2021 Draft Bengali Hindu Genocide Resolution
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Durga Pujas of Contemporary Kolkata∗
Modern Asian Studies: page 1 of 39 C Cambridge University Press 2017 doi:10.1017/S0026749X16000913 REVIEW ARTICLE Goddess in the City: Durga pujas of contemporary Kolkata∗ MANAS RAY Centre for Studies in Social Sciences, Calcutta, India Email: [email protected] Tapati Guha-Thakurta, In the Name of the Goddess: The Durga Pujas of Contemporary Kolkata (Primus Books, Delhi, 2015). The goddess can be recognized by her step. Virgil, The Aeneid,I,405. Introduction Durga puja, or the worship of goddess Durga, is the single most important festival in Bengal’s rich and diverse religious calendar. It is not just that her temples are strewn all over this part of the world. In fact, goddess Kali, with whom she shares a complementary history, is easily more popular in this regard. But as a one-off festivity, Durga puja outstrips anything that happens in Bengali life in terms of pomp, glamour, and popularity. And with huge diasporic populations spread across the world, she is now also a squarely international phenomenon, with her puja being celebrated wherever there are even a score or so of Hindu Bengali families in one place. This is one Bengali festival that has people participating across religions and languages. In that ∗ Acknowledgements: Apart from the two anonymous reviewers who made meticulous suggestions, I would like to thank the following: Sandhya Devesan Nambiar, Richa Gupta, Piya Srinivasan, Kamalika Mukherjee, Ian Hunter, John Frow, Peter Fitzpatrick, Sumanta Banjerjee, Uday Kumar, Regina Ganter, and Sharmila Ray. Thanks are also due to Friso Maecker, director, and Sharmistha Sarkar, programme officer, of the Goethe Institute/Max Mueller Bhavan, Kolkata, for arranging a conversation on the book between Tapati Guha-Thakurta and myself in September 2015. -
Immigration and Identity Negotiation Within the Bangladeshi Immigrant Community in Toronto, Canada
IMMIGRATION AND IDENTITY NEGOTIATION WITHIN THE BANGLADESHI IMMIGRANT COMMUNITY IN TORONTO, CANADA by RUMEL HALDER A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY Department of Anthropology University of Manitoba Winnipeg, Manitoba Copyright © 2012 by Rumel Halder ii THE UNIVERSITY OF MANITOBA FACULTY OF GRADUATE STUDIES ***** COPYRIGHT PERMISSION IMMIGRATION AND IDENTITY NEGOTIATION WITHIN THE BANGLADESHI IMMIGRANT COMMUNITY IN TORONTO, CANADA by RUMEL HALDER A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY Copyright © 2012 by Rumel Halder Permission has been granted to the Library of the University of Manitoba to lend or sell copies of this thesis to the Library and Archives Canada (LAC) and to LAC’s agent (UMI/PROQUEST) to microfilm this thesis and to lend or sell copies of the film, and University Microfilms Inc. to publish an abstract of this thesis. This reproduction or copy of this thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner. iii Dedicated to my dearest mother and father who showed me dreams and walked with me to face challenges to fulfill them. iv ABSTRACT IMMIGRATION AND IDENTITY NEGOTIATION WITHIN THE BANGLADESHI IMMIGRANT COMMUNITY IN TORONTO, CANADA Bangladeshi Bengali migration to Canada is a response to globalization processes, and a strategy to face the post-independent social, political and economic insecurities in the homeland. -
3Rupture in South Asia
3Rupture in South Asia While the 1950s had seen UNHCR preoccupied with events in Europe and the 1960s with events in Africa following decolonization, the 1970s saw a further expansion of UNHCR’s activities as refugee problems arose in the newly independent states. Although UNHCR had briefly been engaged in assisting Chinese refugees in Hong Kong in the 1950s, it was not until the 1970s that UNHCR became involved in a large-scale relief operation in Asia. In the quarter of a century after the end of the Second World War, virtually all the previously colonized countries of Asia obtained independence. In some states this occurred peacefully,but for others—including Indonesia and to a lesser extent Malaysia and the Philippines—the struggle for independence involved violence. The most dramatic upheaval, however, was on the Indian sub-continent where communal violence resulted in partition and the creation of two separate states—India and Pakistan—in 1947. An estimated 14 million people were displaced at the time, as Muslims in India fled to Pakistan and Hindus in Pakistan fled to India. Similar movements took place on a smaller scale in succeeding years. Inevitably, such a momentous process produced strains and stresses in the newly decolonized states. Many newly independent countries found it difficult to maintain democratic political systems, given the economic problems which they faced, political challenges from the left and the right, and the overarching pressures of the Cold War. In several countries in Asia, the army seized political power in a wave of coups which began a decade or so after independence. -
CONSTRUCTION of BENGALI MUSLIM IDENTITY in COLONIAL BENGAL, C
CONSTRUCTION OF BENGALI MUSLIM IDENTITY IN COLONIAL BENGAL, c. 1870-1920. Zaheer Abbas A thesis submitted to the faculty of University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History. Chapel Hill 2010 Approved by: Yasmin Saikia Daniel Botsman Charles Kurzman ABSTRACT Zaheer Abbas: Construction of Bengali Muslim Identity in Colonial Bengal, c. 1870-1920 (Under the direction of Yasmin Saikia) This thesis explores the various discourses on the formation of Bengali Muslim identity in colonial Bengal until 1920s before it becomes hardened and used in various politically mobilizable forms. For the purpose of this thesis, I engage multiple articulations of the Bengali Muslim identity to show the fluctuating representations of what and who qualifies as Bengali Muslim in the period from 1870 to 1920. I critically engage with new knowledge production that the colonial census undertook, the different forms of non-fictional Bengali literature produced by the vibrant vernacular print industry, and the views of the English-educated Urdu speaking elites of Bengal from which can be read the ensemble of forces acting upon the formation of a Bengali Muslim identity. I argue that while print played an important role in developing an incipient awareness among Bengali Muslims, the developments and processes of identity formulations varied in different sites thereby producing new nuances on Bengali Muslim identity. ii TABLE OF CONTENTS Chapter INTRODUCTION……………………………………………………………..1 Debate on Bengali Muslim identity…………………………………..............3 I. CENSUS AND IDENTITY FORMATION: TRANSFROMING THE NATURE OF BEGALI MUSLIMS IN COLONIAL BENGAL…………16 Bengali Muslim society during Muslim rule………………………………18 Essentializing community identity through religion………………………23 II. -
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Orality, Inscription, and the Creation of a New Lore Orality, Inscription …[The] peculiar temporality of folk- and the Creation of a New Lore lore as a disciplinary subject, whether coded in the terminology of survival, archaism, antiquity, and tradition, or Roma Chatterji in the definition of folkloristics as a University of Delhi historical science, has contributed to India the discipline's inability to imagine a truly contemporary, as opposed to a contemporaneous, subject… Folklore is by many (though not all) definitions out of step with the time and the con- Abstract text in which it is found. This essay examines the process by which Barbara Kirshenblatt-Gimblett, the discourse of folklore is used to "Folklore's Crisis" 1998, 283 entextualize and recontextualize the oral tra- dition in West Bengal through a discussion of two contemporary Bangla novels. Motifs from folk tales, myths, and popular epic po- n an essay that critically reviews ems are being re-appropriated by urban cul- folklore's disciplinary position vis-à- tural forms– both popular as well as elite – Ivis history and culture, Kirshenblatt- to articulate new identities and subject posi- Gimblett (1998) says that temporal dis- tions. I selected these novels by considering location between the site of origin and the mode in which orality is inscribed and the present location of particular cultural the time period. One of the novels attempts forms signals the presence of folklore. to re-constitute oral lore from a popular epic Kirshenblatt-Gimblett thus conceptual- composed in the medieval period, and the izes culture as heterogeneous, layered other re-inscribes an origin myth that is part and composed of multiple strands that of folk ritual into a new genre via the media- are interconnected in rather haphazard tion of folklore discourse that is responsible and contingent ways. -
1 the ONLINE DURGA Kerstin Andersson, Dept of Social
The online Durga, Kerstin Andersson 070605, [email protected] THE ONLINE DURGA Kerstin Andersson, Dept of Social Anthropology, University of Gothenburg, Sweden Abstract The paper focuses on the role of the new ICT technologies in the creation, formation and maintenance of a Diaspora identity among the Kolkata intellectuals. Among the Kolkata intellectuals migration has been a common feature since the end of the 19th century. In contemporary Kolkata, almost every family in this category has one or several relatives living in the Diaspora. Satellite TV and the ICT technologies that entered the arena during the last decades have got an increasing importance among those groups. The new technologies affect the flow of ideas and gives way to new global forms of interaction. Access to new forms of communication alters identities and social forms, the relationship to the home country changes. The flow of religious and cultural expressions increases. Kolkata Websites have become the major channel for news, information and contact. Virtual communities and networks have appeared. Religious and symbolic forms of expression alter and are re- configured. For example the Durga puja ritual has become a major icon for Diaspora unity and identity among the Kolkata intellectuals. Pictures from all the puja sites in Kolkata are displayed and anjali offerings to the goddess are performed online. The paper is based on fieldwork made in Kolkata in 2000-2001. Introduction This paper will explore the role of the new ICT technologies in the creation, formation and maintenance of a Diaspora identity among Kolkata intellectuals.i In the 90ies the new information and communication technologies exploded. -
LIBERATION WAR MUSEUM BATALI HILL, CHITTAGONG By
LIBERATION WAR MUSEUM BATALI HILL, CHITTAGONG By Rayeed Mohammad Yusuff 11108022 Seminar II ARC 512 Submitted in partial fulfilment for the requirements for the degree of Bachelor of Architecture Department of Architecture BRAC University Fall 2015 LIBERATION WAR MUSEUM | 2 ABSTRACT The year of 1971 is the most significant year in the lives of the Bangladeshis. Our liberation war of 1971 is an event which marks the existence of Bangladesh. It was a war fought by the people and these valiant men and women helped us gain this country. However, in the process of gaining independence, several lives were lost, many girls and women raped and numerous people had to be displaced. The heinous Pakistanis did not hesitate once to kill the innocent people of Bangladesh. It has been almost 44 years since this war was fought and unfortunately, many people are slowly forgetting the importance of this war and the real story behind it. I believe that the people who had been present during the war and have actively participated in it are the ones who can give us the most accurate information about our Liberation War. During this long span of time, we are slowly losing most of them and we urgently need to preserve their experiences and information for the future generation. Chittagong, being a historic site during the Liberation War of 1971, does not have a Liberation War Museum of a large magnitude compared to Dhaka. Chittagong not only contributed during the Liberation War but also played a major role before it. Hence, an attempt was made to design a Liberation War Museum in Batali Hill, Chittagong. -
Religious Experiments in Colonial Calcutta
FERDINANDO SARDELLA Religious experiments in colonial Calcutta Modern Hinduism and bhakti among the Indian middle class alcutta, 1874: it was one hundred and nine years since the British East India CCompany had taken possession of Bengal, sixteen years since the British Raj officially took over its rule and seventy-three years before Indian inde- pendence.1 A vast and ancient civilisation lived under the rule of the inhabit- ants of a small North Atlantic island, who had managed to project their cul- ture, their religion—and their economic interests—into almost every corner of the globe. It was a time when India was the jewel in the crown of the British Raj and Calcutta had been transformed into a Eurasian metropolis second only to London itself. 1874 was also the year when Bhaktisiddhānta Sarasvatī, a Vaishnava of the devotional (bhakti) school of Chaitanya (1486–1534), was born; he died sixty-three years later in 1937. The span of his lifetime was en- trenched in circumstances and events that occurred in and around the city of Calcutta and came to shape the foundation of what is generally known as ‘modern Hinduism’ (the term ‘Hinduism’ will be discussed more in detail at the end of the chapter). For this reason, these years will serve as a suitable focus for this chapter.2 The year 1874 came round at a time of transition in India, when events that began more than a century earlier had started to produce novel patterns of change. In 1757 the Battle of Plassey had paved the way for total domin- ation, as Britain won over French influences in the East. -
History Research Journal ISSN:0976-5425 VOL-5-ISSUE-5-SEPTEMBER-OCTOBER-2019
History Research Journal ISSN:0976-5425 VOL-5-ISSUE-5-SEPTEMBER-OCTOBER-2019 Bengali Culture: Intermingled With Alpana, Kantha and Pata Art Traditions Dr. S. K Sarkar, Associate Professor Department of Fine Art, Lovely Professional University, Phagwara, Punjab 144411 e-mail: [email protected], Mobile: +919915564879 Abstract: The artist and artisans of Bengal are very much alert about the progressions are taking place in their daily life. Time reveals the truth, the way they are adjusting with these age-old artistic traditions, which is entertaining, inspiring and educating to the mass. Above art and cultural practices still exist with its persistence in Bengali culture, its journey started around two to three thousand years ago. Time immemorial, artists‟ communities have taken inspiration from history as well, these tangible art forms like Alpana diagram, Kantha embroidery and Patachitra are the assets of Bengal. Gradually its positive impact reflected in other art practices. All those three art forms have given purity to Bengali tradition and culture. Alpana motifs are incorporated in patuas scroll borders, while patachitra artist started his journey in the villages, patua used to carry his bagful scroll for display. The Patua’s scroll bag is decorated with good design motifs made off with Kantha art stitches. These arts of treasure exist in every rural household; where Bengali housewives irrespective of their caste, class, creed or socioeconomic groups are proficiently indulge in their artistic practice. The Bengal embroidery art not only exploring various stitches, but also expresses their creative sensibilities, resourceful and patient craftsmanship. With an inherent union of hereditary skill of the past now contemplating in contemporary trends of design plans. -
Refugee?: Bengal Partition in Literature and Cinema
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-24-2015 12:00 AM "More or Less" Refugee?: Bengal Partition in Literature and Cinema Sarbani Banerjee The University of Western Ontario Supervisor Prof. Nandi Bhatia The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Sarbani Banerjee 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons, Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, South and Southeast Asian Languages and Societies Commons, and the Women's Studies Commons Recommended Citation Banerjee, Sarbani, ""More or Less" Refugee?: Bengal Partition in Literature and Cinema" (2015). Electronic Thesis and Dissertation Repository. 3125. https://ir.lib.uwo.ca/etd/3125 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. i “MORE OR LESS” REFUGEE? : BENGAL PARTITION IN LITERATURE AND CINEMA (Thesis format: Monograph) by Sarbani Banerjee Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarbani Banerjee 2015 ii ABSTRACT In this thesis, I problematize the dominance of East Bengali bhadralok immigrant’s memory in the context of literary-cultural discourses on the Partition of Bengal (1947). -
Season of Festivities Balanced Vs Unbalanced Growth
THE ECONOMIC WEEKLY October 29, 1955 From the Calcutta End Season of Festivities AUTUMN is the brief interlude be who are allergic to noise. There are Durga Puja is now celebrated on a tween the monsoon and the win others who dislike community gather Sarvajanin (community worship cen ter. Bengal is at its best in autumn. ings. Calcutta is now both noisy and tre) basis. Almost every second It is a season of festivities. It starts crowded. So, those who can afford street in Calcutta has such a Sarva with Mahalaya. Navaratri (the Fes go out of Calcutta now. They are janin Puja pandai where Durga Puja tival of Nine Nights) is the centre the people who are within the upper is celebrated. Everybody contribute piece. This is what Bengalis celebrate middle-in come brackets. But there what he can. These donations are as Durga Puja. On the tenth clay of are many more who now come to pooled to finance Durga Puja cele the moon, Dashmi, the immersion Calcutta, They come to Calcutta to brations. This is the economics of ceremony takes place. In Bengal, meet their relatives and friends, Ben Sarvajanin Durga Puja. this is known as Vijaya Dashami. galis are home-loving people. And Bengalis are poor people. Parti In other parts of India, this is cele this is the season when Bengalis out- tion has a^ravated their troubles. side Bengal take casual or privilege brated as Dussera. On the full moon Acute unemployment is pauperising leave to come home. day, Bengalis celebrate Dakshmi them. There are some who frown Puja. -
Social and Political Movements of North Bengal (1911-1969)
SOCIAL AND POLITICAL MOVEMENTS OF NORTH BENGAL (1911-1969) A Thesis submitted to University of North Bengal for the Degree of Doctor of Philosophy (Ph.D) in History Submitted by Manashi Sengupta Under the supervision of Prof. Ratna Roy Sanyal DEPARTMENT OF HISTORY UNIVERSITY OF NORTH BENGAL 2016 1 DECLARATION I hereby declared that the Dissertation entitled “Social and Political Movements of North Bengal (1911-1969)” is really an original work and it has been set down under the kind supervision of Prof. Ratna Roy Sanyal, Department of History, University of North Bengal. To the best of my knowledge it has not been submitted to any other University or institution for a Ph.D degree or any other Award. ( Manashi Sengupta) 2 3 Preface Ever since my childhood, I had been cherishing in my mind a desire to know the history of Socio – Political movements in details. And the present work – ‘Social and Political Movements of North Bengal 1911-1969’ had offered me a bright scope to satisfy, to some extent the very desire of my mind. The social movements which emerged during this period created serious identity problem of different ethnic groups of this region. The movements though started as a social one but ended as a political one. So the social problems were inextricably connected with the political problem. As a result the social and political movements influenced each other and finally led to the complexities of life of the area. I had mentally decided to work on this interesting topic and when I intimated this to my teachers Dr.