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Rezension Für: Deutsches Symphonie-Orchester Berlin
Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin. -
Opuscolo Festival 2004
40° FESTIVAL PONTINO DI MUSICA 2004 Rosetta Acerbi insieme a Goffredo Petrassi ROSETTA ACERBI Nasce a Venezia. Dopo una breve fase di impiego di un linguaggio astratto-informale, l’artista attiva una personale ricerca figurativa di sottile indagine psicologica, che passa attraverso l’evocazione onirica di miti e archetipi, e l’approfondimento del simbolismo legato all’evocazione dell’acqua e del mare, nonché di suggestioni orientalistiche in direzione mistica. La sua attività espositiva inizia nel 1955, tenendo mostre personali e partecipando a rassegne collettive e premi in Italia, Gran Bretagna, Germania, Francia, Spagna, Australia, Stati Uniti, Croazia, Egitto e Giappone, presentata in catalogo da autorevoli critici italiani e stranieri. Nel 1986 ha un’ampia antologica a L’Aquila, presso il Museo Nazionale d’Abruzzo, e nel 1991 nel Palazzo della Cultura di Latina. Nel 1986 e nel 2000 partecipa alla Triennale d’Arte Sacra di Celano, e nel 1991 alla V Biennale d’Arte Sacra di Venezia. Nel 1999 è presente alla XIII Quadriennale d’Arte di Roma, e nel 2000 alla mostra “Immagini di Impegno - Impegno di immagine” a Roma. Nel 2001 la mostra “Presenze”, promossa dal Comune di Roma; nel 2002 “Paesaggi onirici”, nel Palazzo Comunale di Sabaudia. Nel 2004 è invitata con una personale in Giappone, al Museo Vangi, in collaborazione con l’Istituto Italiano di Cultura di Tokyo. Vive e lavora a Roma. 40° FESTIVAL PONTINO 2004 ORGANIZZAZIONE E REALIZZAZIONE Campus Internazionale di Musica COORDINATORE ARTISTICO Riccardo Cerocchi COMITATO ORGANIZZATIVO Ministero per i Beni e le Attività Culturali - Direzione Generale per lo Spettacolo dal Vivo Regione Lazio - Assessorato alla Cultura, Sport e Turismo Presidenza del Consiglio Regionale del Lazio Azienda di Promozione Turistica della Provincia di Latina Comuni di Latina, Sermoneta, Priverno, Fondi, Lenola e Sperlonga Conservatorio Statale di Musica “O. -
Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska, -
Board of Directors Winter Meeting January 25 – 27, 2007 the Helmsley Park Lane New York, New York
Board of Directors Winter Meeting January 25 – 27, 2007 The Helmsley Park Lane New York, New York FINAL SCHEDULE Thursday, January 25 (Note: Thursday meeting will take place at the Park Lane Hotel) • 2:00pm to 5:00pm – National Advisory Council Working Group (closed meeting) • Evening Performances Friday, January 26 (Note: Friday meetings will take place at the Park Lane Hotel) • 1:30pm to 3:30pm - Artistic Services Committee • 3:30pm to 5:30pm - Meeting of the Information Services Committee • Evening Performances Saturday, January 27 (Note: Saturday meetings will take place at the Park Lane Hotel) • 8:30 to 9:30 - Finance Committee • 9:30 to 10:30 – Membership Committee • 10:30 to 11:30 - Governance Committee • 11:30 to 4:30 - Board of Directors Meeting (lunch will be served at 1:00 pm) • 6:00pm to 7:30pm – Board of Directors reception, hosted by Dr. Frayda Lindemann (The Sherry-Netherland, 781 Fifth Avenue at 59th Street) • Evening Performances Hotel Unless otherwise noted, all meetings will take place at The Helmsley Park Lane Hotel New York (36 Central Park South, New York, NY 10019, T: 212-371-4000, F: 212-750-7279). Performance Tickets If you ordered tickets, they will be distributed at the Committee/Board meetings. Attire Meetings of the Board of Directors are business casual. The Board of Director’s Reception Saturday evening is business attire. Spring Board Meeting The Spring Board meeting will be held in Miami April 24-25, during Opera Conference 2007. Mark your calendars! OPERA AMERICA BOARD COMMITTEE ASSIGNMENTS (as of December -
Programma Del 2006
° FESTIVAL PONTINO DI MUSICA ° FESTIVAL PONTINO di MUSICA ORGANIZZAZIONE E REALIZZAZIONE Campus Internazionale di Musica CONSULENTI ARTISTICI DEL CAMPUS Gabriele Bonomo Bruno Canino Michele dall’Ongaro Franco Petracchi Roberto Prosseda Alessandro Solbiati Fabrizio Von Arx COORDINATORE ARTISTICO Riccardo Cerocchi CONTRIBUTO E PATROCINIO Ministero per i Beni e le Attività Culturali Direzione Generale per lo Spettacolo dal vivo Regione Lazio Assessorato alla Cultura Spettacolo e Sport Provincia di Latina e Comuni di Latina Sermoneta Priverno Fondi Lenola Sperlonga Azienda di Promozione Turistica della Provincia di Latina Fondazioni “Roffredo Caetani” e “Camillo Caetani” COLLABORAZIONE RAI Radio Sky Classica Busto Arstizio Film Festival Fondazione “Ottavio Ziino” Orchestra di Roma e del Lazio AGON Acustica Informatica Musica Hotel Maga Circe di San Felice Circeo Istituto di Studi Musicali “Goffredo Petrassi” di Latina Edizioni Suvini ZerboniSugarMusic SpA Pro Loco di Sermoneta e Fondi Abbazia e Borgo di Fossanova Abbazia di Valvisciolo SOSTEGNO SISAL Bristol Myers Squibb Banca Popolare di Fondi Fondazione Cassa di Risparmio di Roma Sidis Travaglia Assicurazioni International Inner Wheel SEGRETERIA ORGANIZZATIVA Maria Teresa Censi Elisa Cerocchi Tiziana Cherubini Alfredo Romano AMMINISTRAZIONE Nicola Astarita Paola Sighinolfi UFFICIO STAMPA Andrea Fasano ACCORDATURA PIANOFORTI E ASSISTENZA TECNICA Mauro Buccitti Foto di Franco Maria Ricci PROGRAMMA GENERALE INCONTRI INTERNAZIONALI DI MUSICA CONTEMPORANEA nel CASTELLO CAETANI DI SERMONETA -
March 2008 1876 Was a Very Special Year! by STEVEN WIMPFHEIMER, ESQ
www.qcba.org Queens County Bar Association / 90-35 One Hundred Forty Eighth Street, Jamaica, NY 11435 / (718) 291-4500 Vol. 71 / No. 6 / March 2008 1876 Was A Very Special Year! by STEVEN WIMPFHEIMER, ESQ. by STEPHEN J. SINGER “It was a cold day in January. The Marriot For those of you who have ever Hotel at Times Square was taken the trouble to scrutinize our bar association seal, you will recall that warm and inviting. Sounds our founding date was in the year like the start of a novel. But, 1876. It would seem that the fact this alas, it is merely the setting for was America’s first centennial would make it special enough when that the January Annual State Bar group of gentleman lawyers met in Association Meeting and House Garden City to form the Q.C.B.A., but of Delegates Meeting.” that was hardly the case. This was also a year in which many of the most excit- ing historical events of an adolescent Continued On Page 13 nation, just recovering from the Civil War, would occur. I thought that it would be fun to out- line just some of the truly exciting things that took place in that same time frame. With that end in mind, I have chosen to particularly highlight events which happened during that year in the “American West” because I have always been an avid fan of the Article 730 Old West, and in particular, those of a criminal nature, because I have always Mental Disease or Defect Excluding Fitness to Proceed: Part II been a criminal lawyer (as most of you know) and before that, a lawman. -
Wff Mainfrnt Prg-Front
WOODSTOCK FILM FESTIVAL September 28 - October 2 2005 Fiercely Independent From Brooklyn, so you know they’re tough. Lights, Controls, Mounts & Kits for Imaging Professionals, from the World Leader in Location Lighting lowel.com 718 921-0600 800 334-3426 SHORTS THE GREAT IDEA BINTA AND THE GREAT IDEA BINTA AND THE GREAT IDEA (BINTA Y LA GRAN IDEA) Directed by Javier Fesser RIDE OF THE MERGANSERS SPAIN, SENEGAL / 2004 / 30 minutes In French with English subtitles A SONG FOR DANIEL SOUVENIR EAST COAST PREMIERE Binta is a seven-year old girl who lives in a small village on the Casamance river in 55 minutes southern Senegal. She goes to school. Her Fri.S ept.30, 5:00PM @ Upstate 2 cousin Soda, does not have the same good Sun.Oct.2, 2:45PM @ Bearsville fortune and is not allowed to learn about the things of the world. Meanwhile, Binta’s father (a humble fisherman) is concerned about the devel- opment of mankind and he determined to carry out his great idea. RIDE OF THE MERGANSERS A SONG FOR DANIEL SOUVENIR Directed by Jason DaSilva S Directed by Steve Furman Directed by Stephen Rose H O 2004 / USA / 11 minutes 2005 / IRAQ, USA / 9 minutes 2004 / USA / 5 minutes R T The Hooded Merganser is a rare and reclu- In English and Arabic S EAST COAST PREMIERE sive duck found only in North America. A Song For Daniel compares a routine day A shadowy fable unfolds from inside a sou- Every spring, in the Great Lakes region, the of two nine-year-old Iraqi boys: one living venir snow globe, in this unique film that wary hen lays and incubates her eggs in a in Baghdad and the other born and raised was shot entirely with a toy camera. -
The Business of Show Business for Creatives Film Business Essentials for Getting Your Film to Market
The Business of Show Business for Creatives Film Business Essentials for Getting Your Film to Market Edited by Anne Marie Gillen Focal Press Has the Business Side of Show Business Covered Use discount code SHOW for 20% off Focal Press titles www.focalpress.com Business of Show Business 1 The Business of Show Business is proudly brought to you by Focal Press and AFM® In August 2013, the American Film Market® (AFM), the largest motion picture market in the world, signed a long-term agreement with Focal Press to collaborate on a series of books on the business of motion picture production and distribution. The series, entitled “American Film Market Presents” will include books on industry topics such as financing, distribution, pitching, law, and marketing. “Our goal is to provide the independent production community with resources and information that helps films get made,” stated Jonathan Wolf, AFM Managing Director. “Partnering the world’s largest film market with the leading publisher for filmmakers is a perfect match.” “It’s truly an honor to partner with the world’s premiere motion picture market, and we place enormous value in this relationship,” stated Jeff Dean, Focal Press Publisher. “AFM and Focal Press both strive to make a significant difference in the careers of filmmakers, producers, writers, and film -in dustry executives, and I’m certain the exceptional content we’ll create together will help us achieve this goal.” The Business of Show Business is a free resource intended to help educate and inform independent filmmakers -
Template BR Rec 2005.Dot
Rep. ITU-R BT.2053-1 1 REPORT ITU-R BT.2053-1 Large screen digital imagery (Question ITU-R 15/6) (2005-2006) Foreword This Report has been prepared by Radiocommunication Study Group (SG) 6 and Radiocommunication Task Group (TG) 6/9, and contains information gathered from a number of external sources as well as from ITU-R TG 6/9. The terminology used throughout this Report is not consistent, other bodies such as, Society of Motion Picture and Television Engineers (SMPTE)1, and European Digital Cinema Forum (EDCF)2 and technical publications, have used different terms in their deliberations to the terms adopted by ITU-R TG 6/9 in defining large screen digital imagery (LSDI). Further, it is not appropriate to draw comparisons between various definitions. This Report retains the original text provided by the various sources. The reader is cautioned not to draw any conclusions on the eventual adoption of terminology within this evolving industry. 1 Introduction ITU-R TG 6/9 was formed by ITU-R SG 6 in 2002 as a result of the adoption of ITU-R Question 15/6 “Digital cinema (D-Cinema) broadcasting”. Dr Joseph Flaherty of the North American Broadcasting Association (NABA) chaired the task group. ITU-R TG 6/9 held its first meeting in March 2002. Some questions were raised concerning the scope of the task group; and it was concluded that aspects specifically relating to motion pictures (“movies”) should be based on standards developed by the motion picture expert groups. As a result, a revised Question was prepared and subsequently adopted, and the term “large-scale digital imagery (LSDI)” has been employed to describe the area of work of the task group. -
EDISON CYLINDERS Blue Amberols Are Housed in Fine Quality Reproduction Edison Orange Boxes Or in Original Boxes
EDISON CYLINDERS Blue Amberols are housed in fine quality reproduction Edison orange boxes or in original boxes. Wax cylinders are in padded boxes, either original or appropriately protective. Any mold on wax cylinders is always described. All grading is visual and refers to the cylinders rather than the boxes. 4354. 2-M 17139. CÉCILLE MERGUILLIER [s]. DOMINO NOIR: Un fée (Auber). Just about 1-2. $40.00. 4355. 2-M 15897. FRANZISKA KRUG-ELFGEN [s]. SCHLARAFFENDLAND: Walzerlied (Schleif- fahrt). Just about 1-2. $40.00. 4356. 2-M 18070. PIERRE CORNUBERT [t]. LA DAME BLANCHE: Ah! quel plaisir d’être soldat (Boieldieu). Just about 1-2. $75.00. 4353. 4-M Wax Amberol B-152. LEO SLEZAK [t] STÄNDCHEN (Schubert). Just about 1-2. $75.00. 4351. 4-M Wax Amberol B-165. FLORENCIO CONSTANTINO [t]. TOSCA: Recondita armonia (Puccini). Just about 1-2. $75.00. 4348. 4-M Wax Amberol B-166. BLANCHE ARRAL [s]. MIGNON: Polonaise (Thomas). Just about 1-2. $40.00. 4350. 4-M Wax Amberol B-174. ADELINA AGOSTINELLI [s], ATTILIO PAROLA [t]. LA BOHÈME: O soave fanciulla (Puccini). Just about 1-2. $75.00. 4349. 4-M Wax Amberol 30044. MARIE RAPPOLD [s]. CHANSON PROVENÇALE (Dell’Acqua) Just about 1-2. $40.00. 4352. 4-M Wax Amberol 844. HENRI SCOTT [bs]. O’ER THE FRESH GREEN FIELDS (Chami- nade). Just about 1-2. $20.00. 4363. 4-M Blue Amberol 2388. CLEMENTINE DE VERE SAPIO [s], VERNON ARCHIBALD [b]. ROSE OF THE MOUNTAIN TRAIL (Brennan). Archibald sings the main tune about Rose, who we hear vocalizing in the distance on the Mountain Trail. -
Understanding Broad-Scale Vegetation Patterns Abst
58th Annual Symposium of the International Association for Vegetation Science: IAVS Symposium, Brno 2015 – Abstracts th Understanding broad-scale 58 vegetation patterns 19 – 24 July 2015, Brno, Czech Republic Abstracts www.iavs2015.cz 58th Annual Symposium of the International Association for Vegetation Science Abstracts 58th Annual Symposium of the International Association for Vegetation Science: Understanding broad-scale vegetation patterns 19 – 24 July 2015, Brno, Czech Republic Abstracts Edited by Milan Chytrý, David Zelený & Eva Hettenbergerová Masaryk University, Brno, 2015 Local Organizing Committee Milan Chytrý Michal Hájek Radim Hédl Tomáš Herben Eva Hettenbergerová Soňa Hroudová Jan Lepš Zdeňka Lososová Jan Roleček Lubomír Tichý David Zelený IAVS Advisory Committee Martin Diekmann (Germany) – IAVS President Robert K. Peet (USA) – IAVS Vice President and Chair of the Publications Committee Michael Palmer (USA) – IAVS Vice President and Chair of the Membership Committee Javier Loidi (Spain) – IAVS Vice President and Chair of the Meetings Committee Alicia Acosta (Italy) – IAVS Vice President Valério Pillar (Brazil) – IAVS Vice President Susan Wiser (New Zealand) – IAVS Secretary Stefan Bradham (USA) – IAVS Administrator Meelis Pärtel (Estonia) – Chair of the Chief Editors of the IAVS Journals Alessandra Fidelis (Brazil) – Chair of the IAVS Global Sponsorship Committee Joop H.J. Schaminée (The Netherlands) – Chair of the IAVS Awards Committee Kerry Woods (USA) – Chair of the IAVS Ethics Committee Ladislav Mucina (Australia) – Organizer -
January 19 - 22, 2015
JANUARY 19 - 22, 2015 TABLE OF CONTENTS LETTER FROM OUR CONFERENCE FOUNDER P. 2-3 THANK YOU TO OUR VOLUNTEERS P. 4 THANK YOU TO OUR SPONSORS P. 6-7 DOWNLOAD OUR CONFERENCE APP P. 8 MAPS OF THE ZERMATT AND HOMESTEAD RESORTS P. 9-11 CONFERENCE SCHEDULE P. 12-27 ROUNDTABLE TOPICS P. 28-29 SPONSOR ADVERTISEMENTS P. 30-35 A Letter from the Conference Founder... Dear Delegates, Welcome to the Art House Convergence! The conference staff and volunteer organizers hope you have a productive time Russ Collins and enlightening experiences here in the cradle of Sundance, the beautiful Wasatch Conference Founder Mountains of Utah. Under the umbrella of the Sundance Institute, this is the 10th Art House Convergence gathering of Art Houses. The first two years was a gathering of 12 Art Houses, spe- cially invited to the Sundance Film Festival. Eight years ago we began the Art House Convergence, a conference to allow every interested independent cinema the op- portunity to participate in the outstanding camaraderie and learning experience first felt by those 12 specially selected theaters. The growth over the last decade has been outstanding! 25 delegates attended that first Art House Convergence. This year, nearly 500 delegates will attend. And, for the first time, any qualifying theater may be branded a Sundance Institute Art House Project theater. This wonderful opportunity was approved by the Sundance Institute and its Executive Director, Keri Putnam, will tell us more about this exciting development on Tuesday evening. Last year, a goal we set for ourselves was to get a “seat at the table” as a full part- ner in the vital life and market of film exhibition in North America.