The Human Machine
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Leisure Opportunities 6Th September 2016 Issue
Find great staffTM leisure opportunities 6 - 19 SEPTEMBER 2016 ISSUE 692 Daily news & jobs: www.leisureopportunities.co.uk DW Sports moves for Fitness First clubs The long-running saga of the south – particularly London – a sale of Fitness First’s UK clubs successful deal would see the UK’s looks to be in its final act, as up second largest health club chain to five operators are understood boast an enviable spread of sites. to have completed separate The former Wigan Athletic deals to buy out the nearly chair also said he “wasn’t 70-strong portfolio – with DW expecting any trouble from the Sports leading the way. competition people” in terms of The deals, expected to be the deal, with the geographical confirmed by Fitness First differences between DW Sports owner Oaktree Capital later and Fitness First reducing the this month, will see Fitness likelihood of intense scrutiny First carved up by DW Sports, from the Competition and The Gym Group and GLL Markets Authority (CMA), (Greenwich Leisure Ltd) – which previously proved the while other firms are circling. downfall of a proposed merger DW Sports, owned by between Pure Gym and The multimillionaire Dave Whelan, Gym Group. is expected to pick up a total of Whelan is optimistic the move would not be scuppered by competition authorities If the deal goes through, it 63 clubs, nearly doubling its will immediately make DW existing number of clubs operated under the have so much of a presence” in an interview Sports – which has around 80 sites – one DW Fitness banner. with the Wigan Evening Post. -
Open Etoth Dissertation Corrected.Pdf
The Pennsylvania State University The Graduate School The College of Arts and Architecture FROM ACTIVISM TO KIETISM: MODERIST SPACES I HUGARIA ART, 1918-1930 BUDAPEST – VIEA – BERLI A Dissertation in Art History by Edit Tóth © 2010 Edit Tóth Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 The dissertation of Edit Tóth was reviewed and approved* by the following: Nancy Locke Associate Professor of Art History Dissertation Adviser Chair of Committee Sarah K. Rich Associate Professor of Art History Craig Zabel Head of the Department of Art History Michael Bernhard Associate Professor of Political Science *Signatures are on file in the Graduate School ii ABSTRACT From Activism to Kinetism: Modernist Spaces in Hungarian Art, 1918-1930. Budapest – Vienna – Berlin investigates modernist art created in Central Europe of that period, as it responded to the shock effects of modernity. In this endeavor it takes artists directly or indirectly associated with the MA (“Today,” 1916-1925) Hungarian artistic and literary circle and periodical as paradigmatic of this response. From the loose association of artists and literary men, connected more by their ideas than by a distinct style, I single out works by Lajos Kassák – writer, poet, artist, editor, and the main mover and guiding star of MA , – the painter Sándor Bortnyik, the polymath László Moholy- Nagy, and the designer Marcel Breuer. This exclusive selection is based on a particular agenda. First, it considers how the failure of a revolutionary reorganization of society during the Hungarian Soviet Republic (April 23 – August 1, 1919) at the end of World War I prompted the Hungarian Activists to reassess their lofty political ideals in exile and make compromises if they wanted to remain in the vanguard of modernity. -
Table of Disruptive Technologies | Imperial Tech Foresight
A dashboard of 100 wonderful, weird (and possibly worrying) ways TABLE OF DISRUPTIVE TECHNOLOGIES the world might change in the foreseeable future Example of organizations active in each area HIGH De Ps Ht Hc Da Sp El Vr Co Qt 1 Monit (South Korea), Abena Nova (Denmark), 32 Blue River Technology (US), Hortau (Canada) 66 BioTeq (UK), Grindhouse Wetwear (US), Dangerous Digital footprint Personal digital Human head Human cloning & Distributed autono- Space solar power Space elevators Fully immersive Artificial We can't talk about Siempre Secos (Spain) Things (US), see also The Eyeborg Project and the eraser shields transplants de-extinction mous corporations virtual reality (VR) consciousness this one 33 Google/Waymo (US), Voyage (US), Nvidia Automotive Cyborg Foundation 2 Statoil (Norway), Siemens (Germany), Volturn (US), (US), most major auto-makers 91 DE 92 DE 93 HA 94 HA 95 DE 96 SP 97 SP 98 DE 99 EA 100 UMaine (US) 67 Alphabet/Google Genomics (US), Amazon (US), Illumina 34 Amazon (US), Google/Alphabet (US), Philips (US), Oxford Nanopore Technologies/Metrichor (UK) 3 Green Skies Vertical Farms (US), Aero Farms (US), (Netherlands), Samsung (South Korea), Dyson (UK), Neo Farms (Germany), Urban Crop Solutions (Belgium) Miele (Germany), iRobot (US) 68 CTRL-Labs (US), Emotiv (US), Neuralink (US), maybe Facebook (US) CiCiCi LeLeLe SaSaSa BrBrBr AdAdAd AbAbAb IsIsIs PhPhPh ThThTh Te 4 WiTricity (US), Powermat (Israel), Apple/Power By Proxi 35 Google/Alphabet (US), Amazon (US), Flirtey (US) Conversational Life-expectancy Stratospheric Battlefield -
Human Enhancement Technologies and Our Merger with Machines
Human Enhancement and Technologies Our Merger with Machines Human • Woodrow Barfield and Blodgett-Ford Sayoko Enhancement Technologies and Our Merger with Machines Edited by Woodrow Barfield and Sayoko Blodgett-Ford Printed Edition of the Special Issue Published in Philosophies www.mdpi.com/journal/philosophies Human Enhancement Technologies and Our Merger with Machines Human Enhancement Technologies and Our Merger with Machines Editors Woodrow Barfield Sayoko Blodgett-Ford MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Editors Woodrow Barfield Sayoko Blodgett-Ford Visiting Professor, University of Turin Boston College Law School Affiliate, Whitaker Institute, NUI, Galway USA Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Philosophies (ISSN 2409-9287) (available at: https://www.mdpi.com/journal/philosophies/special issues/human enhancement technologies). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Volume Number, Page Range. ISBN 978-3-0365-0904-4 (Hbk) ISBN 978-3-0365-0905-1 (PDF) Cover image courtesy of N. M. Ford. © 2021 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. -
On the Danger of Artificial Intelligence
On The Danger of Artificial Intelligence Saba Samiei A thesis submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Master of Computing and Information Sciences (MCIS) July 2019 School of Engineering, Computer and Mathematical Sciences 1 | P a g e Abstract In 2017, the world economic forum announced that AI would increase the global economy by USD 16 trillion by 2030 (World Economic Forum, 2017). Yet, at the same time, some of the world’s most influential leaders warned us about the danger of AI. Is AI good or bad? Of utmost importance, is AI an existential threat to humanity? This thesis examines the latter question by breaking it down into three sub-questions, is the danger real?, is the defence adequate?, and how a doomsday scenario could happen?, and critically reviewing the literature in search for an answer. If true, and sadly it is, I conclude that AI is an existential threat to humanity. The arguments are as follows. The current rapid developments of robots, the success of machine learning, and the emergence of highly profitable AI companies will guarantee the rise of the machines among us. Sadly, among them are machines that are destructive, and the danger becomes real. A review of current ideas preventing such a doomsday event is, however, shown to be inadequate and a futuristic look at how doomsday could emerge is, unfortunately, promising! Keywords: AI, artificial intelligence, ethics, the danger of AI. 2 | P a g e Acknowledgements No work of art, science, anything in between or beyond is possible without the help of those currently around us and those who have previously laid the foundation of success for us. -
Where's My Jet Pack?
Where's My Jet Pack? Online Communication Practices and Media Frames of the Emergent Voluntary Cyborg Subculture By Tamara Banbury A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In Legal Studies Faculty of Public Affairs Carleton University Ottawa, Ontario ©2019 Tamara Banbury Abstract Voluntary cyborgs embed technology into their bodies for purposes of enhancement or augmentation. These voluntary cyborgs gather in online forums and are negotiating the elements of subculture formation with varying degrees of success. The voluntary cyborg community is unusual in subculture studies due to the desire for mainstream acceptance and widespread adoption of their practices. How voluntary cyborg practices are framed in media articles can affect how cyborgian practices are viewed and ultimately, accepted or denied by those outside the voluntary cyborg subculture. Key Words: cyborg, subculture, implants, community, technology, subdermal, chips, media frames, online forums, voluntary ii Acknowledgements The process of researching and writing a thesis is not a solo endeavour, no matter how much it may feel that way at times. This thesis is no exception and if it weren’t for the advice, feedback, and support from a number of people, this thesis would still just be a dream and not a reality. I want to acknowledge the institutions and the people at those institutions who have helped fund my research over the last year — I was honoured to receive one of the coveted Joseph-Armand Bombardier Canada Graduate Scholarships for master’s students from the Social Sciences and Humanities Research Council of Canada. -
Cyborg Art: an Explorative and Critical Inquiry Into Corporeal Human-Technology Convergence
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Cyborg Art: An Explorative and Critical Inquiry into Corporeal Human-Technology Convergence A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of Waikato, by Elizabeth Margaretha Borst Faculty of Arts and Social Sciences © Elizabeth M. Borst, 2009 All rights reserved. This work may not be reproduced without permission of the author. University of Waikato, 2009 i ii Abstract This thesis introduces and examines the undervalued concept of corporeal human- technology interface art, or ‘cyborg art’, which describes literal, figural and metaphorical representations of increasing body and technology integration. The transforming (post)human being is therefore the focus; who we are today, and who or what we may become as humanity increasingly interfaces with technology. Theoretical analysis of cyborg imagery centres on the science fiction domain, in particular film and television, as opposed to art. -
The Non-Human Turn in Performance Art: Conversations Handed in to Aalborg University, Denmark and the Media Arts Cultures Consor
Media Arts Cultures Consortium Danube University Krems – Aalborg University – University of Lodz Coordinator - Department Image Science Dr.-Karl-Dorrek-Straße 30, A-3500 Krems www.mediaartscultures.eu The Non-Human Turn in Performance Art: Conversations Handed in to Aalborg University, Denmark and the Media Arts Cultures Consortium Media Arts Cultures Supervisor Asst. Professor Phd. Elizabeth Ann Jochum By: Boris Abramović Date of Delivery: August 12th 2019 1 Acknowledgments My gratitude for the wonderful opportunity to pursue this research goes to the Education, Audiovisual and Cultural Executive Agency of the European Commission and the Admission Board of Media Arts Culture Programme for awarding me the Erasmus + scholarship for MediaAC master studies. I would like to thank my supervisor Elizabeth Ann Jochum, PhD for tremendous support and careful guidance throughout this research and the exciting world of the histories and the present state of robotic arts. I would also like to extend my thanks to the Aalborg University and Danube University Krems (Austria) for providing this unique framework for theoretical exploration of media arts field. I am truly grateful for the relentless support from my parents, sisters, friends and MediaAC fellow students. 2 Declaration of authorship: I hereby declare that the content of this master thesis developed at the Aalborg University, within the framework of the Media Arts Cultures Erasmus + Program, is entirely my own scholarly work developed through my own research. The scholarly work of other authors I have used in this thesis has been properly acknowledged through references. All the sources, images and data used in this thesis have been acknowledged. -
Comic-Con International
MONDAY, JULY 24, 2017 lifestyle MUSIC & MOVIES Moderator Chris Hardwick, foreground right, takes a selfie with from left, Ben Affleck, Ben Affleck speaks at the Warner Bros "Justice League" Moderator Chris Hardwick, left, speaks as Jason Momoa holds his Aquaman trident on Ezra Miller, Gal Gadot, and Ray Fisher at the Warner Bros "Justice League" panel on day panel on day three of Comic-Con International. stage at the Warner Bros "Justice League" panel on day three of Comic-Con International. three of Comic-Con International in San Diego. — AP photos Ben Affleck to fans: I’m still Batman, despite rumors en Affleck is still Batman. The actor shot down rumors November. “Let me be very clear. I am the luckiest guy in the completion of the film. Neither Snyder nor Whedon were at starring Momoa in the title role. A snippet of footage from the that he would be hanging up his cape for the stand- world. Batman is the coolest part in any universe, DC or Comic-Con, although Snyder tweeted Friday that he was James Wan-directed film, showed fishermen who are quite Balone Batman film, even though he recently ceded Marvel,” Affleck said. He wanted to knock down the idea that sending his best to the “Justice League” team. surprised when something under the water catches on to the directing responsibilities. Speaking to a crowd of about 6,500 he wasn’t committed to the character, even though he won’t The footage focused heavily on Gal Gadot’s Wonder hook and starts dragging the boat along. -
Magazine 2018 0 Contents Intro
TOGETHER Magazine 2018 0 Contents Intro HUMAN & MACHINE CONTENTS 1 04 PAGE HUMAN & DYNAMICS & 1 MACHINE 4 METALL p. 04 When partnership p. 20 In the fast-paced sport of begins with technology wheelchair basketball, in your own body. no balls end up in the TEAM SPIRIT basket without a special measure of team spirit. MY PARTNER, 2 THE ROBOT 08 DIVERSE & p. 07 Industrial and service 5 LIMITLESS PAGE robots are increasingly part of our lives: an p. 24 Explore this surprising infographic. partnership potpourri. TEAM SPIRIT TUBE 2 6 CONVEYANCE Partnerships at p. 08 TÜV SÜD – as diverse p. 26 Together on the way to as the company itself. the fastest tubes in the world: the Hyperloop vision. MIND & MAGIC 3 Living and researching SECURITY p. 18 together – is it possible? 7 NETWORK DYNAMICS & METALL TUBE CONVEYANCE Two married scientists describe their relation- p. 28 A strong initiative: more ship … security in cyberspace 4 6 through the Charter of Trust. 20 26 MIND & MAGIC PAGE PAGE 3 VIDEO TEASER/ IMPRINT 18 PAGE p. 31 Team spirit moves mountains: experience this directly in our TÜV SÜD videos. 02 “The Next Level. Together.” Under this slogan, TÜV SÜD is setting the strategic course for further development of the company. In a highly complex world, “together” has a special meaning: Only together, within TÜV SÜD’s global net- work of experts and in close cooperation with researchers, scientists, and high- tech companies, can current and future challenges be mastered using new tech- nologies. This magazine is dedicated to the idea of partnership in all its diversity. -
Jack Burnham's
Jack Burnham. “Real Time Systems,” Artforum , September 1969. 62 doi:10.1162/GREY_a_00204 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/GREY_a_00204 by guest on 26 September 2021 Jack Burnham’s “Real Time”: Sculpture as System, 1967–1969 COURTNEY FISKE For critic and curator Jack Burnham to declare a new sort of art in 1967 was also to declare a new sort of time: “real time,” as he put it, a term that had emerged some two decades earlier to describe the seeming instantaneity of computer processing. The art he diagnosed, variously dubbed a “post-formalist” or “sys - tems [a]esthetic”—a “Cyborg Art” of “unobjects”—emerged, first and foremost, as a matter of this new temporal articulation. Trained as an engineer, Burnham studied sculpture at Yale before seeking success as a light artist, fabricating kinetic con - structions from incandescents, plastics, and metal. Written in 1967 and published the year following, his first book, Beyond Modern Sculpture , marked his abandonment of art-making for art history. Modernism’s legacy was then in contention, with Donald Judd’s “Specific Objects,” Robert Morris’s “Notes on Sculpture,” and Michael Fried’s “Art and Objecthood” having appeared in the condensed two years prior. 1 Expounded in an eponymous 1968 article in Artforum , Burnham’s “systems esthetics” aimed to transcend the confines of isms and, with them, a history of art structured by the parameters of style. Burnham’s essay aspired to the canon. The artists it assem - bled—Morris, Judd, Carl Andre, and Dan Flavin, among -
The Cyborg Is the Message: a Monstrous Perspective for Communication Theory Katherine Anna Merrick Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2007 The cyborg is the message: a monstrous perspective for communication theory Katherine Anna Merrick Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Other Communication Commons, and the Rhetoric and Composition Commons Recommended Citation Merrick, Katherine Anna, "The cyborg is the message: a monstrous perspective for communication theory" (2007). Retrospective Theses and Dissertations. 13953. https://lib.dr.iastate.edu/rtd/13953 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The cyborg is the message: A monstrous perspective for communication theory by Katherine Anna Merrick A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: Rhetoric, Composition, and Professional Communication Program of Study Committee: Don Payne, Major Professor Jean Goodwin Donna Niday Iowa State University Ames, Iowa 2007 Copyright © Katherine Anna Merrick, 2007. All rights reserved. UMI Number: 1443141 UMI Microform 1443141 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform