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The Meaning of Folklore: the Analytical Essays of Alan Dundes
Play and Folklore no. 52, November 2009 Play and Folklore Music for Children in the Torres Strait - the Recordings of Karl Neuenfeldt Kids can Squawl: Politics and Poetics of Woody Guthrie’s Children Songs Tradition, Change and Globalisation in Moroccan Children’s Toy and Play Culture The Meaning of Folklore: The Analytical Essays of Alan Dundes Sydney High School Playground Games and Pranks A Cross-cultural Study: Gender Differences in Children’s Play 1 From the Editors Play and Folklore no. 52 has been an unusual challenge, with articles from Beijing, Rome and France dealing with aspects of children’s play in China, the Netherlands, America and Morocco. The issue also includes articles from Perth and Sydney, and the historical perspective runs from the 12th century to the present day. As the year 2009 is ending, the project ‘Childhood, Tradition and Change’ is entering its fourth, and final, year. This national study of the historical and contemporary practices and signifi- cance of Australian children’s playlore has been funded by the Australian Research Council together with Melbourne, Deakin and Curtin Universities and the National Library of Australia and Museum Victoria. In 2010 the research team will be carrying out its final fieldwork in primary school playgrounds, beginning the analysis of the rich body of data already obtained, and preparing the book which is the project’s final outcome. We are pleased to include Graham Seal’s review of the analytic essays of Alan Dundes, as edited by Simon Bronner. Both the book itself and Seal’s review pay tribute to the seminal work of one of the world’s most distinguished folklorists. -
Finalised Priority Assessment List for 2007-08 for the Commonwealth
On behalf of the Australian Heritage Council and in accordance with section 341JE of the Environment Protection and Biodiversity Conservation Act 1999, notice is given that the following places are included in the Finalised Priority Assessment List for the Commonwealth Heritage List (CHL) for 2007-08 Places included in the Finalised Priority Assessment List for the CHL for 2007-08 following recommendations by the Australian Heritage Council to the Minister for the Environment and Water Resources Name of Place Description Assessment Completion Date RAAF Williams - About 68ha, Maher Road, Laverton, comprising the following Precincts: 31/08/2008 Laverton Base Precinct 1 - Original Airman's Precinct. Precinct 2 - Community Facilities Precinct. Precinct 3 - Eastern Hangar Precinct. Precinct 4 - Married Quarters Precinct Precinct 5 - Officers Precinct Precinct 6 - No 1 AD Precinct. Precinct 7 - Accommodation Precinct. Precinct 8 - Community Facilities (B) Precinct. Precinct 10 - Radio School. Precinct 11 - International Training School. Precinct 12 - Central Photographic School. Precinct 13 - Sporting Facilities Excluded is Precinct Number 9 (Construction and Maintenance Precinct). Precinct 9 is no longer Commonwealth Land. Victoria Barracks About 3ha, 83-129 Petrie Terrace, Petrie Terrace, Brisbane, comprising Lots 329 and 343 on RP145429, including buildings A1, 31/08/2008 A2, A3, A4, A5, A6, A7, B1, B2, B3, C1, C2, C3, C4, C5, C6, D1, D2, D3 (Police Stables former), E1, E2, E3 (Lunatic Reception House former) and E4 (Small Arms Magazine former). ABC Radio Studios 236 Quay Street, Rockhampton. 31/08/2008 Canberra School of Art Childers Street and Ellery Crescent, Canberra, comprising the whole site including all its buildings as flanked by Baldessin 31/08/2008 Crescent. -
VIBE ACTIVITIES Issueyears 186 3-4
Years 3-4 Y E A R Name: 3-4 VIBE ACTIVITIES IssueYears 186 3-4 The 2012 Deadlys – Female Artist of the Year page 7 JESS BECK JESSICA MAUBOY FEMALE ARTIST Originally hailing from Mingbool (near Mt Jessica Mauboy first graced Australian Gambier, SA), Jess drifted into singing while television as a shy 16 year old on studying acting at Adelaide University, Australian Idol in 2006. She was runner- OF THE YEAR but she admits music was always her first up that season, but was subsequently love. Jess wanted to be a performer from signed to Sony Music Australia. In an early age. While studying a Bachelor of February 2007 she released her debut Rainmakers with Neil Murray, founder of Creative Arts (Acting) at Flinders University, LP, The Journey, and in 2008, recorded the Warumpi Band. Following her recording Adelaide, she developed an interest in jazz her album Been Waiting which achieved debut on the Paul Kelly single Last Train, and cabaret. She auditioned for a band, double platinum sales, garnered seven Anu’s debut album Stylin’ Up produced which later became the Jess Beck Quartet. ARIA award nominations and produced numerous hit singles including Monkey Jess released her debut album Hometown her first number-one single Burn, as well and the Turtle, Party, Wanem Time and the Dress earlier this year. It is a combination as the album’s other top-10 hits, Because beautiful My Island Home, the song that of jazz, folk and Indie pop. Since then, she and Running Back. In 2010 she released was to become her signature tune. -
Music, TV & Film, Books & Reports by Trent Wallace, Former Australian
Cultural Resources: Music, TV & Film, Books & Reports By Trent Wallace, former Australian Pro Bono Centre AGS Secondee Policy & Project Officer A practical approach to supporting Indigenous people is by consuming music, television and film, books and reports. Whilst the list is not exhaustive, it provides a solid foundation! Music – There is a diverse and vast array of Aboriginal and Torres Strait Islander musicians. Thelma Plum, Mojo Juju, Jessica Mauboy, Baker Boy, Yothu Yindi, Christine Anu, Deborah Cheetham, Troy Cassar-Daley, Casey Donovan, Isaiah Firebrace, Archie Roach, Xavier Rudd, Dan Sultan, Dr G Yunupingu, Shakaya, A.B Original and Tiddas. Television and Film – TV shows such as Total Control, Redfern Now, Black Comedy, Cleverman, Wentworth -– in particular, anything featuring Leah Purcell. Also, the channel NITV. Anything by Stephen Oliver (look up his poetry and presentations). Movies such as The Sapphires, Rabbit-Proof Fence, Mabo, Radiance, Samson and Delilah, and Top End Wedding. Books – Dark Emu by Bruce Pascoe, First Australians by Rachel Perkins and Marcia Langton, Jandamarra and the Bunuba Resistance by Banjo Woorunmurra and Howard Pedersen, The Quiet Revolution by Marcia Langton, Hidden In Plain View by Paul Irish, It’s Our Country edited by Megan Davis and Marcia Langton, Butterfly Song by Terri Janke and anything by the incredible Anita Heiss. Reports – We also recommend reading the Report of the Royal Commission into Aboriginal Deaths in Custody,1 Closing the Gap reports,2 and Indigenous Expenditure reports.3 The Australian Institute of Health and Welfare has also produced the following helpful reports: Aboriginal and Torres Strait Islander people: a focus report on housing and homelessness,4 and Aboriginal and Torres Strait Islander Health Performance Framework (HPF) report 2017.5 1 See www.humanrights.gov.au/our-work/aboriginal-and-torres-strait-islander-social- justice/publications/indigenous-deaths. -
Tjayiwara Unmuru Celebrate Native Title Determination
Aboriginal Way Issue 54, October 2013 A publication of South Australian Native Title Services Tjayiwara Unmuru celebrate native title determination Tjayiwara Unmuru Federal Court Hearing participants in SA’s far north. De Rose Hill achieves Australia’s first native title compensation determination Australia’s first native title The name of De Rose Hill will go down Under the Native Title Act, native title and this meant open communication compensation consent in Australian legal history for a number holders may be entitled to compensation between parties and of course determination was granted to of reasons. on just terms where an invalid act impacts overcoming the language barriers and on native title rights and interests. we thank the State for its cooperation the De Rose Hill native title “First, because you brought one of the for what was at times a challenging holders in South Australia’s early claims for recognition of your native Karina Lester, De Rose Hill Ilpalka process,” said Ms Lester. far north earlier this month. title rights over this country, and because Aboriginal Corporation chairperson you had the first hearing of such a claim said this is also a significant achievement Native title holder Peter De Rose said the The hearing of the Federal Court was in South Australia.” for the State, who played a key role in compensation determination was a better held at an important rock hole, Ilpalka, this outcome and have worked closely experience compared to the group’s fight on De Rose Hill Station. Now, again, you are leading the charge. with De Rose Hill Ilpalka Aboriginal for native title recognition which lasted This is the first time an award of Corporation through the entire process. -
Interweaving Oral and Written Sources in Compiling Torres Strait Islander Genealogies
Oral History Australia Journal No. 41, 2019, 87–97 Necessary but not Suffcient: Interweaving Oral and Written Sources in Compiling Torres Strait Islander Genealogies Anna Shnukal under which the information was recorded; by whom 1 Introduction and for what purpose information was recorded; the Despite their defciencies, Torres Strait Islander informant’s relationship with the named individual. genealogies are relevant to oral, family and local The defects of oral sources include unreliable or even historians, linguists, anthropologists, archaeologists contradictory memories, generational confation, the and native title practitioners.Kinship and the creation of use of alternative names for an individual and gaps individual and family connections (‘roads’) which are in the early genealogical record (for reasons outlined orally transmitted over the generations are fundamental below). to Islander culture and society. It is only through In 1980 I was awarded a post-doctoral sociolinguistic detailed genealogical research that the relationships research fellowship by the Australian Institute of between individuals, families, clans and place in Torres Aboriginal Studies (today AIATSIS). I was to devise Strait can be discerned. These relationships continue to a spelling system, grammar and dictionary for the infuence the history of the region and, more generally, regional lingua franca – now called Torres Strait Australia. Creole or Yumpla Tok – and document its history. I Although Islanders began to record genealogical subsequently compiled over 1200 searchable family information in notebooks and family bibles from the databases from the 1830s to the early 1940s (and, 1870s, the academic study of Islander genealogies in some cases, beyond). Describing this unwritten began with W.H.R. -
Community Engagement Plan
Aboriginal + Torres Strait Islander COMMUNITY ENGAGEMENT PLAN St Teresa’s College, Abergowrie seeks to ensure that Aboriginal and Torres Strait Islander students, families and communities through active engagement and collaborative partnerships, have equitable access to quality education that is mutually enriching for all. ST TERESA’S COLLEGE We acknowledge the traditional custodians of this land the Warragamay people and pay our respects to the elders both past, present and future for they hold the memories, the traditions, the culture and hopes of Aboriginal Australia. We must always remember that under the concrete and asphalt this land, is, was and always will be traditional Aboriginal land. In addressing the Aboriginal and Torres Strait Islander peoples at Alice Springs in 1986, Pope John Paul ll said: “You are part of Australia and Australia is a part of you. And the Church herself in Australia will not be fully the Church that Jesus wants her to be until you [the Indigenous peoples of Australia] have made your contribution to her life and until that contribution has been joyfully received by others.” Address of John Paul II to the Aborigines and Torres Strait Islanders in Alice Springs, 29 November 1986 [online]. The Australasian Catholic Record, Vol. 83, No. 3, July 2006: 259-263. CONTEXT PURPOSE INTRODUCTION Warrgamay REGIONS WE WORK WITH Torres Strait Islands St Teresa’s College Abergowrie, is a Parents, carers, families and communities play a crucial role in St Teresa’s College, Abergowrie Traditional Owners Northern Penninsular Area Catholic secondary boys’ boarding College supporting successful learning outcome for children. This strategy respects, affirms and located in the Herbert River Valley, 38kms is about the College engaging with parents and communities to acknowledges the position of The College seeks to engage the Gulf of Carpentaria from Ingham, situated on Warragamay work together to maximise student-learning outcomes. -
VIBE ACTIVITIES Issueyears 198 K-1
Years K-1 Y E A R Name: K-1 VIBE ACTIVITIES IssueYears 198 K-1 Female Artist of the Year – Jessica Mauboy page 7 Shellie Morris DeGeneres Show. In April, she was ranked at number 16 on FEMALE ARTIST Contemporary folk musician Shellie Morris the Herald-Sun’s list of the ‘100 was raised in Sydney and began singing at a Greatest Australian Singers of All Time’. young age. As a young woman she moved Mauboy has been in the US working OF THE YEAR to Darwin to find her Indigenous family and on her upcoming third studio album, also found her musical legacy. That connection which is due for release in late 2013. and knowledge has helped her become a talented and popular singer/songwriter with musicals, Hollywood blockbusters and a voice that has been described as “soaring”. Casey Donovan collaborations with showbiz and musical At the age of 16, Casey Donovan became luminaries, such as Baz Luhrmann, Paul Kelly Shellie has played with artists such as Sinead and David Atkins. O’Connor, Gurrumul and Ricki-Lee Jones and the youngest ever winner of Australian featured as a singer with the Black Arm Band. Idol, and has since made her mark on Anu began her performing career as both the Australian music and theatre a dancer, but quickly moved on to singing Ngambala Wiji Li-Wunungu (Together We are scene. After releasing her debut EP, Eye back-up vocals for The Rainmakers and Strong) is Shellie’s latest release; recorded 2 Eye, Casey was encouraged to try her eventually releasing her own solo material, with family members from her grandmother’s hand at theatre where she received which has produced platinum- and country in Borroloola, the album is sung critical acclaim for her roles in the 2010 gold-selling albums and singles, including entirely in several Indigenous languages. -
March 2016 Council Meeting Minutes
MINUTES OF THE ORDINARY MEETING OF THE TORRES SHIRE COUNCIL HELD IN THE SHIRE OFFICES, DOUGLAS STREET, THURSDAY ISLAND ON TUESDAY, 15 MARCH 2016 ___________________________________________________________________________________________________________________________________ PRESENT Mayor Pedro Stephen AM (Chair), Cr. Yen Loban, Cr. John Abednego, Cr. Allan Ketchell, Dalassa Yorkston (Chief Executive Officer), Andrew Brown (Director Corporate and Community Services), Bill Cuthbertson (Director Engineering and Infrastructure Services) and Nola Ward Page (Minute Secretary) The meeting opened with a prayer by Mayor Stephen at 9.08am. ACKNOWLEDGEMENT The Mayor acknowledged the traditional owners The Kaurareg People upon whose land we hold our meeting also the elders representing the clans from the four winds of Zenadth Kes. APOLOGY An apology was received from Cr. Willie Wigness. Min. 16/03/1 Moved Cr. Loban, Seconded Cr. Abednego “That the apology received from Cr. Wigness be accepted.” Carried CONDOLENCES As a mark of respect, Council observed a minute’s silence in memory of: Elder Palm Baigau Stephen Mr Ali Drummond (Snr) Ms Sarah (Serai) Lowah Mr Leigh Milbourne Ms Melora Elthia Nai Arthur Pitt Pauls Mills DISCLOSURES OF INTEREST UNDER THE LOCAL GOVERNMENT ACT - Nil CONFIRMATION OF MINUTES Min. 16/03/2 Moved Cr. Ketchell, Seconded Cr. Loban “That Council receive the Minutes of the Ordinary Meeting of 16 February 2016 and confirm as a true and correct record of the proceedings.” Carried MATTERS OF ACTION FROM PREVIOUS MEETING - Nil MAYOR’S REPORT Acknowledgement of the Zendath Kes Traditional Owners past and present Queensland Road Safety Grant The Department of Transport and Main Roads offers funding to community groups for community initiatives that work to address road safety issues in support of the strategic objectives of the Queensland Road Safety Action Plan 2015-2017 and the Queensland Road Safety Strategy 2015-2012. -
Celebrating Aboriginal and Torres Strait Islander Culture
20 Preschool Matters Term three 2015 CELEBRATING ABORIGINAL AND TORRES STRAIT ISLANDER CULTURE Each year from 27 May to 3 June, • Look at a wide range of Aboriginal and • Let families know about local Aboriginal National Reconciliation Week provides Torres Strait Islander art from around and Torres Strait Islander events, an opportunity to take action to build the country – x-ray art, watercolour exhibitions, and festivals e.g. the respect and strengthen relationships paintings, dot paintings, bark paintings, Koorie Night Markets between the wider Australian community printed textiles. • The Indigenous Professional Support and Aboriginal and Torres Strait Islander • Explore the lives of Indigenous sports Program may be able to assist. For peoples. However, any time is a good time men and women – e.g. Cathy Freeman, example, the Victorian Aboriginal to celebrate Australia’s first-peoples and Adam Goodes, Nicky Winmar. Education Association Incorporated their cultures. (VAEAI) can provide support to raise • Plan a visit or check out the Bunjilaka cultural competency in mainstream This year National Reconciliation at Melbourne Museum: visit the early childhood services – visit the Week focused on engaging the next Bunjilaka website VAEAI website generation. Narragunnawali: Reconciliation • Use Indigenous animals and plants • Review your Inclusion and Equity Policy in Schools and Early Learning supported in play to connect with your local and ensure that everyone at the service early childhood services, primary and environment. secondary schools in Australia to develop is familiar with its contents. environments that foster a higher level of knowledge and pride in Aboriginal and Torres Strait Islander histories, cultures and contributions. Here are some activities to celebrate Aboriginal culture, and connect with Aboriginal and Torres Strait Island families, in your community: • Find out who are the traditional owners of the land on which your service is located – talk to local Indigenous organisations and groups and the Indigenous officer at your local council. -
Publisher Version (Open Access)
Issue No. 7 (September 2003) — New Media Technologies The Technology, Aesthetic and Cultural Politics of a Collaborative, Transnational Music Recording Project: Veiga, Veiga and the Itinerant Overdubs By Denis Crowdy and Karl Neuenfeldt New media innovations and the popularity of ‘world music’ have facilitated crosscultural and transnational recording projects in the past few decades. New media technology makes collaboration at a distance feasible and a market for the very eclectic genre(s) of ‘world music’ makes projects potentially economically viable. Beginning approximately in the mid- 1980s with the popularity, and contentiousness, of Paul Simon’s Graceland project (Meintjes 1990) and other ‘world music’ projects such as Deep Forest (Feld 2000), academic researchers have explored the nature, legality and cultural dynamics of such recordings (e.g. Mills 1996; Zemp 1996). An ancillary to such research has been research into the multifaceted roles of academics in such kinds of cultural production. Cultural production here includes the overlapping components of most contemporary cultural products, including their ‘circuit of culture’ (production, regulation, identity, representation and consumption) (Du Gay 1997). Such research provides insights into the processes and end products of cultural production of a particular ‘art world’ of shared aesthetics (Becker 1982), in this case popular music. Examples of such academic involvement include: production and participation in educational dance performances (Mackinlay 2001), soundscape and acoustic ecology recordings (Feld 1991, 2001; Feld and Crowdy 2002), and commercial or community-orientated music CDs (Scales 2002, Neuenfeldt 2001). This article describes and analyses the aesthetic, technological and cultural processes informing the cultural production of Veiga, Veiga, a song recorded by 73-year-old Australian Torres Strait Islander Henry (Seaman) Dan. -
AIATSIS Guidelines for Ethical Publishing 5
Guidelines for the ethical publishing of Aboriginal and Torres Strait Islander authors and research from those communities Aboriginal Studies Press The Australian Institute of Aboriginal and Torres Strait Islander Studies First published in 2015 by Aboriginal Studies Press © The Australian Institute of Aboriginal and Torres Strait Islander Studies All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its education purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act. Aboriginal Studies Press is the publishing arm of the Australian Institute of Aboriginal and Torres Strait Islander Studies. GPO Box 553, Canberra, ACT 2601 Phone: (61 2) 6246 1183 Fax: (61 2) 6261 4288 Email: [email protected] Web: www.aiatsis.gov.au/asp/about.html Aboriginal and Torres Strait Islander people are advised that this publication contains names and images of people who have passed away. Guidelines for ethical publishing 3 Welcome (from the AIATSIS Principal) I’m pleased to have the opportunity to welcome readers to these guidelines for ethical publishing. As the Principal of AIATSIS, of which Aboriginal Studies Press (ASP) is the publishing arm, I’ve long had oversight of ASP’s publishing and I’m pleased to see these guidelines because they reflect ASP’s lived experience in an area in which there have been no clear rules of engagement but many criticisms of the past practices of some researchers, writers, editors and publishers.