of Wes Anderson" (2013). Wayne State University Dissertations. Paper 662. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. WHAT IS THIS MUSIC? AUTEUR MUSIC IN THE FILMS OF WES ANDERSON by LARA HRYCAJ DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2013 MAJOR: COMMUNICATIONS Approved by: Advisor Date ! ! ! ! ! ! © COPYRIGHT BY LARA HRYCAJ 2013 All Rights Reserved DEDICATION I dedicate this to: Judy, Steve, and Nick Wes, Mark, and Randall and Mandy and the boys ii ACKNOWLEDGMENTS I would like to thank my advisor Jackie Byars. I am indebted to all the wisdom, hard work, and encouragement she has shared on my journey in earning my PhD. I would like to extend my gratitude to my committee. Hayg Oshagan and Juanita Anderson have been part of my entire dissertation process and have always kept me on my toes. I am grateful for Steven Shaviro and Pradeep Sopory for joining my committee late in the process. While Robert Burgoyne had to leave my committee, the genesis of this dissertation is due him sharing one of the earliest academic articles on Wes Anderson with me, and for this I am extremely grateful. -
HOW to GO MAD WITHOUT LOSING YOUR MIND Serious Mental Illness, the Emotional State Also Known As “Rage,” and Any Drastic Deviation from Psychosocial Norms
BLACK STUDIES / CULTURAL STUDIES / DISABILITY STUDIES “Hold tight. The way to go mad without losing your mind LA MARR JURELLE is sometimes unruly.” So begins La Marr Jurelle Bruce’s urgent provocation BRUCE and poignant meditation on madness in black radical art. Bruce theorizes overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of HOW serious mental illness, the emotional state also known as “rage,” and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, TO GO MAD Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls “mad methodology.” Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness. WITHOUT “Innovative, evocative, and beautifully written, this book is a brilliant theorization and investigation of madness in the black radical tradition. La Marr Jurelle Bruce offers ex- quisite close readings, important archival interventions, deft theoretical pivots, and sophis- ticated engagement with black cultural practices in a study that will change the elds of black studies, American studies, performance studies, and disability studies. Bruce’s book LOSING YOUR MIND is a gift to us all as we try to make a way in this ever maddening world of antiblackness.” —Nicole R.