Bruce Beresford, TENDER MERCIES (1983, 100 Min)
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Bruce Beresford's Breaker Morant Re-Viewed
FILMHISTORIA Online Vol. 30, núm. 1 (2020) · ISSN: 2014-668X The Boers and the Breaker: Bruce Beresford’s Breaker Morant Re-Viewed ROBERT J. CARDULLO University of Michigan Abstract This essay is a re-viewing of Breaker Morant in the contexts of New Australian Cinema, the Boer War, Australian Federation, the genre of the military courtroom drama, and the directing career of Bruce Beresford. The author argues that the film is no simple platitudinous melodrama about military injustice—as it is still widely regarded by many—but instead a sterling dramatization of one of the most controversial episodes in Australian colonial history. The author argues, further, that Breaker Morant is also a sterling instance of “telescoping,” in which the film’s action, set in the past, is intended as a comment upon the world of the present—the present in this case being that of a twentieth-century guerrilla war known as the Vietnam “conflict.” Keywords: Breaker Morant; Bruce Beresford; New Australian Cinema; Boer War; Australian Federation; military courtroom drama. Resumen Este ensayo es una revisión del film Consejo de guerra (Breaker Morant, 1980) desde perspectivas como la del Nuevo Cine Australiano, la guerra de los boers, la Federación Australiana, el género del drama en una corte marcial y la trayectoria del realizador Bruce Beresford. El autor argumenta que la película no es un simple melodrama sobre la injusticia militar, como todavía es ampliamente considerado por muchos, sino una dramatización excelente de uno de los episodios más controvertidos en la historia colonial australiana. El director afirma, además, que Breaker Morant es también una excelente instancia de "telescopio", en el que la acción de la película, ambientada en el pasado, pretende ser una referencia al mundo del presente, en este caso es el de una guerra de guerrillas del siglo XX conocida como el "conflicto" de Vietnam. -
Breaker Morant Movie Script in PDF Format
Scripts.com Breaker Morant By Jonathan Hardy Page 1/45 1 Hurry up, man. Party, right wheel. This court of inquiry has completed its investigation. Do you wish to make any statement or give any evidence? Harry Harbord Morant. Lieutenant, Bushveldt Carbineers. I enlisted in South Australia. I was with the second contingent for nine months and was promoted to sergeant in that corps. I received my commission when l transferred to the Transvaal Constabulary. I returned to England on six months' leave and with the help of my friend, Captain Hunt, patched up a quarrel, an old quarrel with my family. I had intended to go back to England to live after the war. On my return to South Africa, I fought at Karee Siding and Kunstadt under Lord Roberts. I also fought with General French's cavalry brigade at Diamond Hill. After that, there were requests for volunteers to join the Bushveldt Carbineers in the Northern Transvaal. I joined on April 1, 1900. April Fools' Day. In the Carbineers, I was responsible for the capture of Boer commando leader, Kelly. I was recommended for a DSO. I take full and entire responsibility for the events at Fort Edward. I was, however, acting under orders. I was also deeply disturbed by what happened to Captain Hunt. No sentries. Either they're asleep or there's no one there. -No horses either. Page 2/45 -No. Ask him if he's sure if the information is correct. They have returned from the Cape Colony. They are very weak. Stay here with three men and this boy. -
SOUTH AUSTRALIAN FILM CORPORATION BRG 276 Series 1-3 Special Lists ______
__________________________________________________________________ SOUTH AUSTRALIAN FILM CORPORATION BRG 276 Series 1-3 Special Lists __________________________________________________________________ SOUTH AUSTRALIAN FILM CORPORATION BRG 276 Series 1 Special list __________________________________________________________________ 1. Aarons Way 1.1 Pt 1 & 2 - Third Draft Revised Dec. 22 1986. 2. Australia 2.1 Screenplay - Provisional Title, June 1987. 2.2 Screenplay - Working Title, May 1988. 3. The Battlers 3.1 Screenplay - First Draft, Feb. 1989. 3.2 Screenplay - Second Draft, June 1989. 3.3 Screenplay - Third Draft, Aug. 1989. 3.4 Screenplay - Fourth Draft, March 1991. 3.5 Story for Mini Series - (Master Copy) Second Draft, Dec. 1988. 3.6 Story for Mini Series - 1988 3.7 Story for Mini Series - 1989 3.8 Mini Series - Second Draft (with added notes) 1989. 3.9 Mini Series - Third Draft, July 1989 3.10 Synopsis - Brief outline of story for the Mini Series. 4. Blue Fin 4.1 Screenplay - Third Draft. 4.2 Screenplay - Fourth & Final Draft. 4.3 Screenplay - May 3rd 1978. 4.4 Screenplay - Script for Rewrites, May 11th 1978 (short and long version). 4.5 Continuity Script. 4.6 Folder includes : Script notes, Revisions and Amendments, and correspondence from the S.A. Film Corporation. 4.7 Folder includes: Media Releases, Posters, Newsletters, Minutes regarding promotion of Blue Fin, the Project Blue Fin School Package and merchandising of Blue Fin products. 4.8 Synopsis - Brief outline of Story. 4.9 Production Notes - include Synopsis, Photo’s, Character Biographies and Newspaper clippings. 4.10 Trailer - TV Advertisement Script. 4.11 Shooting Script. 5. Breaker Morant 5.1 Script - First Draft by Michael Craig, Nov. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Sound Speed Marker: an Archeology of Cinema by Gene Fowler – August 3, 2015
Sound Speed Marker: An Archeology of Cinema By Gene Fowler – August 3, 2015 The skeletal remains of Reata, the grand Their curiosities piqued by having seen facade of a Victorian mansion built near Wim Wenders’ 1984 film Paris, Texas while Marfa for the 1956 film Giant, stand like growing up in Australia and Switzerland, the crumbling bones of some impossible Hubbard and Birchler visited the small dinosaur that refused to fold into the earth. East Texas city of Paris, 20 miles south of Or some alien shipwreck that outlasted an the Red River, in 2007. There, exploring ancient sea, its creaking timbers moaning potential turf for their photographic series and defiant in the West Texas wind. Filmstills, they discovered the abandoned Grand Theater. With a history going back to The artist team of Teresa Hubbard and the silent film era, the Grand and collective Alexander Birchler spent two years filming Parisian memories of the theater proved to the ruin in all seasons and weather condi- be rich in what Fairfax Dorn of Ballroom tions. Its ghostly presence and the landscape Marfa, writing in the Sound Speed Marker in which it lingers play major roles in their catalog, calls “the physical, social, and psy- three-channel video installation, Giant chological traces that movies leave behind.” (2014), part of Sound Speed Marker, a trilogy of video installations on view at the Interviews with local residents, from the University of Houston’s Blaffer Art Museum Paris News film critic to an elderly woman that also includes the two-channel work who ran the theater’s candy stand in the Movie Mountain (Méliès) (2011) and the 1930s, excavate and interpret the movie pal- single-screen Grand Paris Texas (2009). -
Driving Miss Daisy
COPYRIGHTED MATERIAL FOR RESEARCH USE ONLY: MAY NOT BE DUPLICATED 2012.3.75 MAKING OF THE MOVIE DRIVING MISS DAISY (Transcript of television program The Real Miss Daisy, produced by WAGA-TV, Channel 5, Atlanta, and broadcast in 1990 on public television.) ANNOUNCER VOICE-OVER, with animated numeral 5 rotating and coming to a stop in the center of the screen: Your regular PBS programming will not be seen tonight so that we may bring you the following special program. ANNOUNCER VOICE-OVER: This program is presented as part of WAGA-TV’s year-long project, A World of Difference, in cooperation with the Anti-Defamation League of B’nai Brith and underwritten by Georgia Power Company and the Milken Foundation. ANNOUNCER VOICE-OVER, with title displayed onscreen: The Real Miss Daisy, brought to you by True Value Hardware, your store of first choice. ANNOUNCER (LISA CLARK) VOICE-OVER, with still shot of the three principal actors in Driving Miss Daisy: Dan Aykroyd, Jessica Tandy, and Morgan Freeman: This is the story about the story of three people and the world in which they lived. Screen changes from actors’ photograph to video of three presenters, WAGA-TV journalists: Jim Kaiserski on left, Lisa Clark in center, Ken Watts on right, standing next to vintage black Cadillac [the same one used in the film?] in front of WAGA-TV studios in Atlanta. JIM KAISERSKI: It’s a story about people, it’s a story about places, it’s a story about events that were real and some that weren’t. KEN WATTS: But reality isn’t the important point; truth is. -
Download Press
MAO’S LAST DANCER #28 1-SHEET COMPS_08.27.09 Special Gala Premiere Toronto Film Festival From the Oscar nominated producer and screenwriter of SHINE Directed by Bruce Beresford From the bestselling autobiography by Li Cunxin World Sales Celluloid Dreams Australia - 2009 - 117 min - 1:85 - Dolby SRD - English/Mandarin 2 rue Turgot, 75009 Paris, France T : + 33 (0) 1 4970 0370 F : + 33 (0) 1 4970 0371 [email protected] www.celluloid-dreams.com SYNOPSIS This is the inspirational true story of Li Cunxin, adapted from his best-selling autobiography and telling how, amidst the chaos of Mao’s Cultural Revolution, he was chosen to leave his peasant family and sent on an amazing journey … as it turned out towards freedom and personal triumph. Li’s story unfolds as China was emerging from Mao’s grand vision. It couldn’t have been a better time for Li Cunxin to discover the west and for the west to discover Li Cunxin. This is about how Li overcame adversity, discovering and exploring his natural abilities and talent as a great classical dancer. This meant not only dealing with his own physical limitations but also eventually the punishment meted out by a highly suspicious Chinese government after Li’s defection to the US. In America Li found a completely different and captivating new world – but there were other difficulties he could never have imagined. Even with the support of many friends there was still isolation and despite his growing fame there was still uncertainty for his future. Here is a poignant yet triumphant story, directed by twice Academy nominated director Bruce Beresford (BREAKER MORANT, DRIVING MISS DAISY, TENDER MERCIES, BLACK ROBE etc) from a stunning adaptation by experienced screenwriter, Jan Sardi (SHINE, THE NOTEBOOK, LOVE’S BROTHER etc) that has the ability to touch both worlds. -
Manchester Historical Society
U - MANCHESTER HERALD. Friday. May 9.1986 WEEKFND PLUS SPORTS m i Rhoda is loving Coventry tightens TAG SALE her new TV role conference race Are things piling up? Then why not have a TAG SALE? The best way to announce it is with a Herald Tag Sale ... magazine Inside > .. page 11 Classified Ad. When you place your ad, you’ll receive ONE TAG SALE SIGN FREE, compliments of The Herald. STOP IN AT OUR OFFICE, 1 HERALD SQUARE. MANCHESTER CAMPERS/ I MISCELLANEOUS H jJ C A R S Q j J O U B CARS aurliPBlrr HrralJi FOR SALE TRAILERS AUTOMOTIVE TAG SALES TAG SALES H TAG SALES FOR SALE FmiSMf ED N ) Manchester -- A City ol Village Charm Two E7B X 14 Whitewall M<A>chester High School 1970 Ford Torino. 302 en Apache Yuma Pop up tires with rims, used I'/i Tag Sale-Center Congre Moving sale. Multi- 1981 Black 280 ZK Turbo 1971 Ford Van, 302, stand camper. Stove, refrldger- Too Sole. Mov 17« 9am- gatlonal Church Man family: 2 humidifiers, 2 gine In excellent condi T-Bar, AT, leather uphals- ard transmission, custom years. Good condition $35 3pm. Spaces available. tion, only 78,000 original tery, wire wheels, Nordl otor, sink. Sleeps 5 plus. each. 643-6463 after 25 Cents Call 647-9504 or 643-0219. chester, Sat. May 10,9am. dehumidiflers, excercise ized with bed, very little Cleon SiSharp. $1,000firm. Saturday, May 10,1986 A "You won't believe It equipment, T.V., typewri miles. Transmission and wheel. In mint condition, rust, $1700 or Best offer 4:00pm. -
Steve Aaron CAS Resume
Steve C. Aaron, C.A.S. - Production Sound Mixer - Page 1 of 6 Professional sound mixing for the motion picture industry for over 35 years. Complete equipment packages to accommodate all aspects of location, stage and remote recording, as well as sync music playback, wireless ear wig prompting & ‘Voice Of God’ PA systems. Comprehensive background in ‘Post Production’ processing to include final mixing to ADR. “Solid sound tracks back up my body of work”. All credits listed are ‘actual worked’ credits. Feature film credits “Clover“ (aka She Hulk) MARVEL Studio Productions “Architect“ (aka LOKI) MARVEL Studio Productions Producers: Kevin Feige, Wendy Jacobson, Brad Winderbaum, Producers: Kevin Feige, Michael Waldron, Victoria Alonso, Victoria Alonso, Louis D’Esposito, Producer / Writer: Jessica Gao Louis D’Esposito, Tom Hiddleston Supervising Prod: Kevin Wright Line Producer: Trish Stanard Production Super: Amy Chance Line Producer: Trish Stanard Production Super: Amy Chance Director: Kat Coiro, Anu Valia Director: Kate Herron “Fear Street“ (Trilogy features 1994, 1666 & 1978) 20th Century Fox “Goosebumps 2“ – Sony Pictures Producers: Timothy Bourne, Peter Chernin, David Ready, Kori Adelson Producers: Timothy Bourne, Tania Landau, Neal Moritz, Deborah Forte Prod. Supervisor: Heath Howard Director: Leigh Janiak Prod. Supervisor: Heath Howard Director: Ari Sandel “MILE 22“ – STX Entertainment “The Hate U Give“ – 20th Century Fox Producers: Peter Berg, Mark Wahlberg, Stuart Besser, Stephen Levinson Producers: Tim Bourne, Wick Godfrey, Robert Teitel, Marty Bowen, Prod. Supervisor: Sharyn Shimada Director: Peter Berg Prod. Supervisor: Heath Howard Director: George Tillman Jr. “The Best of Enemies“ – Peachtree Cinema 2 “Simon vs The Homo Sapien Agenda“ – 20th Century Fox Prodrs: Jeremiah Sanders, Fred Bernstein, Dominique Telson, Matt Berenson Prodrs: Wyck Godfrey, Marty Bowen, Tim Bourne, Pouya Shahbazian Prod. -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC