The Julia Dean Photo Workshops Expanding Photography in Southern California

Now Offering One-Week Intensives

Winter/Spring 2010 B:9.25” T:7.75” S:7” B S T : : : 1 9 1 0 . 1 7 . . 5 5 5 ” ” ”

With 21.1 megapixels and Full HD video, it·s time to think bigger.

The Canon EOS 5D Mark II. The world·s only camera to combine a 21.1 megapixel full-frame CMOS sensor with Full HD 1080p video. Giving you the power to combine breathtaking stills with revolutionary video. The industry has changed forever. Inspired. By Canon. To see more HD videos, visit usa.canon.com/dlc

©2009 Canon U.S.A., Inc. Canon and EOS are registered trademarks of Canon Inc. in the United States. IMAGEANYWARE is a trademark of Canon. LCD image simulated. All rights reserved. ©2008 Vincent Laforet, Canon Explorer of Light.

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THIS ADVERTISEMENT PREPARED BY GREY WORLDWIDE JOB #: 062-CM-118_Rev1 PROOF: 12 CLIENT: Canon USA Inc. SIZE, SPACE: 7.75” x 10.5”, 4CB CLIENT: Canon USA Inc. OP: WB, KW, ED, KW, JS, KW, WB PRODUCT: Camera Division-Lens/Shutter PUBS: Magazine SPACE/SIZE: B: 9.25” x 11.5” T: 7.75” x 10.5” S: 7” x 9.75” JOB#: 062-CM-118_Rev1 ISSUE: 2009 LEGAL RELEASE STATUS AD APPROVAL ART DIRECTOR: E. King COPYWRITER: None DATE: Release has been obtained Legal Coord: Acct Mgmt: Print Prod: Art Director: Proofreader: Copywriter: Studio: TABLE OF CONTENTS

GENERAL INFORMATION Staff Information ...... 1 Index by Topic ...... 2 NEW WORKSHOPS IN Index by Month ...... 2 Index by Class Duration ...... 3 WINTER/SPRING 2010 Index by Instructor ...... 3

Full-Time Program ...... 8 Deep Into Photography: A Weekend of Critique and Inspiration Certificate Programs...... 10 with Mary Ellen Mark › page 6 Registration & Policies...... 44 Words Into Pictures with Sheila Metzner › page 6 Sponsors ...... Inside Back Cover Eyes Wide Open with Eddie Soloway › page 7 Educational Partners...... Inside Back Cover The Photographic Project Critique Workshop with Maggie Steber › page 8 WORKSHOPS The Power of Light with Tony Corbell › page 9 Special Guests: Weekend Intensives ...... 6-9 Portraits: Exploring the Psychological, Emotional and Technical Special Guests: One-Week Intensives...... 10-13 with Shelby Lee Adams › page 10 Spring Workshops for Teens ...... 15 The Human Form in Nature: Photographing the Figure in Joshua Tree Summer Workshops for Teens ...... 16-19 with Allen Birnbach › page 11 Photography & Digital Camera Fundamentals ...... 20-24 Staying Fresh: Being Successful as a Photographer with Joe Buissink › page 11 History of Photography...... 25 Lighting & Portraiture...... 26-31 Poetic Insight: Visual Composition for Teens (13-15) with Paola M. Davila › page 15 Alternative & Fine Art...... 33-35 Night Photography for Teens (ages 13-18) with Paola M. Davila › page 19 Specialized Photography...... 36-39 Making Your Own Photo Book for Teens (ages 13-18) with Julia Dean › page 19 Photoshop, Lightroom & Printing...... 40-41 Intermediate Studio & Location Lighting with Josh Sanseri › page 27 Multimedia, Business & Marketing...... 42-43 Children’s Portraiture: The Business and the Craft TRAVEL WORKSHOPS with Janet Baker-Richardson › page 29 Egypt ...... 36 Photographing the Figure with Scott Stulberg › page 29 The Crash Flash Course II with Julia Dean › page 31 CONTESTS The Berenice Abbott Prize...... 25 Afterglow: Digital Capture After Dark with Scott Stulberg › page 36 Show Off: The JDPW Annual Alumni Exhibit ...... 25 Stock Photography: Six-Week with Peter Bennett › page 37 The Alternative Photography Contest ...... 25 Creative Approaches to Wedding Photography The New Documentarian Award ...... 25 with Isabel Gomes & Lawrence Gund › page 38 Making Your Own Photo Book with Julia Dean › page 39 PRIVATE PHOTOGRAPHY LESSONS ...... 30 Mastering Adobe Lightroom with Jamie Redmond › page 40 Retouching Techniques in Adobe Photoshop with Jamie Redmond › page 41 The JDPW Weekly E-Newsletter The Julia Dean Photo Workshops sends weekly Color Balancing and Image Enhancements in Adobe Photoshop E-Newsletters regarding changes to our schedule, featured guest speakers, upcoming with Jamie Redmond › page 41 workshops, exhibits, events and more. To keep current with the latest news and happenings, please visit juliadean.com and click “Join Our Newsletter” on the left navigation bar. From Amateur to Professional: How to Break Into the Industry with Manuello Paganelli › page 42 See you at the workshops! The Steps to Success: Establishing a Career in Photography with Sherrie Berger › page 42 Marketing for the Professional Photographer with Ian Shive › page 43 Multimedia Production from Photography to the Web: Fundamentals with Ian Shive & Russell Chadwick › page 43 Egypt › page 36

And Introducing a Special Workshop with Julia Dean … The Master Class › page 39

SPECIAL THANKS TO OUR COURSE ASSISTANTS

Angela Marklew Jessica Jensen © staff photo by Agi Magyari From left: Castulo Hernandez Lindsey Cortese Chris Skeels, Director of Operations Claire Mallett Lisa Bevis Julia Dean, Founder Brandon Gannon, General Manager & Director of Publications Deborah Yun Liv Naesheim, Curator Erika Diaz Liz Huston © front cover photograph by Julia Dean

The Julia Dean Photo Workshops Erin Fuentes Shel Mosk 801 Ocean Front Walk • Studio 8 • Venice, CA 90291 Erin Monacelli Stacey Scott Phone: 310.392.0909 • Fax: 310.664.0809 Email: [email protected] • Website: www.juliadean.com Hannah Ward

Catalog design by: Simple Art + Design INDEX INDEX

Index by Topic Index by Month January Special Guests: Weekend Intensives 1/8: Photo Safari with Julia Dean: Los Angeles, California ...... www.juliadean.com Mary Virginia Swanson – Presenting Your Work to the Fine Art Market...... www.juliadean.com 1/8: Mary Virginia Swanson – Presenting Your Work to the Fine Art Market...... www.juliadean.com Joyce Tenneson – Marketing and Developing Your Photography Career...... www.juliadean.com 1/11: Claudio Edinger – The Fine Arts Photographic Project ...... www.juliadean.com Mary Ellen Mark – Deep Into Photography: A Weekend of Critique and Inspiration ...... 6 1/13: Basic Photography I: The Fundamentals ...... 20 Sheila Metzner – Words Into Pictures ...... 6 1/16: The Crash Studio & Location Lighting Class ...... www.juliadean.com & 27 1/16: The Crash Flash Course I ...... 31 Eddie Soloway – Eyes Wide Open...... 7 1/18: Julia Dean – Mastering Your Flash ...... 13 Nevada Wier – Creativity in Travel Photography ...... 7 1/19: Basic Photography II: Diving into Digital ...... 21 Maggie Steber – The Photographic Project Critique Workshop...... 8 1/21: Introduction to Adobe Photoshop ...... 41 Bobbi Lane – Portrait Lighting Intensive...... 9 1/22: Joyce Tenneson – Marketing and Developing Your Photography Career ...... www.juliadean.com Tony Corbell – The Power of Light...... 9 1/23: Digital Photography I: How to Use a Digital Camera ...... 22 1/23: Creating Art with Toy Cameras ...... 33 Special Guests: One-Week Intensives 1/24: The Crash Flash Course II ...... 31 Claudio Edinger – The Fine Arts Photographic Project ...... www.juliadean.com 1/28: The Next Step II: Getting Exposure in the Fine Art and Documentary World ...... 34 1/30: Basic Photography I: The Fundamentals ...... 20 Shelby Lee Adams – Portraits: Exploring the Psychological, Emotional and Technical ...... 10 1/30: Getting to Know Adobe Lightroom ...... 40 Allen Birnbach – The Human Form in Nature: Photographing the Figure in Joshua Tree ...... 11 1/30: The Canon EOS Digital System Workshop ...... www.juliadean.com Joe Buissink – Staying Fresh: Being Successful as a Photographer ...... 11 February Julia Dean – Mastering Your Flash...... 13 2/1:Buenos Aires & Uruguay ...... www.juliadean.com Julia Dean – Basic Photography: One-Week Intensive...... 13 2/1: Introduction to Location Lighting ...... 26 2/2: Mastering Adobe Lightroom ...... 40 Photographic Safaris 2/3: Afterglow: Digital Capture After Dark ...... 36 Los Angeles, California ...... www.juliadean.com) 2/16: Basic Photography I: The Fundamentals ...... 20 2/20: Fine Art Inkjet Printing ...... 40 Spring Workshops for Teens 2/22: The Master Class ...... 39 Digital Photography for Teens (ages 13-15)...... 15 2/22: The Steps to Success: Establishing a Career in Photography ...... 42 Poetic Insight: Visual Composition for Teens (13-15)...... 15 2/24: Creative Portraiture ...... 28 2/25: The History of Photography ...... 25 Summer Workshops for Teens 2/27: The Perfect Exposure and Composition Class ...... 24 Digital Photography for Teens (ages 13-15) ...... 16 March Basic Photography for Teens (ages 16-18) ...... 16 3/3: Marketing for the Professional Photographer ...... 43 Travel, Discover and Learn: Developing Skills in Portrait, Architecture & 3/5: Sheila Metzner – Words Into Pictures ...... 6 Landscape Photography (ages 13-18) ...... 17 3/13: Digital Photography I: How to Use a Digital Camera ...... 22 3/13: Making Your Own Photo Book ...... 39 Creating Art with Toy Cameras for Teens (ages 13-18) ...... 17 3/14: Digital Photography II: Workflow Made Easy ...... 22 The Special Project for Teens (ages 13-18) ...... 18 3/15: Digital Photography for Teens (ages 13-15) ...... 15 Photoshop for Teens (ages 13-18) ...... 18 3/21: The Crash Flash Course I ...... 31 Night Photography for Teens (ages 13-18) ...... 19 3/22: Poetic Insight: Visual Composition for Teens (13-15) ...... 15 Making Your Own Photo Book for Teens (ages 13-18) ...... 19 3/22: Joe Buissink – Staying Fresh: Being Successful as a Photographer ...... 11 3/25: Four Evenings with Fine Art Photographers ...... 35 Photography & Digital Camera Fundamentals 3/27: Harnessing the Power of Light: Five Basic Rules ...... 30 Basic Photography I:The Fundamentals ...... 20 3/27: Retouching Techniques in Adobe Photoshop ...... 41 Basic Photography II: Diving into Digital ...... 21 April Basic Photography III: Advanced Digital ...... 21 4/6: Basic Photography I: The Fundamentals ...... 20 The Canon EOS Digital System Workshop ...... www.juliadean.com 4/7: The Portrait Series ...... 28 Digital Photography I: How to Use a Digital Camera ...... 22 4/8: Introduction to Studio Lighting ...... 26 Digital Photography II: Workflow Made Easy ...... 22 4/8: The Next Step III: Getting Exposure in the Fine Art and Documentary World ...... 34 The Composition Class: A Course in Photographic Design ...... 24 4/10: The Fine Art of Travel Photography ...... 37 4/10: Multimedia Production from Photography to the Web: Fundamentals ...... 43 The Perfect Exposure and Composition Class ...... 24 4/11: The Composition Class: A Course in Photographic Design ...... 24 History of Photography 4/11: Creative Approaches to Wedding Photography ...... 38 4/12: Introduction to Adobe Photoshop ...... 41 The History of Photography ...... 25 4/12: Sunshine & Noir: Holga Photography and the Social Landscape ...... 33 Lighting & Portraiture 4/13: The Next Step I: Getting Exposure in the Fine Art and Documentary World ...... 34 4/14: Basic Photography II: Diving into Digital ...... 21 Introduction to Location Lighting ...... 26 4/16: Mary Ellen Mark – Deep Into Photography: A Weekend of Critique and Inspiration ...... 6 Introduction to Studio Lighting ...... 26 4/17: The Wet Plate Collodion Processs ...... 35 Intermediate Studio & Location Lighting ...... 27 4/22: Four Evenings with Fine Art Photographers ...... 35 The Crash Studio & Location Lighting Class ...... 27 4/23: Bobbi Lane – Portrait Lighting Intensive ...... 9 Creative Portraiture ...... 28 4/24: Basic Photography I: The Fundamentals ...... 20 4/24: From Amateur to Professional: How to Break Into the Business ...... 42 The Portrait Series ...... 28 4/26: Allen Birnbach – The Human Form in Nature: Photographing the Figure in Joshua Tree ...... 11 Children’s Portraiture: The Business and the Craft ...... 29 Photographing the Figure ...... 29 May 5/1: Getting to Know Adobe Lightroom ...... 40 Harnessing the Power of Light: Five Basic Rules ...... 30 5/7: Eddie Soloway – Eyes Wide Open ...... 7 The Crash Flash Course I ...... 31 5/12: Basic Photography I: The Fundamentals ...... 20 The Crash Flash Course II ...... 31 5/15: The Crash Flash Course I ...... 31 5/16: The Crash Flash Course II ...... 31 Alternative & Fine Art 5/17: Stock Photography: Six-Week ...... 37 Creating Art with Toy Cameras ...... 33 5/18: Basic Photography III: Advanced Digital ...... 21 Sunshine & Noir: Holga Photography and the Social Landscape ...... 33 5/20: Four Evenings with Fine Art Photographers ...... 35 The Next Step I: Getting Exposure in the Fine Art and Documentary World ...... 34 5/22: Digital Photography I: How to Use a Digital Camera ...... 22 5/22: Children’s Portraiture: The Business and the Craft ...... 29 The Next Step II: Getting Exposure in the Fine Art and Documentary World ...... 34 5/23: Color Balancing and Image Enhancements in Adobe Photoshop ...... 41 The Next Step III: Getting Exposure in the Fine Art and Documentary World ...... 34 5/25: Mastering Adobe Lightroom ...... 40 The Wet Plate Collodion Processs ...... 35 5/26: The Art and Business of Wedding Photography: Six-Week ...... 38 Four Evenings with Fine Art Photographers ...... 35 5/27: Intermediate Studio & Location Lighting ...... 27 June Specialized Photography 6/4: Nevada Wier – Creativity in Travel Photography ...... 7 Afterglow: Digital Capture After Dark ...... 36 6/12: Photographing the Figure ...... 29 Stock Photography:Six-Week ...... 37 6/12: Making Your Own Photo Book ...... 39 The Fine Art of Travel Photography ...... 37 6/17: Four Evenings with Fine Art Photographers ...... 35 Creative Approaches to Wedding Photography ...... 38 6/18: Tony Corbell – The Power of Light ...... 9 The Art and Business of Wedding Photography: Six-Week ...... 38 6/19: Harnessing the Power of Light: Five Basic Rules ...... 30 6/26: The Crash Studio & Location Lighting Class ...... 27 Making Your Own Photo Book ...... 39 The Master Class ...... 39 July 7/9: Maggie Steber – The Photographic Project Critique Workshop ...... 8 Photoshop, Lightroom & Printing 7/12: Digital Photography for Teens (ages 13-15) ...... 16 Fine Art Inkjet Printing ...... 40 7/15: Basic Photography for Teens (ages 16-18) ...... 16 Getting to Know Adobe Lightroom ...... 40 7/17: The Crash Flash Course I ...... 31 Mastering Adobe Lightroom ...... 40 7/19: Digital Photography for Teens (ages 13-15) ...... 16 7/19: Julia Dean – Basic Photography: One-Week Intensive ...... 13 Retouching Techniques in Adobe Photoshop ...... 41 7/24: Creating Art with Toy Cameras for Teens (ages 13-18) ...... 17 Color Balancing and Image Enhancements in Adobe Photoshop ...... 41 7/24: Digital Photography I: How to Use a Digital Camera ...... 22 Introduction to Adobe Photoshop ...... 41 7/25: Digital Photography II: Workflow Made Easy ...... 22 7/26: Travel, Discover and Learn: Developing Skills in Portrait, Multimedia, Business & Marketing Architecture & Landscape Photography (ages 13-18) ...... 7 From Amateur to Professional: How to Break Into the Industry ...... 42 7/26: Shelby Lee Adams – Portraits: Exploring the Psychological, Emotional and Technical ...... 10 The Steps to Success: Establishing a Career in Photography ...... 42 August Marketing for the Professional Photographer ...... 43 8/2: The Special Project for Teens (ages 13-18) ...... 18 Multimedia Production from Photography to the Web: Fundamentals ...... 43 8/9: Photoshop for Teens (ages 13-18) ...... 18 8/16: Making Your Own Photo Books for Teens (ages 13-18) ...... 19 Travel Workshops 8/16: Night Photography for Teens (ages 13-18) ...... 19 Buenos Aires & Uruguay ...... www.juliadean.com 2 November Egypt ...... 36 11/20 Egypt ...... 36 INDEX

Index by Class Duration Index by Instructor

One-Session Shelby Lee Adams ...... 10 Digital Photography I: How to Use a Digital Camera ...... 22 Digital Photography II: Workflow Made Easy ...... 22 The Canon EOS Digital System Workshop ...... www.juliadean.com Thomas Michael Alleman ...... 33 The Perfect Exposure and Composition Class ...... 24 Children’s Portraiture: The Business and the Craft ...... 29 Janet Baker-Richardson ...... 29 Photographing the Figure ...... 29 Harnessing the Power of Light: Five Basic Rules ...... 30 Peter Bennett ...... 37 The Crash Flash Course I ...... 31 The Crash Flash Course II ...... 31 The Fine Art of Travel Photography ...... 37 Sherrie Berger ...... 42 Creative Approaches to Wedding Photography ...... 38 Getting to Know Adobe Lightroom ...... 40 Mark Berndt ...... 21 & 22 Retouching Techniques in Adobe Photoshop ...... 41 Color Balancing and Image Enhancements in Adobe Photoshop ...... 41 Allen Birnbach ...... 11 From Amateur to Professional: How to Break Into the Industry ...... 42

Two-Session Joe Buissink ...... 11 The Crash Studio & Location Lighting Class ...... www.juliadean.com & 27 Creating Art with Toy Cameras ...... 33 Russell Chadwick ...... 43 The Wet Plate Collodion Process ...... 35 Making Your Own Photo Book ...... 39 Tony Corbell ...... 9 Fine Art Inkjet Printing ...... 40 Multimedia Production from Photography to the Web: Fundamentals ...... 43 Paola M.Davila...... 15,16,17 & 19 Three-Session Mary Virginia Swanson – Presenting Your Work to the Fine Art Market ...... www.juliadean.com Julia Dean ...... 13,19,20,24,31 & 39 Joyce Tenneson – Marketing and Developing Your Photography Career...... www.juliadean.com Photo Safari with Julia Dean: Los Angeles, California ...... www.juliadean.com Will Dunniway ...... 35 Mary Ellen Mark - Deep Into Photography: A Weekend of Critique and Inspiration ...... 6 Sheila Metzner – Words Into Pictures ...... 6 Claudio Edinger ...... www.juliadean.com Eddie Soloway – Eyes Wide Open ...... 7 Nevada Wier – Creativity in Travel Photography ...... 7 Maggie Steber – The Photographic Project Critique Workshop ...... 8 Blue Fier ...... 24 & 25 Bobbi Lane – Portrait Lighting Intensive ...... 9 Tony Corbell – The Power of Light ...... 9 Isabel Gomes ...... 38 The Steps to Success: Establishing a Career in Photography ...... 42 Lawrence Gund ...... 38 Four-Session The Next Step II: Getting Exposure in the Fine Art and Documentary World ...... 34 Four Evenings with Fine Art Photographers ...... 35 Mark Edward Harris ...... 37 Basic Photography for Teens (ages 16-18) ...... 16 Amanda Keller-Konya...... 16,20 & 22 One-Week Intensive (Five-Session) Claudio Edinger – The Fine Arts Photographic Project...... www.juliadean.com Bobbi Lane ...... 9 Shelby Lee Adams – Portraits: Exploring the Psychological, Emotional and Technical ...... 10 Allen Birnbach – The Human Form in Nature: Photographing the Figure in Joshua Tree ...... 11 Joe Buissink – Staying Fresh: Being Successful as a Photographer ...... 11 Mary Ellen Mark ...... 6 Julia Dean – Mastering Your Flash ...... 13 Julia Dean – Basic Photography: One-Week Intensive ...... 13 Ken Merfeld ...... 28 Digital Photography for Teens (ages 13-15) ...... 15 & 16 Poetic Insight: Visual Composition for Teens (13-15) ...... 15 Sheila Metzner ...... 6 Travel, Discover and Learn: Developing Skills in Portrait, Architecture & Landscape Photography (ages 13-18) ...... 17 Creating Art with Toy Cameras for Teens (ages 13-18) ...... 17 Manuello Paganelli ...... 42 The Special Project for Teens (ages 13-18) ...... 18 Photoshop for Teens (ages 13-18) ...... 18 Andrea Passarella ...... 18 Night Photography for Teens (ages 13-18) ...... 19 Making Your Own Photo Book for Teens (ages 13-18) ...... 19 Jamie Redmond...... 18,40 & 41 Six-Session Basic Photography I: The Fundamentals ...... 20 Philipp Scholz Rittermann ...... 40 Basic Photography II: Diving into Digital ...... 21 Basic Photography III: Advanced Digital ...... 21 Yvette Roman ...... 38 The Composition Class: A Course in Photographic Design ...... 24 The History of Photography ...... 25 Marissa Roth ...... 20 Creative Portraiture...... 28 The Portrait Series ...... 28 The Next Step I: Getting Exposure in the Fine Art and Documentary World ...... 34 Josh Sanseri ...... 27 Stock Photography: Six-Week ...... 37 The Art and Business of Wedding Photography: Six-Week ...... 38 Kevin Scanlon ...... 26 & 27 Mastering Adobe Lightroom ...... 40 Introduction to Adobe Photoshop ...... 41 Ian Shive ...... 43 Marketing for the Professional Photographer ...... 43

Seven-Session Aline Smithson ...... 17,33,34 & 35 Introduction to Location Lighting ...... 26 Introduction to Studio Lighting ...... 26 Eddie Soloway ...... 7 Sunshine & Noir: Holga Photography and the Social Landscape ...... 33 Afterglow: Digital Capture After Dark ...... 36 Maggie Steber ...... 8 Eight-Session Intermediate Studio & Location Lighting ...... 27 Scott Stulberg ...... 29 & 36

Three Months (three sessions total) Mary Virginia Swanson...... www.juliadean.com The Next Step III: Getting Exposure in the Fine Art and Documentary World ...... 34 Joyce Tenneson ...... www.juliadean.com Six Months (six sessions total) The Master Class ...... 39 Byll Williams ...... 30 Quarterly (four times per year) 3 Photographers on Photography ...... 5 Nevada Wier ...... 7

The Julia Dean Photo Workshops Presents ... photographers on photography

A quarterly series of spotlight interviews with the industry’s top photographers created by the Julia Dean Photo Workshops and in partnership with Art Streiber and Andrew Southam.

Previous guests have included: tony duran, june newton, frank ockenfels, matthew rolston, art streiber and james white

Supported by Digital Fusion and A&I Photographic and Digital Services

LISTEN. LEARN. BE INSPIRED. © Andrew Southam © Art Streiber

MODERATED BY: Art Streiber (www.artstreiber.com) & Andrew Southam (www.andrewsoutham.com)

January, April, July, & October

For detailed information please call the Julia Dean Photo Workshops at 310.392.0909 or visit juliadean.com.

All photographers are subject to availability.

SALETHE PRE-SEASON A Holiday Gift From Us to You! Photography NOW UNTIL DECEMBER 18TH, 2009, RECEIVE 10-15% OFF THE TUITION PRICE Workshops for Teens OF ANY WINTER/SPRING 2010 WORKSHOP!

(Discount does not apply to Youth Program, MARCH, JULY & AUGUST 2010 Photo Safaris and Travel Workshops. Certain restrictions may apply.) 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An enic : V Upon the end of the weekend you will walk : raphic life, and furthering photographic publish- May 7-9 I TION all making you think the A www.juliadean.com www.juliadean.com y camera. raphy assignment to present Sunday morning. OC Friday — 7-9 pm L ORKSHOP FEE W S One Thousand Moons with Eddie Soloway with Eddie Eyes Wide Open Wide Eyes CLAS ENROLLMENT LIMIT A Natural Eye: Big Sur yone with an photographs (www.eddiesoloway.com) are the expression of his photographs (www.eddiesoloway.com) y in a brand new workshop experience designed to push our seeing y in a brand new workshop experience designed to tivity and the photog ye-opening photog e Saturday & SundaySaturday — 10 am-6 pm t made you take notice, perhaps changed you. even avalanche of With today’s ted from a delightful and precious dance between wha ys that follow he will blend hands on outdoor sessions with indoor presentations, ore open to an ges tha way ideas behind get- both seeing more of the world around you as well as knowing the a ting your vision into an image. This workshop focuses on the most important skill in photography – seeing – and is theref a photographer, easily we can forget that people make photographs. Memorable images are crea and what you feel. Join Eddie Solowa in front of our eyes right into the world of abstractions,from what’s reflections, layers, movement, imagination. and then deeper into the realm of concepts and Friday night “Seeing:Eddie will stir the pot of creativity with a session on Deeper and Deeper”. On the two da bringing ideas into the concrete. Participants will use the end of the day Saturday completing a fun, Eddie Soloway’s Close your eyes and think about the most memorable photographs you have seen. Ima new cameras and software releases, passion and commitment to the natural world. His eye has developed during a life- wild places.time of exploring the earth’s Former positions in educational workshop design, wilderness program development, and custom fine photographic printing have further honed his expertise. In 1998, Eddie was the first recipient of the presented by the Santa Fe Center for Award Teaching Excellence in Photographic Photography. he divides his time between making fine-art prints, Today teaching, speaking on crea impassioned teacher, Eddie brings experiences in nature, creativity, and photography to his workshops. 2004, and his dvd, ing projects. His first book, 7 and y to pher in ary) ra Nevada Wier Nevada © . Nevada has been fea- ting photog xact times may v (e The Land of Nine Dragons – PECIAL GUESTS: INTENSIVES WEEKEND $635 S 15 students : : a participa Mother Earth y and intense blend of lectures, Venice Beach Venice I am-6 pm , : and raphy June 4-6 ges. — 10 Friday — 7-9 pm The Explorer’s Club and a member of the Women’s Club and a member of the The Explorer’s vel ima WORKSHOP FEE .com) is an award-winning photographer in specializing with Nevada Wier with Nevada vel Photog wier ra CLASS LOCATION ENROLLMENT LIMIT T .nevada day and Sunday (Abbeville Press),Vietnam, photography from contemporary winner of (www She is a Fellow of Adventure Satur . Creativity in Travel Photography in Travel Creativity Wier te unique and impacting tra ada t elevates itself above the usual travel clichés. pher of Geographic Society. Nevada was the photographer for ra the Lowell Thomas Best Travel Book of 1992 award.Travel Best Thomas the Lowell She was the author and photog- lished in numerous national and international publications, including: the remote corners of the globe and the cultures that inhabit them.has been pub- She A Day in the Life of Thailand,A Day in the Life of Vegas, Planet NG Adventure,NG Geo, Islands, National Geographic, Outdoor Photographer, Outside, Smithsonian Nev Vietnam Today Santa Fe, New Mexico. Northwest Airlines internationalAirlines and print ad campaign. television Northwest is based in Nevada tured in National Geographic Explorer, Through the Lens, Canon Photo Safaris, and in a By the end of the weekend you will gain the confidence and the tools necessar By the end of the weekend you will gain the confidence different travel and outdoor environments, and using natural light, as well as fill-flash. considerations in foreign countries, tips on equipment and digital concerns in photography. discuss ways to approach and photograph people, We cross-cultural emphasis is on expanding your creative and travel vision in the realm of outdoor discussions, Beach.Venice during the fabulous and an assignment Carnivale at The crea This intensive weekend workshop is a livel tha technical, practical and creative aspects of travel photography in order to get an image specialist in adventure and travel photography, will discuss how to combine these competence, intuitive awareness, and a dash of panache. curiosity Wier, Nevada a Photographing on the move requires the combination of technical expertise, culture and editing. SLR camera, photograph in RAW, processing and have a solid understanding of RAW This workshop is for avid immediate to advanced photographersdigital who use a I SPECIAL GUESTS: WEEKEND INTENSIVES I The Photographic Project Critique Workshop with Maggie Steber

FULL-TIME PROGRAM

The JDPW Full-Time Program is an intensive one-year program specifically designed for the student passionate about learning photography. The program allows © Maggie Steber students to enroll in a nearly unlimited amount of Julia Dean Working on a long-term project of any nature presents challenges. It is easy to get lost in a project, even confused about finding your point of view and translating that into a visual style that classes and workshops and free access can be a supporting framework. Taking a step back for reflection can benefit the work. We will to our numerous speaking events. look at the photographs and discuss, as a group, your ambitions for your projects. This group process benefits everyone and infuses energy into the process.

All graduates will receive a certificate We’ll begin immediately on Friday evening by examining, critiquing, and discussing everyone’s and entitlement to a one-person show work. The next day we’ll review, then continue to discuss the work, edit it, try for sequences that at the Julia Dean Gallery. might bring in new ideas, presentation, and where holes or stumbling blocks exist that might weaken or strengthen the body of work. It is also important to know when the project is finished and how you decide the best course for its future use. On Sunday we will discuss business ques- Admittance into the Full-Time tions, grants, book publishers, magazines, and whatever else the class decides. Since photography often means working in vacuum, participants are strongly encouraged to bring any informa- Program is by application tion he or she may have to the workshop and share that information for the benefit of all. only, available at: http://juliadean.com/fulltimeprogram.html Open to all experience levels, this workshop is designed for photographers who have been working on long-term projects — documentary, photojournalistic or artistic in nature — and find themselves at a stalemate as to how to proceed. A limit of two students per season (Winter/Spring and Summer/Fall) Maggie Steber is a highly awarded documentary photographer whose work appears in major international publications, book anthologies and exhibitions. She has worked in 59 countries, will be admitted. telling stories of underrepresented people for National Geographic, The New York Times Magazine, Newsweek, Du, Smithsonian, Merian Magazine and other publications. She is the recipient of grants from the Ernst Haas Foundation, Alicia Patterson Foundation and Knight Foundation. Her book, Dancing on Fire: Photographs from Haiti, published by Aperture, culmi- For information call nates 20 years of work. She served as director of photography at The Miami Herald, where 310.392.0909 her staff won the Pulitzer once and were finalists twice. Maggie conducts workshops and lectures worldwide. or visit juliadean.com

July 9-11 Friday — 7-9 pm Saturday & Sunday — 10 am-6 pm

WORKSHOP FEE: $635 CLASS LOCATION: Venice Beach ENROLLMENT LIMIT: 15 students

8 SPECIAL GUESTS bility to , published by I 310.392.0909 (exact times may vary) (exact Tony Corbell Tony Basic Studio Lighting pm © 12 students : enice Beach enice V .corbellproductions.com) has photographed : oronto, Mexico City, Sydney and many more T — 7-9 (www I June 18-20 Dublin, riday , www.juliadean.com www.juliadean.com F $535 + $300 studio rental, model, rental, $535 + $300 studio S LOCATION : ttendees of success with their own work and the a with Tony Corbell with Tony Glasgow ony Corbell ENROLLMENT LIMIT T CLAS equipment and location permit fee equipment and location The Power of Light Power The y helping photographers understand the elements in light control. y night’s slide presentation and continue through assignments on y night’s y career, enice Beach environment. Agency represented models will be provided V WORKSHOP FEE Saturday & SundaySaturday — 10 am-6 pm y’s studio lighting day and Sunday’s locationoutdoor lighting class. and studio lighting day and Sunday’s y’s During tion lighting b turda AmPhoto, has been popular worldwide and is the basis for numerous photographic college lighting courses. Learning the tools and techniques available in today’s photography is essential for suc- Learning the tools and techniques available in today’s cessful photographers. market and advances in lighting technolo- But the ever-changing gy can make this challenging and often overwhelming. intensive workshop, This weekend Corbell,Tony taught by lighting expert simplify the process of studio and is designed to loca three U.S. presidents, Leaders,World 185 65 Nigerian Heads of State, about 600 brides and grooms, a couple of NASA astronauts and lots of famous and not so famous faces since he began in 1979. He is the recipient of numerous awards including the 2005 Year”“Photographer of the from the International Photographic Council of the Award United Nations. A prolific lecturer, spoke to over 8,000 photographers in Tony in 2007/08 36 cities including London, create predictable results in virtually any shooting situation. slide presentation and group orientation will be held at JDPW.Friday evening’s Saturday’s shoot will take place in-studio,TBD. location outdoor/location shoot will be held Sunday’s in around the Corbell will illustrate and teach what he calls “light quality,Corbell will illustrate and teach what he calls light quantity and light direction.” From proper metering techniques and light theories based on size of source rela- tive to its distance to what is known as the applications of light. Additive, Subtractive, and Reflective techniques will each be shown in detail.Transmission These details will be shown on Frida Sa both shoots,“getting it right the first time.” we will focus on the importance of The goal of the workshop is to assure a U.S. cities. An active student and teacher, his book, along with all equipment. In his high energ 9 - and depth. Bobbi Lane , y aspects that need to be SPECIAL GUESTS: INTENSIVES WEEKEND quality Bobbi Lane © y-step lighting set-up is the first 12 students I : The most important element in portrai Tower Skydeck,Tower and the Morro Bay Natural direction, e Beach & Hollywood Lighting has man enic Sears’ V April 23-25 and the step-b : ttel, Friday — 7-9 pm CA 90038. $535 + $250 studio rental, model rental, $535 + $250 studio and equipment fee : Ma ing photographer a strong foundation in all the elements with Bobbi Lane with Bobbi b, y work, ywood, tios to set the mood. ENROLLMENT LIMIT LOCATION Saturday & SundaySaturday — 10 am-6 pm S how the te an effective photograph. Portrait Lighting Intensive Lighting Portrait CLAS ive the emerg Charles Schwa (www.bobbilane.com) is an award-winning commercial portrait photographer (www.bobbilane.com) WORKSHOP FEE from esthetics to hardware. Workshops,Workshops, the Maine Photographic Workshops. Photo and the Julia Dean History Museum. A dedicated educator, Bobbi photography teaches at ICP, the Santa Fe Neutrogena, sive client list includes Warner Bros.,Warner sive client list includes PricewaterhouseCoopers, Samsung, Bose Corp., tising accounts as well as photographing “real people”tising accounts as well as photographing and locations for stock. Her exten- with 30 years of experience. She shoots environmental portraits for corporate and adver- Beachwood Drive in Holl shoot will take place at Studio 1112 (www.studio1112.com) located at 1112 North shoot will take place at Studio 1112 (www.studio1112.com) monize to crea Beach.Venice Friday evening will be held at JDPW in Saturday Sunday's & studio posing, tonalities, mood, expression, and camera angles to backgrounds must har- ture is the photographer’s interpretation of the subject.ture is the photographer’s All the aspects from lighting, of these with lighting ra appropriately choosing quality through the use of light modifiers and combining both explains the intricacies of lighting patterns and how they define the face, as well as Bobbi Lane of lighting, designed to g the greatest challenges that a photographer faces. workshop is This weekend Understanding and controlling studio lighting and applyingUnderstanding and controlling studio lighting and of it to portraits is one The three main elements of lighting are: fusers and reflectors are covered in great detail. boxes and grids. Metering techniques, stands, C-stands, booms, use of flags, dif- els in the studio all weekend, working with the strobe power packs, umbrellas, layer in the foundation. will have Participants hands-on experience shooting mod- of strobe lights, addressed individually and then combined to create a meaningful portrait. The use I SPECIAL GUESTS: ONE-WEEK INTENSIVES I Portraits: Exploring the Psychological, Emotional and Technical with Shelby Lee Adams

CERTIFICATE PROGRAMS

Announcing three newly designed certificate programs!

GENERAL COURSE OF STUDY © Shelby Lee Adams

This photographic workshop explores the psychological, emotional and technical LIGHTING & PORTRAITURE aspects of portraiture, emphasizing photographing people in their environments. Establishing a collaborative dialogue with subjects opens communication between SELF-DESIGNED both photographer and subjects, inviting the viewer’s participation. This triangular relationship will be studied in Shelby’s work, emphasizing his long-term participant/observer relationship approach in Appalachia. Other contemporary photogra- Developed solely and independently by phers and cultural milieus will be studied using film and video clips, slides, interviews and some subjects writings.

the Julia Dean Photo Workshops, the The workshop will include two full days of hands-on shooting assignments to locations within the local area. Models will be available for students to work with. certificate programs offer an opportunity Shelby reminds the workshop participants this is a simulation exploring approach, relationship, composition, personal vision, intimacy and spontaneity for students seeking a focused and while photographing human beings — challenging.

comprehensive course of study. Technical emphasis will be lighting with strobe location light kits and daylight, mixing together, studying lighting ratios, metering with camera histograms and flash meters, and creating lighting ratios. In addition, applying the effects of light on the No application necessary. subject and enhancement / de-emphasizing the background will be explored. Each student is asked to bring a portfolio of approximately 15 prints they wish to Students may enroll at any time have critiqued in class. Developing one’s personal vision will be emphasized. throughout the year. Shelby Lee Adams (www.shelby-lee-adams.blogspot.com) work encompasses over 35 years photographing his friends and diverse subjects in the Appalachian mountains of Eastern Kentucky. His work has been published in three monographs: Appalachian Portraits (1993), Appalachian Legacy (1998), and For more information Appalachian Lives (2003). The subject of two documentary films, his work is col- lected in over 50 national and international public collections and numerous pri- 310.392.0909 vate collections. Shelby’s published portrait assignment work includes, The New or visit juliadean.com York Times, New York Magazine, Fast Company, Kid’s Wear, GQ, Fortune, and ESPN among others.

July 26-30 Monday thru Friday, 10 am-6 pm

WORKSHOP FEE: $875 + $250 model, equipment and location permit fee

CLASS LOCATION: Venice Beach

ENROLLMENT LIMIT: 12 students

10 I SPECIAL GUESTS: ONE-WEEK INTENSIVES I The Human Form in Nature: Photographing Staying Fresh: Being Successful the Figure in Joshua Tree as a Photographer with Allen Birnbach with Joe Buissink S P E C I A L

G U E S T S

Artists have long worked with the human figure as a subject in every medium, and pho- One of the critical components to a successful career as a working photographer tography certainly has a rich history in that regard. Form, gesture, line, texture, light and is the ability to stay fresh and creative while making a living. Unless you keep the shadow, and artistic intention all play a vital role in creating successful images. Placing passion for image making flowing your career simply becomes a way to make a the human figure into a unique landscape reveals countless opportunities to explore living. This new workshop with master portrait and wedding photographer Joe these themes, and we will spend time examining all of them. Buissink opens doors long closed and keeps dreams alive. This is a once-in-a- lifetime opportunity to rekindle the love affair you have for photography and refresh Our class begins on Monday with an orientation, lecture and portfolio critique at JDPW. your path. After that, we will do a short, clothed session on the beach with our modeling talent. Here you’ll learn the importance of trust, collaboration, and rhythm when working with Joe leads the group in a series of creative exercises that aims to open your eyes a model.Tuesday we will reconnect late afternoon near Joshua Tree on private land that to new ways of seeing and help work through creative blocks. Each day will bring has wonderful boulder fields, live Joshua Trees, and a burn area for our first shoot. Each a mix of shooting, critique, q&a, philosophy and psychology. Daily assignments session over the next number of days will focus on one of these unique ecosystems. focus on breaking old patterns and opening new insights. Shooting exercises will Wednesday will be a full day of shooting, again with individualized feedback as you involve portraits, environmental and street photography, as well as working with work. Thursday we will have a morning shoot and head back to Los Angeles. On Friday models. For those willing to risk and journey on an adventure, this workshop is we’ll wrap with a group critique, discussion and slide show presentation back at JDPW. intended for the experienced photographer who may be in a rut and need to re- invigorate their creative process. Although film shooters are welcomed, for this to work best it’s recommended that participants shoot with digital cameras and bring a laptop for editing. Participants will need Joe Buissink (www.joebuissink.com) photographs weddings all over the world and to provide their own transportation and hotel accommodations both in and around has over the years been a favorite wedding photographer among many celebrities Joshua Tree. All students choosing to enroll in the workshop are required to obtain such as Jennifer Lopez, Brendan Fraser, Kelsey Grammer, Hillary Swank & Chad instructor and administrative approval before proceeding with the class. Lowe, Christina Applegate, Jenny Garth & Peter facinelli, Christina Aguilera and more. Joe’s photography is about capturing the moments, and the essence of the Allen Birnbach (www.allenbirnbach.com, www.birnbachfigureworks.com) as person in those moments. His work redefines wedding photography, and has worked both as a commercial and fine art photographer for over thirty years. His been described as “Fine Art” by his most notable celebrity clients. In 2003, Joe was assignments for advertising and corporate clients have taken him to over twenty awarded the International Leadership Award in Photography by the International countries around the world. His photographs have been recognized in Print Photographic Council at the United Nations. In the release of their new program Magazine, Communication Arts Magazine, Photo Design Magazine, Photomethods, Aperture, Apple selected Joe in 2005 to be their spokesperson for the Wedding and Photo District News. Exhibited in galleries internationally, Allen’s work can be Industry. World-renowned in the photographic field, his teachings have taken him found in individual and corporate collections in the U.S. and abroad. He is an on an international platform from Japan and Australia to England, Scotland and instructor at The Santa Fe Workshops, UCLA Extension, the Panasonic Digital Photo Ireland as well as in the United States. Joe’s work is published regularly in InStyle Academy, and The Anderson Ranch. Weddings, Grace Ormonde Wedding Style, and People Magazine.

April 26-30 March 22-26 Monday thru Friday, 10 am-6 pm (exact times may vary) Monday thru Friday — 10 am-6 pm WORKSHOP FEE: $$875 + $450 nude model, WORKSHOP FEE: $975 + $250 model and private property and portable toilet fee location permits fees CLASS LOCATION: Venice Beach & Joshua Tree National Park CLASS LOCATION: Venice Beach

ENROLLMENT LIMIT: 12 students ENROLLMENT LIMIT: 12 students

11 www.juliadean.com I 310.392.0909

SPECIAL GUESTS Lectures Julia Dean © Past participant I 310.392.0909 — s final look. ph’ ra 75 e Beach Vicki Ziegel, past participant $8 . The goal is to provide each par- or taking pictures!” 15 students : — : Other topics covered include using enic V FEE : It is a great way to grasp the knowledge riday, 10 am-6 pm . y 19-23 y I ound love f Jul ATION www.juliadean.com www.juliadean.com OC L ORKSHOP W S with Julia Dean with Julia without dela , ve a new f y and how to control the photog ENROLLMENT LIMIT CLAS Monday thru F tel s white balance, how to view and delete images, to and how ge from the camera to a computer y camera and ha ve gained so much from this course. I feel so much more comfortable how to use them, s light meter to provide the best exposure. include composition and light, how to get the background in or out of focus, how to stop or blur motion, why to use one ISO over another, and how to use the camera’ the right lens for a specific effect and how and when to use a tripod. The basics that deal specifically with digital cameras will also be explored, how to such as adjust the camera’ transfer the ima ticipant all the technical information needed to operate his or her camera properly. Each day, students will be given assignments relating to the lecture. The beauty of an intensive five-day workshop is that all assignments are done within class time and critiqued immedia In this one-week intensive workshop students will learn all the gadgets on the cam- In this one-week intensive workshop students will learn era, quickly. In addition, students will be able to enjoy one-on-one time with Julia as they progress through their learning curve. “It was an absolute wonderful week. Challenging but supportive and safe for a person just starting out” “I ha with m Basic Photography: One-Week Intensive One-Week Photography: Basic 13 how ear on Y A © Julia Dean ee lash as both the main Workshops. tudents SPECIAL GUESTS: INTENSIVES ONE-WEEK ys are divided among lectures, using the f “Photo Person of the Year,” as the “Photo Person of the 12 s I : The da Venice Beach Venice tions, ation permit f ward-winning children’s book, ward-winning children’s : oc LIMIT $875 + $150 model, t the Julia Dean Photo : FEE January 18-22 opics covered are how to determine exposure, T named Julia Dean f. pher of the a with Julia Dean with Julia ra Later,Associated Press in Julia was a photo editor for the ENROLLMENT Workshops. Throughout her career, she has traveled to more CLASS LOCATION Monday thru Friday, 10 am-6 pm Monday thru Friday, ORKSHOP bott. equipment and l Julia received a Bachelor of Science degree in photography at the Mastering Your Flash Your Mastering W PhotoMedia . Ab ounded and teaches a (www.davidjulian.com) is a photographer,(www.davidjulian.com) educator, and the founder of on camera and of She f pher Berenice is also the author/photog than 40 countries while freelancing for numerous relief groups and magazines. She the Julia Dean Photo inspiration to colleagues and humanitarian achievements in the community.” and business accomplishments, photographic passion, devotion to the industry “person in the photography industry who has best demonstrated exceptional artistic (England). ra Workshops,the Santa Fe and Oxford University Workshops the Maine Photographic University of Nebraska. She began her career as an apprentice to pioneering photog- College,Valley Angeles Los Angeles Southwest College, Los Santa Monica College, Rochester Institute of Technology and a Master of Arts degree in journalism at the and a Master of Technology Rochester Institute of York.New for She has taught 26 years at the University of Nebraska, such places as In October 2008, Julia Dean Students will work in various lighting situa ambient light. The technology today makes this easier than ever before. ing bounce modes and multiple strobe use. participants to learn how to use a flash so well that the outcome looks like beautiful less mode, to include or exclude ambient light. In addition, demonstrations will be given show- master portable lights, this workshop is for you. The goal of this workshop is for source of light and as a fill light.TTL wire- The week will be spent using a flash in to control the light output of the flash, how to diffuse the flash, and how and why demonstrations, critiques, and shooting time on location with models. If you feel confident with a camera but less so with a flash,If you feel confident with a camera but less so with and would like to Monhegan Island JDPW’s Youth Photography Program SPRING & SUMMER

DESIGNED FOR AGES 13-18

Digital Photography I Basic Photography I Poetic Insight: Visual Composition

Travel, Discover and Learn I Creating Art with Toy Cameras I The Special Project

Photoshop I Night Photography I Making Your Own Photo Book

All photographs taken by students in the 2009 Summer Youth Program I PHOTOGRAPHY FOR TEENS: SPRING I Poetic Insight: Digital Photography for Teens (ages 13-15) Visual Storytelling for Teens (ages 13-15) with Paola M. Davila with Paola M. Davila P H F O O T R O

T G E R E A N P S H Y

© Mackenzie Rouse, participant from 2009 summer teen workshop © Wendy Gramajo participant from 2009 summer teen workshop Participate in the opportunity to connect to the world of photography. In this course, students will learn and explore the fundamentals of a Single Lens Reflex (SLR) digital Continue deeper into the adventure of creating and expressing your vision by enhanc- camera. Instructor Paola Davila will highlight and explain technical skills including ing your skills in visual composition techniques. Learn different approaches to mak- navigating camera controls menus on the LCD monitor, formatting files and exposure ing a statement in your photograph by evoking a mood, telling a story or expressing setting. Students will learn to identify traditional compositional elements in order to a unique point of view. This workshop will cover contemporary composition, elements enhance their individual vision. This unique photography curriculum is intra-discipli- of photography theories and highlight concepts related to balance. Have fun mak- nary with references to the masters of photography and their historical techniques. ing connections with music and teen culture in order to arrange an image that reflects The art of photography will be introduced with basic skills of taking a good picture. your desired outcome. Participate in critiques and communicate your ideas in a cre- Students will participate in hands-on tutorials reflecting lecture themes, utilizing the ative and comfortable environment. Immerse yourself and explore your boundless community of Venice Beach as their setting. opportunities for spontaneous expression as we visit local spots. As a group, students will learn and be exposed to effective techniques in order to have a larger range of This course is a basic overview providing technical information, inspiration and insight visual resources for their creative vision. to becoming digital photographers of tomorrow. Students uncertain regarding their type of camera suitable for this class should contact the Julia Dean Photo Workshops Paola M. Davila is an accomplished freelance photographer and educator that has at 310.392.0909. been teaching visual art throughout Southern California for over 10 years. She has contributed to exhibitions, publications, and worked on international film projects. Upon completing this workshop, students are encouraged to learn more about the She has photographic projects in Los Angeles, photographed urban life in Chile, and importance of photographic composition and explore the visual elements that go documented indigenous communities in Mexico. Born in Chile, Paola graduated into creating a memorable photograph by taking the ensuing week’s workshop, UCLA with a degree in Anthropology and returned to school to study photography. Poetic Insight: Visual Composition (see right column). She has written educational curricula for various programs which have been funded by the Mott Foundation, William Randolph Hearst Endowment Fund for the Arts Paola M. Davila (for bio see right column) Education and Los Angeles Unified School District. Currently, she is focusing her time on environmental photography, editing a book about Africa and is the owner of One-week workshop Sunfotos Photography. March 15-19 Monday – Friday, 10 am-1 pm One-week workshop March 22-26 Workshop fee: $375 Monday – Friday, 10 am-1 pm Class location: Venice Beach Workshop fee: $375 Enrollment limit: 15 students Class location: Venice Beach Enrollment limit: 15 students

15 www.juliadean.com I 310.392.0909 I PHOTOGRAPHY FOR TEENS: SUMMER I

Digital Photography for Teens (ages 13-15) Basic Photography for Teens (ages 16-18) with Paola M. Davila with Amanda Keller-Konya Y H S P N A E R E G T

O R T O O F H P

This Basic Photography course, developed especially for teens, will introduce © Natalie Cardenas, participant from 2009 summer teen workshop students to the controls and functions of their 35mm film SLR (Single Lens Reflex) camera or digital SLR camera. Students will work towards capturing what they seek Participate in the opportunity to connect to the world of photography. In this course, in their images through an understanding of technical components such as students will learn and explore the fundamentals of a Single Lens Reflex (SLR) digital exposure, aperture and shutter speeds. Composition and design elements will also camera. Instructor Paola Davila will highlight and explain technical skills including be explored. In addition, workshop participants will be introduced to a variety of navigating camera controls menus on the LCD monitor, formatting files and exposure photographic genres through viewing work of photographic professionals. After setting. Students will learn to identify traditional compositional elements in order to daily technical, composition and genre lectures students will experience multiple enhance their individual vision. This unique photography curriculum is intra-discipli- opportunities to try out their new shooting skills within the summer scene at the nary with references to the masters of photography and their historical techniques. Venice Beach boardwalk. Students uncertain regarding their type of camera suit- The art of photography will be introduced with basic skills of taking a good picture. able for this class should contact the Julia Dean Photo Workshops at Students will participate in hands-on tutorials reflecting lecture themes, utilizing the 310.392.0909. Upon completing this workshop, students are encouraged to community of Venice Beach as their setting. apply their new skills and enroll in other summer workshops for teens, listed on pages 17-19. This course is a basic overview providing technical information, inspiration and insight to becoming digital photographers of tomorrow. Students uncertain regard- Southern California native Amanda Keller-Konya (www.amandakellerkonya.com) ing their type of camera suitable for this class should contact the Julia Dean Photo received an MFA from Otis College of Art and Design, a BFA from California Institute Workshops at 310.392.0909. Upon completing this workshop, students are of the Arts and an MA from California State University, Northridge. Her practice is encouraged to apply their new skills and enroll in other summer workshops for image based; she is dedicated to the investigation of the photographic medium, ideas teens, listed on pages 17-19. about Photography and the Photographer him/herself. In addition to a constant and critical evaluation of Photography and its continuing state of flux, she takes on the Paola M. Davila (for bio see page 15) sociopolitical within her work addressing issues such as toxicity, school closures, land use and public/private space. Keller Konya’s work has been exhibited regionally and One-week workshop offered twice internationally at a variety of cultural institutions including: The Houston Center for July 12-16 Photography, The Los Angeles International Airport and the Angkor Photography OR Festival in Siem Reap, Cambodia. She holds Adjunct appointments at Long Beach City July 19-23 College, The Julia Dean Photo Workshops, Cerritos College and Loyola Marymount University in addition to her Santa Monica based studio practice. Monday – Friday, 10 am-1 pm

Workshop fee: $375 Four-day workshop Class location: Venice Beach July 15-18 Enrollment limit: 15 students Thursday – Sunday, 10 am-2 pm Workshop fee: $375 Class location: Venice Beach Enrollment limit: 15 students

www.juliadean.com I 310.392.0909 16 I PHOTOGRAPHY FOR TEENS: SUMMER I Travel, Discover and Learn: Developing Skills in Portrait, Creating Art with Architecture & Landscape Photography (ages 13-18) Toy Cameras for Teens (ages 13-18) with Paola M. Davila with Aline Smithson P H F O O T R O

T G E R E A N P S H Y

Participate in a journey of exploration and enjoy opportunities to photograph the City of Angels. This experience invites participants to engage in the wonder © Aline Smithson of learning the different approaches to composition, lighting and techniques for successful portrait, architecture and landscape photography. This fun two-day class is intended for those interested in an alternative approach to traditional photography. Participants will learn the history of toy cameras, such The class is divided into traveling shooting adventures, like visiting a well- as the Diana and the Holga, and learn why “blur” has become so popular in the fine known architectural site, and portrait photography lectures addressing natural art market. Though the Holga’s technical decisions are minimal, it has become an lighting and establishing emotional impact techniques. There will also be cri- additional creative tool in many photographer’s camera bags! Aline Smithson will tiques and basic Photoshop discussions. Photographers are encouraged to teach what film to use, share tricks and tips to alter the camera, and discuss what develop stylistic skills to interpret themes and practice photo essay methods to lighting conditions give the best result. The two-day format will allow students to illustrate clever and exclusive images. In this enthusiastic environment, the develop their work for a fun and informative group critique session! course’s framework will be strengthened through interesting hands-on assignments and shooting at different location sites. Classical composition elements After a career as a New York City Fashion Editor and working along side the greats will be emphasized to complement each student’s vision. of fashion photography, Aline Smithson (www.alinesmithson.com) discovered the family Rolleiflex and never looked back. Now represented by galleries across the Develop confidence and immerse yourself in a remarkable and unforgettable country and published throughout the world, Aline continues to create her award- week while perfecting artistic skills to continue your journey as a talented winning photography with humor, compassion, and a 50-year-old camera. Her work photographer. has been featured in numerous publications including the PDN Photo Annual, Paola M. Davila (for bio see page 15) Communication Arts Photo Annual, Eyemazing, Artworks, Lenswork Extended, Shots, Pozytyw, and Silvershotz magazines. Exhibited widely including shows at the Griffin

One-week workshop Museum of Photography and Wallspace Gallery in Seattle, Aline was nominated for The Excellence in Photographic Teaching Award in 2008 and 2009 and for The July 26-30 Santa Fe Prize in Photography in 2009 by the Santa Fe Center of Photography. She Monday – Friday, 10 am-1 pm is a 2009 juror for Critical Mass, and will be a reviewer at Review LA in 2010. Workshop fee: $375 Class location: Venice Beach Two-day workshop July 24 & 31 Enrollment limit: 15 students Saturday, 10 am-1 pm Workshop fee: $175 Class location: Venice Beach Enrollment limit: 15 students

17 www.juliadean.com I 310.392.0909 I PHOTOGRAPHY FOR TEENS: SUMMER I

The Special Project for Teens (ages 13-18) Photoshop for Teens (ages 13-18) with Andrea Passarella with Jamie Redmond Y H S P N A E R E G T

O R T O O F H P

© Karis Lucas, participant from 2009 summer teen workshop © Andrea Passarella Students in this course will have the opportunity to explore the ins-and-outs of Color, texture, shadows. You name it and it can serve as a photographer’s subject. Adobe Photoshop. This class will focus on assisting students in expressing the In this fun and collaborative class, students will learn the art of visual storytelling images they see in their minds as actual photographs and vehicles for telling a and the importance of the editing process. We’ll emphasize the need to create a story. Students will work collaboratively and individually on projects that will explore deep, personal connection to our projects and learn the skills necessary to pro- the unlimited creative potential of Photoshop. Skills such as basic photo editing, duce images that are stylistically and thematically unified. Elements of composi- retouching of portraits, changing images from color to black-and-white, special tion will be highlighted to emphasize each photographer’s personal vision and effects and compositing (combining more than one image seamlessly) will be style. We’ll also explore documentary versus more personal and artistic projects, explored. The course will also teach students how to further refine their work as well as how to convey a point of view. In effort to build the strongest body of preparing it for print or a presentation. photographs possible, the class will work together in a supportive and construc- tive environment, editing and critiquing each other’s work on a daily basis. The Students are required to bring their own laptop loaded with at least Photoshop CS2, goal is for each student to feel a sense of pride and success for completing a preferably CS3 or CS4, and a mouse or graphics tablet. If necessary, a free 30-day cohesive, meaningful body of work. trial version of Photoshop can be installed by visiting www.adobe.com/downloads.

Andrea Passarella is an accomplished educator, photographer and advocate Jamie Redmond is an educator and practicing artist. As a photographer she has for inner city enrichment programs. She has worked with organizations dedicat- worked in both the commercial side of the business as well as the fine art – exhibited to teaching youth in the Los Angeles area including; Venice Arts, School on ing both nationally and internationally. Seeking to bridge the gap between analogue Wheels, Step Up Women’s Network and The Julia Dean Photo Workshops. and digital, her skill set ranges from the alternative processes to the intricacies of Presently, Andrea runs the middle school photography department at The digital software and output. An accomplished instructor, Jamie has taught at pres- Willows Community School in Culver City. It has been her good fortune to trav- tigious institutions such as the Sydney College of Arts in Australia and the Julia el, teach and work alongside some truly gifted people. Some of Andrea’s great- Dean Photo Workshops. She holds a Master of Visual Arts degree (MFA equivalent) est teachers have been her former and current students. from Sydney College of Arts and a Bachelor of Fine Arts degree from Savannah College of Art and Design in Georgia. One-week workshop August 2-6 One-week workshop Monday – Friday, 10 am-1 pm August 9-13 Workshop fee: $375 Monday – Friday, 10 am-12:30 pm Class location: Venice Beach Workshop fee: $335 Enrollment limit: 15 students Class location: Venice Beach Enrollment limit: 12 students

www.juliadean.com I 310.392.0909 18 I PHOTOGRAPHY FOR TEENS: SUMMER I

Night Photography for Teens (ages 13-18) Making Your Own Photo Book for Teens (ages 13-18) with Paola M. Davila with Julia Dean P H F O O T R O

T G E R E A N P S H Y

Take your photography skills to an entirely new and challenging level by changing If you have a body of work, whether it be a friend’s birthday party, a high school the current world into something magical and mysterious. Explore various focal event, a portfolio, or vacation pictures, you can now put this work together by pub- points to learn about composition and exposure accuracy in order to create dazzling lishing your own book at a very reasonable price. You can make a small 5” x 5 “ soft night images. Experience ample opportunity to shoot at sunset and at dark using cover book or large 12” x 12” table top hard back books, and many sizes in between. essential accessories like selected filters and cable releases. There will be creative There are several self-publishing companies on the market these days, but none exercises in the field addressing over-all exposures in shadows, highlights and white come with as much personal attention as you’ll get from our educational partner, A&I balance control. Understand the use of a tripod, while shooting along the tranquil Photographic & Digital Services in Los Angeles. waterfront of the Marina, and capture beautiful, twilight motion blur pictures. In this five-day workshop, students should arrive with the free program already The course will encompass critique sessions, discussions on vivid, black and white downloaded on a personal laptop, acquired by visiting JDPW Book Creator at imagery while participating in traveling shooting adventures. Develop friendships www.jdpwbooks.com. The week is divided among learning the program itself, learn- with other night photography enthusiasts as you venture out during the evening to ing how to size photos properly to get the best quality book, the importance of edit- paint with colorful glowing lights in an endless and memorable setting of our coastal ing, how to sequence, and how to create good page design. Between learning these community. This workshop will introduce technical and composition techniques for techniques and skills, each participant will work on his or her book, with group cri- using your camera in low-light conditions. tiques and Julia’s constant individual help. This is a hands-on workshop. At the end of the week, all participants will be ready to send their book to A&I for printing. Students are required to bring a tripod, cable release and select filters. To determine the appropriate filter for your camera and where to purchase it, please email Students are required to bring their own laptop loaded with at least Photoshop CS2, [email protected]. In the subject line, please write “Filter question: Night preferably CS3 or CS4, and a mouse or graphics tablet. If necessary, a free 30-day Photography for Teens.” trial version of Photoshop can be installed by visiting www.adobe.com/downloads. A working knowledge of Photoshop is NOT required. Please bring no fewer than 15 Paola M. Davila (for bio see page 15) photographs to the workshop.

One-session workshop Julia Dean (for bio see page 13) August 16-20 One-week workshop Monday – Friday, 7-10 pm August 16-20 Workshop fee: $375 Monday – Friday, 10 am-1 pm Class location: Venice Beach Workshop fee: 375 + $50 book publishing fee Enrollment limit: 15 students Class location: Venice Beach Enrollment limit: 12 students

19 www.juliadean.com I 310.392.0909 Basic Photography I: The Fundamentals S L L A T A I T G I N E D

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R A G R O In this six-week workshop students will learn all the gadgets on the camera, how E T O M H A to use them, and how to control the photograph’s final look. Discussions include P C composition and light, how to get the background in or out of focus, how to stop or © Marissa Roth blur motion, why to use one ISO over another, and how to use the camera’s light meter to provide the best exposure. Other topics covered include using the right Six-session workshop offered six times lens for a specific effect and alternative approaches to photography. Further discus- January 13 – February 17 sion will center on the similarities and differences between film and digital cam- Wednesdays — 7-10 pm eras. The basics that deal specifically with digital cameras will also be explored, Instructor: Marissa Roth such as how to adjust the camera’s white balance, how to view and delete images, and how to transfer the image from the camera to a computer. The goal is to provide each participant all the technical information needed to operate his or her film January 30 – March 6 or digital camera properly. Saturdays — 10 am-1 pm Instructor: Amanda Keller-Konya (for bio see page 16) Students will work in both black-and-white and color while learning how to “see” in the chosen medium. Weekly assignments will be given followed by critiques during the next class session. Digital shooters are encouraged to expand their February 16 – March 23 understanding of the medium and enroll in Basic Photography II: Diving Into Digital Tuesdays — 7-10 pm (see page 21). Instructor: Julia Dean (for bio see page 13)

Marissa Roth (www.marissarothphotography.com) has worked as a freelance photojournalist and documentary photographer since 1981. Born and raised in Los April 6 – May 11 Angeles and a graduate of UCLA, Roth was part of the Los Angeles Times photog- Tuesdays — 7-10 pm raphy staff that won a Pulitzer Prize for “Best Spot News Coverage” for the 1992 Instructor: Marissa Roth Los Angeles Riots. Her first solo book, Burning Heart, A Portrait of the Philippines, was published in 1999 and represents ten years of photography in the archipela- April 24 – June 5 (no mtg. 5/22) go. In 2000, she completed a documentary photography project commissioned by Saturdays — 10 am-1 pm the Los Angeles Public Library entitled “Inside/Out: Downtown Los Angeles”. Her Instructor: Amanda Keller-Konya (for bio see page 16) second book, Real City, Downtown Los Angeles Inside/Out, was published in August, 2001, incorporating many of the images from the Library project. In June, 2005, Roth was commissioned by The Museum of Tolerance/Simon Wiesenthal May 12 – June 16 Center to photograph all of the Holocaust survivors who volunteer there. Currently, Wednesdays — 7-10 pm Roth is working on a long-term personal project entitled “One Person Crying: Instructor: Julia Dean (for bio see page 13) Women and War” that addresses the immediate and lingering impact of war on women in different countries and cultures around the world. Workshop fee: $435 Class location: Venice Beach Enrollment limit: 15 students

www.juliadean.com I 310.392.0909 20 Basic Photography II: Diving into Digital Basic Photography III: Advanced Digital with Mark Berndt with Mark Berndt C P A H M O T E O R G A R

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D Designed for intermediate and advanced level digital photographers, this E N I G T I A course will teach students how to develop their own professional digital T A L L workflow, master the shooting and processing of RAW files, and begin to S © Mark Berndt previsualize images based on their ability to enhance their photographs in Designed for beginning and intermediate level digital photographers, this post. Emphasis is on maximizing image potential by creatively processing course will teach students how to become fluent with their digital SLR cam- RAW files using Adobe Camera RAW and finishing image enhancement in era (controls, options and custom functions), develop a fundamental digital Photoshop. We will also probe deeper into light, lighting, lenses and com- workflow, and study the impact of lens choice, exposure and white balance on position. Weekly creative assignments and critique promote implementation the finished image. We will also discuss composition and light, shutter speed of newly learned techniques and encourage experimentation using post- & aperture as creative tools, and the potential of raw and the digital darkroom. production to maximize your photo’s impact. The course will contain two “practical” hands-on sessions during daylight in Prerequisite: “Basic Photography I: The Fundamentals” and “Basic order to enhance the learning process. The goal is for students to learn to use Photography II: Diving into Digital.” Students must be proficient with their cam- their digital camera with predictable and repeatable results, and to begin to era, computer and should own and understand the basic use of a current ver- communicate with photography instead of just taking snapshots. sion of Adobe Photoshop (which includes Bridge and Adobe Camera RAW con- Prerequisite: “Basic Photography I: The Fundamentals” or equivalent experience. verter) or a current version of Adobe Lightroom. Students must be proficient in basic operation of their computer. Mark Berndt (www.markberndt.com) is a fine art and commercial photog-

Six-session workshop offered twice rapher whose work celebrates the circumstance of life through environ- Tuesday, January 19, 7-10 pm mental portraiture and documentary visual narrative. With 30 years of Tuesday, January 26, 7-10 pm experience as a photographer and commercial director, Mark brings his Sunday, January 31, 10 am-1 pm experience and expertise as a visual storyteller to every image. “Digital” Tuesday, February 2, 7-10 pm since 1993 and an accomplished fine art digital printmaker, he has taught Sunday, February 7, 10 am-1 pm photography and digital imaging at Art Center College of Design, in private Tuesday, February 9, 7-10 pm workshops and individual consultation. OR Six-session workshop Wednesday, April 14, 7-10 pm May 18 – June 22 Wednesday, April 21, 7-10 pm Sunday, April 25, 10 am-1 pm Tuesdays — 7-10 pm Wednesday, April 28, 7-10 pm Workshop fee: $435 Sunday, May 2, 10 am-1 pm Class location: Venice Beach Wednesday, May 5, 7-10 pm Enrollment limit: 15 students

Workshop fee: $435 Class location: Venice Beach “Thanks to Mark. He is an inspiring and generous teacher. Made a great class environment – not intimidating. Made us feel like we could do it! Enrollment limit: 15 students — JDPW student

21 www.juliadean.com I 310.392.0909 Digital Photography I: Digital Photography II: How to Use a Digital Camera Workflow Made Easy with Amanda Keller-Konya with Mark Berndt S L L A T A I T G I N E D

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R A G R O E T O M Owning a digital Single Lens Reflex (SLR) camera can be both exciting and chal- H A P C lenging. This one-day course will assist students in understanding the controls and functions of their digital SLR’s. Amanda Keller-Konya will teach camera © Mark Berndt menu options such as image quality & size, focus & exposure modes, and color space & white balance settings. Fundamental technical information including Spend less time in front of the computer editing and processing your work – and aperture, shutter speed, ISO and exposure will also be discussed. Throughout improve your images at the same time! This class helps you create an understand- the day, workshop participants will have opportunities to experiment shooting able, efficient and repeatable digital workflow. Use the power of Adobe Bridge CS3 with their new skills. By the end of this hands-on intensive workshop, each pho- and Adobe Camera RAW to organize, edit, process and present your images. tographer will be well on the way to achieving successful digital capture. In the morning we’ll demonstrate a step-by-step process for downloading, verifying Students are encouraged to learn how to edit and process their work more and backing-up your shoot; and then organizing and editing your images using Adobe efficiently by taking Digital Photography II: Workflow Made Easy (see right Bridge CS3. In the afternoon we’ll concentrate on the power of CS3's Camera RAW column). Open to students who own a digital Single Lens Reflex (SLR) camera. processor for intuitive single image and batch processing of RAW and jpeg files. Apply Students uncertain regarding their type of camera suitable for this class should exposure, color-correction and other enhancements to images in the processing contact the Julia Dean Photo Workshops at 310.392.0909. stage to present color-corrected work as contact sheets and web galleries with the click of a button. A simple solution to the long-term file archiving concludes the day. Amanda Keller-Konya (for bio see page 16) This course demonstrates an essential and unavoidable component of digital

One-day workshop offered four times photography – workflow – and as such is strictly computer driven. Students are required to be proficient on either a MAC or PC. The lecture will be given using an January 23 or March 13 or May 22 or July 24 Apple Macintosh computer with Adobe Bridge CS3 and Adobe Camera RAW. Saturday — 10 am -5 pm Workshop fee: $215 Mark Berndt (for bio see page 21)

Class location: Venice Beach One-day workshop offered twice Enrollment limit: 15 students March 14 or July 25 Sunday — 10 am-5 pm “Amanda is very versatile in helping her students grasp and understand the Workshop fee: $215 basic functions of the camera. She takes the time to listen and encourage Class location: Venice Beach questions.” — Hannah Ward Enrollment limit: 15 students “I was [lost] when it came to my digital camera before, now I fee more confident! Amanda was extremely patient and knowledgeable!” “Mark is a great instructor. He kept the class exciting, informative, and — Kathryn Smith engaging. He thoroughly answered every question the students had and took his time demonstrating not only shooting techniques but image processing systems as well. He is a phenomenal photographer and instructor.”

— JDPW student

www.juliadean.com I 310.392.0909 22 B:9.25” T:7.75” S:7” B T S : : : 9 1 1 . 0 1 7 . . 5 5 5 ” ” ”

The EOS system. Designed to inspire. Whether you’re a professional photographer looking to push the limits of your creativity or an amateur looking for more professional results, the EOS system has a camera for you. Beginners will love the simple yet sophisticated EOS Rebel T1i. It’s the only camera in its class with a 15.1- megapixel CMOS sensor and Full HD video. At the pro level, the incredibly powerful, 21.1-megapixel EOS-1Ds Mark III and the 10.1-megapixel EOS-1D Mark III – the world’s fastest digital SLR* – both redefine state-of-the-art. And then there’s the EOS 5D Mark II – the only camera in the world** to combine a 21.1-megapixel, full-frame CMOS sensor with Full 1080p HD video capability. Closing the gap between amateurs and professionals, the EOS 50D features an entirely new 15.1-megapixel CMOS sensor, next generation DIGIC 4 Imaging Processor, and 3-inch LCD monitor designed to take all photographers to the next level. So no matter which camera you choose, Canon makes the creative process easy, rewarding and most important, inspiring.

To get more inspired about the Canon EOS System, go to usa.canon.com/dlc.

©2009 Canon U.S.A., Inc. Canon, EOS and EOS Rebel are registered trademarks of Canon Inc. in the United States. IMAGEANYWARE is a trademark of Canon. All rights reserved. *As of January 2008. **As of October 2008.

777 THIRD AVENUE NEW YORK, NY 10017

THIS ADVERTISEMENT PREPARED BY GREY WORLDWIDE JOB #: 062-CM-148_Base PROOF: 7 CLIENT: Canon USA Inc SIZE, SPACE: 7.75” x 10.5”, 4C CLIENT: Canon USA Inc OP: WB, ED, WB PRODUCT: Camera Division-Lens/Shutter PUBS: Magazine SPACE/SIZE: B: 9.25” x 11.5” T: 7.75” x 10.5” S: 7” x 9.75” JOB#: 062-CM-148_Base ISSUE: 2009 LEGAL RELEASE STATUS AD APPROVAL ART DIRECTOR: E. King COPYWRITER: None DATE: Release has been obtained Legal Coord: Acct Mgmt: Print Prod: Art Director: Proofreader: Copywriter: Studio: The Composition Class: A Course The Perfect Exposure and The History of Photography in Photographic Design Composition Class with Blue Fier with Blue Fier with Julia Dean S L L A T A I T G I N E D

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R A G R O This one-day workshop is for intermediate photographers who want to concentrate on E T © Blue Fier O M H A the art and technique of seeing and composing well, whether in color or black and P C All great photographs combine technical expertise with excellent composition. In white. The first half concentrates on exposure and the second deals with composition this course, the fine art of composition will be explored in-depth. First, we will and light. We’ll begin with a lecture on how to use a light meter, how to expose prop- look at how our brain sees and how this relates to photography. Then we will erly in various lighting situations, why and when to change the ISO, and how to expose move into the basic elements of design, followed by how depth of field and shut- for digital cameras in comparison to exposing for negative film. Once participants have ter speeds can change the look of your images. The basic compositional strate- a solid grasp on using a reflected light meter, Julia will introduce a simplified version gies of using color and its psychological meanings vs. black and white will be of the zone system of exposure for 35 mm users. explored, as well as the specific compositional elements of shooting people, sce- nics, travel, and still lifes. Light in all its glorious forms will be thoroughly The second half continues with a critique, followed by a lecture on composition, how explored. You will also learn about FOCAL, Blue’s unique guide to compositional to see light and color, and how to create contrast when shooting in black & white. shooting. Learn how to create beautiful compositions and “see” your imagery Further information will include when to use what lenses, how to use a tripod, and before capture! when to use filters. Specific shooing assignments will be given throughout the day to practice various exposure and compositional techniques. The objective of this course Each class will be divided into lecture, critiques of student photos, and an on- is to understand exposure, become more attuned to good composition, and to learn location assignment in and around the Venice Beach environment. Blue’s book, to see in both color and black and white. Composition Photo Workshop, will be used as the class textbook. (The book may be purchased online, at any major bookstore, or in-class at the first class meet- Julia Dean (for bio see page 13) ing.) Students should bring the book and a manually-operated camera to each class meeting. One-day workshop February 27 Blue Fier (www.bluefier.com) is a photographer specializing in the vigorous field Saturday — 10 am-6 pm of location photography. He has photographed numerous advertising campaigns for major corporations, specializing in panoramic images of people and products Workshop fee: $275 in exotic environments. He has two master’s degrees in Art (M.A. from Cal State Class location: Venice Beach University, Northridge and a M.F.A. from UCLA) that have given him the background to explore photography. His unique perspective as a working photogra- Enrollment limit: 15 students pher and years of creating order out of chaos has lead to his recently published book, Composition Photo Workshop, now available wherever books are sold. He “What a great experience and a fantastic class! Julia is an amazing and teaches at Santa Monica College. clear instructor - very technical and explains everything until everyone

Six-session workshop understands.” April 11 – May 16 — Past participant Sundays — 10 am - 1 pm “I loved the format of the class. Lecture, examples, practice, critique. Workshop fee: $435 Don't change a thing!" Class location: Venice Beach — Past participant Enrollment limit: 15 students

www.juliadean.com I 310.392.0909 24 The History of Photography with Blue Fier CONTESTS

The Julia Dean Photo Workshops is proud to offer four different annual contests as a way of supporting the photographic community and helping artists achieve their aspirations and goals. Each contest is followed by an exhibit opening held at the Julia Dean Gallery (with the exception of the New Documentarian Award). For complete contest details including application deadlines, eligibility requirements and prize information, please visit the Julia Dean website at juliadean.com or call 310.392.0909.

THE BERENICE ABBOTT PRIZE For an emerging photogpher

© Joseph Nicephore Niepce, SHOW OFF: THE JDPW ANNUAL ALUMNI EXHIBIT View from his window at Le Gras. ca. 1827 For any student at Julia Dean In this course, the History of Photography will be explored beginning with inven- THE ALTERNATIVE PHOTOGRAPHY CONTEST tions that lead up to the fixing of a permanent image: the camera obscura and Supporting all types of alternative processes P

experiments with silver salts and light. Students will get a chance to use a small H H O I S T T camera obscura. The early inventors of photographic processes were painters or O

THE NEW DOCUMENTARIAN AWARD O G R R entrepreneurs and often stumbled upon their discoveries. The lives of Niepce, Y A

For a long-term project O P F H

Daguerre, Talbot and Bayard will be revealed as students look at daguerreotypes Y from the 1850s. Next, we’ll examine the styles of master portrait photographers Mathew Brady of New York and Nadar of Paris. The invention of the wet plate collodion process will include the portraits of Julia Margaret Cameron, and landscapes by Gustave Le Gray and Carleton Watkins. Ambrotypes using wet plates from the 1860s will provide hands-on history lessons. We’ll also look at tintypes, carte-des-visites, cabinet cards, and stereoscopes.

The exploration of motion by Muybridge and Marey provides a fascinating introduction to the beginnings of motion pictures. We will continue our historical journey into Pictorialism and the works of Brigman, Coburn, Stieglitz, and Steichen. Advances lead to the Autochrome, the first commercially available color process. Next we’ll view works by the Modernists and New Vision photographers and the Group f. 64: Adams, Weston, and Cunningham. With the introduction of smaller handheld cameras, photojournalism takes off in the works of Eisenstandt, Kertesz, Cartier-Bresson and Bourke-White. The evolution of social documentation by Hine, Lange, Parks, Iturbide, and Salgado comes next. We’ll end with the great portrait photographers of the fashion magazines, Penn, Avedon, and Leibovitz.

In addition to the six class sessions at JDPW, two field trips will be scheduled in-class to various locations such as photography museums or galleries. These two field trips will be entirely optional and are not required for class participation.

Blue Fier (for bio see page 24) Six-session workshop February 25 – April 1 (plus two optional field trips TBA) Thursdays — 7-9 pm Workshop fee: $175 Class location: Venice Beach Enrollment limit: 30 students

25 www.juliadean.com I 310.392.0909 Introduction to Location Lighting Introduction to Studio Lighting with Kevin Scanlon with Kevin Scanlon

Mastering the skill of lighting on location takes a lot of planning in addition to tech- This seven-week course is designed to take the mystery out of using studio nical savy. Photographers must be capable of scouting a location, combining both lights. Students will get to use strobe equipment from the very first class to learn natural and artificial light, and adapting to changes in physical space. This seven- how to make both traditional and creative portraits. The workshop begins with week workshop is designed to introduce these basic elements and expose students exposure basics and easy lighting set-ups to demonstrate classic looks for to some of the industry’s current trends and demands for shooting an assignment on portraiture with new techniques progressively added throughout the course. Light location. Traditional and basic lighting set-ups will be discussed. Light modifiers will modifiers will be introduced such as umbrellas, soft boxes, grids, bounced light

E be introduced such as umbrellas, soft boxes and grids. Emphasis will be placed upon and how to incorporate multiple light set-ups. Students will be highly encouraged R U T

I utilizing the surrounding environment to the photographer’s advantage, while blend- to explore their own natural style and way of lighting. Further topics to be A R

T ing creative uses of lighting techniques to shape the mood, style and feel of the pho- explored include: quality of light, hair and background lights, setting mood with R O P

tograph. The goal is to provide participants basic location lighting knowledge and the high and low key lights, and more. &

G confidence to use natural and artificial light in various conditions. N I

T Each class session brings a mix of hands-on experience and lecture on techni- H G I L The first two sessions will include lecture and demonstration on use of the equip- cal information in order to provide participants a solid base so they may support ment. The ensuing four Sunday afternoon sessions will provide students hands-on their own creative journey. All participants will have time to shoot and handle the shooting experience at various indoor and outdoor locations. The final, seventh class equipment in class. Models will be provided. No prior experience in studio session will offer time for student slide show presentations and wrap-up. All partici- lighting is necessary but students should be familiar with their camera and basic pants will have time to shoot and handle the equipment. Models will be provided. No photography fundamentals. prior experience in location lighting is necessary but students should be familiar with Kevin Scanlon (www.kevinscanlon.com) is an award-winning freelance portrait their camera and basic photography fundamentals. photographer. In 2001, he quit his day-job as a database administrator to become a professional photographer in Arizona, before moving to Los Angeles

Seven-session workshop in 2003. His clients include LA Weekly, New York Times, Darko Entertainment, Monday, February 1, 7-10 pm Merck, and Warner Brothers Records. His early work consisted of music photography, and his images appeared on Weezer t-shirts and Jimmy Eat World Monday, February 8, 7-10 pm album artwork. More recently, portraiture for editorial and advertising has been Sunday, February 14, 2-5 pm his concentration. These shoots have included Quentin Tarantino, Mike Tyson, Sunday, February 21, 2-5 pm Audrey Tautou, and photographer Sebastiao Salgado. Sunday, February 28, 2-5 pm

Sunday, March 7, 2-5 pm Seven-session workshop Monday, March 15, 7-10 pm April 8 – May 20 Workshop fee: $515 + $150 model and equipment fee Thursdays — 7-10 pm Class location: Venice Beach Workshop fee: $515 + $100 model and equipment fee Enrollment limit: 12 students Class location: Venice Beach Enrollment limit: 12 students

www.juliadean.com I 310.392.0909 26 The Crash Studio & Intermediate Studio & Location Lighting Location Lighting Class with Josh Sanseri with Josh Sanseri & Kevin Scanlon

This eight-session advanced course, limited to eight students, is the next logical step for photographers with a basic understanding of artificial light, but who are interested in devel- © Josh Sanseri oping a sophisticated aesthetic. We’ll photograph both in the studio and on location while Ever looked at an image and wondered how the photographer achieved the addressing common concerns for both scenarios. We’ll study the masters by dissecting lighting? Using studio & location lighting creatively can help convey moods and their technique and learning from their vision. Weekly assignments will encourage creative emotions in a subject which aid the photographer in achieving his or her vision. problem solving, newly learned techniques, and challenging subject matter. Technical Perfectly designed for students looking to learn the art of studio & location light- emphasis will be placed on fine-tuning basic skills, elaborate multi light setups, lighting ing in one intensive weekend, we will explore various lighting techniques to help large spaces, lighting for large groups, specialty light modifiers, augmenting available light, L

photographers realize this vision. On Saturday, hands-on demonstrations will I G

overpowering sunlight, and “dragging the shutter. Students are encouraged to trust the H

include the technical use of strobes and light shapers such as soft boxes, T I role his or her intuition plays in exceptional photography. N G

umbrellas, beauty dishes, grids and more. Moving outdoors on Sunday, we will &

also learn how to incorporate ambient light to generate different moods – all in O Josh Sanseri (www.sanseri.com) is an award-winning photographer based in Los R T

effort to achieve a unique, personal vision. R Angeles. Specializing in photographing people, his environmental portraits have been A I T U

published and exhibited both nationally and internationally. His unique photographic R All participants will have a chance to handle the equipment and shoot. Models E point of view is the result of his formal education and background in cinema, pho- will be provided. The goal is to provide each student with the tools and expe- tography, painting, and printmaking. He’s coached and mentored many young pho- rience necessary to quickly grasp the art of studio & location lighting in one tographers and has taught various workshops and courses in Italy, Australia, Illinois, simple weekend. Los Angeles, Hawaii, the Santa Fe Photographic Workshops, and many more. His photographic style coupled with his technical proficiency has earned him a long, eclectic list of clients including Another Planet Entertainment, Dreamworks, Nissan, Two-day workshop Infiniti, Ball Park, Sara Lee, Sony Playstation, Pioneer, Penguin Publishers, Business June 26 Week Magazine, AARP,The Los Angeles Times Magazine, American Bar Association, Saturday — 10 am-6 pm and the Utne Reader. Instructor: Josh Sanseri Eight-session workshop Thursday, May 27, 7-10 pm June 27 Thursday, June 3, 7-10 pm Sunday — 12 noon-8 pm Sunday, June 6, 4-7 pm Thursday, June 10, 7-10 pm Instructor: Kevin Scanlon Sunday, June 13, 4-7 pm Workshop fee: $395 + $150 model, equipment and location permit fee Thursday, June 17, 7-10 pm Sunday, June 20, 4-7 pm Class location: Venice Beach Thursday, June 24, 7-10 pm Enrollment limit: 12 students Workshop fee: $715 + $275 model, equipment and location permit fee Class location: Venice Beach Enrollment limit: 8 students

27 www.juliadean.com I 310.392.0909 Creative Portraiture The Portrait Series with Ken Merfeld with Ken Merfeld

This six-week workshop will explore a fraction of the world of portraiture, the Choosing a personal portrait theme and working within a “series” mentality to basics of natural and artificial lighting, and the psychology of dealing with people add a select body of work to your portfolio is one way to continue to grow and in front of your camera. Lighting equipment and light altering tools will be dis- challenge yourself as an artist. In this six-week course, we’ll discuss all aspects cussed and demonstrated, with weekly assignments given and critiqued, and stu- of creating a meaningful, impacting portrait series including the importance of dent portfolios reviewed. Visual interpretation of subject matter versus mere infor- communication skills, the psychology of dealing with people, design continuity of mation is stressed as a creative approach to shooting people, emphasizing body your work, and the element of trust within the artistic exchange. Throughout the language, interesting backgrounds and shooting environments, and paying atten- course the importance of developing a conscientious work ethic and challenging E

R tion to visual design, overall composition, and eye movement within the frame. yourself on a regular basis to produce new bodies of work is stressed also. U T I A R

T With 25 years of commercial and fine art photography experience, instructor

R This workshop is open to beginning and intermediate levels with the goals of O P becoming more aware of light and gaining more confidence as to how you handle Ken Merfeld will offer careful guidance for class participants as they develop an &

G outline for creative organization, execution, and completion of their personal

N your subject, eliciting an emotional response from your viewers and, hopefully, cre- I T

H ating images that are memorable from your portrait sessions. Digital or film, black projects. Lighting and “technique” applied to subject matter is emphasized, G I L & white or color accepted. Assignment prints due each class session. Please bring analyzed and fine-tuned. Print quality and presentation of work will also be portfolios to first class. addressed. All participants’ personal portrait projects will be discussed, researched, and scheduled with the first six images [minimum] of each project Ken Merfeld (www.merfeldphotography.com, www.merfeldcollodion.com) is a Los produced and critiqued during class, defining a course of action to continue Angeles based commercial and fine art photographer who owns and operates a com- and/or apply to other subject matter for future portfolio enhancement. mercial photography studio in Culver City, California where he photographs fashion, advertising, portrait, and celebrity assignments. His work has appeared in Vogue, This workshop is open to beginning and intermediate levels of photographers Harper’s Bazaar, Mademoiselle, Angeleno, Zoom, Black and White, and Los Angeles interested in going beyond the surface level of portraiture. Project prints are Magazine. His commercial accounts include American Express, Nike, Kodak, Apple due each class session, portfolios will be reviewed and critiqued, and collabo- Computers, Sony, Pacific Bell, Disney, Mattel, McDonald’s and Panavision. During his rative materials shown. Please bring portrait and people related portfolios to 25 years of commercial and fine art photography, he has explored the worlds of autis- the first class meeting. tic children, people with their pets, parent and child, tattooed people, bikers, identical Six-session workshop twins, transvestites, “little people,” erotica and more. His current body of Collodion work has been exhibited in Los Angeles, Santa Fe, New Mexico, and Mexico City. Ken also April 7 – May 12 teaches photography part-time at Art Center, College of Design, in Pasadena, California. Wednesdays — 7-10 pm Workshop fee: $435 Six-session workshop Class location: Venice Beach February 24 – March 31 Enrollment limit: 12 students Wednesdays — 7-10 pm Workshop fee: $435 + $25 model and equipment fee Class location: Venice Beach Enrollment limit: 12 students

www.juliadean.com I 310.392.0909 28 Children’s Portraiture: Photographing the Figure The Business and the Craft with Scott Stulberg with Janet Baker-Richardson

© Scott Stulberg Since the beginning of time, the human form has captivated every kind of artist. For photographers, the creation of tender but dramatic nudes takes vision, patience and an attention to detail. Every nuance cannot be overlooked including form, shadow, visual appeal, balance and gesture.

In this unique, one-day workshop, composition and lighting will take center stage © Janet Baker-Richardson with each student trying to capture their own vision. The class will meet in-studio, starting with a talk and a slide show on nude photography, that will try to Whether you’d like to take better photographs of your children or are interested in convey the subtleties of photographing the figure in soft and sensual set ups. starting a children’s portraiture business, this one-day intensive hands on workshop Working with many light sources will be explored including strobes, tungsten, will provide the information needed to improve your work and/or get started in the daylight balanced and 2K lights. Using props, gobos, fabrics, diffusers and dif- business. Topics covered will include the importance of planning your portrait session L I

ferent backdrops, students will be able to learn how to work with the models to G H

rather than leaving your session to chance, what you want your photograph to say, T I

create their own unique images. Instruction will emphasize how creating the N how to go about implementing your idea/vision with the client, and how to stay true to G

right dynamic between model and photographer can produce timeless images. &

your own work while keeping the client happy. In addition, we’ll talk about pricing and O

During class, the instructor will show the dreamlike and ethereal quality you can R T finding work in today’s market. R

achieve by converting images to black and white or sepia in Photoshop. A I T U R Following these discussions, we’ll shift our focus on lighting and its importance when The workshop will take place at McCadden Space studio located at 1041 N. E shooting portraits. Demonstrations will include working with available light, reflectors McCadden Place in Hollywood, California. The class will be limited in size to have and flash fill. Later in the day we’ll move outdoors for a beautiful twilight shoot on a small photographer to model ratio. All students choosing to enroll in the Venice Beach with child models. We’ll pay close attention to posing, light/mood, and workshop are required to obtain instructor and administrative approval before ISO/lens choices in order to evoke the best images possible. Students should bring proceeding with the class. their flash, different lens choices, and reflectors (if owned). Open to all levels, although a basic understanding of photography is necessary. Scott Stulberg (www.asa100.com) is a travel and stock photographer who journeys often to distant lands looking for unique stock opportunities. He Janet Baker-Richardson (www.jbrphoto.com) worked for many years as a pro- is represented by many stock agencies, including Corbis and Getty Images. ducer of television commercials. After the birth of her child, she left the crazy world He teaches digital photography and Photoshop at UCLA Extension, the Art of travel and long hours to become a portrait photographer. During this time, Janet Wolfe Digital Photography Center in Seattle and in camera stores throughout had the opportunity to return to school and work along side some of the world’s best Los Angeles. Scott is a contributing writer for Shutterbug Magazine and is also portrait photographers. She has won numerous awards for her work including top co-author of The Digital Photographer’s New Guide to Photoshop Plug-Ins. honors in The Wedding and Portrait Photographer International competitions, com- From Microsoft, Newsweek and the New York Times, to greeting cards, peting against thousands of entries. Her work has appeared in Rangefinder and the calendars, book covers and billboards, his images are used internationally. His book Best of Children’s Portraiture, published by Amherst Media. Janet has taught photographs are in collections all over the world, including on permanent at photography schools around the country, including the Julia Dean Photo display in the United Nations and the new UCLA Medical Center, with prints Workshops and the Maine Media Workshops. Janet currently lives in Los Angeles, displayed in over 60 patient rooms. California, with her family. One-day workshop One-day workshop May 22 June 12 Saturday — 11 am-7 pm Saturday — 10 am-6 pm Workshop fee: $275 + $50 model and equipment fee Workshop fee: $325 + $250 nude model, studio rental and equipment fee Class location: Venice Beach Class location: Hollywood Enrollment limit: 12 students Enrollment limit: 12 students

29 www.juliadean.com I 310.392.0909 Harnessing the Power of Light: Five Basic Rules PRIVATE with Byll Williams PHOTOGRAPHY LESSONS

Receive personalized, one-on-one tutorials from working photographers.

I PHOTOGRAPHY FUNDAMENTALS

I DIGITAL CAMERA OPERATION

© Byll Williams HOW TO USE FLASH I Light. It is arguably the single most important element for setting the mood or tone of any photograph. But beyond that, light plays an integral part of how our minds interpret what we see. In this high-energy, fun-filled seminar we will break down light to just a few basic components and learn to harness the power of “how” lights sets the mood and not just I LIGHTING AND PORTRAITURE “why”— simply by mastering five basic rules and how they interact.

We’ll begin by examining the affects of light and lighting on the subconscious mind. Our goal is to bring out what we subliminally know about light and lighting but may not have I ADOBE PHOTOSHOP & ADOBE LIGHTROOM tapped into its power consciously (akin to someone who loves music but goes through life never knowing if he or she could sing). Then we interpret lighting as a very basic math problem with a very clear answer. The purpose is to simplify the technical challenges of lighting by presenting it as a quantifiable problem. After the lecture, students will have the opportunity to spend part of the day applying these newly learned principles to a hands- I MARKETING AND SELF-PROMOTION on shooting demonstration.

Applicable to amateur and professional photographers alike, students will, upon the end COLLEGE PREPARATION AND MORE! of the course, have the ability to turn words or moods into a lighting blueprint and under- I stand how to light any situation, anytime, anywhere. Please bring an open mind, a sense of humor, and a big pad of paper!

Byll Williams (www.byllwilliams.com) is a commercial and advertisement photogra- Request Your Private Tutorial Today! pher with more than 15 years of experience. He has close to 100 large-scale national advertising campaigns to his credit including Dell, Compaq, Sony, Playstation, Xbox, Toyota, Nissan, Disney and many others. He has lectured at Art Center College of Design in Pasadena, CA, and has a self-proclaimed semi-maniacal eye for attention to realistic lighting, sets, and the implementation of Photoshop. Byll currently resides call 310.392.0909 or email in Santa Monica with his wife and their two dogs, Betty and Bob.

workshops juliadean.com One-day workshop offered twice @ March 27 or June 19 Saturday — 10 am-5 pm Workshop fee: $215 + $25 equipment fee Class location: Venice Beach Enrollment limit: 15 students The Crash Flash Course I The Crash Flash Course II with Julia Dean with Julia Dean

In this workshop students will learn how to use a flash unit in various lighting sit- By popular demand, this class has been added to our curriculum for students who uations. First, we will go over all the buttons and dials on the flash. The day is then have taken The Crash Flash Course I and would like more information (but are divided between lectures and demonstrations on different ways to use a flash. unable to take our one-week intensive flash class). This class is not for people L I G

Shooting time follows each demonstration so students can put the information to who know nothing about their flashes, but rather for those who know a little and H T I use. The lecture begins with discussions on why and how to use a flash as the N want a lot more. G

main source of light (meaning a low light situation requiring use of a flash) and P O R how to use a flash as a fill light (balancing ambient light with the light of a flash The first two hours of class will be spent reviewing information from The Crash T R A I unit). We will also explore how to determine exposure, how to control the light out- Flash Course I, such as using flash as the main source of light and as fill flash. T U R put of a flash, ways to diffuse a flash, and how and why to include or exclude We’ll review how to determine exposure, how to control the light output of a flash, E ambient light. Demonstrations will include using a flash in a direct or bounce ways to diffuse a flash, and how and why to include or exclude ambient light. The mode (on or off the camera). Wireless flash technology is also discussed, as well use of a flash in a direct or bounce mode (on or off the camera) will also be as how to “power down” the flash input for specific effects. If time permits, there reviewed, as well as wireless flash technology, and how to “power down” the flash will be a demonstration on using multiple flash, with slaves or remotes. input for specific effects.

Participants will work with either digital cameras or with color slide film. Students After the review, Julia will demonstrate how to use multiple flash and gels, in the seeking to advance their portable flash skills are encouraged to take Julia Dean’s studio and on location. The afternoon will be spent putting all the techniques to one-week workshop Mastering Your Flash (see page 13) or one-day workshop use, using professional models as subjects. At the end of the day, a critique will The Crash Flash Course II (see right column). take place to view the students’ work. All participants should know the buttons on their flashes and where to look in the manual, if questions arise. (Read the Julia Dean (for bio see page 13) manual again before class!)

One-day workshop offered four times Julia Dean (for bio see page 13) Saturday, January 16, 10am-6pm or One-day workshop offered twice Sunday, March 21, 10am-6pm January 24 or May 16 or Sunday — 10 am-6 pm Saturday, May 15, 10am-6pm Workshop fee: $275 + $50 model and equipment fee or Class location: Venice Beach Saturday, July 17, 10am-6pm Enrollment limit: 12 students Workshop fee: $275 Class location: Venice Beach Enrollment limit: 15 students

31 www.juliadean.com I 310.392.0909 Creating Art with Toy Cameras with Aline Smithson Sunshine & Noir: Holga Photography Creating Art with Toy Cameras and the Social Landscape with Aline Smithson with Thomas Michael Alleman

© Aline Smithson © Thomas Michael Alleman This fun two-day class is intended for those interested in an alternative approach to This class will introduce students to the use of the Holga, a very cheap toy camera traditional photography. Participants will learn the history of toy cameras, such as the embraced by students and artists alike for it’s nuttiness and unpredictability. But the best Diana and the Holga, and learn why “blur” has become so popular in the fine art mar- photographers know, and students in this class will learn, that great images live or die, ket. As a “point- and-shoot” type camera, the Holga’s technical decisions are minimal, ultimately, on the success of their photographic qualities, rather than on the “mystique” and consequently it can become the creative tool that the photographer’s camera bag or the quirky “artsy-ness” of the groovy toy camera that made them. So even though our has been missing! Aline Smithson will teach what film to use, how to alter the cam- immediate practical concern might be the specifics of handling a Holga, the context that era to get the desired result, how to change the size of the negative, and what light- those technicalities operate in is much larger and very rich – the whole enterprise of ing conditions give the best result. The two-day format will allow students to develop Photography will be our subject and subtext. their work for a fun and informative group critique session! Essential aspects of the picture-making process will be discussed: lenses and shutters, Please note the workshop will be held at Freestyle Photographic Supplies located at light and motion, focus and blur and shadow and time itself. We’ll also look at the work 5124 Sunset Blvd., Hollywood, CA 90027. of master photographers Walker Evans, Lee Friedlander, Stephen Shore and Henry Wessel, among others, who have scrutinized the American street-scene, and brought After a career as a New York City Fashion Editor and working along side the greats their own vision of whimsy, grandeur or skepticism. Finally, we’ll consider the way our of fashion photography, Aline Smithson (www.alinesmithson.com) discovered the personalities interact with the photographic process, as we employ instinct and intelli- family Rolleiflex and never looked back. Now represented by galleries across the gence, patience and chance, in the struggle to see and seize two-dimensional images

country and published throughout the world, Aline continues to create her award- from the 3-D chaos of an indifferent environment. A L T F winning photography with humor, compassion, and a 50-year-old camera. Her work E I R N N has been featured in numerous publications including the PDN Photo Annual, This class will meet seven times, on various Sundays and Mondays throughout April E A

A T R

and May. We’ll venture into the social landscape three times; the subsequent meet- I V

Communication Arts Photo Annual, Eyemazing, Artworks, Lenswork Extended, T E

Shots, Pozytyw, and Silvershotz magazines. Exhibited widely including shows at the ing will include a show and critique of the pictures made on that outing. & Griffin Museum of Photography and Wallspace Gallery in Seattle, Aline was nomi- Thomas Michael Alleman (www.allemanphoto.com) is a commercial, editorial and nated for The Excellence in Photographic Teaching Award in 2008 and 2009 and for fine art photographer living and working in Los Angeles. During a fifteen-year newspaper The Santa Fe Prize in Photography in 2009 by the Santa Fe Center of Photography. career, Tom was a frequent winner of distinctions from the National Press She is a 2009 juror for Critical Mass, and will be a reviewer at Review LA in 2010. Photographer’s Association, as well as being named California Newspaper Photographer of the Year in 1995 and Los Angeles Newspaper Photographer of the Two-day workshop Year in 1996. As a magazine freelancer, his pictures have been published regularly in January 23 & 30 Time, People, Business Week, Barrons, Smithsonian National Geographic Traveler, and Saturday — 11 am-2 pm US News & World Report, among others. He’s currently finishing “Sunshine & Noir,” a Workshop fee: $215 book-length collection of black-and-white “urban landscapes” made in the neighbor- Class location: Venice Beach hoods of Los Angeles. Enrollment limit: 15 students Seven-session workshop 4/12; 4/18; 4/26; 5/2; 5/10; 5/16; 5/24 Mondays — 7-10pm Sundays — 2-5pm Workshop fee: $435 Class location: Venice Beach Enrollment limit: 15 students 33 www.juliadean.com I 310.392.0909 The Next Step: Getting Exposure in the Fine Art and Documentary World with Aline Smithson

The Next Step II Designed for students having completed The Next Step I in 2009 or earlier, this four- session class continues to instruct the emerging photographer on how to present work to the fine art and documentary markets. Photographers are encouraged to build on their bodies of work over the break and come prepared to fine tune, edit, and enhance their series or images. We will also continue to explore competitions, grants, presentation and packaging, marketing, and other venues for presenting work. Submissions to competitions and portfolio reviews will be encouraged and guest speakers, if available, will share their work.

The class will culminate in a group exhibit (currently scheduled for Saturday, March 20th, 2010) at the Julia Dean Gallery that we will work on together, from image selection, announcements and mailing lists, editioning, pricing, and hanging. All students completing The Next Step II are encouraged to continue creating and exploring new work by enrolling in The Next Step III (see below).

Four-session workshop January 28; February 11; February 25; March 11 Thursdays — 7-10 pm © Aline Smithson Workshop fee: $335 The Next Step I Class location: Venice Beach This six-week class instructs the emerging photographer on how to present work to Enrollment limit: 15 students the fine art and documentary markets. It also provides an insight into the world of photography and helps photographers package themselves and their work in a professional manner. Throughout the course new work will be encouraged and portfolios The Next Step III will be shaped and edited. Participants will learn how to build and write a resume, For students who have completed The Next Step I and The Next Step II, this is an how to construct a bio, and how to title and write personal statements about their opportunity to share new imagery, get feedback and critique, and touch base with the work. Students will enter photography competitions, submit to publications and pre- community already created through the class. We meet approximately every 4-6 pare work for exhibition. Information about grants, portfolio reviews and exhibition weeks and will spend the majority of time looking at work, sharing updates about proposals are also covered. Each week, the work of a new and established fine art photography related events, and look for next exhibition opportunities. photographer is shown so that participants will understand what makes a successful series. Furthermore, guest photographers will be invited to share their journeys. This is an on-going, continuing workshop that meets twice per year in order to & provide an opportunity for students in The Next Step series to reconnect and keep their E T V Students in previous classes have gone on to win International Photography awards, I R

T creative artistry alive. The workshop will meet in the Spring (see dates below) and in A

A have exhibited work in solo and group shows, created websites and produced new E N the Fall of each calendar year. Please email [email protected] if you are N R I E

F bodies of work. T interested in the dates for Fall 2010. In the subject line write, “The Next Step III: Fall L A 2010 Dates?” Participants completing this workshop are encouraged to enroll in The Next Step II offered in Winter 2011. Upon completing The Next Step II, all students will partake in Three-session workshop a group exhibit held at the Julia Dean Gallery. Open to all levels of photographers who April 8; May 6; June 10 want to take their work to the next level. Thursdays — 7-10 pm

Six-session workshop Workshop fee: $165 April 13 – May 18 Class location: Venice Beach Tuesdays — 7-10pm Enrollment limit: 15 students Workshop fee: $435 + $15 materials fee

Class location: Venice Beach Aline Smithson (for bio see page 33) Enrollment limit: 12 students

www.juliadean.com I 310.392.0909 34 Four Evenings with Fine Art The Wet Plate Collodion Process Photographers with Will Dunniway Hosted by Aline Smithson

In this two-day workshop, students will learn how to apply the wet plate collodion Los Angeles has a rich tapestry of fine art photographers that create amazing process in a contemporary setting. The class will feature two days of hands-on train- work. Because our city is so expansive, we often don’t get the opportunity to con- ing in the making of ambrotypes (glass image), ferrotypes (tintypes), and glass plate nect and learn about each other. This second chapter of Four Evenings with Fine negatives. With Will Dunniway serving as the guide, students will learn the step-by- Art Photographers opens the door to four incredible evenings, shared through step process of mixing, pouring, exposing and the development of plates poured with the vision of some of the most interesting fine art photographers working in Los wet collodion. Participants will use a period 1860 field camera with 1860-70 lenses Angeles today. Many have published books, are inspired teachers, exhibit and, with Will’s instruction, learn how to adapt newer ‘view’ type cameras with wet throughout the world, and are award-winning visionaries. plate backs. In the end, each student will gain a working knowledge of the collodion process (not its historical interpretation) and will make and take home a self-portrait Come join and us and these four talented photographers for what promises to tintype/ambrotype. be an unforgettable journey into artistic exploration, philosophy and discussion. Robbert Flick The newest edition of Will’s manual, Making the Wet Collodion Plate in 16 Steps,is Tierney Gearon included along with all materials and equipment. Both days, Saturday and Sunday, Jay Mark Johnson will take place at Will’s home studio and darkroom located in Corona, California. TBA A

Will Dunniway (www.dunniway.com) or (www.collodion-artist.com) has pursued the L T F E I R avocation of artist/photographer for over 40 years. A student of American History, he Past speakers have included: Whitney Hubbs, N N E A

Mona Kuhn, Douglas McCulloh and Hiroshi Watanabe A came into contact with the wet plate collodion process while re-enacting the 125th T R I V T Anniversary of the Battle of Gettysburg in 1988. There he met collodion experts John E

& Coffer and Claude Levet and, under their tutelage, began studying the process in Listen. Learn. Be inspired. earnest. In the 14 years that followed, Dunniway has become an expert in this his- toric collodion photographic process. For the past five years he has taught the All lectures are subject to the availability of the photographer. process at the college level and various historical institutions including the State of California. On one occasion he produced red class Ambrotypes of Winona Ryder and Aline Smithson, Host (for bio see page 33) other props for movie director Francis Ford Coppola’s production of “Dracula.” He currently lives in the old orange growing town of Corona with his wife, Frances. Four evenings March 25; April 22; May 20; June 17 Two-day workshop Thursdays, 7-8:30 pm April 17 & 18 Paid in Advance Series Fee: $35 Saturday & Sunday — 9 am-6 pm (exact times may vary) Workshop fee: $435 At-the-Door Admission: $15 general, $10 student w/ID Class location: Corona, California (check and cash accepted) Enrollment limit: 8 students Class location: A&I Photographic and Digital Services, 933 N. Highland Ave, Hollywood, CA 90038

35 www.juliadean.com I 310.392.0909 Afterglow: Digital Capture after Dark with Scott Stulberg

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From dusk till dawn, the darkness can reveal a world filled with mystery and wonder. Photographic possibilities become endless when imagination and /X[XU\3 KRWR knowledge collide after dark. Longer shutter speeds can produce imposing cobalt blue skies, surreal car trails and star trails, one of a kind silhouettes and gorgeous motion blurs. Movement, color and light combine to give results that are often unseen with the naked eye.

This seven-session workshop will help participants to capture the atmospher- ic qualities only found at dusk and at night in an urban environment. Four Monday evening classroom sessions will cover evaluating existing lighting situations, composition, understanding time exposures, camera set ups, light painting and scouting locations. Critiques of students’ work will give insight into ( [SHGLWLRQ what worked, what went wrong and how to achieve different results. Instruction will also cover many Photoshop techniques to enhance many of the images. In addition, the workshop will entail three hands-on Saturday night shooting sessions before dusk in different locations around Los Angeles. Pre-visualizing the final image, students will use different techniques learned in class to produce one of a kind imagery.

Students are expected to be familiar with their camera gear and with basic photographic techniques. A tripod and cable release is also required for this class.

Scott Stulberg (for bio see page 29)

Seven-session workshop Wednesday, February 3, 7-10 pm Saturday, February 6, 5-8 pm Wednesday, February 10, 7-10 pm Saturday, February 13, 5-8 pm Wednesday, February 17, 7-10 pm Saturday, February 20, 5-8 pm Wednesday, February 24, 7-10 pm Workshop fee: $435 Class location: Venice Beach (J\SW Enrollment limit: 15 students 1RYHPEHU 'HFHPEHU ZZZ6SLULW4XHVW7RXUVFRP Stock Photography: Six-Week The Fine Art of Travel Photography with Peter Bennett with Mark Edward Harris

© Peter Bennett © Mark Edward Harris Stock Photography is a lucrative and exciting field, but also very competitive This workshop explores how to create fine art travel photography — images and one that is constantly changing. How do you keep up? Peter Bennett, a that go far beyond the “I was here” photograph. Photographers working in either stock agency owner and stock photographer will help you navigate the stock digital or film will learn how to create beautiful landscapes and townscapes, as photo landscape by providing an A to Z approach that will help you go from well as powerful environmental portraits and photo essays — pictures that tell shutter release to paycheck. a story. After a presentation of travel images by award-winning photographer Mark Edward Harris, students will put ideas into practice with technical aspects Focus will be on Strategies, Workflow and Marketing. Weekly assignments will such as the use of “fast” lenses, filters and the creative use of flash on location. teach you how to select and illustrate marketable subjects and how to develop Furthermore, participants will learn how to approach newspapers and maga- your own style. An optional location field trip will offer an opportunity to start zines with travel story ideas and how to bring individual projects into fruition. putting these skills into practice. It is critical that your images pop off the Open to all levels of photographers with an interest in travel photography. screen so buyers are able to find your work, so there will be an emphasis on image processing and efficient workflow as well as proper key-wording, meta Mark Edward Harris’ (www.markedwardharris.com) editorial work has tagging and cataloguing. An organized system will give you more time to shoot. appeared in publications such as Life, GEO, Conde Nast Traveler, Harpers There will be discussion of different licensing models such as Rights Managed, Bazaar, the Los Angeles Times Sunday Magazine, Marie Claire and Playboy. Royalty Free, Microstock and their appropriate markets. And because there are His commercial clients range from The Gap to Coca-Cola to Mexicana so many choices today, we will explore all the avenues available and the impor- Airlines. His books include Faces of the Twentieth Century: Master tance of finding the right balance between distribution through stock agencies, Photographers and Their Work, The Way of the Japanese Bath, Wanderlust, and self-promoting and licensing your own work, including building your own Inside North Korea, and Inside Iran. He is the recipient of numerous awards website, determining fees and finding the right resources. including a CLIO, ACE, Aurora Gold, IPA and Photographer of the Year at the Black & White Spider Awards. This six-week course will also include one hands-on shooting assignment (exact location and date TBD in-class). The field trip is completely optional and One-day workshop not required for class participation. April 10 Saturday — 10 am-6 pm Peter Bennett is the owner of Ambient Images (www.ambientimages.com), a Workshop fee: $275 stock agency specializing in New York, California and Environmental images, P

Class location: Venice Beach S H P

and has been shooting stock photography for over twenty-five years. He has O E T C

Enrollment limit: 15 students O survived by adapting to changing markets and constantly seeking out new and I G A L R I A timely subjects to shoot. Peter’s love of photography goes back to his Z P E H D Grandfather, a studio photographer on the Coney Island Boardwalk and his “Mark has so much experience and so many great ideas. It Y father who traveled the country with a medium format camera in the 1940’s. was great to listen to him critique others’ work, giving helpful Peter has been working digitally since 1992, setting up his first stock photo suggestions on how to improve the impact of images, and relating website shortly after, and has spent many years consulting individuals and his thought process. agencies in digital imaging and workflow. His books include: New York City: — Erin Monacelli A Photographic Portrait, Our San Diego and Only in Los Angeles.

Six-session workshop May 17-June 28 (no mtg. 5/31) + one optional field trip TBD Mondays — 7-10 pm Workshop fee: $435 Class location: Venice Beach Enrollment limit: 15 students

37 www.juliadean.com I 310.392.0909 Creative Approaches to The Art and Business of Wedding Wedding Photography Photography: Six-Week with Isabel Gomes and Lawrence Gund with Yvette Roman

© Yvette Roman This six-week workshop is designed to help those already confident with their © Isabel Gomes photography skills but need the next step in becoming a successful wedding photographer. Specifically, it is designed for photographers who want to under- This one-day workshop will introduce participants to the use of alternative stand and explore both the art and business of wedding photography. Important cameras and film and how they can be used effectively to provide flavor when topics will be covered such as how to build a portfolio, how to promote and shooting a wedding. Isabel Gomes and Lawrence Gund will cover the use of market one’s work, how to bid for a job and how to write contracts. The art of plastic, pinhole, large format, and other fun cameras with an emphasis on wedding photography is also explored such as the use of digital cameras, film breaking with routine and learning to bring a fresh eye to weddings. The fun- cameras and formats, and when to use what for a specific effect. We will also damentals of shooting a wedding are also covered, such as how to tell a story, explore how to deliver a presentation to a client and how to design an album. how to make a beautiful portrait, and how to shoot groups creatively. Basic business practices, contracts, advertising, and tips on maintaining a wedding During the workshop, students will have the opportunity to put the above men- business are also discussed. The day will end with shooting at the beach. tioned discussions into practice.Weekly assignments will be provided with the Models will be provided for an engagement shoot where tips on lighting and goal of helping each participant take the first step toward starting a wedding posing will be discussed. Students should bring whatever photographic equip- photography business.These assignments will include: formulating a contract, ment he or she would like to use for the shoot. creating a usable promotional piece, and designing an album. Furthermore, during two hands-on shooting sessions both in the studio and on location, stu- Isabel Gomes and Lawrence Gund (www.isabellawrence.com) have operat- dents will be introduced to lighting techniques to create certain moods and will ed Isabel Lawrence Photographers in Los Angeles since 1997. This award win- also learn the importance of anticipating and capturing a moment. Models will ning husband and wife team have been published in various magazines such be provided and each student will have their worked critiqued during the ensu- as In Style, People, Modern Bride, Inside Weddings, Los Angeles Times ing class session. Interested students should possess a basic knowledge of Photosynthesis and Town & Country. Their images have also appeared on the photography with the ability to shoot and process images. Oprah show. Advertising clients include Lexus and Kodak. Isabel holds a degree in fine art from the University of Massachusetts and attended Brooks Institute Yvette Roman (www.yrphoto.com) graduated with a BFA in photography from of Photography in Santa Barbara. Lawrence graduated from the University of Art Center, College of Design, in 1989. She began her career as a rock pho- Southern California and has shot for the Los Angeles Times and other Southern tographer, photographing such luminaries as Roy Orbison, Joni Mitchell, David California newspapers. Byrne and Timothy Leary. Since photographing her first wedding in 1996, Y

D Yvette has shot weddings from Los Angeles to Marrakech. She has been fea- H E P Z A I One-day workshop tured on The Oprah Winfrey Show and in numerous publications including R L A G I April 11 O Elegant Bride, Bride’s Magazine, Los Angeles Weddings, Inside Weddings, C T E O P Sunday — 10 am-6 pm Grace Ormonde’s Wedding Style, and Town & Country. Yvette’s numerous H S P Workshop fee: $275 + $50 model fee advertising and editorial clients include Eastman Kodak, Renaiscents Candles, City of Hope, The Getty Museum, A&M Records, MCA Records, Capitol Records, Class location: Venice Beach Sony Music and Los Angeles Times Magazine, among others. Enrollment limit: 12 students

Six-session workshop May 26 – June 30 (no mtg. 6/16) Wednesdays — 7-10 pm & June 13 Sunday — 5-8 pm Workshop fee: $435 + $50 model and equipment fee Class location: Venice Beach Enrollment limit: 12 students www.juliadean.com I 310.392.0909 38 Making Your Own Photo Book The Master Class with Julia Dean with Julia Dean

© Julia Dean This new class is designed for serious intermediate to advanced photographers who will spend six months working toward two goals, a personal goal and a group goal. The personal goal is to design and produce a self-published book of existing work. The group goal involves a collaborative shooting project, which will result in a self-published book and a group exhibit. Each class will be divided into © Julia Dean two parts. The first half will concentrate on the group project, the second half will If you have a body of work, whether it be a friend’s wedding, your life-long port- concentrate on the personal project. This class is limited to ten people so that we folio, a family reunion, or vacation pictures, you can now put this work together have plenty of time to get through all of the work. by publishing your own book at a very reasonable price. You can make a small On the first night of class, we will begin the group project by discussing what it 5” x 5 “ soft cover book or large 12” x 12” table top hard back books, and many takes to work on a collaborative project. Everyone will come to class with several sizes in between. There are several self-publishing companies on the market ideas, and after discussing them all, the class will vote on the project of their these days, but none come with as much personal attention as you’ll get from choice. From that night forward, the class will shoot for the project and each group our educational partner, A&I Photographic & Digital Services in Los Angeles. session thereon will be a critique of the on-going work. On the sixth session, the group will make the final edit for both the book and the exhibit. In this two-day workshop, students should arrive with the free program already downloaded on a personal laptop, acquired by visiting JDPW Book Creator at The second half of each class will concentrate on each person’s personal goal.The www.jdpwbooks.com. The weekend is divided among learning the program first night of class we will discuss how to choose a theme for your book, how to itself, learning how to size photos properly to get the best quality book, the maneuver through the book-making program, how to size your photographs prop- importance of editing, how to sequence, and how to create good page design. erly for books of different sizes, and how to edit. In subsequent classes, we will Between learning these techniques and skills, each participant will work on his tighten each person’s edit for his or her books, and discuss at length the impor- or her book, with group critiques and Julia’s constant individual help. This is a tance of sequencing, layout, and design. By the sixth class, all class participants hands-on workshop. At the end of the second day, all participants will be ready will have a published book to show. to send their book to A&I for printing. After the sixth class session, there will be 1-2 more class sessions TBA in prepara- Students are required to bring their own laptop loaded with at least Photoshop tion for the group book and exhibit. The opening night of the exhibit will host the final CS2, preferably CS3 or CS4, and a mouse or graphics tablet. If necessary, selection from the group. Both the group book and personal book will also be dis- P S played at the exhibit. Upon enrolling in this class, interested students need to call for H a free 30-day trial version of Photoshop can be installed by visiting P O E T C www.adobe.com/downloads. A working knowledge of Photoshop is NOT an interview with Julia Dean before being accepted. Call 310.392.0909. O I G A L R I required. Please bring no fewer than 15 photographs to the workshop. A Z P E H Julia Dean (for bio see page 13) D Julia Dean (for bio see page 13) Y Six-session workshop

Two-day workshop offered twice February 22; March 15; April 19; May 17; June 14; July 12 March 13 & 14 Mondays — 7-10 pm Saturday & Sunday — 10 am-6 pm Workshop fee: $535 + $195 “Lab Fee” & (The “lab fee” covers printing expenses of two hard cover books June 12 & 13 from A&I and all exhibit expenses except for printing and framing.) Saturday & Sunday — 10 am-6 pm Class location: Venice Beach Workshop fee: $375 + $50 book publishing fee Enrollment limit: 10 students Class location: Venice Beach Enrollment limit: 12 students

39 www.juliadean.com I 310.392.0909 Fine Art Inkjet Printing Adobe Lightroom with Philipp Scholz Rittermann with Jamie Redmond

Getting to Know Adobe Lightroom Learn how to control your digital photography workflow from image capture through the digital darkroom. This seminar will focus on making the digital workflow accessible and efficient. Among topics covered will be organizing and processing large volumes of photographs, refining individual images, interfacing with Photoshop, non-destructive editing, retouching, color adjustments and batch processing. Professional client presentation options will also be discussed. Time permitting, individual student needs will be addressed, as it pertains to the use of Adobe Lightroom.

Participants may opt to bring their own laptops loaded with Lightroom 2 or higher, although it is NOT required. If necessary, a free 30-day trial version of Lightroom can be installed by visiting www.adobe.com/downloads. Upon completing this seminar, students are encouraged to explore more of Lightroom’s capabilities in the six-week hands-on workshop, Mastering Adobe Lightroom (see below).

One-day seminar offered twice

© Philipp Scholz Rittermann January 30 or May 1 Saturday — 10 am-2 pm This two-day workshop is designed to help students understand and appreci- Instructor: Jamie Redmond ate the fine art of digital printmaking. On Saturday participants will spend time in the “lab” learning how to prepare and optimize images for output using Workshop fee: $105 Adobe Photoshop. Sunday will be spent entirely at Julia Dean’s helping Class location: Venice Beach participants produce the best prints possible. Among topics covered will be: Enrollment limit: 30 students optimizing images for output, choosing the right type of media, learning how to accurately preview images (on calibrated monitors), controlling color, density and contrast in output (using proper ICC profiles) and b/w toning. We will also Mastering Adobe Lightroom explore image size and its effects on tone, sharpness, and the overall charac- Adobe Lightroom is a multifaceted program - from image database management, to a ter and impact of a printed image. non-destructive digital darkroom environment, to output for web, print, email, and client presentations. This hands-on six-week workshop will explore Lightroom, in depth, from The class will learn using Canon’s iPF6100 printer. Students will experiment the ground up. Topics will be examined sequentially within a workflow and will include: with different kinds of fine art printing papers, provided by JDPW, to understand setting up your organizational system, importing files, mastering the digital darkroom and how they affect image presentation and quality. Each student will take home at output to a variety of mediums. Each of the Lightroom modules will be covered in depth least two prints of their work. Students are required to bring their own laptop to showcase the potential for efficiency in managing a non-destructive, streamlined, cre- loaded with at least Photoshop CS2, preferably CS3 or CS4, and a mouse or ative process. Participants will focus on working with their own images to create a cus- graphics tablet. If necessary, a free 30-day trial version of Photoshop can be tomized workflow based on a thorough understanding of the program. installed by visiting www.adobe.com/downloads. A basic working knowledge of Photoshop IS required. Please arrive one hour before class begins to install Students are required to bring their own laptops loaded with Lightroom 2 or higher, and monitor calibration software on your computer. a mouse or graphics tablet. If necessary, a free 30-day trial version of Lightroom can be installed by visiting www.adobe.com/downloads. Philipp Scholz Rittermann’s (www.rittermann.com) work spans opposite ends of our visual environment, from evocative nocturnal scenes of industry Jamie Redmond is an educator and practicing artist. As a photographer she has and architecture, to dramatic panoramas of pristine landscape. His work is fea- worked in both the commercial side of the business as well as the fine art – exhibiting tured in over fifty public, private and corporate collections, including the both nationally and internationally. Seeking to bridge the gap between analogue and dig- Museum of Modern Art in New York and the Bibliotheque Nationale in Paris, ital, her skill set ranges from the alternative processes to the intricacies of digital soft- France. He is exhibited widely in national and international venues. An accom- ware and output. An accomplished instructor, Jamie has taught at prestigious institutions plished educator, Philipp has been teaching photography for over 25 years in such as the Sydney College of Arts in Australia and the Julia Dean Photo Workshops. She the USA and abroad. In 2001 he was honored with a mid-career retrospective holds a Master of Visual Arts degree (MFA equivalent) from Sydney College of Arts and a at the Museum of Photographic Arts, San Diego, which published a monograph Bachelor of Fine Arts degree from Savannah College of Art and Design in Georgia. M

O of his work titled Navigating by Light. O R

T Six-session workshop offered twice G

H Two-day workshop N G I I T L

February 2 – March 9 ,

N February 20 & 21 I P R O P

OR H Saturday & Sunday — 11 am-6 pm S & O T Workshop fee: $395 + $50 ink and paper fee May 25 – June 29 O H P Class location: Venice Beach Instructor: Jamie Redmond Enrollment limit: 12 students Tuesdays — 7-9pm Workshop fee: $265 Class location: Venice Beach

www.juliadean.com I 310.392.0909 40 Enrollment limit: 12 students Adobe Photoshop with Jamie Redmond

Retouching Techniques in Adobe Photoshop Many times images are not perfect. There is a “if only” factor to photography – if only this wasn’t in the image, if only their skin looked a bit softer, if only I could just remove some of the red on their face or streamline their neck. This one-day hands-on workshop, intended for students completing Introduction to Adobe Photoshop or have a working knowledge of non-destructive editing, will develop a variety of retouching skills. All topics covered will encompass a non-destructive image editing workflow. Discussions will address how much retouching is really necessary, client expectations, retouching for web vs. print and when is it not efficient to peruse retouching. Topics to be covered include: removing minor blemishes, reducing wrinkles, lighten- ing under-eye bags, whitening teeth, additional cosmetic enhancements, unwanted object removal.

Students are required to bring their own laptop loaded with at least Photoshop CS2, preferably CS3 or CS4, and a mouse or graphics tablet. If necessary, a free 30-day trial version of Photoshop can be installed by visiting www.adobe.com/downloads.

© Ed Freeman One-day workshop March 27 Introduction to Adobe Photoshop Saturday — 10 am-5 pm This six-week workshop is specifically designed to introduce participants to Photoshop Instructor: Jamie Redmond for photographers. Techniques covered will allow participants to develop a non- Workshop fee: $215 destructive workflow in the digital darkroom. Photoshop’s comprehensive capabilities will be explored from a photographer’s point of view and geared towards achieving the Class location: Venice Beach creative vision of the image-maker. Various topics will be discussed such as file man- Enrollment limit: 12 students agement, tool usage, color balance, color conversions, basic retouching and understanding file types. Digital file input will also be explained, providing students a solid foundation from which they can maximize Photoshop’s capabilities. Other topics cov- Color Balancing and ered will be: basic color correction, black and white conversions, compositing, dodg- ing and burning, and skin retouching. Image Enhancements in Adobe Photoshop After completing this course, participants are encouraged to learn more specific capabilities of Photoshop by enrolling in the one-day workshops Color Balancing and Image This one-day hands-on workshop, intended for students completing Introduction to Enhancements in Adobe Photoshop and Retouching Techniques in Adobe Photoshop. Adobe Photoshop or have a working knowledge of non-destructive editing, will cover a variety of color correction techniques from basic to advanced, in Adobe Photoshop. Students are required to bring their own laptop loaded with at least Photoshop CS2, Skills such as identifying and correcting multiple colorcasts will be developed. preferably CS3 or CS4, and a mouse or graphics tablet. If necessary, a free 30-day Techniques discussed during the first portion of the workshop will be employed to trial version of Photoshop can be installed by visiting www.adobe.com/downloads. explore image enhancements and color conversions. Enhancement topics to be covered include: making your image match your favorite film stock, black and white, ton- Jamie Redmond (for bio see page 40) ing and cross processing. Color management, such as understanding how what you see on the screen translates to print, will be addressed briefly. Six-session workshop offered twice January 21 – March 4 (no mtg. 2/25) Students are required to bring their own laptop loaded with at least Photoshop CS2, Thursdays — 7-9 pm preferably CS3 or CS4, and a mouse or graphics tablet. If necessary, a free 30-day OR trial version of Photoshop can be installed by visiting www.adobe.com/downloads. P H

April 12 – May 17 O T O & One-day workshop S H Mondays — 7-9pm P O R P

May 23 I N ,

Workshop fee: $265 L T I I G N H

Sunday — 10 am-5 pm G

Class location: Venice Beach T R O

Instructor: Jamie Redmond O Enrollment limit: 12 students M Workshop fee: $215 Class location: Venice Beach Enrollment limit: 12 students

41 www.juliadean.com I 310.392.0909 From Amateur to Professional: The Steps to Success: Establishing How to Break Into the Industry a Career in Photography with Manuello Paganelli with Sherrie Berger

© Manuello Paganelli © Byll Williams Learning the technical aspects of photography is just one hurdle a photogra- Success can be achieved in many ways and there are as many roads toward pher must overcome to be successful. After you’ve established a body of work that goal. This three-part workshop, designed for eight serious photographers and are confident with your skills, how do you break in? Where do you start? seeking to advance their careers in photography, will provide the many tools The process can seem daunting. But with an organized, structured, and and important resources that will push your career to a higher level and ulti- effective business plan, it can be done. This one-day seminar, taught by mately on the path to success. award-winning freelance photographer Mauello Paganelli, is designed to help participants take that initial step to become savy in the business and Divided among three in-class sessions and one hour of private consultation (to ultimately achieve professional status. be arranged directly with instructor at the end of the second class), the course will analyze where students’ careers are currently and where they are headed After beginning with basic insightful questions, such as what do you want to by setting short and long-term goals, sharing practical resource materials and say with your photography, Manuello will discuss how to find clients including connecting with fellow photographers who might be at a similar point in their checking magazine mastheads and researching books & trade journals. We’ll careers. As a class we will cover self-promotion and marketing tools and come discuss why image is everything and why your work should have “punch” and up with a clear vision of what is necessary to accelerate one’s photography meaning to the client. We’ll emphasize the need to expand your style, career. Individually and as a group we will embark on website analysis, portfolio diversify, protecting your work, learning how to negotiate and knowing when to reviews, and discuss mailers, contests, exhibitions, publishing and the business walk. Marketing will be explored in-depth, including specialization, uniqueness, of the stock industry, editorial vs. advertising assignments, building relation- personal touch, visibility, and persistence. ships, client lists and diversification and copyright/licensing. We will also explore All of these topics and more will be revealed in a seminar full of invaluable infor- networking via helpful professional organizations and online communities. mation for those looking to become serious with their photographic careers. Sherrie Berger (www.sherrieberger.com) is a photography industry profes- Manuello Paganelli (www.manuellopaganelli.com) is an award-winning free- sional with extensive knowledge in the fields of editorial, commercial and fine lance photographer residing in Los Angeles, California. In the early 1990s he art photography, high-end celebrity portraiture, production, marketing and pub- began to explore Cuba, its land, its people, and its complex relationship with lic relations. After a career at ABC television, where she led the west coast net- the USA. This work culminated in his first exhibit in 1995, which earned him a work photo department, Sherrie joined Corbis, one of the world’s leading inter- fellowship award from the Virginia Commission for the Arts. His award-winning national stock and syndication agencies, to direct the west coast activities of work has graced the pages of many well-known magazines including Time, the high-end celebrity portraiture division known as Corbis Outline. She now Newsweek, People, Forbes, ESPN, Men’s Journal, Sports Illustrated, Life and heads her own photography consulting practice, where her clients range from many foreign magazines. He has photographed celebrities, business icons, top one-on-one portfolio reviews and career coaching to events, marketing and sports figures and many other well-known public figures. Despite his years of public relations campaign management. Sherrie is a member of the Publicists experience, his passion and determination are as great today as when he first of the International Cinematographers Guild of America. picked up a camera. One-day workshop Three-session workshop April 24 February 22; March 1; March 22 Saturday — 10 am-5 pm plus One Hour Private Session

G Mondays — 7-10 pm

N Workshop fee: $175 I T

E Workshop fee: $275 + $150 private consultation fee , K A Class location: Venice Beach I R D A

E Class location: Venice Beach M

M Enrollment limit: 30 students I & T

S Enrollment limit: 8 students U S 42 E www.juliadean.com I 310.392.0909 M N I S U B Marketing for the Multimedia Production from Photography Professional Photographer to the Web: Fundamentals with Ian Shive with Ian Shive and Russell Chadwick

Learning how to take a photograph is only the first step in a successful career, Learn what it means to photograph for multimedia storytelling as well as the fun- but creative marketing is what will give it longevity and increase your revenue damentals of putting a multimedia production together in this intensive, two-day stream for the rest of it. Learn how to branch out beyond the competition and workshop. Join the team behind leading multimedia productions as they guide you set yourself apart in a competitive and rapidly changing marketplace. Ian Shive through concept, story/script, photo shoot, and post-production essentials includ- will share his insights from his own transition as movie marketing executive to ing editing, music selection and final export for the web. The instructors will pro- successful photographer. vide tips and techniques that will improve your approach as a still photographer and videographer as well as effective tools for mixing the two media together. Topics will include: • Branding and identity • Stock agencies The workshop will start in-studio with real world examples of successful multi- • New Media • Commercial Representation media projects in both commercial and journalistic applications and a discussion • Publicity • Grassroots campaigns on what makes them work. Following this, we will spend time developing our • Managing your image as • National Campaigns own multimedia project and go into the field to gather the raw materials and a professional • Promoting a specific product assemble a basic story that will lay the groundwork for your own career as a • Social networking (books, workshops, portraits) multimedia journalist. • Advertising All students will need their own laptops with Final Cut Pro editing software, a dig- Whether you are just starting out or a seasoned professional, this course will ital SLR and the option for a video camera or SLR with video capabilities. lay the foundation to make you think differently, open up your own creativity as a marketer and give you answers to what works and what doesn’t in today’s Ian Shive / Russell Chadwick is an Emmy-nominated filmmaker whose work has media and marketplace. helped shape short film campaigns for companies such as American Express, Apple Computers, PBS, National geographic and in educational venues such as Ian Shive (www.waterandsky.com) is a noted leader in the emerging field of the California Academy of Science in San Francisco. His is co-producer of multimedia presentations as an application in the field of photography. A pro- Wild Exposure, the Current TV series, which he created with Ian Shive. fessional photographer who specializes in conservation and environmental photography, Shive is co-founder of Wild Collective, a Los Angeles-based multimedia company which produces projects for clients including environmen- Two-day workshop tal and non-profit organizations, Fortune 500 companies, leading editorial out- April 10 & 17 lets and major television networks. In August 2009, Shive published his first Saturdays — 10 am-6 pm book, The National Parks: Our American Landscape, and recently began airing Workshop fee: $415 the multimedia travelogue Wild Exposure which he co-produced and is current- Class location: Venice Beach ly broadcast on the Al Gore TV channel, Current TV, which details the making of the book. Prior to his embarking on a full-time photography career, Shive served Enrollment limit: 12 students eight years in marketing at a major motion picture company in Los Angeles.

Six-session workshop March 3 – April 2 Wednesdays — 7-9 pm Workshop fee: $335 Class location: Venice Beach B U

Enrollment limit: 15 students S I N M E S U S L

T & I M

M E A D R I A 43 K

www.juliadean.com I 310.392.0909 , E

T I N G REGISTRATION, POLICIES & INFORMATION Thank you Sponsors!

Participating Sponsors HOW TO ENROLL CANCELLATIONS These businesses offer student discounts to workshop Enroll Online: www.juliadean.com. All major credit cards are accepted. On occasion a workshop may cancel due to low enrollment or unforeseen instructor conflicts. If participants with a valid workshop ID card. Enroll by Phone: Please call 310.392.0909. All major credit cards are accepted. such a case occurs, all students will be refunded in full. The Julia Dean Photo Workshops Enroll by Fax: Download and complete a registration form (available at www.juliadean.com) and does not take responsibility for non-refundable airline tickets, hotel expenses, or any fax that completed form to 310.664.0809. other costs that may be attributable towards enrolling in a workshop. Enroll by Mail: Download and complete a registration form (available at www.juliadean.com) and mail that completed form along with a check payable to: The Julia Dean Photo SPECIAL GUEST AND PHOTO SAFARI REFUND POLICY Workshops. A $50 administrative fee will be charged on all refund requests arriving 31 days or greater before Enroll In-Person: The Julia Dean Photo Workshops, 801 Ocean Front Walk, Studio #8, the workshop start date. If the request arrives 15 - 30 days prior to the workshop start date, 75 Venice, California, 90291. Administrative hours are M-Fri, 10am – 6pm. Office is closed on percent of the applicable workshop fee will be retained. No refunds are provided for requests all major holidays. arriving 0-14 days prior to the workshop start date. All refund requests must be submitted in writing via email to: [email protected]. PROCESSING FEE FOR ALL PHONE, FAX, MAIL OR IN-PERSON ENROLLMENTS A $15 fee will be charged per class for students electing to enroll by phone, fax, mail or If a student wishes to receive credit for a Special Guest or Photo Safari workshop, he or she must in-person. No fees will be charged for students enrolling online. do so greater than one month prior to the workshop start date. Within one month of the workshop start date, the option of receiving credit does not apply and students must adhere to the PAYMENT Special Guest and Photo Safari Refund Policy. Payment is due in full at the time of enrollment. Note: Travel Workshops carry a different payment policy. Please refer to “Travel Workshop TRAVEL WORKSHOP DEPOSIT, PAYMENT AND REFUND POLICY Deposit, Payment and Refund Policy.” A $600 deposit is required to reserve space in a Travel Workshop. The balance is due 60 days prior to the start date. Refund requests arriving 61 days or greater before the start date will result RECEIPT OF PAYMENT in a $150 administrative fee. If the request arrives 45-60 days prior to the start date, the $600 For all online enrollments, a receipt of payment will be generated and sent automatically to deposit will be retained. If the request arrives 31-44 days prior to the start date, 75 percent of the student’s email account. For all phone, fax, mail or in-person enrollments, a receipt of the applicable travel workshop fee will be retained. No refunds will be provided for requests arriv- payment will be generated and sent to the student’s email account within one week of receiving 0-30 days prior to the start date. All refund requests must be submitted in writing via ing payment.About one week prior to the workshop start date, each student will receive a sep- email to [email protected]. arate email providing information concerning parking, directions and what to bring. If a student wishes to receive credit for a Travel Workshop, he or she must do so at least two REFUND POLICY months prior to the workshop start date. Within two months of the workshop start date, the A $25 administrative fee will be charged on all refund requests*. The request must arrive option of receiving credit does not apply and students must adhere to the Travel Workshop greater than one week prior to the workshop start date. No refunds will be provided for Refund Policy. requests arriving one week or less prior to the workshop start date. All refund requests must be submitted in writing via email to [email protected]. DIRECTIONS, PARKING AND HOTEL INFORMATION Please visit the Julia Dean Photo Workshops’ website at juliadean.com, or call via phone *Note: Special Guests, Photo Safaris and Travel Workshops carry different refund policies. at 310.392.0909. Please refer to “Special Guest and Photo Safari Refund Policy” and “Travel Workshop Deposit, Payment and Refund Policy” sections. FREESTYLE PHOTOGRAHIC SUPPLIES Freestyle Photographic Supplies is located at 5124 Sunset Blvd., Hollywood, CA 90027. For Upon receipt of a refund request, students will be provided the option of receiving course store information please call 323-660-3460 or visit www.freestylephoto.biz. credit towards the purchase of another workshop. If a student elects to receive credit, a voucher will be sent to the student’s email address. To redeem course credit, please email STUDIO 1112 or mail the original voucher to The Julia Dean Photo Workshops. All credits must be used Studio 1112 is located at 1112 North Beachwood Drive, Los Angeles, CA 90038. For studio within one year from the date of issue. Credits will not be honored unless the original vouch- information please call 323-620-3869 or visit www.studio1112.com. er is sent and received. No administrative fee will be charged for students electing to receive credit. MCCADDEN SPACE McCadden Space is located at 1041 N. McCadden Place, Hollywood, CA 90038. For studio TRANSFERS information please call 323-467-6943 or visit www.mccaddenspace.com. Students may elect to transfer applicable course fees towards the purchase of another workshop, limit of one transfer per class. All transfer requests must adhere to the PRIVATE LESSONS refund policy noted above and/or in conjunction with Special Guest and Travel Private photography lessons are available upon request. To request a private lesson or to obtain Workshop refund policies. further information, please call 310.392.0909 or email [email protected].

44 Thank you Sponsors! Educational Partners

Participating Sponsors Special thanks to our educational partners who understand and support our mission of expanding photography in Southern California. These businesses offer student discounts to workshop participants with a valid workshop ID card.

A&I Photographic & LaFoto Digital Services Santa Monica Hollywood www.lafoto-usa.com www.aandi.com PRS Photographic Rental Alan’s Custom Lab West Los Angeles Lancaster www.alanscustomlab.com Schulman Photo Lab Hollywood Arcana: Books on the Arts www.schulmanphotolab.com Santa Monica www.arcanabooks.com Schmidli Backdrops Culver City Bel Air Camera www.schmidli.com Westwood www.belaircamera.com Sign-Tist Marina del Rey Boulevard Photo Santa Monica Santa Monica West Hollywood www.boulevardphoto.com www.signtist.com

Calumet Photographic Silvio’s Photoworks Hollywood Torrance San Diego www.silvios.com Santa Ana Santa Barbara Steve’s Camera www.calumetphoto.com Culver City www.stevecamera.com The Darkroom Northridge Translight Photography Center www.darkroomlab.com Los Angeles www.translightcolors.com Freestyle Photographic Supplies Hollywood Universal Art Gallery www.freestylephoto.biz Venice www.framegallery.com Fromex Marina del Rey Valley Photo North Hollywood www.valleyphotoservice.com Golden Color Beverly Hills www.goldencolor.com Village One Photo Pacific Palisades www.villageimaging.com JLI Photo Imaging Hollywood

Special Thanks to: Ingrid Hanzer PRESORTED STANDARD US POSTAGE PAID The Julia Dean Photo Workshops LOS ANGELES, CA 801 Ocean Front Walk PERMIT NO. 32365 Studio 8 Venice, CA 90291

310.392.0909 phone • 310.664.0809 fax • [email protected] • www.juliadean.com