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Cubierta Diciembre 09.Indd REVISTA DE MÚSICA Año XXV - Nº 247 - Diciembre 2009 - 7 € DOSIER Año XXV - Nº 247 Diciembre 2009 La expulsión de los moriscos ENCUENTROS Pablo Heras-Casado ACTUALIDAD Christophe Rousset Ivor Bolton ANIVERSARIOS Martinu y la ópera REFERENCIAS Tercera de Mahler $FDJMJB#BSUPMJ Mezzosoprano $ĖğĥģĠ$ĦĝĥĦģĒĝ.ĚĘĦĖĝ%ĖĝĚēĖĤt7ĒĝĝĒĕĠĝĚĕ Ópera y Grandes Voces ◆ 4śēĒĕĠǼǺĕĖĠĔĥĦēģĖĕĖǻǹǹȂtǻǹǹǹęĤ ◆ .ĚţģĔĠĝĖĤǻȀĕĖĖğĖģĠĕĖǻǹǺǹtǻǹǹǹęĤ 0ģĔęĖĤĥģĖĖĥ$ęĠĖĦģĕĖ-ĖĤ"ģĥĤ'ĝĠģĚĤĒğĥĤ *ĝ(ĚĒģĕĚğĠ"ģĞĠğĚĔĠ <0SRVFTUB#BSSPDBSFTJEFOUFEFM$$.%> 8ĚĝĝĚĒĞ$ęģĚĤĥĚĖ, director %ĒğĚĖĝĝĖĕĖ/ĚĖĤĖ, sopranot(ĚĠħĒğğĚ"ğĥĠğĚğĚ, director 4,BSUIÊVTFSt.&$FODJDt8#VSEFOt"&XJOH (')ĒğĕĖĝ0CSBTJOTUSVNFOUBMFTZTFMFDDJØOEFTJOGPOÓBTZ %%2-FFt&EF/FHSJt-1SPWPTUt.,POJOHTCFSHFS BSJBTEFMBTØQFSBTScipione, Rinaldo, Rodelinda y Giulio Cesare (')ĒğĕĖĝ Susanna PSBUPSJP ęĨħǿǿ ZPCSBTEF1-ĠĔĒĥĖĝĝĚy '4(ĖĞĚğĚĒğĚ ◆ .ĚţģĔĠĝĖĤǺȀĕĖĞĒģīĠĕĖǻǹǺǹtǻǹǹǹęĤ ◆ 4śēĒĕĠǺȀĕĖĒēģĚĝĕĖǻǹǺǹtǻǹǹǹęĤ &ĕĚĥĒ(ģĦēĖģĠħĒ TPQSBOPt.ĚĔęĒĖĝ(ŶĥĥĝĖģ, director $ĖĔĚĝĚĒ#ĒģĥĠĝĚ, mezzosopranot-Ē4ĔĚğĥĚĝĝĒ 0ģĢĦĖĤĥĒ4ĚğėŭğĚĔĒĕĖ$ĒĤĥĚĝĝĒĪ-Ėŭğ Sacrificium: La scuola dei castrati 1SPHSBNBBEFUFSNJOBS <1SFTFOUBDJØOOVFWPEJTDPHSBCBEPFOFM$$.%> ◆ .ĚţģĔĠĝĖĤǾĕĖĞĒĪĠĕĖǻǹǺǹtǻǹǹǹęĤ ◆ 4śēĒĕĠǻȂĕĖĞĒĪĠĕĖǻǹǺǹtǻǹǹǹęĤ $ĠğĔĖģĥĠ*ĥĒĝĚĒğĠt3ĚğĒĝĕĠ"ĝĖĤĤĒğĕģĚğĚ, director *ĝ(ĚĒģĕĚğĠ"ģĞĠğĚĔĠ <0SRVFTUB#BSSPDBSFTJEFOUFEFM$$.%> ""SSJWBCFOFt4'PSFTUJt.1JDDJOJOJt"4JNCPMJ (ĚĠħĒğğĚ"ğĥĠğĚğĚ, director +1BMVNCPt';BOBTJt4.JOHBSEPt-%PSEPMP 4POJB1SJOBt7FSØOJDB$BOHFNJt3PCFSUB*OWFSOJ[[J 3(JPSEBOJt('FSSBSJOJt7%F%POBUPt(.BSUFMMBDDJ +VMJB-F[IOFWBt5PQJ-FUIJQVV $.ĠğĥĖħĖģĕĚIl ritorno d’Ulisse in patria, ópera <FOWFSTJØO "7ĚħĒĝĕĚOttone in Villa, ópera, ģħȀǻȂ <FOWFSTJØOEFDPODJFSUP> EFDPODJFSUP> $ĖğĥģĠ$ĦĝĥĦģĒĝ.ĚĘĦĖĝ%ĖĝĚēĖĤt"W.POBTUFSJP/USB4SBEF1SBEP t7BMMBEPMJEt5FM GPSRVFTUB!KDZMFTtXXXGVOEBDJPOTJHMPFT Diseño: Zubiria Tolosa IINTAnuncioNT CCONTRA O FILM.indd 1 ONT́peraRA y Grandes Voces (Scherzo) indd 1 FILM. indd 1 15/11/09 23:20:04 225/11/09 18:18 5/11/09 18:18 247-Pliego 1:OT 60042 24/11/09 16:10 Página 1 AÑO XXV - Nº 247 - Diciembre 2009 - 7 € 2 OPINIÓN La heroica decisión de Felipe III Manuel Martín Galán 114 CON NOMBRE La música de los moriscos de PROPIO Granada 6 Christophe Rousset Reynaldo Fernández Manzano 118 El impacto musical Bruno Serrou morisco-andaluz 8 Ivor Bolton Mahmoud Guettat 124 Josep Pascual El “repertorio oriental” de 10 Silverio AGENDA Faustino Núñez 130 18 ACTUALIDAD ENCUENTROS NACIONAL Pablo Heras-Casado Pablo J. Vayón 134 46 ACTUALIDAD INTERNACIONAL ANIVERSARIO Martinu, el operista 58 ENTREVISTA Santiago Martín Bermúdez 138 Aarón Zapico EDUCACIÓN Catalina García Pedro Sarmiento 142 JAZZ 64 Discos del mes Pablo Sanz 144 65 SCHERZO DISCOS Sumario LIBROS 146 113 DOSIER LA GUÍA 148 La expulsión de los moriscos CONTRAPUNTO Norman Lebrecht 152 Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Íñigo Arbiza, Emili Blasco, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, Jacobo Cortines, Patrick Dillon, Pierre Élie Mamou, José Luis Fernández, Reynaldo Fernández Manzano, Fernando Fraga, Catalina García, Joaquín García, José Antonio García y García, Juan García-Rico, José Guerrero Martín, Mahmoud Guettat, Bernd Hoppe, Paul Korenhof, Antonio Lasierra, Norman Lebrecht, Manuel Martín Galán, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Blas Matamoro, Antonio Muñoz Molina, Juan Carlos Moreno, Miguel Ángel Nepomuceno, Faustino Núñez, Rafael Ortega Basagoiti, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Francisco Ramos, Arturo Reverter, Pablo L. Rodríguez, Barbara Röder, David Rodríguez Cerdán, María Sánchez-Archidona, Ignacio Sánchez Quirós, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, Christian Springer, Luis Suñén, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. Vayón, Juan Manuel Viana, Albert Vilardell, Reinmar Wagner. Traducciones: Rafael Banús Irusta y Blas Matamoro (alemán) - Enrique Martínez Miura (italiano) - Barbara McShane (inglés) Juan Manuel Viana (francés) Impreso en papel 100% libre de cloro Esta revista es miembro de ARCE, Asociación de Revistas Culturales de PRECIO DE LA SUSCRIPCIÓN: España, y de CEDRO, Centro Español de Derechos Reprográficos. SCHERZO es una publicación de carácter plural y no pertenece ni está adscri- por un año (11 Números) ta a ningún organismo público ni privado. La dirección respeta la libertad de expresión de sus colaboradores. Los textos firmados son de exclusiva respon- sabilidad de los firmantes, no siendo por tanto opinión oficial de la revista. España (incluido Canarias) 70 €. Europa: 105 €. Esta revista ha recibido una ayuda de la Dirección General del Libro, Archivos y Bibliotecas de EE.UU y Canadá 120 €. Ministerio de Cultura para su difusión en bibliotecas, centros culturales y universidades de Méjico, América Central y del Sur 125 €. España, para la totalidad de los números del año. 1 247-Pliego 1:OT 60042 24/11/09 16:10 Página 2 OPINIÓN EDITORIAL LA CORUÑA: SUMAR Y SEGUIR veces el éxito de unos tiene entre nosotros la curiosa consecuen- cia de repercutir negativamente en otros que lejos de hacerlo mal parecen quedar ensombrecidos por quienes acaban de hacerlo bien. Es lo que se deduce de algunos comentarios aparecidos en Alos medios como corolario a la excelente temporada de Amigos de la Ópera de La Coruña y que se preguntan si no será ese el camino a reco- rrer y si la ciudad gallega no debe preguntarse si es el lugar adecuado para tanta exquisitez —textualmente— como le ofrece anualmente el Festival Mozart. Son tiempos de crisis y una lectura en esa clave de tales comentarios pudiera encontrar en ellos una buena razón para el recorte, cuando parece claro que ambos certámenes pueden convivir y utilizar la buena marcha de uno de ellos para divisar la —tampoco demasiado intensa— luz de alarma que empezaba a encenderse en el otro. No es una perogrullada recordar que no es lo mismo un festival de ópera que otro que abarca más géneros y que a veces se juega con una cierta demagogia a la hora de comparar el interés del público por uno o por otro. En las ciudades españolas con temporada operística conviven con ella ciclos de distinta especie organizados por sociedades filarmónicas OPINIÓN o empresas varias, con mayor o menor apoyo económico de entidades públicas o privadas. Y no parece que La Coruña esté menos dotada para lo exquisito de lo que pueda estarlo cualquiera de esas ciudades. Es más, el desarrollo de festivales como Via Stellæ, Are More o Sen Batuta en San- tiago, Vigo y Orense respectivamente hace pensar que el mercado gallego de la música se ha abierto especialmente los últimos años. Así, pues, pare- ce bastante absurdo pensar que la ópera deba poner en peligro la estabi- lidad del Festival Mozart. Se ha llegado a decir que el Festival Mozart debe seguir la línea de las temporadas de los Amigos de la Ópera. Si pensamos que este año dicha línea ha consistido en la programación de tres óperas, magnífica- mente representadas por cierto, como son I puritani, Turandot y Parte- nope, la reflexión parece un poco absurda. No tiene sentido ligar la per- vivencia del Festival Mozart a una mini temporada de ópera cuando tie- ne la opción de apostar por afianzarse en una personalidad que, con más o menos desviaciones de su idea inicial, no le ha faltado a lo largo de todos sus años de existencia. Parece claro que los festivales temáti- cos, con una personalidad y una programación bien definidas y a la bús- queda de un público primero nuevo y luego fiel pueden tener un futuro más halagüeño que los que optan por una variedad que acaba en la dis- persión o, lo que es peor, en la repetición de ofertas compartidas con algunos de sus pares, muchas veces, además, ya vistas en la temporada regular de su propia ciudad. Y eso lo ha entendido el Mozart desde el principio. Tendemos demasiado a infravalorar el trabajo realizado con el paso del tiempo y más cuando nos ciega algún deslumbramiento momentá- neo. El Festival Mozart debe seguramente replantearse su trayectoria a la vista de los resultados últimos pero su potencia, aun con los recortes presupuestarios a que se verá sin duda sometido, parece más que evi- dente. Forma parte de la historia de la música española de los últimos años y ha sido decisivo para que una ciudad como La Coruña, que sólo tenía hasta hace bien poco una banda municipal y la Coral El Eco, se convirtiera en uno de los centros de irradiación musical más interesan- tes de España. Eso incluye, naturalmente, a una de nuestras mejores orquestas, la Sinfónica de Galicia, igualmente ligada al Festival y que con buen criterio se ha sumado también a la temporada de ópera. De eso se trata, de sumar. Y si los sumandos son positivos la cuenta no puede más que salir bien. 2 247-Pliego 1 FILM.qxd:OT 60042 25/11/09 18:10 Página 3 OPINIÓN REVISTA DE MÚSICA $xR;;91'LFLHPEUHĄ La música extremada VEINTE MINUTOS DOSIER La expulsión de los moriscos ENCUENTROS Diseño Pablo Heras-Casado ACTUALIDAD Christophe Rousset de portada Ivor Bolton ANIVERSARIOS Martinu y la ópera Argonauta REFERENCIAS Tercera de Mahler Foto portada: Robertofotógrafo.com Edita: SCHERZO EDITORIAL S.L. C/Cartagena, 10. 1º C 28028 MADRID Teléfono: 913 567 622 FAX: 917 261 864 Internet: www.scherzo.es E mail: Redacción: [email protected] Administración: [email protected] Presidente: Santiago Martín Bermúdez REVISTA DE MÚSICA Director: Luis Suñén Redactor Jefe: Enrique Martínez Miura Cherter Higgihs Edición: Arantza Quintanilla Maquetación: Iván Pascual n un aula de la universidad de suspenso y regresar al cabo de unos Columbia el pianista Benjamin
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