Breaker Morant Movie Script in PDF Format

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Scripts.com

Breaker Morant

By Jonathan Hardy

Page 1/45

1Hurry up, man. Party, right wheel. This court of inquiry has completed its investigation. Do you wish to make any statement or give any evidence? Harry Harbord Morant. Lieutenant, Bushveldt Carbineers. I enlisted in South Australia. I was with the second contingent for nine months and was promoted to sergeant in that corps. I received my commission when l transferred to the Transvaal Constabulary. I returned to England on six months' leave and with the help of my friend, Captain Hunt, patched up a quarrel, an old quarrel with my family. I had intended to go back to England to live after the war. On my return to South Africa, I fought at Karee Siding and Kunstadt under Lord Roberts. I also fought with General French's cavalry brigade at Diamond Hill. After that, there were requests for volunteers to join the Bushveldt Carbineers in the Northern Transvaal. I joined on April 1, 1900. April Fools' Day. In the Carbineers, I was responsible for the capture of Boer commando leader, Kelly. I was recommended for a DSO. I take full and entire responsibility for the events at Fort Edward. I was, however, acting under orders. I was also deeply disturbed by what happened to Captain Hunt. No sentries. Either they're asleep or there's no one there. -No horses either.

Page 2/45

-No. Ask him if he's sure if the information is correct. They have returned from the Cape Colony. They are very weak. Stay here with three men and this boy. Keep the horses quiet. Cover us. Is not good, Captain. Get back! Get back over here. Fall back! Mount up! Let's get out of here! Can't you send them back? For Captain Hunt. Watch it, Peter. -Probably just a stone bruise. -You think that's all it is? -Yes. If he limps again, I'll swap it. -Patrol's back! Get the Breaker. Get the Breaker! That's my horse! What happened? All right, you men, break. -They've Captain Hunt. -They were waiting for us. There were many men. Captain Hunt was shot. There was nothing we could do. Bullets whizzing by like blowflies. Lost five men. George, go set it up. We're going out on patrol. There was nothing we could do. They must have known we were coming. Known? Of course they bloody knew. You can't trust these blokes. How many sides you fighting on, mate? Just because you sign a bit of paper don't mean the war's over. Mr. Taylor, so much for your damn intelligence report. Eight Boers, exhausted.

Page 3/45

That's what you said. Horses with fever, you said. What do you say now? I say avenge Captain Hunt. Prisoners and escort! Quick march! Come in. The court of inquiry has come to a recommendation. About time. It has been decided to proceed with a military court-martial here at Pietersburg. You will remain under close arrest. Major Charles Bolton to see Lord Kitchener and Colonel Hamilton. This way, sir. Charles, my dear chap. Good to see you again, sir. You come highly recommended, young man. Thank you, sir. I have a rather important prosecution I want you to handle. Yes, sir. Charles, you've heard of the Bushveldt Carbineers? Yes, a special force raised by Lord Kitchener to deal with the Boer guerrillas. Correct. Colonials, most of them. Australians. I understand they've been quite effective, sir. Very effective. We've just arrested three of them for shooting Boer prisoners and a German missionary. I've received, Bolton, a telegraph message from Whitehall. The German government has lodged a serious protest, -about the missionary in particular. -Yes, sir. The Kaiser, as you know, is our late Queen's grandson. The fact is that Whitehall feels the Germans

Page 4/45

are looking for an excuse to enter the war. On the Boers' side, of course. We don't want to give them one. Needless to say, the Germans couldn't give a damn about the Boers. It's the diamonds and gold of South Africa they're interested in. They lack our altruism, sir. Quite. Here's the report of the preliminary inquiry. The evidence against the Australians is overwhelming. Who's handling the defense, sir? We expect no difficulties there. Selected one of their own chaps a major from the New South Wales Mounted. Still can't get used to it. Court-martial. On the ship coming over here, the blokes used to joke about who'd be the first to get a VC. Scratch yourself from that race, mate. My father said the war would make a man of me. Everybody's father says that, George. -It's really... -Ironic? Ironic. He believes in the British Empire, you know. We all do in my family. That's why I volunteered, to help keep the Empire together. I volunteered because there's a depression back there and I've got a wife and kid. You believe in the Empire, Harry? Do I? Don't reckon he does, mate. Major J.F. Thomas. I'm your defending officer. -George Witton. -Harry Morant. New South Wales Mounted. What sort of a lawyer are you?

Page 5/45

They haven't locked me up yet. What sort of soldier are you? They're looking after you here? Looks a bit Spartan. Well, it's not exactly the Hotel Australia. More like a coffee palace. No grog. They gave you the report on the preliminary inquiry? -Yesterday. -Yesterday? -But the trial starts tomorrow. -We thought you were going to miss it. You don't know anything about us. Only what's in the preliminary report. And that, gentlemen, is not very flattering. As a matter of interest, how many courts-martial have you done? -None. -None? Jesus, they're playing with a double-headed penny, aren't they? Would you rather conduct your own defense? But you have handled a lot of court cases back home, sir? No. I was a country town solicitor. I handled land conveyancing and wills. Wills. Might come in handy. I'm going to need a lot of information. Do you think they're going to imprison us or cashier us, sir? -My father, if he found out... -Haven't they told you? There are several murder charges. The penalty is death. "Long as the waves shall roll "Long as fame guards us whole "And men who heart and soul thrill to true glory "Their deeds from age to age "Shall voice and verse engage "Swelling the splendid page of England's story" It's a matter of discipline and tradition.

Page 6/45

Do you think this could've happened with any contingent besides the Australians? But Morant's not an Australian. You're splitting hairs. He's been out there 15 years, learned all their bad habits. I never thought you colonials got lost, Major. I've been at the prison, sir. Major Thomas, Major Bolton. Captain Nicholson. Lieutenants Reed and Baxter. Miss... How do you do? I understand your Mr. Morant is something of a poet, Major. That's right. He wrote for a paper called The Bulletin in Sydney. A Tennyson of the Transvaal. The Byron of the Bushveldt Carbineers. Why is it he's referred to as Breaker Morant? Ladies' man, perhaps? A breaker of hearts. No, he was a horse breaker. I understand, the best in Australia. Quite a Renaissance figure. I daresay, if everything goes well, he could come and recite for us one night. In the meantime, this refined-looking fellow is an ex-opponent of ours, who's wisely signed the non-combatant pledge. They say he has a fine voice. Only speaks Dutch, though. So, Mr. Baxter and ladies, you'll have to tell us what it's all about. A few things to clear up. How many men at Fort Edward? About 50. Sometimes more, sometimes less. -And most were Australians? -We told you all this last night. -About 45 of them were. -Gentlemen. The intelligence officer, Captain...

Page 7/45

-Taylor? -Taylor, yes. -What did he have to do with this? -Nothing. Then who do you think filed the report that led to your arrest? Don't know, but it wasn't Taylor. He was a good bloke. Bring in the accused. This court-martial is convened by order of... I'd like to ask for an adjournment, sir. -Adjournment? We've only just arrived. -Yes, sir. I only just arrived in Pietersburg yesterday. It doesn't give me much time to prepare a defense. The prosecution's had six weeks. There are witnesses who have traveled over 60 miles for this hearing. Do you expect us to keep them around at taxpayers' expense? -Yes, sir. l need time... -Quite out of the question, Major... Thomas. This court-martial is convened by order... Yes, Major Thomas. This court-martial is unconstitutional, sir. The three defendants are Australian subjects, and as the country is now an independent commonwealth, they can only be tried by the Australian Army. The defendants, Major, were serving in the Bushveldt Carbineers, a unit under British command. This court-martial is convened by order of Horatio Herbert, Lord Kitchener of Khartoum, GCB, GCMG, RE, Commander in Chief of British and Colonial Forces in South Africa. The charges are as follows: Defendants Morant, Handcock, and Witton

Page 8/45

are charged with the murder of a Boer prisoner named Visser. They are also charged with the murders of six other Boer prisoners, names unknown. In addition, Lieutenants Morant and Handcock are charged with the murder of a German missionary, the Reverend H.C.V. Hesse. How do you plead? Not guilty. -Not guilty of all three charges? -Yes, sir. Your first witness, Major Bolton. Call Mr. Donald Robertson. Robertson, who's he? We told you about him last night. Take this Bible in your right hand. Now repeat after me, I swear by almighty God... I swear by almighty God... ...that the evidence I shall give before this court... -...shall be the truth... -...shall be the truth... -...the whole truth... -...the whole truth... -...and nothing but the truth. -...and nothing but the truth. Thank you. Would you like to take the witness chair? Captain Robertson, you were in the regular army for 20 years. Yes, sir. I was with the 10th Hussars before taking command of the Bushveldt Carbineers in the Transvaal. And how was discipline in the Carbineers? Impossible. Especially with the Australians. They didn't like picket duty or guard duty. The only day we could get them on parade was payday. Could you give the court any other examples

Page 9/45

of their breaches of discipline? There were so many. They'd only salute the officers they liked. -Reckon you didn't get too many salutes. -Order. Some of them had these illegal stills. Made this really strong drink out of corn and boot polish. -You'd know. You were their best customer. -Order. They stole cattle and sold them. Now, this cattle, did it belong to... I must object. Two of the defendants were not even at Fort Edward... Sir, I'm trying to establish for the court the irregularities and un-soldierly behavior of the Bushveldt Carbineers. Objection overruled. Thank you, sir. Would you go on please, Captain Robertson? I had to reprimand Handcock here for what l considered to be a serious breach of the rules of war. And what was that? He placed prisoners of war in open wagons in front of train engines. They could have been shot at by their own side. Thank you. That'll be all, Captain. Just hold your horses there. Do you wish to cross-examine the witness, Major Thomas? Yes, sir, I do. Now tell me... Tell us, when you joined the Carbineers, what were you told they'd be doing? -Fighting the enemy. -Yes. I mean, how? It was a new kind of corps, wasn't it? That's right. We had to fight behind the lines,

Page 10/45

against the Boer commandos. Commandos? That's a new word. That's a Boer word, isn't it? What does it mean? The commandos had to live off the land. Use hit-and-run tactics. Surprise attacks, that sort of thing. The Boers did it, so it was the only way we could fight back. And it must have been very difficult to maintain discipline under these sort of conditions? It was, with the Australians. -But you tried? -Aye. Like when you reprimanded Lieutenant Handcock for putting the war prisoners in the carriages in front of the engines? I told him we didn't do that sort of thing. But in the Carbineers, I mean, you were doing a lot of things that you'd never done before. That's right, but there's a limit. What was Lieutenant Handcock's reason for placing these carriages of prisoners in front of trains? The Boers had been mining the lines and blowing up a lot of trains. He thought it might stop them. Did it? Yes, they did stop blowing up the trains, but I don't think that's the... When you were in command at Fort Edward before the late Captain Hunt and Lieutenant Morant took over, what did you do with Boer prisoners? How do you mean? Fort Edward's only a farmhouse. There aren't any facilities for them there. What did you do with them? We sent them down here

Page 11/45

under guard to Pietersburg. I see. How many of them did you send down here to Pietersburg? Fifty, seventy, -I really couldn't say. -I've been informed that during your command only 29 prisoners were sent to Pietersburg. So what did you do with the others? It's quite a discrepancy, isn't it, -between 50... -Objection, Mr. President! -This man is not on trial. -He bloody ought to be. Extraneous comments prejudice your case, Lieutenant Handcock. -What in hell does that mean? -Objection allowed. Was there a policy to shoot prisoners in the Bushveldt Carbineers? Mr. President! The defending officer is attempting to incriminate the witness. Major Thomas, objection allowed. The witness is not on trial. Sir, I'm trying to establish the credibility... -I'm sorry, lack of all credibility... -Objection! You are incriminating the witness, Major! All right. Just one more question. Did you discontinue the practice of placing prisoners in open carriages? No. No, I didn't. Why not, if you objected to it? Could it have been that the practice, though irregular, was effective in controlling Boer attacks? Yes. That will be all, Mr. Robertson. You may stand down, Mr. Robertson.

Page 12/45

Good on you, mate. I will proceed now, sir, with the extraordinary events following the death of Captain Hunt -and the subsequent murder of the Boer... -Objection. This has not yet been proved. Objection allowed. The subsequent death of the Boer prisoner, Visser. Sergeant Major Drummond, following your patrol's return to Fort Edward, Lieutenant Morant ordered the force to return immediately to Phil Jurne's farmhouse. Yes, sir. He didn't even let us have a feed. George, check the house! Five men, with me! Is it Hunt? What's left of him. We'll rest the horses, then we'll go after them. They got nearly two days' start, and we don't have the direction. They'll have gone to the Waterberg. Where else can they go? Christ! We rode another couple of days, up on to the high veldt. Hardly ever stopped. Morant was right about where they'd gone. We'll get them now. -We ought to wait an hour, it'll be dark then. -We'll get them now! We got a few of them, but most of them got away. Get on back. Horseback! Hurry it up. Get that body off the tent. Come on, you blokes, get some of this Boer coffee in you while you can. -We've got to follow.

Page 13/45

-Bugger the Boers. What do you think you're doing? Come on, get out of there. Get out of there. You're in trouble, mate. Get up. He's wearing Hunt's uniform. Get up there. Your name? -Ask him his name. -What is your name? Teunis Visser. You were at the farmhouse. You killed Captain Hunt, the British officer. -He says no. He didn't kill him. -What do you mean you didn't kill him? You're wearing his bloody jacket, blast you! What do you mean you didn't kill him? This man killed Captain Hunt! He will be executed immediately! I want an eight-man firing squad. I reckon we ought to take him back to Fort Edward. I want to be on the firing party, Lieutenant. He killed Captain Hunt. If he did not, he would not have his uniform. Please, Lieutenant. Most of the blokes aren't too keen on this. Why don't you have a yarn with him? He might take some notice of you. You killed him! You're wearing his bloody jacket, man! -Harry. -He will be executed, George. Captain Hunt had bullet wounds only in the shoulder and the leg. They mutilated him! They mutilated him with knives while he was still alive. He'll never get to heaven if he doesn't die. Yeah, he's gonna sleep real good tonight. Get up, come on. Ready! Aim!

Page 14/45

Fire! Did you object to Lieutenant Morant's treatment of the prisoner? Yes, sir. Do you consider that the prisoner was given a fair trial? No, sir. Not in the state Lieutenant Morant was in. He was like a madman, sir. Thank you, Sergeant Major Drummond. Any questions, Major Thomas? You are aware that Lord Kitchener issued orders that Boers caught wearing khaki were to be shot? Major, Lord Kitchener's order only applied if they were wearing khaki with an intention to deceive. -The first l've heard of that. -That's how they're interpreting it. More like he was trying to keep out the cold. The Boers are real short of supplies. You are a regular soldier and were one of the first to join the Bushveldt Carbineers. -You served under Captain Robertson? -That's right. Would you agree that discipline had improved once Mr. Robertson was removed and Captain Hunt and Lieutenant Morant took over. I suppose. Try yes or no, Sergeant Major. Yes. Morant and Handcock broke up illegal stills, did they not? -And forced troopers to return stolen cattle? -Yes. There were, in fact, dismissals from the corps. Did this cause resentment

Page 15/45

against Morant and Handcock? A bit. It's natural. And some of those dismissed are now witnesses for the prosecution? Yes. Were not you yourself reprimanded for holding stolen cattle? I explained that! I came across them while l was on patrol. I only impounded them, that's all! I have no more questions. You may stand down, Mr. Drummond. -You couldn't lie straight in bed. -I don't have to take that from you. Come outside, I'll knock your bloody head off. Control yourself, Mr. Handcock, or you'll find yourself in serious trouble. You find that amusing. I was just wondering how much more serious things could be. Anytime, mate. Since signing a non-combatant agreement you've been a guide and interpreter to the Carbineers? Yes. Would you please tell the court exactly what happened after the capture of the Boer prisoner? No one wanted to go on the firing party. So he said if we did not, he would shoot the prisoner himself. Mr. Botha, do you consider that the prisoner, Visser, received a fair trial? Objection! The witness is obviously not qualified to answer. I will rephrase the question. Was the trial of Visser in any way similar to this court-martial? No. Nothing like this. I repeat, the witness is not in the British Army. He is not qualified to answer.

Page 16/45

I believe the question is pertinent. You may proceed, Major Bolton. I have no more questions, Mr. President. But I would like to add that I've been generous in even using the word "trial" or "court-martial" in relation to the killing of Visser. It was a conspiracy. lt was a consultation. It was a measure to mature a criminal purpose, but it was not a court. Trooper Botha. Didn't you volunteer to shoot the prisoner Visser? If word got around town he was offering to shoot his mates his life wouldn't be worth half a crown. -You volunteered, Trooper Botha. -No. No. I only obeyed orders. That is a lie. Didn't all the troopers in the firing squad volunteer? No, I was commanded. You knew Captain Hunt had told Lieutenants Morant and Handcock not to bring in prisoners, -but to shoot them. -I did not. I knew nothing of such orders. Company, halt. Company, order. Number one sentry, step forward. Lieutenant Morant, Captain Hunt was a particular friend of yours. Yes. I mean... I was engaged to his sister in England. So his death was very disturbing to you. It was more the way he died. He was mutilated. You were present at the action where Captain Hunt was killed? No.

Page 17/45

Then how do you know he wasn't killed in a fair fight? Because I saw his body. Some time later. You can't possibly know how Captain Hunt met his death. So you cannot produce any evidence to connect Visser with it. So then why did you order him to be shot? It is customary during a war to kill as many of the enemy as possible. Was your court at the trial of Visser constituted in any way like this? -What rule did you shoot him under? -Like this? No, sir, it wasn't quite like this. No, sir, it wasn't quite so handsome. And as for rules, we didn't carry military manuals around with us. We were out on the veldt, fighting the Boer the way he fought us. I'll tell you what rule we applied, sir. We applied rule 3-0-3. We caught them and we shot them under rule 3-0-3. Farewell to Lochaber And farewell, my Jean Where heartsome with thee I hae monie days been Did you get a reply from the consul? No. Either the English aren't sending the telegrams or the Australians are ignoring them. How's your eyesight, Sergeant? Very weak, sir. Thank you. You're the best witness the prosecution's got, Harry. Better watch your temper. Yes, I'm sorry. It's my great failing. lmpetuosity. Most un-British. You better watch yourself, too.

Page 18/45

This is a British court-martial, not a backbox pub. We've got a few witnesses of our own tomorrow, anyway. Not many. Just about anyone with a good word for us has been sent to India. Go on, read it to us, Harry. Peter, come on. You know you loathe poetry. There's not much else to bloody do here. Come on, read it. "Oh, those rides across the river "Where the shallow stream runs wide "And the sunset's beams were glossing strips of sand on either side "We would cross the sparkling river on the brown horse and the bay "Watch the willows sway and shiver and the trembling shadows play "'Tis a memory to be hoarded "Of a foolish tale and fond "Till another stream be forded "And we reach the great beyond" I don't want to die. Every life ends in a dreadful execution, George. Yours will be much quicker and less painful than most. And a lot earlier than most. I swear by almighty God... Just a Charlie who used to be with the Carbineers. Boers aren't fond of turncoats. Captain Taylor, you were with the Bushveldt Carbineers, but not actually a member of the corps? That's correct. I joined the Carbineers as intelligence officer at the request of Lord Kitchener. I had lived in South Africa before the war and spoke some of the native languages as well as Dutch.

Page 19/45

And were you senior to Lieutenant Morant? I was senior, yes, but the day-to-day running of the corps was left to Lieutenant Morant. Although he sometimes referred matters to me. And what is your opinion of Lieutenant Morant? A good fellow. One could not help liking him. He was a little hotheaded. Inclined, perhaps, to do things on the impulse of the moment. The men obeyed him. He's a good soldier. Did you know Captain Hunt well? Hunt? Yes, I did. Did you know of any orders to shoot Boer prisoners? There was an understanding. Kitchener is quite right, you know. Lord Roberts is far too correct for this kind of a war. All the internments, deportations should be over in a matter of months. -You'll be going home? -Me? I don't think so. There should be a few opportunities here. Nothing will keep me in South Africa. Good day. How did you do? -Pretty good, by the look of it. -No stopping me now, Peter. Go well, Harry? Not bad. One dead, one wounded. Mind you, I got 13 of them. Crept up on them while they were asleep. This lot surrendered. God, Harry, we've got no facilities for prisoners, can't even feed them. Execute those men. You too, Greg. Simon, I thought the proclamation only applied to Boers

Page 20/45

Recommended publications
  • Bruce Beresford's Breaker Morant Re-Viewed

    Bruce Beresford's Breaker Morant Re-Viewed

    FILMHISTORIA Online Vol. 30, núm. 1 (2020) · ISSN: 2014-668X The Boers and the Breaker: Bruce Beresford’s Breaker Morant Re-Viewed ROBERT J. CARDULLO University of Michigan Abstract This essay is a re-viewing of Breaker Morant in the contexts of New Australian Cinema, the Boer War, Australian Federation, the genre of the military courtroom drama, and the directing career of Bruce Beresford. The author argues that the film is no simple platitudinous melodrama about military injustice—as it is still widely regarded by many—but instead a sterling dramatization of one of the most controversial episodes in Australian colonial history. The author argues, further, that Breaker Morant is also a sterling instance of “telescoping,” in which the film’s action, set in the past, is intended as a comment upon the world of the present—the present in this case being that of a twentieth-century guerrilla war known as the Vietnam “conflict.” Keywords: Breaker Morant; Bruce Beresford; New Australian Cinema; Boer War; Australian Federation; military courtroom drama. Resumen Este ensayo es una revisión del film Consejo de guerra (Breaker Morant, 1980) desde perspectivas como la del Nuevo Cine Australiano, la guerra de los boers, la Federación Australiana, el género del drama en una corte marcial y la trayectoria del realizador Bruce Beresford. El autor argumenta que la película no es un simple melodrama sobre la injusticia militar, como todavía es ampliamente considerado por muchos, sino una dramatización excelente de uno de los episodios más controvertidos en la historia colonial australiana. El director afirma, además, que Breaker Morant es también una excelente instancia de "telescopio", en el que la acción de la película, ambientada en el pasado, pretende ser una referencia al mundo del presente, en este caso es el de una guerra de guerrillas del siglo XX conocida como el "conflicto" de Vietnam.
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009

    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009

    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
  • Farscape Series 1 Cast

    Farscape Series 1 Cast

    Farscape series 1 cast click here to download Farscape (TV Series –) cast and crew credits, including actors, actresses, directors, writers and more. Astronaut John Crichton's "Farscape-1" space module is swallowed by a wormhole and spat out on the other side of the universe into the middle of a space battle. Zhaan (Virgina Hey) giving Crichton (Ben Browder) a "Delvian ear kiss" in Episode 1 ("Pilot") Scenes of D'Argo (Anthony. With Ben Browder, Claudia Black, Anthony Simcoe, Lani John Tupu. the Peacekeeper Alliance has but one hope: reassemble human astronaut John Crichton, once sucked into the Peacekeeper galaxy. Complete series cast summary. With Ben Browder, Claudia Black, Virginia Hey, Anthony Simcoe. Crichton has landed on Season 1 | Episode 7. Previous Episode complete credited cast. John Crichton (Ben Browder) – An astronaut from present-day Earth. At the start of the series, a test flight involving an. This article contains information about fictional characters in the television series Farscape. Toward the end of season one, Crichton encounters a mysterious alien race known only as The Ancients, who hide .. Wayne Pygram seemed to confirm this during an interview on the Farscape DVD set; while Dominar Rygel XVI. Farscape is a science fiction television show. Four regular seasons were produced, from to Each season consists of 22 episodes. Each episode is intended to air in a one-hour television timeslot (with Characters · Races · Peacekeepers. Spin-offs. Farscape: The Game · Farscape Roleplaying Game · The. Ben Browder, John Crichton, Farscape, WATN, Where are they now? © Getty Images. One of four people – alongside Claudia Black, Anthony Simcoe and Lani Tupu – to Browder has since been seen in series seven episode of Doctor Who , For most of Farscape, Wayne Pygram's hybrid Scorpius – a.
  • SFSNNJ NEWSLETTER What’S Love Got to Do with It? February 2009 Sunday Monday Tuesday Wednesday Thursday Friday Saturday

    SFSNNJ NEWSLETTER What’S Love Got to Do with It? February 2009 Sunday Monday Tuesday Wednesday Thursday Friday Saturday

    SFSNNJ NEWSLETTER What’s Love Got To Do With It? February 2009 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 4 5 6 7 7p That's Science Fiction Teeth (2007) Hillsdale Library 8 9 10 11 12 13 14 8p Suspense Central 7p Whispers from 8p Drawing A Heart-Shaped Box by Beyond Joe Hill Crowd 8p Face the Fiction Borders Books, Guests: Peter Garden State Plaza New Moon Comics, Gutierrez & Rob Mall, Paramus, NJ Little Falls, NJ Hauschild Lutheran Church of the Redeemer, Ramsey,NJ 15 16 17 18 19 20 21 2:30p Fantasy 8p Films to Come Gamers Group 4 Star Film Reality's Edge Game Discussion Store Borders Books, Ramsey, NJ 22 23 24 25 26 27 28 Infinite Chaos: 8p Themes of the 2p 8p Modern Masters Temnia Campaign Fantastic Star Doc by S.L. Viehl Ehrenfels Manor Borders Books, Rutherford, NJ New Moon Comics Ramsey Little Falls, NJ 29 1 February Face the Fiction “From Fan to Pro… and Back Again” How can simply watching too many movies as a fan lead to writing about them professionally… or starting a magazine… or a DVD label? And is there really such a big difference between the terms “fan” and “pro” as some would have us believe? For probably longer than they care to admit, Rob Hauschild and Peter Gutiérrez have been channeling their fannish tendencies into things like journalism, writing comics, media production, and teaching. In this slideshow-based talk, they’ll discuss their personal genre touchstones—not as classics deemed such by “experts” but as pop culture items that have inspired them and, in many cases, probably you as well.
  • George Miller, MAD MAX (1979, 88 Minutes)

    George Miller, MAD MAX (1979, 88 Minutes)

    24 March 2015 (Series 30:8) George Miller, MAD MAX (1979, 88 minutes) Directed by George Miller Written by James McCausland, George Miller, and Byron Kennedy Produced by Byron Kennedy and Bill Miller Music by Brian May Cinematography by David Eggby Film Editing by Cliff Hayes and Tony Paterson Art Direction by Jon Dowding Costume Design by Clare Griffin Stunts by Chris Anderson, Dale Bensch, David Bracks, Phil Brock, Michael Daniels, Gerry Gauslaa, Terry Gibson, George Novak, and Grant Page Mel Gibson ... Max Joanne Samuel ... Jessie Hugh Keays-Byrne ... Toecutter Steve Bisley ... Jim Goose Tim Burns ... Johnny the Boy Roger Ward ... Fifi Brendan Heath ... Sprog Lisa Aldenhoven ... Nurse Paul Johnstone ... Cundalini David Bracks ... Mudguts Nick Lathouris ... Grease Rat Bertrand Cadart ... Clunk John Ley ... Charlie David Cameron ... Underground Mechanic Steve Millichamp ... Roop Robina Chaffey ... Singer Phil Motherwell ... Junior Doctor Stephen Clark ... Sarse George Novak ... Scuttle Mathew Constantine ... Toddler Geoff Parry ... Bubba Zanetti Jerry Day ... Ziggy Lulu Pinkus ... Nightrider's Girl Reg Evans ... Station Master Neil Thompson ... TV Newsreader Howard Eynon ... Diabando Billy Tisdall ... Midge Max Fairchild ... Benno Gil Tucker ... People's Observer John Farndale ... Grinner Kim Sullivan ... Girl in Chevvy Peter Felmingham ... Senior Doctor John Arnold Sheila Florance ... May Swaisey Tom Broadbridge Nic Gazzana ... Starbuck Peter Culpan Hunter Gibb ... Lair Peter Ford Vincent Gil ... Nightrider Clive Hearne Andrew Gilmore
  • Movies and Television Shows List

    Movies and Television Shows List A.I. (2001). Runtime: 146 min – Cai Ewing Director: Steven Spielberg; Actors: Haley Joel Osment, Frances O'Connor In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically. A futuristic adaptation of the tale of Pinocchio, with David being the "fake" boy who desperately wants to become "real." OR Babylon 5. On Air: 1993-1999; 115 episodes, roughly 60 minutes long Actors: Michael O'Hare, Claudia Christian, et al. In the year 2258, it is ten years after the Earth-Minbari War. Commander Sinclair takes command of a giant five-mile- long cylindrical space station, orbiting a planet in neutral space. At a crossroads of interstellar commerce and diplomacy, Cmdr Sinclair (2d season Captain Sheridan) must try to establish peace and prosperity between various interstellar empires, all the while fighting forces from within the Earth Alliance.
  • BEN BROWDER Crichton" Mansions: the Dottie West Story Starring

    BEN BROWDER Crichton" Mansions: the Dottie West Story Starring

    i:i':,:, ,i., i ,:,iii:i:::r' ., ,,, i,, ,iliiii:i,, ii.,.:''i;',ti;,, ii..'.' ,,' l..,i'i :::: iii i,' i..' i',; t,:,: ,i,,,,ii i.l. ii.: ?.:i l:ii::r: i 1i,,.,.,.,' i,, i;ii i:tti ',1: ,,,., :,::: ii:i: ijjl''" i:j.i l:i ii:: rii :i,,,: :i,, ,:::: ::i:l l'' i,,,:.,.,.,.i':!: l:::: :.:l 'i::r :"' ::.: :::::: "'':,,.:, i+ Ji.. L!. i il'l.i ii i,,'"'* .....:i:1"'' CAST BIOS BEN BROWDER "Commander John Crichton" Ben Browder portrays Commander John Crichton, a2Oh-Centtxy American astronaut caught in a space accident that hurls him across many galaxies and into the adventure of a lifetime, in the SCI FI Channel original series Farscape. Browder is best known to television audiences for his role as "Sam," Neve Campbell's boyfriend in the Fox series, Party of Five. In addition, he appeared in several TV movies including Paper Mansions: The Dottie West Story starring Michelle Lee, Danielle Steel's Secrets starring Christopher Plummer and Josie Bissett, Innocent Victims with Rick Schroeder, and A Wing and A Prayer with Patty Duke. His serial TV credits include guest-starring roles in Melrose Place, Grace (Jnder Fire, Murder She Wrote and Boys of Twilight with Wilford Brimley. Browder made his feature film debut in Memphis Belle. He also appeared in Nevada wfih Gabrielle Anwar and Kirstie Alley, A Kiss Before Dying with Matt Dillon, and the independent feature Boogie Boy, directed by Craig Hamann. Browder appeared in the Broadway production of The Merchant of Venice starring Dustin Hoffrnan as well as regional theatre productions.
  • An Interview with Bruce Beresford

    An Interview with Bruce Beresford

    [ The NFSA’s Atlab/Kodak Cinema Collection ] FROM OCKERS TO THE OSCARS: AN INTERVIEW WITH Bruce Beresford 1 Bruce Beresford was one of the most prolific and proficient of the first generation of filmmakers in the Australian revival of the 1970s. More than most he worked adventurously across a wide genre range, and perhaps it was this facility that made him such an attractive proposition to Hollywood and elsewhere. HEN Bruce Beresford was in girl who played the violin to play a couple Melbourne in August to promote of folk songs, and then I added some gun- Whis memoir, Josh Hartnett defi- shots. There was a guy at the studio who nitely wants to do this … true stories from said, ‘That’s easy,’ and I could see how he a life in the screen trade (HarperCollins, did it – laying the film in one synchroniz- 2007), he spoke to Brian McFarlane about er and putting parallel ‘bang-bangs’ in the his Australian films. other. I thought this was a pushover and we just mixed the sound. The film was shown To get the trivial over first, did you once, at the Sydney Film Festival, then it went off 10 as one database confidently states, use to a few European ones. the pseudonym ‘Martin Agrippa’? As I understand it, you spent the early 7 No, Barry Humphries and I made a film for part of your career in the UK. What took one of his stage shows about a moviemak- you there? er whose name was Martin Agrippa. It was a send-up; he was an underground film- When I graduated from the University of maker and we called him Martin Agrippa.
  • Linden Wilkinson

    Linden Wilkinson

    BIOGRAPHY LINDEN WILKINSON LINDEN GRADUATED FROM NIDA IN 1976 THEATRE 2016 WUTHERING HEIGHTS Nelly Dean SHAKE & STIR THEATRE COMPANY DIR. NICK SKUBIJ 2015 NEIGHBOURHOOD WATCH Katrina + various ILLUMINATE EDUCATE DIR. SUSANNA DOWLING 2013 THIS FELLA, MY MEMORY Ensemble MOOGAHLIN PERFORMING ARTS DIR. FREDERICK COPPERWAITE 2013 GIRL IN TAN BOOTS Detective Carapetis GRIFFIN THEATRE COMPANY DIR. SUSANNA DOWLING 2011 BIDDIES Jess CHRISTINE DUNSTAN PRODS DIR. WAYNE HARRISON 2010 AUGUST OSAGE COUNTY Understudy STEPPENWOLF THEATRE 2008 THE GOOD GERMAN Gretel BLACK PEARL THEATRE/ SEYMOUR CENTRE 2006 LOSING LOUIS Elizabeth ENSEMBLE THEATRE DIR. ANDREW DOYLE 2002 WICKED SISTERS Judith GRIFFIN THEATRE COMPANY 1999 LIFE SUPPORT Gwen Golding ENSEMBLE THEATRE DIR: CHRIS CANUTE 1998 CURTAIN UP SBW INDEPENDENT THEATRE DIR: AARNE NEEME 1995 THE MOONWALKERS Dianne GRIFFIN THEATRE COMPANY DIR: ROS HORIN 1994 ALL SOULS Angela GRIFFIN THEATRE COMPANY DIR: ROS HORIN 1994 FLESH AND BLOOD – Rachel THEATRE SOUTH COMPANY MOTHER KNOWS BEST LTD 1991 MONEY & FRIENDS Penny ROYAL QUEENSLAND THEATRE COMPANY DIR: AUBREY MELLOR 1989 DAYLIGHT SAVING Stephanie ENSEMBLE PRODUCTIONS DIR: PETER KINGSTON 1987 THE RIVERS OF CHINA Rachel/Lidia SYDNEY THEATRE COMPANY DIR: PETER KINGSTON 1987 VOCATIONS Joy GRIFFIN THEATRE COMPANY 1986 BREAKING THE SILENCE MARIAN STREET THEATRE DIR: JOHN KRUMMEL 1985 THE PHILANTHROPIST Celia NORTHSIDE THEATRE CO DIR: TERENCE CLARKE 1985 PACK OF LIES Thelma MARIAN STREET THEATRE DIR: JOHN KRUMMEL 1985 GLAD BAGS Q THEATRE DIR: PETER KINGSTON 1984 EXTREMITIES
  • Bruce Beresford, TENDER MERCIES (1983, 100 Min)

    Bruce Beresford, TENDER MERCIES (1983, 100 Min)

    November 2, 2010 (XXI:10) Bruce Beresford, TENDER MERCIES (1983, 100 min) Directed by Bruce Beresford Written by Horton Foote Produced by Philip Hobel Original Music by George Dreyfus Cinematography by Russell Boyd Film Editing by William M. Anderson Robert Duvall...Mac Sledge Tess Harper...Rosa Lee Betty Buckley...Dixie Wilford Brimley...Harry Ellen Barkin...Sue Anne Allan Hubbard...Sonny Lenny von Dohlen...Robert Paul Gleason...Reporter Michael Crabtree...Lewis Menefee Norman Bennett...Reverend Hotchkiss Andrew Scott Hollon...Larue Rick Murray...Jake - Slater Mill Boys Member Stephen Funchess...Bertie - Slater Mill Boys Member Glen Fleming...Steve - Slater Mill Boys Member James Aaron...Henry - Slater Mill Boys Member Jerry Abbot...Piano - Country Blues Band Member Bobby Hibbitts...Drums - Country Blues Band Member Bountiful” 1953. He won two screenwriting Oscars: Tender Buddie Hrabal...Steel Guitar - Country Blues Band Member Mercies and To Kill a Mockingbird 1962, which was Robert Jerry Matheny...Guitar - Country Blues Band Member Duvall’s first film role (as Arthur ‘Boo’ Radley). He also won a Wayne Milligan...Bass - Country Blues Band Member Pulitzer Prize (for his play, “The Young Man from Atlanta”, 1995) and an Emmy (for his adaptation of a Faulkner story as “Old Man”, BRUCE BERESFORD (16 August 1940, Sydney, New South Wales, 1997). Australia) has directed 34 films, among them Mao's Last Dancer 2009, Evelyn 2002, Bride of the Wind 2001, Double Jeopardy 1999, RUSSELL BOYD (21 April 1944, Victoria, Australia) was Paradise Road 1997,
  • B7310 BREAKER MORANT (AUSTRALIA, 1980) (Other Titles: Heros Ou Salopards; Staerke Viljer)

    B7310 BREAKER MORANT (AUSTRALIA, 1980) (Other Titles: Heros Ou Salopards; Staerke Viljer)

    B7310 BREAKER MORANT (AUSTRALIA, 1980) (Other titles: Heros ou salopards; Staerke viljer) Credits: director, Bruce Beresford ; writer, Bruce Beresford, Jonathan Hardy, david Stevens ; original play, Kenneth Ross. Cast: Edward Woodward, Jack Thompson, John Waters, Bryan Brown. Summary: War film set in South Africa in 1898. Trying to counter the guerrilla tactics of the Boers, three Australian enlisted men commit war crimes and are tried and convicted by their English commanders in a politically expedient court martial. Though based on a true story, the film was identified as a ‘Vietnam’ film in the Richard Maxwell article (below) for its obvious parallels with the more recent guerrilla conflict. Alysen, Barbara. “Bryan Brown” Cinema papers n.31 (Mar/Apr 1981), p. 14-19. Arnold, Gary. “Movies: The bitter war of ‘Breaker Morant’“ Washington post (Apr 29, 1981), B1, B11. “Australia: Lenge leve fedrelandet!” Film & kino n.4 (1980), p. 130-31. “Australian pair pleased by N.Y. data for ‘Breaker’“ Variety 301 (Dec 24, 1980), p. 7+ [2 p.] Beilby, Peter. “Bob Saunders” Cinema papers n.31 (Mar/Apr 1981), p. 26-9, 100. Blake, Richard A. “Films: Trying circumstances” America 144 (Feb 14, 1981), p. 124. Bosseno, Christian. “Heros ou salopards” Revue du cinema n.354 (Oct 1980), p. 58- 9. Bothmann, Susan. “Consider ya voerdikt” Metro n.51 (autumn 1980), p. 16-19. [Breaker Morant] Cineaste 10 (fall 1981), p. 43. [Breaker Morant] Commentary 71 (May 1981), p. 73-81. [Breaker Morant] Film criticism 8/2 (winter 1984), p. 3-13. “Breaker Morant” Film review annual 1981 Englewood, N.J. : J.S.
  • Download and View Video Files, but Followed Discussions on the Newsgroup Regarding the Vidding Process and Clip Selection

    Download and View Video Files, but Followed Discussions on the Newsgroup Regarding the Vidding Process and Clip Selection

    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/74095 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Exploring the Vid: A Critical Analysis of the Form and its Works by Emily Charlotte Stevens A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Film and Television Studies University of Warwick, Department of Film and Television Studies August 2015 ii Table of Contents TABLE OF CONTENTS ................................................................................................. II ILLUSTRATIONS ....................................................................................................... IV ACKNOWLEDGEMENTS ......................................................................................... VIII ABSTRACT ............................................................................................................... IX INTRODUCTION ........................................................................................................ 1 BRIEF INTRODUCTION TO FANDOM AND HISTORY OF VIDS .......................................................... 5 REMIX, RECUT, REUSE ......................................................................................................