The Salt-Cellars

Total Page:16

File Type:pdf, Size:1020Kb

The Salt-Cellars 2 THE SALT-CELLARS BEING A COLLECTION OF PROVERBS TOGETHER WITH HOMELY NOTES THEREON. BY C. H. SPURGEON. THESE THREE THINGS GO TO THE MAKING OF A PROVERB: SHORTNESS, SENSE, AND SALT. VOLUME 1. — A TO L. 3 PREFACE. FOR many years I have published a Sheet Almanac, intended to be hung up in workshops and kitchens. This has been known as “John Ploughman’s Almanac,” and has had a large sale. It has promoted temperance, thrift, kindness to animals, and a regard for religion, among working people. The placing of a proverb for every day for twenty years has cost me great labor, and I fool that I cannot afford to lose the large collection of sentences which I have thus brought together: yet lost they would be, if left to die with the ephemeral sheet. Hence these two volumes. They do not profess to be a complete collection of proverbs, but only a few out of many thousands. The salt of proverbs is of great service if discreetly used in sermons and addresses; and I have hope that these SALT-CELLARS of mine may be resorted to by teachers and speakers, and that they may find them helpful. There are many proverb books, but none exactly like these. I have not followed any one of the other collections, although, of necessity, the most of the quaint sayings are the same as will be found in them. Some of my sentences are quite new, and more are put into a fresh form. The careful omission of all that are questionable as to purity has been my aim; but should any one of them, unknown to me, have another meaning than I have seen in it, I cannot help it, and must trust the reader to accept the best and purest sense which it bears; for that is what it meant to me. It is a pity that the sale of a proverb should ever be unsavory; but, beyond doubt, in several of the best collections, there are very questionable ones, which ought to be forgotten. It is better to select than indiscriminately to collect. An old saying which is not clean ought not to be preserved because of its age; but it should, for that reason, be the more readily dropped, since it must have done harm enough already, and the sooner the old. rottenness is buried the better. My homely notes are made up, as a rule, of other proverbial expressions. They are intended to give hints as to how the proverbs may be used by those who are willing to flavor their speech with them. I may not, in every case, have hit upon the first meaning of the maxims: possibly, in some instances, the sense which I have put upon them may not be the general one; but the meanings given are such as they may bear without a twist, and 4 such as commended themselves to me for general usefulness. The antiquary has not been the guide in this case; but the moralist and the Christian. From what sources I have gleaned these proverbs it is impossible for me to tell. They have been jotted down as they were met with. Having become common property, it is not easy to find out their original proprietors. If I knew where I found a pithy sentence, I would acknowledge the source most freely; but the gleanings of years, in innumerable fields, cannot now be traced to this literary estate or to that. In the mass, I confess that almost everything in these books is borrowed — from cyclopaedias of proverbs, “garlands,” almanacs, books, newspapers, magazines — from anywhere and everywhere. A few proverbs I may myself have made, though even this is difficult; but, from the necessity of the case, sentences which have become proverbs are things to be quoted, and not to be invented. Lists of proverb-books are common enough, and there is no need to present another in this short preface; but I believe I have read them all, and the most of them year after year, till their contents dwell in my memory, and are repeated by a use which has become a second nature, almost without the thought of their having been the sayings of men of old time. One who has written many books upon solid subjects may well be excused for finding relief and recreation in lighter forms of literature. If even the inspired Scripture affords space for “the words of the wise, and their dark sayings,” there would seem to be allowance, if not example, for the ordinary teacher supplementing his Psalms with proverbs, and his Ecclesiastes with selections from the wisdom of the ancients. I have never lost sight of my one aim in a page which I have written, whether the manner has been grave or gay; and that one aim has been the spiritual good of my readers. A line may strike where a discourse may miss. Godly sentiments sandwiched in between slices of wit and common-sense, may become nutriment for the soul, although they may be almost unconsciously received. Pills when gilded may be none the less health-giving. Under this belief, I have therefore placed, not only moral precepts, but gospel instructions in the midst of these common maxims. Thus has the salt itself been salted. The good hope abides with me that I may lure to better things by things which are themselves good. “Stepping-stones of our dead selves” may be a pretty poetical phrase; but, practically, stepping-stones to the highest attainments are better found among common-sense sayings applicable to everyday life, which lead up to a high morality, and then 5 charm us on to that which mere morals can never teach. Perchance, while amused with the wit and wisdom of men, some reader may perceive the glow of a diviner light, and may be led to seek after its clearer illumination. This is the innermost design of my work. If the occupation of hours in which it was imperative upon me to find rest by ceasing from more weighty themes will only lead to this, I shall be happy indeed. Books of illustration are admirable helps to teachers; but it seems to me that in proverbs they will find suggestions of the very best illustrations. Those short sentences are often summaries of discourse, verdicts given after the hearing of the case, or else briefs for the pleaders on the one side or the other of a disputed question. When wisely quoted they arouse attention, and in some cases carry conviction. Sermons would seldom be dull if they were more alive with aphorisms and epigrams. These are not the point of the shaft, but they may be the feathers of the arrow. Comparatively they are trifles; but nothing is trifling by which serious truth can be brought home to Careless minds. Our age is restless, and we must not be prosy: men are ever seeking some new thing, and therefore we must not, by our dullness, increase their weariness of the old. We must regard the words of Holy Writ, and remember that it is written: — “Moreover, because the preacher was wise, he still taught the people knowledge; yea, he gave good heed, and sought out, and set in order many problems.” 6 PROVERBS QUAINT SAYINGS. A A BAD bank-note is sure to come back. Some say, “A bad penny comes home.” Anything evil will come back to the man who sent it out. A bad book is a big thief, For it robs a man of his time, and of his good principles. Many young people have been wined by the vile literature which is now so common. A German writer says, “Such books rob the public of time, money, and the attention which ought properly to belong to good literature with noble aims. Of bad books we can never read too little; of the good never too much.” Books should to one of thence four ends conduce: For wisdom, piety, delight, or use. A bad dog does not see the thief. We have plenty of such dogs nowadays. Ministers will not see the error which abounds; statesmen wink hard at vice; and religious people sleep while Satan plunders the church. A bad dog may get a good bone. Often very unworthy men gain fortunes, offices, and honors. This world is not the place of rewards and punishments, and so it happens that Satan’s bullocks often feed in the fattest pastures. A bad excuse is worse than none. A bad horse eats as much as a good one. A reason for keeping good cattle, and employing efficient persons. A bad husband cannot be a good man. He fails in the tenderest duties, and must be bad at heart. 7 A bad motive makes a good action bad. What appeared good enough in itself has even been polluted by the motive. It might be well to kiss the Lord Jesus, but the motive of Judas made his kiss a crime. A bad padlock invites a picklock. Carelessness on the part of owners may prove a temptation to servants and others. We should net put theft into their minds by want of proper care. A bad reaper blames the sickle. Every bad workman finds fault with his tools. The Chinese say: — “All unskillful fools Quarrel with their tools.” A bad servant will not make a good master. Observation proves this. He who does not shine in one position will not shine in another. Yet a good servant does not always make a good master; for he may not have brain enough to go first, though he may have all the virtues which enable him to be a good second.
Recommended publications
  • March 2018 New Releases
    March 2018 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 59 Vinyl Audio 3 CD Audio 8 RICHIE KOTZEN - TONY MACALPINE - RANDY BRECKER QUINTET - FEATURED RELEASES TELECASTERS & DEATH OF ROSES LIVEAT SWEET BASIL 1988 STRATOCASTERS: Music Video KLASSIC KOTZEN DVD & Blu-ray 35 Non-Music Video DVD & Blu-ray 39 Order Form 65 Deletions and Price Changes 63 800.888.0486 THE SOULTANGLER KILLER KLOWNS FROM BRUCE’S DEADLY OUTER SPACE FINGERS 203 Windsor Rd., Pottstown, PA 19464 [BLU-RAY + DVD] DWARVES & THE SLOTHS - DUNCAN REID & THE BIG HEADS - FREEDOM HAWK - www.MVDb2b.com DWARVES MEET THE SLOTHS C’MON JOSEPHINE BEAST REMAINS SPLIT 7 INCH March Into Madness! MVD offers up a crazy batch of March releases, beginning with KILLER KLOWNS FROM OUTER SPACE! An alien invasion with a circus tent for a spaceship and Killer Klowns for inhabitants! These homicidal clowns are no laughing matter! Arrow Video’s exclusive deluxe treatment comes with loads of extras and a 4K restoration that will provide enough eye and ear candy to drive you insane! The derangement continues with HELL’S KITTY, starring a possessed cat who cramps the style of its owner, who is beginning a romantic relationship. Call a cat exorcist, because this fiery feline will do anything from letting its master get some pu---! THE BUTCHERING finds a serial killer returning to a small town for unfinished business. What a cut-up! The King of Creepy, CHRISTOPHER LEE, stars in the 1960 film CITY OF THE DEAD, given new life with the remastered treatment.
    [Show full text]
  • The Application of Music in Industry and Its Effect Upon the Morale and Efficiency of the Worker
    r THE APPLICATION OF MUSIC IN INDUSTRY AND ITS EFFECT UPON THE MORALE AND EFFICIENCY OF THE WORKER by John H. ScottJr. W. Scott Libbey Submitted in Partial Fulfillment of the Requirements for the Bachelor of Science Degree from the Massachusetts Institute of Technology 1 9 4 3 THESIS AUTHORIZATION DateJanuary 54 1943 Name brLJD .tt,..Jr. 9 Te Appic.ato.n .. fMusc-in jrtduztxy-azcjJtsEffec. upan- _thLe M-rale-and-Eficlenay .of-the-Worker This is your authority to proceed with the thesis investi- gation as outlined in your preliminary report. Please return this sheet with the original copy of the finished thesis. Signature of the Advisor, indicating completion of a sat-- isfactory preliminary report. Advisor Signature of the Supervisor, indicating proper registration fo- redit, and generally satisfactory progress. and gene l s M. I. T. Graduate House Cambridge, Massachusetts January 11, 1943 Professor George W. Swett Secretary of the Faculty Massachusetts Institute of Technology Cambridge, Massachusetts Dear Sir: In accordance with the requirements for graduation, we herewith submit a thesis entitled, The Application of Music in Industry and its Effect upon the Morale and Efficiency of the Worker. We wish to express our gratitude to Professor Douglas McGregor, who has been extremely helpful in the organization of our material. Sincerely yours, QJ Q4 John H. Scott, Jr. W. Scott Libbey TABLE OF CONTEINTS Introduction Purpose 2 Scope 3 Method 4 history 5 Sumiary 7 The Effects of Music 12 Psychology of Music 13 Rhythm 14 Morale 15 Fatigue 22
    [Show full text]
  • Richie Kotzen Wave of Emotion Mp3, Flac, Wma
    Richie Kotzen Wave Of Emotion mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul Album: Wave Of Emotion Country: US Released: 2000 Style: Hard Rock MP3 version RAR size: 1786 mb FLAC version RAR size: 1220 mb WMA version RAR size: 1830 mb Rating: 4.7 Votes: 698 Other Formats: APE FLAC TTA MIDI MPC DTS MP3 Tracklist Hide Credits Wave Of Emotion 1 3:07 Written-By – Deanna Eve, Richie Kotzen Times Gonna Tell 2 4:44 Written-By – Richie Kotzen, Robert Hazzard* No Reason 3 5:04 Written-By – Richie Kotzen Breakdown 4 2:55 Written-By – Richie Kotzen I'm Comin' Out 5 2:50 Written-By – Richie Kotzen Moonshine 6 3:46 Written-By – Richie Kotzen Stoned 7 3:46 Written-By – Glenn Hughes, Richie Kotzen Sovereign 8 3:20 Written-By – Richie Kotzen World Affair 9 3:18 Written-By – Richie Kotzen Degeneration 10 4:39 Written-By – Richie Kotzen Air 11 4:34 Written-By – Richie Kotzen Companies, etc. Phonographic Copyright (p) – Eagle Rock Entertainment PLC Copyright (c) – Eagle Rock Entertainment PLC Licensed To – Spitfire Records Inc. Recorded At – Trist A' Whirl Mixed At – Trist A' Whirl Published By – Richie Kotzen Music Published By – Wb Music Corp. Credits Backing Vocals [Additional] – Deanna Eve (tracks: 1), Glenn Hughes (tracks: 7) Bass – Melvin Brandon Jr. (tracks: 2) Co-producer – Atma Anur (tracks: 6, 8) Coordinator – Micah "lucky g" Smith Design, [Additional] – Chuck Wright Drums – Richie Kotzen (tracks: 3) Drums, Percussion – Atma Anur Lead Vocals, Backing Vocals, Guitar, Piano, Organ, Clavinet, Synthesizer, Mandolin, Bass – Richie Kotzen Management – Larry Mazer Photography, Art Direction – William Hames Producer – Richie Kotzen Recorded By, Mixed By – Dexter Smittle, Lole Diro Barcode and Other Identifiers Barcode (Text): 6 70211 50602 0 Matrix / Runout: [WEA Mfg.
    [Show full text]
  • Technology and Obsolescence in America Copyright © 2006 by Giles Slade All Rights Reserved Printed in the United States of America
    Made to Break GILES SLADE Harvard University Press Cambridge, Massachusetts I London, England Made To Break Technology and Obsolescence in America Copyright © 2006 by Giles Slade All rights reserved Printed in the United States of America First Harvard University Press paperback edition, 2007 Library of Congress Cataloging-in-Publication Data Slade, Giles. Made to break : technology and obsolescence in America I Giles Slade. p. cm. ISBN-13 978-0-674-02203-4 (cloth: alk. paper) ISBN-10 0-674-02203-3 (cloth: alk. paper) ISBN-13 978-0-674-02572-1 (pbk.) ISBN-10 0-674-02572-5 (pbk.) 1. Technological innovations-United States. I. Title. T173.8.S595 2006 609.73-dc22 2005036315 Introduction 1 1 Repetitive Consumption 9 2 The Annual Model Change 29 3 Hard Times 57 4 Radio, Radio 83 5 The War and Postwar Progress 115 6 The Fifties and Sixties 151 7 Chips 187 8 Weaponizing Planned Obsolescence 227 9 Cell Phones and E-Waste 261 Notes 283 Acknowledgments 313 Index 316 America, I do not call your name without hope -PABLO NERUDA To scrutinize the trivial can be to discover the monumental. Almost any object can serve to unveil the mysteries of engineering and its relation to art, business, and all other aspects of our culture. HENRY PETROSKI, THE PENCIL: A HISTORY (1989) For no better reason than that a century of advertising has condi­ tioned us to want more, better, and fa ster from any consumer good we purchase, in 2004 about 315 million working PCs were retired in North America. Of these, as many as 10 percent would be refurbished and reused, but most would go straight to the trash heap.
    [Show full text]
  • El Videoclip Como Paradigma De La Música Contemporánea, De 1970 a 2015
    UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD I TESIS DOCTORAL El videoclip como paradigma de la música contemporánea, de 1970 a 2015 MEMORIA PARA OPTAR AL GRADO DE DOCTORA PRESENTADA POR Lara García Soto DIRECTOR Francisco Reyes Sánchez Madrid, 2017 © Lara García Soto, 2016 Universidad Complutense de Madrid Facultad de CC. de la Información Comunicación Audiovisual y Publicidad I El videoclip como paradigma de la música contemporánea, de 1970 a 2015 Tesis doctoral presentada por: Lara García Soto. Tesis doctoral dirigida por: Francisco Reyes Sánchez. Madrid, 2015 El ejemplo, la fuerza y el esfuerzo, mis padres. La paciencia y apoyo, Adrián. La música, baile y mi inspiración, Michael Jackson. Gracias. ÍNDICE 1. Introducción y Objeto de estudio……………………………………1 2. Objetivos……………………………………………………………….6 3. Metodología………………………………………............................10 4. Orígenes……………………………………………………………….13 4.1. Cine sonoro y experiencias artísticas………………………13 4.2. Cine Musical…………………………………………………..18 4.3. Soundies y Scopitones……………………………………….25 4.4. La llegada de las películas rock, grabaciones de conciertos. Décadas de los 50 y 60……………………………………………29 4.5. El videoarte……………………………….............................38 4.6. La televisión y los programas musicales………………......41 4.6.1. La MTV………………………………………………...........48 4.6.2. Programas musicales en España………………………...57 4.6.3. Los canales temáticos de música y videoclips………….65 5. Historia de la música y relación con los videoclips……………….68 5.1. Los años 70…………………………………………………..69 5.2. Los años 80…………………………………………………..76 5.2.1. La televisión y los videoclips. Desarrollo del rap…..80 5.2.2. El primer muro. El PMRC…………………………….86 5.2.3. Continúa la evolución: música, tecnología y moda..89 5.2.4.
    [Show full text]
  • Steve's Karaoke Songbook
    Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA
    [Show full text]
  • APS Membership Boosted by Student Sign-Ups Physics Newsmakers of 2013
    February 2014 • Vol. 23, No. 2 Profiles in Versatility: A PUBLICATION OF THE AMERICAN PHYSICAL SOCIETY Olympics Special Edition WWW.APS.ORG/PUBLICATIONS/APSNEWS See Page 3 APS Membership Boosted by Student Sign-ups The American Physical Society up for a free year of student mem- Physics Newsmakers of 2013 hit a new membership record in bership in the Society. APS Membership 2011-2014 2013 with students making up the In addition, the Society added 50,578 50,600 bulk of the growth. After complet- nearly 100 new early-career mem- Total ing its annual count, the APS mem- bers after a change in policy that Members The Envelope Please . bership department announced that extended membership discounts for 49,950 By Michael Lucibella the Society had reached 50,578 early-career members from three 49,300 members, an increase of 925 over to five years. “The change to five- Each year, APS News looks back last year, following a general five- year eligibility in the early career 48,650 at the headlines around the world year trend. “When we were able to category definitely helped.” Lettieri to see which physics news stories get up over 50,000 again, that was said. “That’s where a lot of our fo- 48,000 grabbed the most attention. They’re good news. That keeps us moving cus is going to be now, with stu- stories that the wider public paid in the right direction,” said Trish dents and early-career members.” 15,747 attention to and news that made a 16,000 Total Lettieri, the director of APS Mem- Student big splash.
    [Show full text]
  • December 1987
    VOLUME 11, NUMBER 1 2, ISSUE 98 Cover Photo by Jaeger Kotos EDUCATION IN THE STUDIO Drumheads And Recording Kotos by Craig Krampf 38 SHOW DRUMMERS' SEMINAR Jaeger Get Involved by by Vincent Dee 40 KEYBOARD PERCUSSION Photo In Search Of Time by Dave Samuels 42 THE MACHINE SHOP New Sounds For Your Old Machines by Norman Weinberg 44 ROCK PERSPECTIVES Ringo Starr: The Later Years by Kenny Aronoff 66 ELECTRONIC INSIGHTS Percussive Sound Sources And Synthesis by Ed Mann 68 TAKING CARE OF BUSINESS Breaking In MANU KATCHE by Karen Ervin Pershing 70 One of the highlights of Peter Gabriel's recent So album and ROCK 'N' JAZZ CLINIC tour was French drummer Manu Katche, who has gone on to Two-Surface Riding: Part 2 record with such artists as Sting, Joni Mitchell, and Robbie by Rod Morgenstein 82 Robertson. He tells of his background in France, and explains BASICS why Peter Gabriel is so important to him. Thoughts On Tom Tuning by Connie Fisher 16 by Neil Peart 88 TRACKING DRUMMING AT DISNEY Studio Chart Interpretation by Hank Jaramillo 100 WORLD DRUM SOLOIST When it comes to employment opportunities, you have to Three Solo Intros consider Disney World in Florida, where 45 to 50 drummers by Bobby Cleall 102 are working at any given time. We spoke to several of them JAZZ DRUMMERS' WORKSHOP about their working conditions and the many styles of music Fast And Slow Tempos that are represented there, by Peter Erskine 104 by Rick Van Horn 22 CONCEPTS Drummers Are Special People STEVE HOUGHTON by Roy Burns 116 He's known for his big band work with Woody Herman, EQUIPMENT small-group playing with Scott Henderson, and his teaching at SHOP TALK P.I.T.
    [Show full text]
  • Coast Guard and Its Transition to the Department of Homeland Security
    S. HRG. 108–786 COAST GUARD AND ITS TRANSITION TO THE DEPARTMENT OF HOMELAND SECURITY HEARING BEFORE THE SUBCOMMITTEE ON OCEANS, FISHERIES, AND COAST GUARD OF THE COMMITTEE ON COMMERCE, SCIENCE, AND TRANSPORTATION UNITED STATES SENATE ONE HUNDRED EIGHTH CONGRESS FIRST SESSION FEBRUARY 12, 2003 Printed for the use of the Committee on Commerce, Science, and Transportation ( U.S. GOVERNMENT PRINTING OFFICE 97–272 PDF WASHINGTON : 2005 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 VerDate 0ct 09 2002 11:16 May 18, 2005 Jkt 097272 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 S:\WPSHR\GPO\DOCS\97272.TXT JACK PsN: JACKF SENATE COMMITTEE ON COMMERCE, SCIENCE, AND TRANSPORTATION ONE HUNDRED EIGHTH CONGRESS FIRST SESSION JOHN MCCAIN, Arizona, Chairman TED STEVENS, Alaska ERNEST F. HOLLINGS, South Carolina CONRAD BURNS, Montana DANIEL K. INOUYE, Hawaii TRENT LOTT, Mississippi JOHN D. ROCKEFELLER IV, West Virginia KAY BAILEY HUTCHISON, Texas JOHN F. KERRY, Massachusetts OLYMPIA J. SNOWE, Maine JOHN B. BREAUX, Louisiana SAM BROWNBACK, Kansas BYRON L. DORGAN, North Dakota GORDON SMITH, Oregon RON WYDEN, Oregon PETER G. FITZGERALD, Illinois BARBARA BOXER, California JOHN ENSIGN, Nevada BILL NELSON, Florida GEORGE ALLEN, Virginia MARIA CANTWELL, Washington JOHN E. SUNUNU, New Hampshire FRANK LAUTENBERG, New Jersey JEANNE BUMPUS, Republican Staff Director and General Counsel ROBERT W. CHAMBERLIN, Republican Chief Counsel KEVIN D. KAYES, Democratic Staff Director and Chief Counsel GREGG ELIAS, Democratic General Counsel SUBCOMMITTEE ON OCEANS, FISHERIES, AND COAST GUARD OLYMPIA J.
    [Show full text]
  • E-Bike Comments - Comments, Regs (OCR) E-Bike Comments
    9/6/2019 E-bike comments - Comments, Regs (OCR) E-bike comments Daniel Macdonald <[email protected]> Fri 7/26/2019 12:42 AM To:Comments, Regs (OCR) <[email protected]>; I am glad that you are taking an interest in regulating e-bikes. Thee-bike technology on bikes now sold in bike shops limits them to 28 -mphccBut;you,have,to,considercthecad\/ances,in,technologycforce,bikescfc>rcthe,next,fi'le,otce_v_encfifle_ency_ll_ara,-=To_e,b_alte_rie_scand,electronic---­ motors are sure to skyrocket up in powe and performance. Even the non-electronic mountain bikes (which thee-bikes are based on) are seeing a large upward swing in their riding limits due to a highly competive bike business and large international bike manufacturers with their racing teams and multimillion R&D budgets. From what I have seen, e-bikes started about twenty five years ago as kits with the electric motor hub, battery and controller. A home hobbyist could take his old bike and bring new life into it by converting it to electric. Bicycle, in general have always been a product that the individual has always fixed him/her self, upgraded parts, be the wheels or forks and modified any way the liked. Well the current crop of e-bike are resonably powerful, all it takes is two or three small manufatures selling more powerful batteries, beefed up motors and controllers, including a throttle control on the handlebars for electric power control. In the future you may see a high-end mountain bike e-bike modified with two or even three batteries and the electronic contrls and speed governor replaced giving a top speed more in keeping with a motorcycle dirt bike than a bicycle I am a avid bicycle enthusiast and love mountain bikes for the challenge and conditoning in riding a little harder, for another hour and pedaling to the top ot that big hill.
    [Show full text]
  • In the Loop: a Reference Guide to American English Idioms
    IN THE LOOP A Reference Guide to American English Idioms In the Loop: A Reference Guide to American English Idioms Published by the Office of English Language Programs United States Department of State Washington, DC 20037 First Edition 2010 Adapted from: Something to Crow About by Shelley Vance Laflin; ed. Anna Maria Malkoç, Frank Smolinski Illustrated American Idioms by Dean Curry Special thanks to Elizabeth Ball for copyediting and proofreading this 2010 edition. Office of English Language Programs Bureau of Cultural and Educational Affairs United States Department of State Washington, DC 20037 englishprograms.state.gov Contents v Introduction vi How Each Entry is Arranged 1 Part 1: Idioms and Definitions 103 Part 2: Selected Idioms by Category 107 Part 3: Classroom Activities 121 Index Introduction Idiom: a group of words that means something In the Loop is a collection of common idioms different than the individual words it contains updated and compiled from two previous books of As with any language, American English is full idioms published by the Office of English Language of idioms, especially when spoken. Idioms Programs: Illustrated American Idioms by Dean add color and texture to language by creating Curry and Something to Crow About by Shelley Vance images that convey meanings beyond those of Laflin. In the Loop combines the popular aspects of the individual words that make them up. Idioms the previous books, while also updating the content are culturally bound, providing insight into the by including idioms that have come into use more history, culture, and outlook of their users. This recently and eliminating those that are rarely used.
    [Show full text]
  • The Recording and Resurrection of by Bob Mehr the Replacements’ Don’T Tell a Soul
    THE RECORDING AND RESURRECTION OF BY BOB MEHR THE REPLACEMENTS’ DON’T TELL A SOUL By the time we made that record, the band had been around for almost ten years. Everything had changed. It seemed like we had two choices. One was to be punks Berg was at Bearsville Studios in Upstate New York, working on Sexton’s album, when Michael Hill on our way out the door . the other was to follow suit and get a hard rock sound—which we really weren’t about. The truth was, we liked pop music: catchy melodies, called. Although Berg technically had no production credits—the Broken Homes record had yet to be released—“Tony was very erudite about music,” said Hill. Berg and Westerberg talked on the phone, and and simple songs. But to write real pop music in that era, you were dead. You were makin’ dead man’s pop.” —Paul Westerberg Paul suggested he send a postcard listing his ten favorite records. “I wrote, ‘These records mean a lot to me; I hope you respond to them,’ ” recalled Berg. “I added, ‘But if you don’t, you can go fuck yourself.’ I got DECEMBER 7, 1987: PORTLAND, OREGON impress—first, it was the guys in the band, then the small army of critics who championed his work. By a call immediately—Paul said to come to New York and meet.” the time Westerberg was in the major-label spotlight, he admitted, “I might have gotten to the point where The skinny, sharp-boned, unmistakable figure of Paul Westerberg is swinging from a crystal chandelier most of my songs were written for beer-swilling 19-year-old males.” Westerberg took an instant shine to Berg, in part, he would later admit, because Berg looked good: He was backstage at the Pine Street Theatre.
    [Show full text]