DOCSLIB.ORG

George Miller, MAD MAX (1979, 88 Minutes)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
George Miller, MAD MAX (1979, 88 Minutes) 24 March 2015 (Series 30:8) George Miller, MAD MAX (1979, 88 minutes) Directed by George Miller Written by James McCausland, George Miller, and Byron Kennedy Produced by Byron Kennedy and Bill Miller Music by Brian May Cinematography by David Eggby Film Editing by Cliff Hayes and Tony Paterson Art Direction by Jon Dowding Costume Design by Clare Griffin Stunts by Chris Anderson, Dale Bensch, David Bracks, Phil Brock, Michael Daniels, Gerry Gauslaa, Terry Gibson, George Novak, and Grant Page Mel Gibson ... Max Joanne Samuel ... Jessie Hugh Keays-Byrne ... Toecutter Steve Bisley ... Jim Goose Tim Burns ... Johnny the Boy Roger Ward ... Fifi Brendan Heath ... Sprog Lisa Aldenhoven ... Nurse Paul Johnstone ... Cundalini David Bracks ... Mudguts Nick Lathouris ... Grease Rat Bertrand Cadart ... Clunk John Ley ... Charlie David Cameron ... Underground Mechanic Steve Millichamp ... Roop Robina Chaffey ... Singer Phil Motherwell ... Junior Doctor Stephen Clark ... Sarse George Novak ... Scuttle Mathew Constantine ... Toddler Geoff Parry ... Bubba Zanetti Jerry Day ... Ziggy Lulu Pinkus ... Nightrider's Girl Reg Evans ... Station Master Neil Thompson ... TV Newsreader Howard Eynon ... Diabando Billy Tisdall ... Midge Max Fairchild ... Benno Gil Tucker ... People's Observer John Farndale ... Grinner Kim Sullivan ... Girl in Chevvy Peter Felmingham ... Senior Doctor John Arnold Sheila Florance ... May Swaisey Tom Broadbridge Nic Gazzana ... Starbuck Peter Culpan Hunter Gibb ... Lair Peter Ford Vincent Gil ... Nightrider Clive Hearne Andrew Gilmore ... Silvertongue Telford Jackson Jonathan Hardy ... Labatouche Christine Kaman Miller—MAD MAX—2 Joan Letch Warrior, 1981 Road Games, 1979 Mad Max, 1978 Patrick, and Kerry Miller 1975 Dick Down Under. Janine Ogden Di Trelour Vernon Weaver David Eggby (cinematographer) (b. 1950 in London, England) Paul Young has been the cinematographer for 43 films and television shows, Brendan Young including 2013 Riddick, 2006 The Marine, 2003 Horseplay, 2002 Scooby-Doo, 1999 Virus, 1996 DragonHeart, 1994 Lightning Jack, 1993 Dragon: The Bruce Lee Story, 1991 Harley Davidson and the Marlboro Man, 1990 Quigley Down Under, 1989 Warlock, 1985 The Naked Country, 1982 Early Frost, 1980 Dead Man's Float, and 1979 Mad Max. Cliff Hayes (editor) (b. 1951 in Melbourne, Victoria, Australia) edited 13 films and television shows, some of which are 2015 I Am Evangeline, 1989 “Grim Pickings” (TV Mini-Series), 1982 We of the Never Never, 1980 Dead Man's Float, 1979 Mad Max, 1977 “Young Ramsay” (TV Series), 1976 “The Sullivans” (TV Series), and 1973 “Ryan” (TV Series). Tony Paterson (editor) (b. 1948 in Melbourne, Victoria, Australia) edited 28 films and television shows, including 2009 Personality Plus, 2001 Four Jacks, 1985 The Naked Country, 1983 Phar Lap, 1981 The Survivor, 1979 Mad Max, 1976 World of Sexual Fantasy, 1975 The Firm Man, 1973 Come Out Fighting, 1973 “Ryan” (TV Series), and 1964 “Homicide” (TV Series). Mel Gibson ... Max (b. Mel Columcille Gerard Gibson, January 3, 1956 in Peekskill, New York) won 2 1996 Academy Awards for Braveheart (1995): Best Director, and Best Picture, the latter of which he shared with Alan Ladd Jr. and Bruce Davey. He has George Miller (director) (b. George Miliotis, March 3, 1945 in appeared in 54 films and television shows, among them 2014 The Chinchilla, Queensland, Australia) won the 2007 Academy Expendables 3, 2012 Get the Gringo, 2010 Edge of Darkness, Award for Best Animated Feature Film of the Year for Happy 2003 The Singing Detective, 2002 We Were Soldiers, 2000 The Feet (2006). He wrote 14 films and television shows including Patriot, 1998 Lethal Weapon 4, 1997 Conspiracy Theory, 1997 2015 Mad Max: Fury Road, 2006 Happy Feet, 1998 Babe: Pig in Fathers' Day, 1996 Ransom, 1995 Braveheart, 1994 Maverick, the City, 1997 “40,000 Years of Dreaming” (TV Movie 1992 Forever Young, 1992 Lethal Weapon 3, 1990 Hamlet, 1990 documentary), 1995 Babe, 1992 Lorenzo's Oil, 1985 Mad Max Air America, 1990 Bird on a Wire, 1989 Lethal Weapon 2, 1988 Beyond Thunderdome, 1984 “Bodyline” (TV Mini-Series, 7 Tequila Sunrise, 1987 Lethal Weapon, 1985 Mad Max Beyond episodes), 1983 “The Dismissal” (TV Mini-Series), 1981 Mad Thunderdome, 1984 Mrs. Soffel, 1984 The River, 1984 The Max 2: The Road Warrior, and 1979 Mad Max. He also directed Bounty, 1982 The Year of Living Dangerously, 1981 Mad Max 2: 16 films and television shows, among them 2015 Mad Max: Fury The Road Warrior, 1981 Gallipoli, 1980 The Chain Reaction, Road, 2011 Happy Feet Two, 2006 Happy Feet, 1998 Babe: Pig 1979 Tim, 1979 Mad Max, 1977 Summer City, and 1976 “The in the City, 1992 Lorenzo's Oil, 1987 The Witches of Eastwick, Sullivans” (TV Series). He has also produced 18 films and 1985 Mad Max Beyond Thunderdome, 1983 Twilight Zone: The television shows, including 2014 Stonehearst Asylum, 2012 Get Movie, 1981 Mad Max 2: The Road Warrior, 1979 Mad Max, the Gringo, 2008 “Another Day in Paradise” (TV Movie 1971 Violence in the Cinema, Part 1 (Short), and 1971 St. documentary), 2008 “Carrier” (TV Series documentary, 10 Vincent's Revue Film. episodes), 2006 Apocalypto, 2005 Leonard Cohen: I'm Your Man, 2004-2005 “Complete Savages” (TV Series, 15 episodes), Brian May (music) (b. July 28, 1934 in Adelaide, South 2004 Paparazzi, 2004 The Passion of the Christ, 2003 The Australia, Australia—d. April 25, 1997 (age 62) in Melbourne, Singing Detective, and 1995 Braveheart. He also directed 7 films Victoria, Australia) composed music for 27 films and television and TV shows, including 2006 Apocalypto, 2004 “Complete shows, among them 2011 Mad Max Renegade (Short), 1992 Savages” (TV Series), 2004 The Passion of the Christ, 1995 Dead Sleep, 1991 Freddy's Dead: The Final Nightmare, 1987 Braveheart, 1993 The Man Without a Face, and 1991 “Mel Steel Dawn, 1987 Death Before Dishonor, 1986 Sky Pirates, Gibson Goes Back to School” (TV Movie documentary). In 1986 “Return to Eden” (TV Series, 22 episodes), 1984 Cloak & addition, he wrote 5 films and television shows, which are 2012 Dagger, 1983 A Slice of Life, 1981 Mad Max 2: The Road Get the Gringo, 2011 The Brain Storm (Short), 2006 Apocalypto, Miller—MAD MAX—3 2004 “Complete Savages” (TV Series), and 2004 The Passion of Lunch, 1995-2001 “Neighbours” (TV Series, 6 episodes), 2001 the Christ. The Bank, 1998 Terra Nova, 1993 Body Melt, 1988 A Cry in the Dark, 1988 Ghosts... of the Civil Dead, 1981-1986 “Prisoner: Joanne Samuel ... Jessie (b. 1957 in Camperdown, New South Cell Block H” (TV Series, 17 episodes), 1979 One More Minute, Wales, Australia) has appeared in 25 films and television shows, 1979 Mad Max, 1977-1979 “Chopper Squad” (TV Series), 1978 among them 2014 “Rake” (TV Series), 2001 “All Saints” (TV Solo, 1966-1976 “Homicide” (TV Series, 12 episodes), 1971- Series), 1997 “Fallen Angels” (TV Series), 1988-1990 “Hey 1974 “Matlock Police” (TV Series), 1974 Stone, 1969-1972 Dad..!” (TV Series, 7 episodes), 1985 “The Long Way Home” “Division 4” (TV Series, 7 episodes), 1969 You Can't See 'round (TV Movie), 1981 “Ratbags” (TV Series, 12 episodes), 1979 Corners, and 1965 “The Swagman” (TV Movie). Mad Max, 1979 “Skyways” (TV Series, 108 episodes), 1976- 1979 “The Young Doctors” (TV Series, 14 episodes), 1978 Douglas Gomery, in Film Reference: “Case for the Defence” (TV Series), 1974 “Homicide” (TV Along with contemporaries Peter Weir, Bruce Beresford, and Series), and 1973 “Certain Women” (TV Series). Gillian Armstrong, George Miller helped to bring Australian film to the international forefront by the mid-1980s with his brilliant Hugh Keays-Byrne ... Toecutter (b. May 18, 1947 in Srinagar, trilogy of Mad Max, Mad Max II ( The Road Warrior in the Kashmir, India) has appeared in 46 films and television shows, United States), and Mad Max: Beyond Thunderdome. In a some of which are 2011 Sleeping Beauty, 1999 “Journey to the desolate Australian space, sometime in the future, the police have Center of the Earth” (TV Mini-Series), 1998 “Moby Dick” (TV their hands full trying to keep the roads safe from suicidal, Mini-Series), 1988 “Badlands 2005” (TV Movie), 1984 Lorca maniacal gangs. Cop Mel Gibson quits, but then seeks revenge and the Outlaws, 1983 Going when his wife and child are Down, 1980 The Chain murdered. Mad Max was almost Reaction, 1979 Mad Max, 1978 lost when it was released in the Blue Fin, 1976 The late 1970s, but with the success Trespassers, 1976 Mad Dog of the sequel, the style and Morgan, 1975 “Polly My bleak outlook were seen to Love” (TV Movie), 1974 represent a tour de force of “Essington” (TV Movie), 1974 genre filmmaking. We have Stone, 1967 “Boy Meets Girl” little doubt what will happen; (TV Series), and 1967 but the way the story unspools “Bellbird” (TV Series). is what attracted audiences around the world. George Steve Bisley ... Jim Goose (b. Miller made Mad Max and December 26, 1951 in Lake made fellow countryman Mel Munmorah, New South Wales, Gibson an international star. Australia) has appeared in 60 The greatness of the Mad Max films and television shows, among them 2014 “Plonk” (TV films come from the images of burnt out men and women in a Series), 2013 The Great Gatsby, 2010 The Wedding Party, 2010 post-apocalyptic world of desolate highways. Characters are I Love You Too, 2003 “The Man from Snowy River: Arena dressed in what was left after the "end of the world," including Spectacular” (TV Movie), 1998-2001 “Water Rats” (TV Series, football uniform parts from American-style teams and other 97 episodes), 1999 In the Red, 1997 “Breaking News” (TV assorted bits and pieces of clothing. Miller seems to have Series, 13 episodes), 1995-1996 “G.P.” (TV Series, 52 episodes), patterned his hero after a Japanese samurai, but more insight can 1995 Sanctuary, 1992-1995 “Police Rescue” (TV Series, 26 be gained by comparing these three films with the westerns of episodes), 1986 “Call Me Mister” (TV Series, 10 episodes), 1984 Sergio Leone, such as Once upon a Time in the West.
Load more

Recommended publications
  • Bruce Beresford's Breaker Morant Re-Viewed
    FILMHISTORIA Online Vol. 30, núm. 1 (2020) · ISSN: 2014-668X The Boers and the Breaker: Bruce Beresford’s Breaker Morant Re-Viewed ROBERT J. CARDULLO University of Michigan Abstract This essay is a re-viewing of Breaker Morant in the contexts of New Australian Cinema, the Boer War, Australian Federation, the genre of the military courtroom drama, and the directing career of Bruce Beresford. The author argues that the film is no simple platitudinous melodrama about military injustice—as it is still widely regarded by many—but instead a sterling dramatization of one of the most controversial episodes in Australian colonial history. The author argues, further, that Breaker Morant is also a sterling instance of “telescoping,” in which the film’s action, set in the past, is intended as a comment upon the world of the present—the present in this case being that of a twentieth-century guerrilla war known as the Vietnam “conflict.” Keywords: Breaker Morant; Bruce Beresford; New Australian Cinema; Boer War; Australian Federation; military courtroom drama. Resumen Este ensayo es una revisión del film Consejo de guerra (Breaker Morant, 1980) desde perspectivas como la del Nuevo Cine Australiano, la guerra de los boers, la Federación Australiana, el género del drama en una corte marcial y la trayectoria del realizador Bruce Beresford. El autor argumenta que la película no es un simple melodrama sobre la injusticia militar, como todavía es ampliamente considerado por muchos, sino una dramatización excelente de uno de los episodios más controvertidos en la historia colonial australiana. El director afirma, además, que Breaker Morant es también una excelente instancia de "telescopio", en el que la acción de la película, ambientada en el pasado, pretende ser una referencia al mundo del presente, en este caso es el de una guerra de guerrillas del siglo XX conocida como el "conflicto" de Vietnam.
    [Show full text]
  • Breaker Morant Movie Script in PDF Format
    Scripts.com Breaker Morant By Jonathan Hardy Page 1/45 1 Hurry up, man. Party, right wheel. This court of inquiry has completed its investigation. Do you wish to make any statement or give any evidence? Harry Harbord Morant. Lieutenant, Bushveldt Carbineers. I enlisted in South Australia. I was with the second contingent for nine months and was promoted to sergeant in that corps. I received my commission when l transferred to the Transvaal Constabulary. I returned to England on six months' leave and with the help of my friend, Captain Hunt, patched up a quarrel, an old quarrel with my family. I had intended to go back to England to live after the war. On my return to South Africa, I fought at Karee Siding and Kunstadt under Lord Roberts. I also fought with General French's cavalry brigade at Diamond Hill. After that, there were requests for volunteers to join the Bushveldt Carbineers in the Northern Transvaal. I joined on April 1, 1900. April Fools' Day. In the Carbineers, I was responsible for the capture of Boer commando leader, Kelly. I was recommended for a DSO. I take full and entire responsibility for the events at Fort Edward. I was, however, acting under orders. I was also deeply disturbed by what happened to Captain Hunt. No sentries. Either they're asleep or there's no one there. -No horses either. Page 2/45 -No. Ask him if he's sure if the information is correct. They have returned from the Cape Colony. They are very weak. Stay here with three men and this boy.
    [Show full text]
  • PRODUCTION NOTES for Additional Publicity Materials and Artwork, Please Visit
    PRODUCTION NOTES For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity Run Time: 158 minutes U.S. Release Date: March 22, 2019 (In Theaters and On Demand) For more information, please contact: Liz Berger Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3092 E: [email protected] DRAGGED ACROSS CONCRETE SUMMIT ENTERTAINMENT Publicity Materials: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Hashtag: #DraggedAcrossConcrete Genre: Action Thriller Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity U.S. Release Date: March 22, 2019 (In Theaters and On Demand) Run Time: 158 minutes Cast: Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, with Thomas Kretschmann, and Don Johnson Written and Directed by: S. Craig Zahler Produced by: Keith Kjarval, p.g.a., Dallas Sonnier, p.g.a., Jack Heller, Tyler Jackson, Sefton Fincham SYNOPSIS: DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. With little money and no options, the embittered policemen descend into the criminal underworld and find more than they wanted waiting in the shadows. Summit Entertainment presents, a Unified Pictures production, a Cinestate production, in association with Look to the Sky Films and The Fyzz Facility, in association with Realmbuilder Productions. Synopsis DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media.
    [Show full text]
  • For Release: on Approval Motion Picture Sound Editors to Honor
    For Release: On Approval Motion Picture Sound Editors to Honor George Miller with Filmmaker Award 68th MPSE Golden Reel Awards to be held as a global, virtual event on April 16th Studio City, California – February 10, 2021 – The Motion Picture Sound Editors (MPSE) will honor Academy Award-winner George Miller with its annual Filmmaker Award. The Australian writer, director and producer is responsible for some of the most successful and beloved films of recent decades including Mad Max, Mad Max 2: Road Warrior, Mad Max Beyond Thunderdome and Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for the smash hit Happy Feet. He also earned Oscar nominations for Babe and Lorenzo’s Oil. Miller will be presented with the MPSE FilmmaKer Award at the 68th MPSE Golden Reel Awards, set for April 16th as an international virtual event. Miller is being honored for a career noteworthy for its incredibly broad scope and consistent excellence. “George Miller redefined the action genre through his Mad Max films, and he has been just as successful in bringing us such wonderfully different films as The Witches of Eastwick, Lorenzo’s Oil, Babe and Happy Feet,” said MPSE President MarK Lanza. “He represents the art of filmmaking at its best. We are proud to present him with MPSE’s highest honor.” Miller called the award “a lovely thing,” adding, “It’s a big pat on the back. I was originally drawn to film through the visual sense, but I learned to recognize sound, emphatically, as integral to the apprehension of the story.
    [Show full text]
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
    [Show full text]
  • Artist Catalogue
    NOBODY, NOWHERE THE LAST MAN (1805) THE END OF THE WORLD (1916) END OF THE WORLD (1931) DELUGE (1933) THINGS TO COME (1936) PEACE ON EARTH (1939) FIVE (1951) WHEN WORLDS COLLIDE (1951) THE WAR OF THE WORLDS (1953) ROBOT MONSTER (1953) DAY THE WORLD ENDED (1955) KISS ME DEADLY (1955) FORBIDDEN PLANET (1956) INVASION OF THE BODY SNATCHERS (1956) WORLD WITHOUT END (1956) THE LOST MISSILE (1958) ON THE BEACH (1959) THE WORLD, THE FLESH AND THE DEVIL (1959) THE GIANT BEHEMOTH (1959) THE TIME MACHINE (1960) BEYOND THE TIME BAR- RIER (1960) LAST WOMAN ON EARTH (1960) BATTLE OF THE WORLDS (1961) THE LAST WAR (1961) THE DAY THE EARTH CAUGHT FIRE (1961) THE DAY OF THE TRIFFIDS (1962) LA JETÉE (1962) PAN- IC IN YEAR ZERO! (1962) THE CREATION OF THE HUMANOIDS (1962) THIS IS NOT A TEST (1962) LA JETÉE (1963) FAIL-SAFE (1964) WHAT IS LIFE? THE TIME TRAVELERS (1964) THE LAST MAN ON EARTH (1964) DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964) THE DAY THE EARTH CAUGHT FIRE (1964) CRACK IN THE WORLD (1965) DALEKS – INVASION EARTH: 2150 A.D. (1966) THE WAR GAME (1965) IN THE YEAR 2889 (1967) LATE AUGUST AT THE HOTEL OZONE (1967) NIGHT OF THE LIVING DEAD (1968) PLANET OF THE APES (1968) THE BED-SITTING ROOM (1969) THE SEED OF MAN (1969) COLOSSUS: THE FORBIN PROJECT (1970) BE- NEATH THE PLANET OF THE APES (1970) NO BLADE OF GRASS (1970) GAS-S-S-S (1970) THE ANDROM- EDA STRAIN (1971) THE OMEGA MAN (1971) GLEN AND RANDA (1971) ESCAPE FROM THE PLANET OF THE APES (1971) SILENT RUNNING (1972) DO WE HAVE FREE WILL? BEWARE! THE BLOB (1972)
    [Show full text]
  • Press Release
    4.1.2016 PRESS RELEASE THE WHITNEY MUSEUM OF AMERICAN ART ANNOUNCE THE WORLD PREMIERE OF FEATURE FILM THE SILENT EYE FEATURING CECIL TAYLOR & MIN TANAKA & DIRECTED BY ACCLAIMED AUSTRALIAN FILMMAKER AND ARTIST AMIEL COURTIN-WILSON. http://whitney.org/Exhibitions/OpenPlanCecilTaylor THE SILENT EYE is the World Premiere of a new feature length performance film by Amiel Courtin-Wilson featuring Min Tanaka and Cecil Taylor. Shot in Cecil Taylor’s home over three days in January 2016, the film is a highly intimate, impressionistic portrait of the unspoken rapport between two masters of their form. Shot by Sundance award winning cinematographer Germain McMicking and featuring sublime slow motion cinematography of Cecil and Min at work together, the film plays out like a timeless, elegant conversation between the two men- at once meditative and highly moving. The Robert D. Bielecki Foundation have just announced their generous support of the completion of the film and Robert had this to say about the project. “Filmmaker Amiel Courtin-Wilson's THE SILENT EYE is a marvel of time expanded and contracted. He captures a journey between old friends filled with prescient reminiscence - a meditation in sound and movement between two masters catching up, rewinding, and spinning forward the way ocean currents undulate when kissed by the wind.” Amiel is also thrilled to be working with the Robert D. Bielecki Foundation. “It is a humbling and deeply inspiring experience to be supported to create such a singular and specific film.” Acclaimed director Amiel Courtin-Wilson's feature films have screened and won awards at Venice Film Festival (HAIL, 2011 RUIN, 2013) Cannes (CICADA, 2009) and Sundance (CHASING BUDDHA, 2000).
    [Show full text]
  • HH Available Entries.Pages
    Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha
    [Show full text]
  • Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2013 Amongst friends: the Australian cult film experience Renee Michelle Middlemost University of Wollongong Recommended Citation Middlemost, Renee Michelle, Amongst friends: the Australian cult film experience, Doctor of Philosophy thesis, School of Social Sciences, Media and Communication, University of Wollongong, 2013. http://ro.uow.edu.au/theses/4063 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Amongst Friends: The Australian Cult Film Experience A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY From UNIVERSITY OF WOLLONGONG By Renee Michelle MIDDLEMOST (B Arts (Honours) School of Social Sciences, Media and Communications Faculty of Law, Humanities and The Arts 2013 1 Certification I, Renee Michelle Middlemost, declare that this thesis, submitted in fulfillment of the requirements for the award of Doctor of Philosophy, in the Department of Social Sciences, Media and Communications, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Renee Middlemost December 2013 2 Table of Contents Title 1 Certification 2 Table of Contents 3 List of Special Names or Abbreviations 6 Abstract 7 Acknowledgements 8 Introduction
    [Show full text]
  • POPULAR DVD TITLES – As of JULY 2014
    POPULAR DVD TITLES – as of JULY 2014 POPULAR TITLES PG-13 A.I. artificial intelligence (2v) (CC) PG-13 Abandon (CC) PG-13 Abduction (CC) PG Abe & Bruno PG Abel’s field (SDH) PG-13 About a boy (CC) R About last night (SDH) R About Schmidt (CC) R About time (SDH) R Abraham Lincoln: Vampire hunter (CC) (SDH) R Absolute deception (SDH) PG-13 Accepted (SDH) PG-13 The accidental husband (CC) PG-13 According to Greta (SDH) NRA Ace in the hole (2v) (SDH) PG Ace of hearts (CC) NRA Across the line PG-13 Across the universe (2v) (CC) R Act of valor (CC) (SDH) NRA Action classics: 50 movie pack DVD collection, Discs 1-4 (4v) NRA Action classics: 50 movie pack DVD collection, Discs 5-8 (4v) NRA Action classics: 50 movie pack DVD collection, Discs 9-12 (4v) PG-13 Adam (CC) PG-13 Adam Sandler’s eight crazy nights (CC) R Adaptation (CC) PG-13 The adjustment bureau (SDH) PG-13 Admission (SDH) PG Admissions (CC) R Adoration (CC) R Adore (CC) R Adrift in Manhattan R Adventureland (SDH) PG The adventures of Greyfriars Bobby NRA Adventures of Huckleberry Finn PG-13 The adventures of Robinson Crusoe PG The adventures of Rocky and Bullwinkle (CC) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) PG The adventures of TinTin (CC) NRA An affair to remember (CC) NRA The African Queen NRA Against the current (SDH) PG-13 After Earth (SDH) NRA After the deluge R After the rain (CC) R After the storm (CC) PG-13 After the sunset (CC) PG-13 Against the ropes (CC) NRA Agatha Christie’s Poirot: The definitive collection (12v) PG The age of innocence (CC) PG Agent
    [Show full text]
  • The Case Study of Apocalypto
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/288187016 Relativism, Revisionism, Aboriginalism, and Emic/Etic Truth: The Case Study of Apocalypto Article · August 2013 DOI: 10.1007/978-1-4614-1065-2-8 CITATIONS READS 2 2,540 1 author: Richard D Hansen University of Utah 33 PUBLICATIONS 650 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Mirador Basin Project, Guatemala View project Mirador Basin Archaeological Project View project All content following this page was uploaded by Richard D Hansen on 30 March 2016. The user has requested enhancement of the downloaded file. Chapter 8 Relativism, Revisionism, Aboriginalism, and Emic/Etic Truth: The Case Study of Apocalypto Richard D. Hansen Abstract Popular fi lm depictions of varied cultures, ranging from the Chinese, Africans, and Native Americans have repeatedly provided a variant perception of the culture. In works of fi ction, this fl aw cannot only provide us with entertainment, but with insights and motives in the ideological, social, or economic agendas of the authors and/or directors as well as those of the critics. Mel Gibson’s Maya epic Apocalypto has provided an interesting case study depicting indigenous warfare, environmental degradation, and ritual violence, characteristics that have been derived from multidisciplinary research, ethnohistoric studies, and other historical and archaeological investigations. The fi lm received extraordinary attention from the public, both as positive feedback and negative criticism from a wide range of observ- ers. Thus, the elements of truth, public perception, relativism, revisionism, and emic/etic perspectives coalesced into a case where truth, fi ction, and the virtues and vices of the authors and director of the fi lm as well as those of critics were exposed.
    [Show full text]
  • Glenn Gould in the Style of Thuggish Lunatics, Smashing Were a Series of Uneven Releases, Long Hia
    TEACHING WITH IN TUNE I C O N GREAT MUSICIANS IN HISTORY BY PETER GERSTENZANG WHO: Rock quartet from London, England WHAT: One of the essential acts of the original 1960s British Invasion; loud, lyrical, and ambitious WHEN: Formed in 1964, still active in 2017, even after losing two key members and matured into one of the towering songwriters of the time. With their 1969 “rock opera” Tommy, the Who showed they could make a conceptually uni- BY PETER GERSTENZANG ed album that brought in elements of classical music ICONOGRAPHY and told a story—a strange ICON GREAT MUSICIANS IN HISTORY BY PETER GERSTENZANG tale about a deaf, dumb, The Who and blind boy who mirac- Singer and ulously regains his senses GREAT MUSICIANS IN HISTORY WHO: OR THE FIRST 10 years of their existence, the Who and becomes a prophet—while never WHO: Classical pianist ICON electric guitar player A gospel and thrillingly stretched the boundaries of rock, becoming sounding pretentious. WHAT: A brilliant, if eccentric, WHAT: The music only improved from there musical interpreter who R&B pioneer who may one of the most important and in uential British bands redefi ned how a classical just be the mother of F with the 1971 masterpiece Who’s Next and HE ARGUMENT rock music musician could play, record, Born Mar. 20, of the ’60s, along with the Beatles and the Rolling Stones. a second rock opera, 1973’sQuadrophenia, act, and look about who was WHEN: which told stories of both the mods and BY PETER GERSTENZANG 1915, Cotton Plant, After a brief stint as the Detours, gui- WHEN: Born Sept.
    [Show full text]