Men, Masculinities and the Modern Career
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PERSONALITY Personality Not Included
Early Praise for Personality Not Included “Wow. I devoured Personality Not Included, frequently shouting ‘yes!’ as I followed Rohit’s spot-on analysis of a fundamental truth: being faceless doesn’t work anymore. Per- sonality in both people and companies is what customers get passionate about and drives seemingly unlimited success. This is one of those rare books to purchase by the case so you can give copies to employees and investors. But make sure to keep a few for yourself to read and reread so you don’t miss a thing. Bravo!” —David Meerman Scott, bestselling author of The New Rules of Marketing and PR “Personality Not Included breaks down the old barriers between marketing, advertis- ing, and PR and shows people how to nail the single objective of it all: creating pow- erful conversations with your customers and getting them to choose you over the rest.” —Timothy Ferriss, top blogger and #1 New York Times bestselling author of The 4-Hour Workweek “There are two types of small business owners—ones who know they are in the busi- ness of marketing and those who don’t. For either, Personality Not Included is an eye- opening look at what really matters when it comes to delighting your customers. If you want a guide to being more than ordinary, get this book.” —John Jantsch, award-winning blogger and author of Duct Tape Marketing “Just being pretty isn’t enough anymore, today a brand also needs a strong personal- ity to survive. In PNI, Rohit gives you the techniques and tools to help your brand go from wallflower to social butterfly.” —Laura Ries, bestselling author of 22 Immutable Laws of Branding, and cofounder of Ries & Ries “Finally. -
With Eye on Trump, Paris Talks to Push for ME Peace
SUBSCRIPTION SATURDAY, JANUARY 14, 2017 RABI ALTHANI 16, 1438 AH No: 17110 Kuwait offers Cabinet picks Top two collide treatment to contradict in latest Syria refugees Trump stands challenge for in Turkey 3 on14 issues flying47 Real With eye on Trump, Paris talks to push for ME peace Max 19º 150 Fils Sheikh Khaled Al-Sabah to lead Kuwaiti delegation Min 07º PARIS: Around 70 countries and international organizations make a new push for a two-state solution in the Middle East at a conference tomorrow, just days before Donald Trump takes office vowing unstinting support for Israel. The Paris meeting aims to revive the moribund Israeli-Palestinian peace process, amid fears of fresh violence if Trump implements a pledge to recognize the contested city of Jerusalem as Israel’s capital. But neither Israel nor the Palestinians will be represented in Paris, and Israeli Prime Minister Benjamin Netanyahu has dismissed it as a “rigged” conference, insisting that only bilateral talks can bring peace. Meanwhile, First Deputy Prime Minister and Foreign Minister Sheikh Sabah Al-Khaled Al-Hamad Al-Sabah will leave for Paris today to lead Kuwait’s delegation to the conference. Sheikh Sabah Al-Khaled will deliver a speech during the gathering, elab- orating on Palestinian and Arab concerns over the regional peace process and reiterating Kuwait’s stance on Palestinian state. Sheikh Sabah Al-Khaled’s accompanying delegation includes Assistant Foreign Minister for the First Deputy Prime Minister and Foreign Minister’s Office Affairs Sheikh Dr Ambassador Ahmad Nasser Al-Mohammad Al-Sabah, Kuwaiti Ambassador to Paris Sami Al-Suleiman, Assistant Foreign Minister for Arab Affairs Ambassador Aziz Al-Daihani and several other senior officials of the Ministry of Foreign Affairs. -
Wonder Waif Meets Super Neuter
Wonder Waif Meets Super Neuter CATHERINE LORD “As far as I’m concerned, the guy was a fucking saint.”1 The fucking saint is Michel Foucault. The guy who wrote the sentence is David Halperin, whose Saint Foucault: Toward a Gay Hagiography is one of the most battered books in my library. I scribble and underline not because I revere Michel Foucault, or David, although I do, in different ways, but because I cannot resist a good polemic: Oscar Wilde’s De Profundis, for example, Malcolm X on white devils, and Yvonne Rainer’s No to everything she could think of in 1965. To write a polemic is a for- mal challenge. It is to connect the most miniscule of details with the widest of panoramas, to walk a tightrope between rage and reason, to insist that ideas are nothing but lived emotion, and vice versa. To write a polemic is to try to dig oneself out of the grave that is the margin, that already shrill, already colored, already feminized, already queered location in which words, any words, any com- bination of words are either symptoms of madness or proof incontrovertible of guilt by association. Halperin’s beatification of Foucault is a disciplined absur- dity, at once an evisceration of homophobia and an aria to the fashioning of a queer self. You don’t get to be a saint without pulling off a miracle or two. Foucault’s History of Sexuality was, says Halperin, the “single most important source of political 1. David M. Halperin, Saint Foucault: Towards a Gay Hagiography (New York: Oxford University Press, 1995), p. -
Thirty Years After His Death, Andy Warhol's Spirit Is Still Very Much Alive by R.C
Thirty Years After His Death, Andy Warhol's Spirit Is Still Very Much Alive By R.C. Baker - Wednesday, February 22, 2017 at 9:30 a.m. I hate being odd in a small town If they stare let them stare in New York City* Andy Warhol, the striving son of Eastern European blue- collar immigrants, rose out of the cultural maelstrom of postwar America to the rarest of artistic heights, becoming a household name on the level of Michelangelo, Rembrandt, and Picasso. Warhol’s paintings of tragic celebrities and posterized flowers caught the 1960s zeitgeist by the tail, and he hung on right up until his death, thirty years ago this week, on February 22, 1987. He dazzled and/or disgusted audiences with paintings, films, installations, and happenings that delivered doses of shock, schlock, and poignance in equal measure. In retrospect, Warhol’s signature blend of high culture and base passion, of glitz and humanity, has had more lives than the pet pussycats that once roamed his Upper East Side townhouse. Two years before he died, Warhol published America, a small book that is more interesting for its writing than for the meandering black-and-white photographs of a one-legged street dancer cavorting on crutches, Sly Stallone’s cut physique, and other sundries. There is a striking passage accompanying shots of gravestones that eventually led to a posthumous joint project — fitting for an artist whose work had long involved collaboration. “I always thought I’d like my own tombstone to be blank,” Warhol had written. “No epitaph, and no name. -
National Endowment for the Arts Annual Report 1979
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1979. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1980 1 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs Deputy Chairman’s Statemen~ 8 Dance 10 Design Arts 30 Expansion Arts 50 Folk Arts 84 Literature 100 Media Arts: Film/Radio/Television 118 Museum 140 Music 172 Opera-Musical Theater 202 Special Projects 212 Theater 222 Visual Arts 240 Policy and Planning Challenge Grants 272 Evaluation 282 International/Fellows 283 Research 286 Special Constituencies 288 Office for Partnership Executive Director’s Statement 296 Education (Artists-in-Schools) 299 Federal-State Partnership (State Programs) 305 Intergovernmental Activities 312 Financial Summary 314 History of Authorizations and Appropriations 315 Chairman’s Statement A Common Cause for the Arts isolated rural coraraunities to the barrios and Perhaps nothing is raore enviable--or raore ghettoes of our inner cities. The dreara---that daunting--than the opportunity to raake a prac of access for all Araericans to the best in art- tical reality out of a visionary dreara. I happen is becoraing reality. to have this unusual privilege. As special assist But reality, as we all know, is a thorny ant to Senator Claiborne Pell frora 1963 to thing, with catches, snares and tangles. -
STRANGER THAN FICTION Stranger Than Fiction
STRANGER THAN FICTION Stranger than Fiction Proof Edition 3 Published by www.bgartdealings.com This image was inspired by the Solar Eclipse on September 2nd. I was in Boise, ID where we had a 94% viewing of the eclipse. The sidewalks and beaches near the Boise River turned into an array of crescent covered fields. It literally felt like our feet would sink beneath the surface of the ground. It was disorienting and thrilling at the same time. The perspective of the image is not distorted – there was no need to make it any stranger than it already was. The method I used in creating this piece is one I also use when painting images based on water. Even though the piece is two-dimensional, there is a slight depth due to the layering of painted Plexiglas over a drawing on linen matboard. It’s not immediately noticed until one gets up close to the piece. At that point, the added layer beneath the surface is visible and the viewer is invited to go beneath the initial surface into a pool of abstract markings below. Denise Presnell Eclipsed Groundlessness I Oil on plexiglas mounted over oil pastel on linen matboard- 26 3/8” x 32” In 1914, Sir Ernest Shackleton and his crew dreamed of setting out to do what no one had done before: to sail the SS Endurance to Antarctica and then travel across the continent on foot. The Endurance sailed through a thousand miles of pack ice for six weeks. Tragically, within only a day’s sail from their destination, the Endurance met the end of her journey. -
Andy Warhol's Pantry, 8 Akron Intell
University of Kentucky UKnowledge Law Faculty Scholarly Articles Law Faculty Publications Spring 2015 Andy Warhol’s Pantry Brian L. Frye University of Kentucky College of Law, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/law_facpub Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Brian L. Frye, Andy Warhol's Pantry, 8 Akron Intell. Prop. J. 17 (2015). This Article is brought to you for free and open access by the Law Faculty Publications at UKnowledge. It has been accepted for inclusion in Law Faculty Scholarly Articles by an authorized administrator of UKnowledge. For more information, please contact [email protected]. Andy Warhol’s Pantry Notes/Citation Information Akron Intellectual Property Journal, Vol. 8, No. 1 (2015), 17-51 This article is available at UKnowledge: https://uknowledge.uky.edu/law_facpub/478 FINAL DRAFT - 8(3) ANDY WARHOL'S PANTRY MACRO.DOCX (DO NOT DELETE) 3/18/15 7:09 AM ANDY WARHOL’S PANTRY Brian L. Frye* ABSTRACT This Article examines Andy Warhol’s use of food and food prod- ucts as a metaphor for commerce and consumption. It observes that Warhol’s use of images and marks was often inconsistent with copyright and trademark doctrine, and suggests that the fair use doctrine should in- corporate a “Warhol test.” I. Introduction ......................................................................... 18 II. Warhol’s Background .......................................................... 19 III. A Brief History of Warhol’s Food-Related Art .................. -
Who Was Andy Warhol? Ebook, Epub
WHO WAS ANDY WARHOL? PDF, EPUB, EBOOK Kirsten Anderson,Tim Salamunic,Nancy Harrison,Greg Copeland,Gregory Copeland | 112 pages | 26 Dec 2014 | Grosset & Dunlap | 9780448482422 | English | United States Who Was Andy Warhol? PDF Book The facial features and hair are screen-printed in black over the orange background. Warhol moved to New York right after college and worked there for a decade as a commercial illustrator. He founded the gossip magazine Interview , a stage for celebrities he "endorsed" and a business staffed by his friends. Many of his creations are very collectible and highly valuable. Up-tight: the Velvet Underground story. Born Andrew Warhola to poor Slovakian immigrants in the steel-producing city of Pittsburgh in , Warhol's chances of making it in the art world were slim. On February 20, , he was admitted to New York Hospital where his gallbladder was successfully removed and he seemed to be recovering. Warhol spoke to this apparent contradiction between his life and work in his book The Philosophy of Andy Warhol , writing that "making money is art and working is art, and good business is the best art. All of these films, including the later Andy Warhol's Dracula and Andy Warhol's Frankenstein , were far more mainstream than anything Warhol as a director had attempted. Warhol also loved to go to movies and started a collection of celebrity memorabilia, particularly autographed photos. Kunstmuseum Wolfsbug, Andy Warhol October Files. March 31, Watch and learn more. His most popular and critically successful film was Chelsea Girls In , Warhol turned his attention to the pop art movement, which began in Britain in the mids. -
Fanstuff #35 Was Illuminat- Ing in Several Respects
The Fan Activity Achievement (FAAn) Awards have reflected well on our subculture since the poll was intro- duced in the mid 1990’s. The vote-getters in each cate- gory generally merit the egoboo and I don’t think there’ve been any voting irregularities. 1 The FAAn Awards differ from the Fan Hugos in two important ways: • FAAn Awards voters are usually more familiar Tucker Awards in Perspective I’m grateful to Toni Weiskopf, Tim Bol- with the material. geo and Rich Zellich for dispelling our ig- • The FAAn Awards give egoboo to many deserv- norance of the existing Tucker Awards. ing fans in each category, not just the “winners.” Their article in fanstuff #35 was illuminat- ing in several respects. Again, I want to thank everyone who gave points to fanstuff , the The fact that so many of us were unaware of the awards is further evidence that, de- contributors and me. The fanzine’s strong showing in its first year spite considerable overlap, the various Spe- pleased me and I’ll do my best to keep fanstuff worthy of your at- cial Fandoms within Mass Fandom aren’t tention and support. very well connected to each other. My only regret is that some fans voted for fanstuff as a person- It also reminds us that one of the alzine. I’m grateful to those voters, whom I know were acting from strengths of Fandom is that there are so many ways for an individual to connect the best of intentions, but fanstuff would be a mere shadow without with it. -
Andy Warhol's First Silkscreen Paintings Of
NEWS Press Contact: Karen Gysin 612.375.7651 [email protected] Online Press Room: http://press.walkerart.org ANDY WARHOL’S FIRST SILKSCREEN PAINTINGS OF HOLLYWOOD STARS FEATURED AT WALKER ART CENTER WARHOL’S SILKSCREEN PAINTINGS REFLECT AMERICA’S OBSESSION WITH CELEBRITY AND TRAGEDY Minneapolis, October 14, 2005— From Civil Rights marchers attacked by police dogs on the pages of LIFE Magazine to footage of Vietnam, to the Zapruder film of John F. Kennedy’s assassination to the iconic face of Marilyn Monroe, the early sixties were a time of mediated mayhem. Tabloid headlines and nightly news reports presented images that would have existed a decade earlier only in the imagination. At this same time, Andy Warhol made a pivotal shift that reflected this mass production of arresting images—from handmade painting to work created through the new mechanical process of photo-silkscreening. ANDY WARHOL/SUPERNOVA: Stars, Deaths, and Disasters, 1962–1964, the first solo exhibition of the artist’s work organized by the Walker Art Center, brings together 26 paintings that, befitting the early 1960s, feature images of both tragic celebrity (Marilyn Monroe and the widowed Jackie Kennedy) Andy Warhol, 16 Jackies, 1964 and everyday disasters and tragedies (car wrecks, electric chairs, and acrylic and silkscreen ink on linen 80 x 64 in. (203.2 x 162.6 cm) murderers). Premiering at the Walker November 13–February 26, the Collection Walker Art Center, Minneapolis; Art Center Acquisition Fund, 1968 exhibition will travel to the Museum of Contemporary Art in Chicago and Photograph courtesy of Walker Art Center ©2005 Andy Warhol Foundation for the Visual the Art Gallery of Ontario in Toronto. -
Proposal Gives Students Role in Admissions Process
TheU-Hig id Vol. 45, No. 10 • University High School, 1362 East 59th St., Chicago, Ill. • Tuesday, February 10, 1970 Proposal gives students role in admissions process Students may become involved in • The student guide will fill out cipal, admissions secretary and the admissions process at U-High. a frank evaluation about how he gmdance chairman - are submit A proposal to include students in feels the candidate would fare at ted to the school principal and then admissions decisions was presented U-High, and other pertinent obser to Mr. Lloyd, who makes the final Friday to the school's nine-mem vations he could make. This eval decision. · ber faculty-administration Admis uation will be submitted to the ad The new proposal evolved from sions Committee. If the committee missions committee for considera an annual evaluation of the admis approves the idea, it is to be sub tion. sions process by the Admissions mitted in the form of a proposal to • A thorough orientation session Committee. English Teacher Arthur the faculty for a vote. Adminis for student guides will be conduct Sherrer and Industrial Arts Teach Photo by Bob Atlas trators and the Student Legislative ed to inform students of the prob er Herbert Pearson were assigned BEFORE SUBMITTING it for cal drawing of a house and land. Coordinating Council would also lems of writing evaluations, con to investigate student roles and Arts Week competition, Senior Mal scape. It took him most of last have to approve the proposal. ducting tours, assuming proper came up with idea of involving colm Morris retouches his mechani- year to design the drawing. -
Leopard 2019-20
THE THE THE SKINNERS’ 2019-20 LEOPARD SKINNERS’ SCHOOL SCHOOL The Skinners’ School 1887 1stXV-Rugby 1926 The Skinners’ School 2020 1stXV-Rugby 2019-20 The Skinners’ School Tel: 01892 520732 St John’s Road Fax: 01892 549356 THE Tunbridge Wells Email: [email protected] Kent Website: www.skinners-school.co.uk TN4 9PG @LeopardTweets LEOPARD 2019-20 Robin Bell in his Boater Robin Bell, 1958 Robin Bell in 1958 described by Cecil Beeby in his school report as The School Staff 1887 ‘A perky cheerful little fellow of enterprise and very good ability too’ The School Staff 2020-21, socially distanced and attending online Rafi Tootal, Year 7 2020 Max Johnston, 6th form 2020 Present day; the wearing of blazers was relaxed in September 2020 to try and prevent the spread of Covid-19 THE LEOPARD 2019-20 THE LEOPARD 2019-20 JOURNAL OF THE SKINNERS’ SCHOOL TUNBRIDGE WELLS ELCOME to The Leopard 2019-20; the Wfirst, and possibly only edition, to be published amongst the backdrop of a global pandemic. Yet, despite the rather peculiar and unparalleled set of circumstances that have dominated each of our lives, as well as the end of this academic year, school life has A socially distanced editorial team: Ollie Knudsen, Tom Pickering, failed to grind to a halt. Dom Burns, Sam Cunningham, Matthew Walkington, Tola Alake and Joe Youdan In true Skinners’ fashion the students and members SKINNERS’ LIFE 2 Hockey 81 of staff have worked Fencing 86 industriously throughout the THE ARTS 20 Football 87 year overcoming the range Art & Design 20 Karate 87 of obstacles created through Creative Writing 29 Basketball 88 the virus.