The Future Is in Your Hands Alexandre Pachulski

Total Page:16

File Type:pdf, Size:1020Kb

The Future Is in Your Hands Alexandre Pachulski ALEXANDRE PACHULSKI UNIQUE THE FUTURE IS IN YOUR HANDS UNIQUE THE FUTURE IS IN YOUR HANDS UNIQUE_CS6_pc.indd 1 28/08/2019 12:02:48 UNIQUE_CS6_pc.indd 2 28/08/2019 12:02:48 ALEXANDRE PACHULSKI UNIQUE THE FUTURE IS IN YOUR HANDS UNIQUE_CS6_pc.indd 3 28/08/2019 12:02:48 UNIQUE_CS6_pc.indd 4 28/08/2019 12:02:48 CONTENTS Embarking on a unique journey .......................................................... 7 Education, from standardization to singularity ............................. 11 Work, from suffering to success .......................................................... 69 The company, from frustration to fulfilment ................................. 127 Technological singularit, from panic to possibility ...................... 189 So, who do you want to be? ................................................................. 259 UNIQUE_CS6_pc.indd 5 28/08/2019 12:02:48 UNIQUE_CS6_pc.indd 6 28/08/2019 12:02:48 EMBARKING ON A UNIQUE JOURNEY ‘Be yourself; everyone else is already taken’, said Oscar Wilde, inviting us to remember that each of us is unique! He was right, but why is it so difficult? We spend our lives observing others, comparing ourselves to them and trying to conform to the rules, the norms, the social order, pursuing goals that are not our own. We’re not encour- aged, in today’s society, to express our uniqueness, our difference, our talents or our dreams. We get no help in finding our own way in life, in aligning what we do with who we are. Yet we’re looking not only for self-fulfilment but also to make a positive contribution to society. Today, as the world is preparing to welcome robots equipped with artificial intelligence, we have the opportunity to reaffirm who we are, who we want to be and how we want to live and work together. This is our chance to define what we, as individuals, with our different aspirations and abilities, can bring to the world. It’s the message that pop culture seems to be giving us in films like Avengers and Justice League, where we see superheroes joining forces. The tagline of the UNIQUE_CS6_pc.indd 7 28/08/2019 12:02:48 film that unites Batman, Superman, Wonder Woman and others couldn’t be clearer: ‘You can’t save the world alone’. That’s good, because none of us feels up to the job. Yet, together, it may well be possible. But first, we need to know how we can contribute–what our ‘superpower’ is. This journey of self-discovery should be central to our education systems, yet that’s rarely the case. Schools continue to feed children information rather than teach them how to think. They encourage them to memorize other people’s knowledge rather than develop their own understanding. They want them to learn facts, whereas education should be focusing primarily on helping them to know themselves and develop their unique talents. Why should we let a competitive spirit and the idea that everyone is the same dominate our education systems? Why not put social interaction, collaboration and mutual aid at the heart of learning? And then, when we still haven’t discovered who we truly are, we have to choose a job, because, obviously, we need to earn money to provide for our most basic needs: we need to have enough to eat, somewhere to live and clothes to wear–and, if possible, we would like to travel a bit, though not necessarily far. It’s no longer about achieving a sense of fulfilment but simply a case of survival, of strug- gling to get by. Even if we’re making a good living, many of us find ourselves, in our thirties or forties, reviewing our life and wondering why, given that we’re unhappy, we don’t change things. But is there any other way? In any case, the companies we work for will be sure to tell us what we’re allowed to do or not do, what we’ve the right to be or not be. This starts with the separation of our personal and our work life, with the result that we become increasingly anxious and agitated. Films like Charlie Chaplin’s Modern Times and Brazil by Terry Gilliam illus- trate well how we can sometimes feel like we’re being crushed, if not annihilated, by the system. Meanwhile, we’re on the threshold of a future where artificial intel- ligence, robots, the Internet of Things and virtual reality will invade our lives, personal and professional, for better or for worse. 8 UNIQUE UNIQUE_CS6_pc.indd 8 28/08/2019 12:02:48 Judging by the number of TV series such as Westworld, Black Mirror, Trepalium, Person of Interest and Altered Carbon, it would seem that it’s mostly for the worse. This bleak future, however, is not yet upon us, and is, indeed, far from inevitable! In fact, this is the ideal time to ask ourselves some pertinent questions, and to try to answer them individually and collectively. We have the chance to change today’s society and build the one we wish to live in tomorrow. And we don’t need special superpowers to do this. On the contrary, making such changes is not only our responsibility, it also lies within our power–provided that each of us decides to take control of our own destiny. We need to discover who we are, who we want to be, what we love and what we want, and explore every facet of our personality. This is the most exciting learning process we could ever hope to experience in life. Because learning shouldn’t be restricted to our early years; it needs to become a way of life, providing us with the means to invent and reinvent ourselves–as John Keating invites his students to do in Dead Poets Society. We then need to find our ideal work and the path that will take us there. Our ideal job is one that will allow us to align what we do with who we are, which is key to a sense of well-being. It’s not about finding our dream job–dreams are imaginary–but rather one that best suits us among the range of possibilities. But it takes courage to explore these possibilities–and we may even need to invent them. We need to remember, too, that we’re unlikely to find the perfect job the first time around, and that we’ll need to keep on trying until we find the place where we can be ourselves and contribute to the common good. Companies, which remain a dominant structure in the world of work, also need to evolve. What if the company were to become a welcoming structure that provides us with an environment where we can pursue our career objectives? What if we could work alongside a community of contributors–co-workers, clients, service providers–sharing a common, or at least convergent, culture, values EMBARKING ON A UNIQUE JOURNEY 9 UNIQUE_CS6_pc.indd 9 28/08/2019 12:02:48 and objectives? The key issue here is managing the subtle balance between individual and corporate objectives. And all this would be supported by exponential technologies (artificial intelligence, robotics, Internet of Things, virtual reality) put at our disposal to help us realize our objectives. This, of course, requires us to agree on the sort of society we want to live in together in the future. Indeed, how can we hope to transform these technol- ogies into tools useful to humanity if we, as human beings, haven’t even defined the sort of world we want to live in? It’s this resolutely optimistic exploration of the future that this book offers, using illustrations from pop culture. As the French philoso- pher and futurist Bertrand de Jouvenel says, ‘we can only influence the future. Let’s do so together as we continue our journey! 10 UNIQUE UNIQUE_CS6_pc.indd 10 28/08/2019 12:02:48 Education FROM STANDARDIZATION TO SINGULARITY Knowing others is only science. Knowing yourself is intelligence Lao Tzu, ancient Chinese philosopher UNIQUE_CS6_pc.indd 11 28/08/2019 12:02:48 When it comes to happiness, we’re all self-taught! No one teaches us how to be happy. No one helps us discover what it is that gives us a sense of fulfilment. No one helps us chart our journey through life. No one helps us find our place in society. No one teaches us how to roll with the punches, manage the doubts and people’s opinions of us, or analyse ourselves. If life is a journey, we travel along the road without even knowing what vehicle we’re driving, not even really knowing where we’re headed. Of course, we continue to learn throughout life. As babies, we become aware of our body and our surroundings. We then learn to walk and talk. Next comes school, where we learn to write and count and are taught history, geography, science, and so on. Some of us then continue on to further education, exploring a particular field: economics, literature or whatever. Then comes the world of work, where we do what we can to develop skills that will enable us to hold down a job or two and earn a living. Yet, all these skills, although very useful, don’t equip us to face all aspects of life and to journey through it with confidence, because they’re much too outward looking. So, why not focus on ourselves as a more important field of study? The Ancient Greeks certainly 12 UNIQUE UNIQUE_CS6_pc.indd 12 28/08/2019 12:02:49 tried to do so. On the Temple of Apollo at Delphi was inscribed ‘Gnothi seauton’, translated as the now-famous injunction ‘Know thyself’.
Recommended publications
  • Leisure Opportunities 6Th September 2016 Issue
    Find great staffTM leisure opportunities 6 - 19 SEPTEMBER 2016 ISSUE 692 Daily news & jobs: www.leisureopportunities.co.uk DW Sports moves for Fitness First clubs The long-running saga of the south – particularly London – a sale of Fitness First’s UK clubs successful deal would see the UK’s looks to be in its final act, as up second largest health club chain to five operators are understood boast an enviable spread of sites. to have completed separate The former Wigan Athletic deals to buy out the nearly chair also said he “wasn’t 70-strong portfolio – with DW expecting any trouble from the Sports leading the way. competition people” in terms of The deals, expected to be the deal, with the geographical confirmed by Fitness First differences between DW Sports owner Oaktree Capital later and Fitness First reducing the this month, will see Fitness likelihood of intense scrutiny First carved up by DW Sports, from the Competition and The Gym Group and GLL Markets Authority (CMA), (Greenwich Leisure Ltd) – which previously proved the while other firms are circling. downfall of a proposed merger DW Sports, owned by between Pure Gym and The multimillionaire Dave Whelan, Gym Group. is expected to pick up a total of Whelan is optimistic the move would not be scuppered by competition authorities If the deal goes through, it 63 clubs, nearly doubling its will immediately make DW existing number of clubs operated under the have so much of a presence” in an interview Sports – which has around 80 sites – one DW Fitness banner. with the Wigan Evening Post.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • March 2018 New Releases
    March 2018 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 59 Vinyl Audio 3 CD Audio 8 RICHIE KOTZEN - TONY MACALPINE - RANDY BRECKER QUINTET - FEATURED RELEASES TELECASTERS & DEATH OF ROSES LIVEAT SWEET BASIL 1988 STRATOCASTERS: Music Video KLASSIC KOTZEN DVD & Blu-ray 35 Non-Music Video DVD & Blu-ray 39 Order Form 65 Deletions and Price Changes 63 800.888.0486 THE SOULTANGLER KILLER KLOWNS FROM BRUCE’S DEADLY OUTER SPACE FINGERS 203 Windsor Rd., Pottstown, PA 19464 [BLU-RAY + DVD] DWARVES & THE SLOTHS - DUNCAN REID & THE BIG HEADS - FREEDOM HAWK - www.MVDb2b.com DWARVES MEET THE SLOTHS C’MON JOSEPHINE BEAST REMAINS SPLIT 7 INCH March Into Madness! MVD offers up a crazy batch of March releases, beginning with KILLER KLOWNS FROM OUTER SPACE! An alien invasion with a circus tent for a spaceship and Killer Klowns for inhabitants! These homicidal clowns are no laughing matter! Arrow Video’s exclusive deluxe treatment comes with loads of extras and a 4K restoration that will provide enough eye and ear candy to drive you insane! The derangement continues with HELL’S KITTY, starring a possessed cat who cramps the style of its owner, who is beginning a romantic relationship. Call a cat exorcist, because this fiery feline will do anything from letting its master get some pu---! THE BUTCHERING finds a serial killer returning to a small town for unfinished business. What a cut-up! The King of Creepy, CHRISTOPHER LEE, stars in the 1960 film CITY OF THE DEAD, given new life with the remastered treatment.
    [Show full text]
  • DP SOIREES GALA 2020.Pdf
    1 CRÉDITS PHOTO @BrianYpperciel - @Renaud Corlouer - @Ben Dauchez -2 @ laurentseroussi - @Elodie Daguin @Studio Charrier Sainte-Maxime, le 28 février 2020 LES SOIRÉES GALA 2020 L'été approche et avec lui toutes les animations estivales désormais attendues des maximois et de ses visiteurs. À Sainte-Maxime, l’offre festive s’ouvre à tous les publics. Entre les feux d’artifice, les fêtes traditionnelles, les Summer DJ’s Party ou les Musiques Live en Ville. Points d’orgue, les prestigieuses « Soirées Gala ». Proposées par la Ville de Sainte-Maxime et le Casino Barrière, acteur engagé et impliqué dans la vie événementielle de la commune, les « Soirées Gala » assurent une expérience musicale autour des meilleurs artistes de la scène française et internationale. Une programmation variée autour de 6 artistes dans le cadre intimiste du Théâtre de la Mer. Une particularité : une ambiance festive, conviviale et familiale. 3 DIMANCHE 12 JUILLET 2020 GAROU Né à Sherbrooke (Québec, Canada), le petit Pierre est élevé par un père garagiste et mélomane, guitariste à ses heures : il se révèle vite doué pour la musique, maîtrisant la guitare, le piano et l'orgue. Au lycée, il est guitariste du groupe de son école, Windows & Doors. C'est en 1997 que Garou fait une rencontre décisive, en la personne du producteur et parolier Luc Plamondon. Assistant à une représentation de Garou and The Untouchables, Plamondon est frappé par la présence et la voix du chanteur, en qui il voit un interprète de choix pour sa comédie musicale, Notre-Dame de Paris. Après une audition en présence de Richard Cocciante, compositeur du spectacle, Garou décroche le rôle de Quasimodo.
    [Show full text]
  • PROGRAMME LUC PLAMONDON Parolier
    PROGRAMME LUC PLAMONDON Parolier Né à Saint-Raymond de Portneuf, Luc Plamondon est initié très jeune au monde de la musique. Sa tante Augustine lui apprendra le piano et lui fera jouer des rôles dans des opérettes. ll commence secrètement à écrire des chansons et des pièces de théâtre à son adolescence. Dix ans plus tard, après de longues études à Québec, Montréal, Paris, Londres, Berlin, Rome et à Grenades, il se retrouve aux États-Unis. Suivra une année d’errance. À New York, il se gave de comédies musicales, puis, à San Francisco, il tombe sous le choc de Hair, le premier rock musical, l’étincelle qui l’amènera dix ans plus tard à écrire Starmania, dont la création à Paris sera dirigée par... Tom O’Horgan, le célèbre metteur en scène original de Hair. C’est en revenant à Montréal qu’il écrit sa première chanson Dans ma Camaro, qui sera le hit de l'été 70. C’est en Diane Dufresne cependant qu’il trouvera son interprète fétiche, pour qui il écrira 75 chansons. Considéré comme le premier parolier rock de la langue française, il est appelé dans les années 70 - 80 à travailler, entre autres, avec Julien Clerc, Robert Charlebois, Françoise Hardy, Johnny Hallyday et Ginette Reno. En 1978, l’opéra rock Starmania (musique de Michel Berger) sort sur disque avec Diane Dufresne, France Gall, Fabienne Thibeault, Nanette Workman, Daniel Balavoine et Claude Dubois. Le spectacle est créé sur scène en 1979 au Palais des Congrès de Paris. Le succès immédiat et toujours grandissant des chansons de Starmania a donné lieu à de multiples productions dans différents pays au cours des quatre dernières décennies qui totalisent plus de 6 millions de spectateurs et autant d’albums.
    [Show full text]
  • TEMPOREL a New Work by Lemieux Pilon & Les 7 Doigts Jan
    TEMPOREL a new work by Lemieux Pilon & Les 7 Doigts Jan. 10 to 27 at Cinquième Salle of Place des Arts Montreal, December 14, 2017. Michel Lemieux and Victor Pilon (4D Art), and Isabelle Chassé and Patrick Léonard (Les 7 Doigts) bring you their new work, Temporel, a passionate and humourous blend of poetry, digital illusions and body movement that explores new forms of artistic expression set to an original score by Julien Mineau (Malajube, Fontarabie) and the acrobatic choreography of Shana Carroll. The show runs at the Cinquième Salle of Place des Arts in Montreal from Jan. 10 to 27. Temporel goes beyond the traditional stage experience. Here, dreams are nourished and emotions are triggered by the projection of animated images onto the bodies of the performers, with feats of acrobatics adding to the intensity of the experience. Temporel is perfect for an intimate setting like the Cinquième Salle, offering a idyll of fantasy that is at once deep, lyrical and amusing while also addressing universal themes accessible to a general audience. A man's life is told in fragments, out of sequence. We first meet him as an old man, his lifelong partner beside him, surrounded by piles of books, lost in a metaphorical forest of memory. But in his head the man is every age: adult, infant, elderly, child, all at once. As he recalls his past, a number of other characters, both real and imaginary, emerge. The man is trying to find his place in the world: he seeks happiness, true love, the woman he lost.
    [Show full text]
  • Films Français Récents À Voir Et Autres Films Populaires
    Films français récents à voir et autres films populaires: -Edmond (sur Edmond Rostand l'auteur de Cyrano de Bergerac, Alexis Michalik, 2019) - Le Jeune Ahmed (Luc Dardenne et Jean-Pierre Dardenne, 2019) - Plaire, aimer et courir vite (Christophe Honoré, 2018) - J'accuse (sur l'affaire Dreyfus, Roman Polanski, 2019) - La Nouvelle guerre des boutons (C. Barratier, 2011) - La Guerre des boutons (Yann Samuel, 2011) - Les Intouchables (O. Nakache et E. Toledano, 2011) - Le Premier jour du reste de ta vie (Rémi Bezançon, 2008) - Entre les murs (Laurent Cantet, 2008) - Bienvenue chez les Ch'tis (cette comédie de Dany Boon montre les différences entre le sud et le nord et l'intérêt que les Français portent à la préservation des langues et dialectes régionaux, 2008) - De Rouille et d'os (J. Audiard, 2012) - Le Gamin au vélo (Jean Pierre et Luc Dardenne, 2011) - Polisse (Maïwenn, 2011) - The Artist (M. Hazanavicius, 2011) - Les Choristes (C. Barratier, 2004) - Astérix et Obélix au service de Sa Majesté, (L Tirard, 2012) - Qu'est-ce qu'on a fait au bon dieu (Philippe de Chauveron, 2014) - Cézanne et moi (Danièle Thompson, 2016) - Demain tout commence (Hugo Gélin, 2016 film sur la paternité- remake du film mexicain No Se aceptan devoluciones) - Le Petit Nicolas (Laurent Tirard, 2009) - Les Vacances du petit Nicolas (L. Tirard, 2014) - Les Petits mouchoirs (Guillaume Canet, 2010) - Le Fabuleux destin d'Amélie Poulain (Jean-Pierre Jeunet, 2001) - Dîner de cons (Francis Veber, 1998) - Le Pianiste (Roman Polanski, 2002) - Le Cinquième élément (Luc Besson,
    [Show full text]
  • 4528, Rue De Bullion Montréal (Québec) Canada H2T 1Y6 WWW
    4528, rue de Bullion Montréal (Québec) Canada H2T 1Y6 PHOTO: ANDRÉ CORNELLIER WWW.LOUISELECAVALIER.COM www.facebook.com/LouiseLecavalier.FouGlorieux INTERNATIONAL AGENT (EXCEPT EUROPE): MENNO PLUKKER THEATRE AGENT \ [email protected] T.: 1 514-524-7119 \ F.: 1 514-526-5792 BOOKING EUROPE: ANNE-LISE GOBIN, ALMA OFFICE \ [email protected] \ T.: 32 499 25 00 18 ADMINISTRATIVE DIRECTOR: CYRILLE COMMER \ [email protected] \ T.: 1 514 779-18333 TOUR AND COMMUNICATIONS COORDINATOR: ANNE VIAU \ [email protected] \ T.: 1 514 273-5478 \ Cell.: 1 514 464-5478 TECHNICAL DIRECTOR: PHILIPPE DUPEYROUX \ [email protected] \ T.: 1 514 222-6685 SO BLUE Premiere: December 7, 2012, tanzhaus nrw, Düsseldorf Conceived and choreographed by: Louise Lecavalier Created and performed by: Louise Lecavalier, Frédéric Tavernini Assistant Choreographer and Rehearsal Director: France Bruyère Lighting Design: Alain Lortie Music: Mercan Dede PHOTO: CARL LESSARD Additional Music: Normand-Pierre Bilodeau, Daft Punk, Meiko Kaji Remixing Producer: Normand-Pierre Bilodeau Costume Design: Yso Length: 60 min Production : Fou glorieux, in co-production with: tanzhaus nrw (Düsseldorf); Théâtre de la Ville (Paris); Hellerau (Dresden); National Arts Centre (Ottawa); Festival TransAmériques (Montréal); Residency: Szene Salzburg Louise Lecavalier is supported by the Conseil des arts et des lettres du Québec, the Canada Council for the Arts, and the Montreal Arts Council. PRESENTATION OF THE WORK SO BLUE Louise Lecavalier and partner Frédéric Tavernini risk all in the high-voltage atmosphere of this radical, raw, and haunting work set to the visceral music of Mercan Dede. Quick as thought, the body dictates its laws and transgresses its limits.
    [Show full text]
  • Interview with Ed Runge # AIS-V-L-2008-073 Interview # 1: October 24, 2008 Interviewer: Mark Depue
    Interview with Ed Runge # AIS-V-L-2008-073 Interview # 1: October 24, 2008 Interviewer: Mark DePue Unknown: Okay, Mark. Tape is rolling, and just have your guest give us one clap to synch stuff. DePue: Just clap your hands. Runge: (claps) Unknown: Whenever you’re ready. DePue: Good morning. Today is Friday, October 24, 2008. My name is Mark DePue. I am the director of oral history at the Abraham Lincoln Presidential Library. And today, it’s our distinct pleasure to talk to Dr. Edward Runge. Ed, welcome. Runge: Thank you! Good to be here, Mark. DePue: This is part of our “Agriculture in Illinois” project that we’re doing with the Illinois State Museum as well, one of fifty video interviews we’re doing. And unlike most of these, I thought it might be appropriate to kind of set the stage a little bit, or put this in some kind of a “time and place” if you will, with what’s going on in the United States. Dr. Runge is a trained agronomist; have spent your entire life doing that. I know that your specialty area is soil science, and for a person on the outside, that says, “Oh my, this might be kind of boring.” But I know this is going to be a fascinating discussion. And you have been at the heart of a lot of the things that are in the news right now. Of course, at this point and time, we’re about two weeks Ed Runge Interview # AIS-V-L-2008-073 away from a presidential election; things like ethanol production are very much in the news and in the public dialogue right now, and you’ve been at the heart of that discussion for many, many years.
    [Show full text]
  • Human Enhancement Technologies and Our Merger with Machines
    Human Enhancement and Technologies Our Merger with Machines Human • Woodrow Barfield and Blodgett-Ford Sayoko Enhancement Technologies and Our Merger with Machines Edited by Woodrow Barfield and Sayoko Blodgett-Ford Printed Edition of the Special Issue Published in Philosophies www.mdpi.com/journal/philosophies Human Enhancement Technologies and Our Merger with Machines Human Enhancement Technologies and Our Merger with Machines Editors Woodrow Barfield Sayoko Blodgett-Ford MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Editors Woodrow Barfield Sayoko Blodgett-Ford Visiting Professor, University of Turin Boston College Law School Affiliate, Whitaker Institute, NUI, Galway USA Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Philosophies (ISSN 2409-9287) (available at: https://www.mdpi.com/journal/philosophies/special issues/human enhancement technologies). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Volume Number, Page Range. ISBN 978-3-0365-0904-4 (Hbk) ISBN 978-3-0365-0905-1 (PDF) Cover image courtesy of N. M. Ford. © 2021 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND.
    [Show full text]
  • Logical Reasoning
    updated: 11/29/11 Logical Reasoning Bradley H. Dowden Philosophy Department California State University Sacramento Sacramento, CA 95819 USA ii Preface Copyright © 2011 by Bradley H. Dowden This book Logical Reasoning by Bradley H. Dowden is licensed under a Creative Commons Attribution- NonCommercial-NoDerivs 3.0 Unported License. That is, you are free to share, copy, distribute, store, and transmit all or any part of the work under the following conditions: (1) Attribution You must attribute the work in the manner specified by the author, namely by citing his name, the book title, and the relevant page numbers (but not in any way that suggests that the book Logical Reasoning or its author endorse you or your use of the work). (2) Noncommercial You may not use this work for commercial purposes (for example, by inserting passages into a book that is sold to students). (3) No Derivative Works You may not alter, transform, or build upon this work. An earlier version of the book was published by Wadsworth Publishing Company, Belmont, California USA in 1993 with ISBN number 0-534-17688-7. When Wadsworth decided no longer to print the book, they returned their publishing rights to the original author, Bradley Dowden. If you would like to suggest changes to the text, the author would appreciate your writing to him at [email protected]. iii Praise Comments on the 1993 edition, published by Wadsworth Publishing Company: "There is a great deal of coherence. The chapters build on one another. The organization is sound and the author does a superior job of presenting the structure of arguments.
    [Show full text]
  • Where's My Jet Pack?
    Where's My Jet Pack? Online Communication Practices and Media Frames of the Emergent Voluntary Cyborg Subculture By Tamara Banbury A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In Legal Studies Faculty of Public Affairs Carleton University Ottawa, Ontario ©2019 Tamara Banbury Abstract Voluntary cyborgs embed technology into their bodies for purposes of enhancement or augmentation. These voluntary cyborgs gather in online forums and are negotiating the elements of subculture formation with varying degrees of success. The voluntary cyborg community is unusual in subculture studies due to the desire for mainstream acceptance and widespread adoption of their practices. How voluntary cyborg practices are framed in media articles can affect how cyborgian practices are viewed and ultimately, accepted or denied by those outside the voluntary cyborg subculture. Key Words: cyborg, subculture, implants, community, technology, subdermal, chips, media frames, online forums, voluntary ii Acknowledgements The process of researching and writing a thesis is not a solo endeavour, no matter how much it may feel that way at times. This thesis is no exception and if it weren’t for the advice, feedback, and support from a number of people, this thesis would still just be a dream and not a reality. I want to acknowledge the institutions and the people at those institutions who have helped fund my research over the last year — I was honoured to receive one of the coveted Joseph-Armand Bombardier Canada Graduate Scholarships for master’s students from the Social Sciences and Humanities Research Council of Canada.
    [Show full text]