Perry County. Alabama LANDMARKS • PLACES to VISIT • THINGS to DO
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An Analysis and Evaluation of the Acting Career Of
AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down. -
A Case Study of Alabama State College Laboratory High School in Historical Context, 1920-1960
A “Laboratory of Learning”: A Case Study of Alabama State College Laboratory High School in Historical Context, 1920-1960 Sharon G. Pierson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Sharon G. Pierson All rights reserved ABSTRACT A “Laboratory of Learning”: A Case Study of Alabama State College Laboratory High School in Historical Context, 1920-1960 Sharon G. Pierson In the first half of the twentieth century in the segregated South, Black laboratory schools began as “model,” “practice,” or “demonstration” schools that were at the heart of teacher training institutions at Historically Black Colleges and Universities (HBCUs). Central to the core program, they were originally designed to develop college-ready students, demonstrate effective teaching practices, and provide practical application for student teachers. As part of a higher educational institution and under the supervision of a college or university president, a number of these schools evolved to “laboratory” high schools, playing a role in the development of African American education beyond their own local communities. As laboratories for learning, experimentation, and research, they participated in major cooperative studies and hosted workshops. They not only educated the pupils of the lab school and the student teachers from the institution, but also welcomed visitors from other high schools and colleges with a charge to influence Black education. A case study of Alabama State College Laboratory School, 1920-1960, demonstrates the evolution of a lab high school as part of the core program at an HBCU and its distinctive characteristics of high graduation and college enrollment rates, well-educated teaching staff, and a comprehensive liberal arts curriculum. -
Hitchcock Great Anxiety
a remadeVanity Fair collection design layout by Coritha Guyala table of contents dial m for murder 03 rear window 04 marnie 05 rebecca 06 strangers on a train 07 vertigo 08 to catch a thief 09 lifeboat 10 the birds 11 north by northwest 12 psycho 13 dial for 03 MMURDER 1954 Charlize Theron. Photograph by Norman Jean Roy. The scene in which Charles Alexander Swann (Dawson) attempts to strangle Margot Mary Wendice (Kelly), only to be himself stabbed with a pair of scis- sors, caused Hitchcock great anxiety. Although the entire film was shot in just 36 days, this single scene required a full week of rehearsals and multiple takes to get the choreography and timing right. The original still: Anthony Dawson and Grace Kelly. © Warner Brothers. 04 Rea R 1954 Windo Scarlett Johansson and Javier Bardem. W Photograph by Norman Jean Roy. The film has been called a superb commentary on watching films, on loneliness, and on obsession, as well as a sharp critique of the male psyche. But at its essence, Rear Window is a paean to old-fashioned snooping. “Sure he’s a snooper, but aren’t we all?” said Hitchcock. “I’ll bet you that nine out of ten people, if they see a woman across the courtyard undressing for bed, or even a man puttering around in his room, will stay and look; no one turns away and says, ‘It’s none of my business.’ ” The original still: Grace Kelly and James Stewart. Paramount/Neal Peters Collection. 05 1964 Marnie Naomi Watts. Photograph by Julian Broad. -
Chenevert Resigns As Security Chief
Non-ErofUT - U.S. Postage Sound Paid X Waterville, ME 04901 Response Permit Number 39 . Colby hosts the 42nd Annual Spring Meet by Rudy Penczer convene at Colby for the 42nd The meet has already The poles have been planted. Annual Spring Woodsmen's received much local and The decks have been built. Weekend. national attention. Down East Many long hours have been Among the schools competing ran an article advertising it, as spent grinding, filing, and will be UMO, Unity, did Yankee, The Boston Glebe, honing edges to razor-sharp Dartmouth, UNH, UVA, as The New York Times, and The perfection, and many fingers well as six others from as far Morning Sentinel. WBLM has nicked in the process. away as Pennsylvania, Western been advertising during their This Friday and Saturday, the New York, and Canada. With morning show, and local news chips will fly!! Axes will be forty teams competing (men, programs have agreed to cover thrown and canoes will cruise women, and alumni combined), it as well. The Wall Street as Woodsmen's teams from all this will be one of the largest Journal has called wanting to over the Northeast will meets in recent history. continued on page 11 New York win makes "the Duke" the front runner in the Democratic contest by Maiy McHugh the vote, Jesse Jackson second nominee in July. The overall Senator Gore is expected to to Jackson which made the And then there were two. In with 37%, and Al Gore a dismal delegate count (2081 is needed announce later this week that white/Catholic vote so this long marathon battle, third, with only 10% of the vote. -
Although the Publisher of This Bulletin Has
Although the publisher of this Bulletin has made very reasonable effort to attain factual accuracy herein, no responsibility is assumed for editorial, clerical or printing errors or error occasioned by honest mistakes. This Bulletin presents information, which, at the time of preparation for printing, most accurately describes the course offerings, policies, procedures, regulations and requirements of the University; however, it does not establish contractual relationships. Periodically program changes and certification equirr ements will change to reflect updated State Department of Education Standards. Please contact the College of Education for current requirements. The University reserves the right to alter or change any statement contained herein without prior notice, including any programs, etc. Volume I March 2012 Number 1 BULLETIN OF THE GRADUATE SCHOOL ALABAMA STATE UNIVERSITY ANNOUNCEMENTS 2012-2013 Although the publisher of this Bulletin has made very reasonable effort to attain factual accuracy herein, no responsibility is assumed for editorial, clerical or printing errors or error occasioned by honest mistakes. This Bulletin presents information, which, at the time of preparation for printing, most accurately describes the course offerings, policies, procedures, regulations and requirements of the University; however, it does not establish contractual relationships. Periodically program changes and certification requirements will change to reflect updated State Department of Education Standards. Please contact the College of Education for current requirements. The University reserves the right to alter or change any statement contained herein without prior notice, including any programs, etc. The “ Graduate Bulletin of the Alabama State University” Montgomery, AL 36101-0271 POLICY STATEMENT Alabama State University (ASU) is an equal opportunity employer and as such does not discriminate on the basis of race, ethnicity, national origin, age, sex, creed or color in any of its programs, including, but not limited to, admission of students or employment. -
BAFTA a Life in Pictures: Allison Janney 13 December 2017, Princess Anne Theatre, BAFTA 195 Piccadilly, London
BAFTA A Life in Pictures: Allison Janney 13 December 2017, Princess Anne Theatre, BAFTA 195 Piccadilly, London Francine Stock: Ladies and gentlemen, good AJ: God no. I don’t think I knew or chose to be evening. I’m Francine Stock and I’m delighted an actor until I was in college. I went to Kenyon to be here to talk to Allison Janney about her College in Ohio and Paul Newman had gone life in pictures. Allison Janney is an actress of to Kenyon College and he directed—they built quite extraordinary skill and magnificent a beautiful new theatre at the college, at presence; she can create a character within Kenyon, and he came to christen it by just a few moments, whether it’s edgy comedy directing the first play in it, so I met—I got to or deep pathos. Everything from The West work with Paul Newman and met Joanne Wing, of course, to American Beauty to the Woodward, and Joanne said, “You should latest film, I, Tonya. This is her life in pictures, let come to the Neighbourhood Playhouse and us just be reminded of that. study acting,” and I said, “Well OK, sure I’ll do that.” And I never even filled out the [Clip plays] application; my good friend Allison Mackie filled out my application and sent it in and I got [Applause] a letter saying, “You are accepted,” and I was like, “I didn’t—“. I don’t know where I would be Allison Janney: That was fun, watching that. My right now if it weren’t for my friends and the God, I’ve been around a little bit! people who believed in me because I think I—I don’t know what my problem was—I think I FS: I think people are pleased you’re here! didn’t know I wanted to be an actor, I didn’t want to commit or say it because I knew what AJ: I’m very pleased I’m here, thank you for a hard life it would be, and so I ended up having me and inviting me to this incredible going to the Neighbourhood Playhouse and evening. -
Bankhead Family History Nov 10
THE BANKHEADS EARLY RECORDS OF A SMALL SCOTTISH FAMILY FOREWORD There are few of the name who have risen to national prominence and even today the surname is most uncommon in Britain. The research contained herein was prompted by a chance meeting with Leonard C Bankhead of Corsicana Texas in the early part of 1987. Together with Mrs Loudie Moffat of Austin, also Texas, Leonard had compiled a massive family history of the family in America. Alas the sheer size of their document had reduced the number of willing subscribers so that the manuscript remains unpublished. I have however,placed a copy in the Library of the Scottish Genealogy Society. Entitled "The Bankheads, Westward from South Carolina" it traces the progress of the descendants of seven original immigrants from the 1740's through to the present day. Evidence indicates that most came from Scotland, the rest from Northern Ireland. Unfortunately, more precise geographic details have not surfaced, neither do any of the name appear in the usual sources for Scottish emigrants. It was thus that I first entered Register House without undue expectation. To my surprise and delight I discovered that the surname is unusually well documented for its rarity and that the Bankheads in Scotland had some very well defined origins. In the process I had hopes of uncovering the link with my own ancestors who for generations had farmed in the Parish of Ahoghill, County Antrim. To try and separate the various generations, particularly in the earliest records, I adopted a simple numerical notation eg John #1, Hugh #2 etc. -
The Little Foxes by Lillian Hellman Directed by Eda Holmes
The Little Foxes by Lillian Hellman Directed by Eda Holmes “There are people who eat the earth and eat all the people on it … Then there are people who stand around and watch them eat it.” In a small town in the deep South, two brothers, Ben and Oscar Hubbard put together a business deal to build a cotton mill in their town. Determined to be a part of plantation aristocracy, they find themselves in need of more capital to complete the deal. They turn to their sister Regina and her husband Horace for the extra money. They have written letters to Horace who is ill and in hospital but he never responds to their requests. In order for the family to maintain controlling interest in the business, they need this money. Oscar: Naturally, you are our sister and we want you to benefit from anything that we do. Regina: And in addition to your concern for me, you do not want control to go out of the family. That right, Ben? Ben: That’s cynical. Cynicism is an unpleasant way of telling the truth. Regina resolves that she will get her husband to agree to their terms and sends her young daughter, Alexandra, to bring Horace home, despite his illness. When Alexandra protests, Regina stands firm, “You must let me be the judge of his condition …Tell your papa that I want him to come home, that I miss him very much.” A week passes and Horace has not returned with Alexandra. In desperation, the brothers begin to formulate a plan to get Horace’s money without his permission. -
Alabama Historical Association Montgomery, Alabama • April 14-16, 2016 TABLE of CONTENTS
VOLUME 31 Alabama ISSUE 1 Historical SPRING 2016 Association Join us for the 69th Annual Meeting of the Alabama Historical Association Montgomery, Alabama • April 14-16, 2016 TABLE OF CONTENTS 3 President’s Message AHA Executive Committee PRESIDENT 4-5 69th Annual Meeting Overview Debbie Pendleton, Alabama Department of Archives and History VICE PRESIDENT Jeff Jakeman, Auburn 6-9 “City of Montgomery: A Mark of SECRETARY Distinction,” Richard Bailey Mark Wilson, Auburn University MEMBERSHIP SECRETARY 10-11 Schedule of Events Maiben Beard, Auburn University TREASURER 12-13 Map and Accommodations Valerie Burnes, University of West Alabama AHA Editors THE ALABAMA REVIEW 14 Thursday Afternoon Workshops and R. Volney Riser, University of West Alabama Tours AHA Newsletter Mark Wilson, Auburn University 15 Friday Featured Speaker: Mary Ann AHA Board of Directors 2015-2016 Neeley David Alsobrook, Mobile Jim Baggett, Birmingham Public Library Donna Cox Baker, Alabama Heritage 16 Banquet Keynote: Dolores Hydock Ann Chambless, Jackson County Heritage Association James Cox, Grove Hill 17-18 “Memories of the 1956 Annual Jim Day, University of Montevallo Meeting,” Chriss H. Doss Ralph Draughon, Jr., Alabama Historical Commission James E. Foshee, Huntsville Staci Glover, Gardendale 19-23 2015 Historical Markers John C. Hall, Tuscaloosa Guy Hubbs, Birmingham Southern College John Kvach, University of Alabama in Huntsville Jay Lamar, Alabama Bicentennial Commission Susanna Leberman, Huntsville-Madison County Public Library Herbert J. Lewis, Birmingham Debra Love, Fairfield William Melton, Evergreen Rebecca Minder, Alabama Heritage Dan Puckett, Troy University-Montgomery Doug Purcell, Eufaula Marlene Rikard, Hoover David Robb, Huntsville Jean Till Styles, Minter Gayle Thomas, Abbeville Parliamentarian/Counsel Chriss Doss, Birmingham The AHA Newsletter is designed and printed by Davis Direct, Montgomery, Alabama. -
Tallulah Bankhead Papers Finding
TALLULAH BANKHEAD PAPERS, 1902-1968 Finding aid Call number: LPR45 Extent: 3.1 cubic ft. (4 archives boxes and 2 oversize boxes.) To return to the ADAHCat catalog record, click here: http://adahcat.archives.alabama.gov:81/vwebv/holdingsInfo?bibId=3752 Alabama Dept. of Archives and History, 624 Washington Ave., Montgomery, AL 36130 www.archives.alabama.gov TALLULAH BANKHEAD PAPERS SERIES DESCRIPTION AND CONTAINER LIST Collection number: LPR45 SERIES A. BIOGRAPHICAL AND GENEALOGICAL MATERIAL, 1928-1940 and n.d. This series contains a small amount of information on the Bankhead family, and numerous biographical notes and sketches of Tallulah Bankhead. Unarranged. Box 1, Folder 1 SERIES B. CORRESPONDENCE AND LETTERS, 1910-1950 and n.d. This series consists of two subseries, further detailed below: 1. Correspondence and letters to and from her, 1910-1948 and n.d.; 2. Correspondence and letters about her, 1917-1950 and n.d. 1. Correspondence and letters to and from her, 1910-1948 and n.d. This subseries contains correspondence and letters to and from Tallulah Bankhead. Subjects discussed include: the Bankhead family in all its complexity; Tallulah Bankhead’s acting career, and many other subjects. Also included in this subseries are letters to and from Edie (Edith Van Cleve) where she acted on behalf of Tallulah, primarily in 1930. The letters and telegrams of sympathy on the death of her father, William B. Bankhead, 1940, constitute a large number of letters and telegrams. In the letter of 30 Jan. 1919 is a pencil sketch of her by Jeanette Le Pastte. Primary correspondents within the family include her grandparents John H. -
Spring 2013 Volume 64 Issue 1
Spring 2013 Volume 64 Issue 1 President’s Message faithfully in many roles at both the Huntsville Branch and state levels. Let’s honor her. Honoring the Fight for Suffrage and Civil Rights Remember that the national convention is June 9-12 in March 3, on the 48th anniversary of “Bloody Sunday” at New Orleans. For more information, go to the Edmund Pettus Bridge in Selma, I participated in the http://convention.aauw.org/register. The convention is annual walk across the bridge. It was a spiritual located in the middle of the French Quarter in the experience for me, as I’m sure it has been for many over Sheraton Hotel. Speakers include Alabama’s own Lilly the years—an appointment I’ve meant to keep for many, Ledbetter, Melissa Harris-Perry, and Cynthia D’Amour. many years. I chose this particular year because of the There will be even more workshops than there were in assault on voting ID and the Voting Rights Act. Washington two years ago, and wonderful pre- and post- convention tours. On February 27, a life-size bronze statue of Rosa Parks was installed in the Capitol Rotunda, the first of an And remember our own annual meeting April 5-6 (see African-American woman, while, across the street, the the article and agenda/registration form in this Supreme Court was debating on whether Section 5 of the newsletter). Voting Rights Act is still needed. I find this one of the great ironies of history. The challenge to Section 5 is PBS started running a new documentary series, coming from Shelby County, in our own state. -
Preface Chapter One: the Belle
Notes Preface 1. Excepting Sara Mayfield’s 1971 Exiles from Paradise, Zelda and Scott Fitzgerald, a personal biography filled with information about the South, and the recent Sally Cline, Zelda Fitzgerald, Her Voice in Paradise (2003). Chapter One: The Belle 1. Virginia Foster Durr, Outside the Magic Circle (1985), pp. 30, 64. 2. Durr, Magic Circle, pp. 29–30; Sara Haardt, “Southern Souvenir” in Southern Souvenirs (1999), p. 298; Kendall Taylor, Sometimes Madness (2001), pp. 2–3; Tallulah Bankhead, Tallulah (1952), p. 27; CT. 3. Milford, pp. 10–11; Exiles, pp. 5–6. 4. Durr, Magic Circle, p. 30; S, pp. 18–19; Exiles, pp. 2–3, 223–5. 5. Exiles, pp. 11–21; SMTW; PUL. 6. Exiles, pp. 4–7; Helen F. Blackshear, “Mamma Sayre,” Georgia R., pp. 466–7; and see Scottie Fitzgerald Smith, “The Maryland Ancestors of Zelda Sayre Fitzgerald,” Maryland Historical Magazine (1983), pp. 217–28. 7. Blackshear, “Mamma Sayre,” p. 465; Jacqueline Tavernier-Courbin, “Art as Woman’s Response,” Southern Literary Journal (1979), p. 25. 8. Durr, Magic Circle, p. 66. 9. Milford, pp. 5–7; Exiles, pp. 5–9; S, pp. 19–20. 10. Quoted in Milford, p. 7. 11. Exiles, pp. 4–5. 12. Sara Haardt, “June Flight,” Southern Souvenirs (1999), p. 262; Milford, pp. 17–18, 21. 13. Alice Miller, The Drama of the Gifted Child (1981). 14. Carl Van Vechten, Parties: Scenes of Contemporary New York Life (1930). 15. Exiles, p. 12. 16. Exiles, pp. 18–19; Sara Haardt, “Dear Life,” Southern Album (1936), pp. 284–5; Bankhead, Tallulah, p. 15.