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@Ibet,@Binu^ Un! Lupun
@be @olbeddeg of jUnlis, @ibet,@binu^ un! luPun by Lawrcnce Durdin-hobertron Cesata Publications, Eire Copyrighted Material. All Rights Reserved. The cover design. by Anna Durdin-Robertson. is a mandala oi a Chinese rlraqon goddess. Lawrence Durdln Rot,erlson. li_6 r2.00 Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan by Lawrence Durdin-Robertron, M.A. (Dublin) with illustrations by Arna Durdin-Robertson Cesara Publications Huntington Castle, Clonegal, Enniscorthy. Eire. Printed by The Nationalist, Carlow. Eire. Anno Deae Cesara. Hiberniae Dominae. MMMMCCCXXIV Copyrighted Material. All Rights Reserved. Thir serle. of books is written in bonour of The lrish Great Mother, Cessrs aod The Four Guardian Goddesses of lreland, Dsna, Banba' Fodhla and Eire. It is dedicated to my wife, Pantela. Copyrighted Material. All Rights Reserved. CONTENTS I. The Goddesses of India'...'...'........"..'..........'....'..... I II. The Goddesses of Tlbet ............. ................."..,',,., 222 lll. Thc Goddesses of China ...............'..'..'........'...'..' 270 lV. The Goddesscs of Japan .........'.............'....'....'.. " 36 I List of abbreviations ....'........'...."..'...467 Bibfiogr.phy and Acknowledgments....'........'....'...,,,,.,'.,, 469 Index ................ .,...,.........,........,,. 473 Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. SECTION ONE The Goddesses of India and Tibet NAMES: THE AMMAS, THE MOTHERS. ETYMoLoGY: [The etymology of the Sanskrit names is based mainly on Macdonell's Sanskrit Dictionary. The accents denot- ing the letters a, i and 0 are used in the Egrmology sections; elsewhere they are used only when they are necessary for identification.] Indian, amma, mother: cf. Skr. amba, mother: Phrygian Amma, N. -
(Edited) 1933« Architecture of Manasara
623 BIBLlOGRAPHy Acharya, p* 1969* studJLss in Orissan History^ Archaeology and Archives Cuttack* Acharya> P»K» (edited) 1933« Architecture of Manasara. Oxford university Press* j Achaj:ya« P»K» 1963 Indian Architecture according to Kianasara Silpa Sastra# Oxford* Acharya R*S* 1972 Gi^yasutra - Sanghra* (£d* Gotam C) Bareilly sanskriti Sansthan* Agrawala^ P*K* 1967 skanda-Karttikeya - A Study in the Origin and Development Varanasi* Agrawala, P*K* 1978 Goddess Vinayaki - Xhe Female Gane§a* Varanasi* « Aiyangar# S*K* 1923 Some Contributions of South India to Indian Culture Calcutta* University of Calcutta* I Allchin* Band R. 1983* Tne Rise of CiviliZation In India and Pakistan* New Delhi* ^ielect Book Service Syndicate* Altekar# A.S* 1967 Raahtrakutas and their Tiroes* Poona 624 Bagchif P*C» 1929 (Tr.) Pre-Aiyan and Prs^Dravidian in India Calcutta. Bandyopadhyaya# 1945 Economic I4.fe and Progress in Ancient India (second i^dition) Vol. 1 , P a r t«l. University o£ Calcutta. Banerji# J.N. 1966 Religion in Art and Archaeology# $ Vaishnavisni and Saivism Lucknow. Banerji# J.N. 1974 Development of Hindu Iconography (Third Edition}# New l^lhi. Munahiraro Kanoharlal Publishers Pvt Ltd. Banerji# R.O. 1930 History of Orissa (from the earliest time to British period)• Vol.I Calcutta i R Chatterjee. Barker# p. 1979. Techniques of Archaeological Excavation# London t B.T. Batsford Ltd. ' Barrett# O. 1960 Mukhalingam Tenqples. Oevasthanam Tirupathi Pvt Ltd. Barua# B.H. 1929 Old Brahrai Inscriptions. Calcutta. Barua# O.K. 1969 Viharas In Ancient India. A Survey of Buddhist Monasteries. Calcutta t Indian l\iblications. 625 aasham« A«L* (edited) 1975 A Cultural History of India. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
MAN in NATURE Nature As Feminine
MAN IN NATURE Nature as Feminine Ancient Vision of Geopiety and Goddess Ecology Madhu Khanna The Feminine conceptualization of nature occupies very significant place in Indian religious history. The image of the earth as a goddess, known variously as Prthivi, Dharatimata, Jagadddhatri is ancient and all- pervasive. Almost all the geographical features of the natural environment are personified as goddesses. Mountains, caves, rocks, forests, trees, plants, healing herbs, rivers, streams, lakes were conceived of as potent symbols of feminine power, inherent in nature. From the Vedas down to the Puranas nature personifications are mediated through the symbol of the divine feminine. In the Rg Veda, for example, the crimson streak of day-break is portrayed as Usas, the Mistress of Dawn whose brilliant effulgence spreads out piercing the formless black abyss (RV, 10.127). Night and day are the two celestial sisters that bring rest and awakening to the world. In their lap, gods recline and enact their roles. The much celebrated mother of the gods, Aditi who claims as many as sixty hymns in the Vedas is the infinite and the womb of the cosmos. Goddesses such as, Kuhu, Sinivali, Anumati and Raka are lunar divinities symbolizing the waxing and waning of the lunar-cycle. The rivers Ganga, Yamuna and Sarasvati mentioned in the Vedas are goddesses who preside over the facundating waters of life. The hymn dedicated to Aranyani (RV, 10.146) or the forest goddesses (Vanadevis) celebrated the spirit of the forest and groves. They are joined by an innumerable number of goddesses who preside over village territories and specific sacred centres (Ksetradevis). -
History of North East India (1228 to 1947)
HISTORY OF NORTH EAST INDIA (1228 TO 1947) BA [History] First Year RAJIV GANDHI UNIVERSITY Arunachal Pradesh, INDIA - 791 112 BOARD OF STUDIES 1. Dr. A R Parhi, Head Chairman Department of English Rajiv Gandhi University 2. ************* Member 3. **************** Member 4. Dr. Ashan Riddi, Director, IDE Member Secretary Copyright © Reserved, 2016 All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Publisher. “Information contained in this book has been published by Vikas Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, IDE—Rajiv Gandhi University, the publishers and its Authors shall be in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use” Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT LTD E-28, Sector-8, Noida - 201301 (UP) Phone: 0120-4078900 Fax: 0120-4078999 Regd. Office: 7361, Ravindra Mansion, Ram Nagar, New Delhi – 110 055 Website: www.vikaspublishing.com Email: [email protected] About the University Rajiv Gandhi University (formerly Arunachal University) is a premier institution for higher education in the state of Arunachal Pradesh and has completed twenty-five years of its existence. -
“Nectar in a Sieve” Notes
Nectar in a Sieve Intro: By Indira Ganesan (bio.) “Anglo-Indian fiction” -Shocked by sexualized Indian woman in book (Kunthi) (thought of them as history or a male artist’s perspective.) “Passages of sorrow and measured hope” Believes Markandaya “explored important territory in Anglo-Indian fiction in 1954.” o The landscape of a woman’s body. o The roles of daughters and wives undermined by poverty and threat of starvation. o “Women who want and often don’t receive.” o Rukmani represents all women who suffer and endure; “the burden of rural life, but also the burden of being a woman.” o The issues of daily life become “riveting” to the reader; temporary happiness and the progression of loss—how Ruku deals with this loss (comparison of loss: “We work on bits that we can control. It is what women in Iowa and women in India have done in times of calamity . ) o Ruku’s endurance in an inconstant world o Arranged marriages, but Ruku’s is not a “victimizing marriage”: . Ruku satisfied with Nathan. Nathan “transcends the image of a severe husband” . Ruku’s and Nathan’s marriage is not one of Western stereotypes; Ruku is literate and Nathan encourages this knowledge Kenny vs. Rukmani: o Kenny wants to ask for help while Rukmani believes that they should help themselves. o Kenny takes a Western view and believes all things can change while Rukmani is unsure of change. Conflicts: o Nature (monsoon, drought, famine) o Tannery (intrusion of industry/takes son) o The burden of rural life o The burden of being a woman o Read pg. -
Hinduism's Treatment of Untouchables
Introduction India is one of the world's great civilizations. An ancient land, vast and complex, with a full and diverse cultural heritage that has enriched the world. Extending back to the time of the world's earliest civilizations in an unbroken tradition, Indian history has seen the mingling of numerous peoples, the founding of great religions and the flourishing of science and philosophy under the patronage of grand empires. With a great reluctance to abandon traditions, India has grown a culture that is vast and rich, with an enormous body of history, legend, theology, and philosophy. With such breadth, India offers a multitude of adventuring options. Many settings are available such as the high fantasy Hindu epics or the refined British Empire in India. In these settings India allows many genres. Espionage is an example, chasing stolen nuclear material in modern India or foiling Russian imperialism in the 19th century. War is an option; one could play a soldier in the army of Alexander the Great or a proud Rajput knight willing to die before surrender. Or horror in a dangerous and alien land with ancient multi-armed gods and bloodthirsty Tantric sorcerers. Also, many styles are available, from high intrigue in the court of the Mogul Emperors to earnest quests for spiritual purity to the silliness of Mumbai "masala" movies. GURPS India presents India in all its glory. It covers the whole of Indian history, with particular emphasis on the Gupta Empire, the Moghul Empire, and the British Empire. It also details Indian mythology and the Hindu epics allowing for authentic Indian fantasy to be played. -
Sandhyopaasan:The Hindu Ritual As a Foundation of Vedic Education
53| Rajendra Raj Timilsina Sandhyopaasan:The Hindu Ritual as a Foundation of Vedic Education Rajendra Raj Timilsina Abstract Yoga, meditation and Hasta Mudra Chikitsa (medication through the exercise or gesture of hands) known as spiritual activities in the past have been emerged as bases to maintain one’s health, peace and tranquility. Some people follow yoga, some focus on meditation and others apply “Hasta Chikitsa” or “Mudra”. They are separate traditional exercises. They require to spend 10 to 30 minutes once or twice a day for their optional exercise/s. It is proved that such practice has productive effect in different health treatments. This paper has applied the methods of observation, interview and literature review as qualitative paradigm in exploring their original roots of Vedic Sandhyopaasan. Twice born castes (Brahman, Chhetri and Baishya) of Nepali Hindu society has been found practicing all components of the exercises as a unified ritual of Sandhyopaasan. Upanayan (Bratabandha) ritual teaches Sandhyopaasan procedures for self control and self healing of the performers. Brahman is not eligible as Brahman without doing the ritual daily. However, this study has found that some Dalits have also been practicing Sandhyopaasan daily and feeling relaxed. Findings of this study show that Sandhyopaasan is a compact package of yoga, meditations and Hasta Chikitsa. Students and gurus of Vedas have been regularly following the compact package for inner peace and self control. Root of yoga, meditation and “Mudra” is Sandhyopaasan and this is the base of Hindu education system. The paper analyzes the ritual through Hindu educational perspective. Keywords: Sandhyopaasan, ritual, peace of mind, health, Nepali Hinduism 54| Rajendra Raj Timilsina 1. -
7 Secrets from Hindu Calender
7 SECRETS FROM HINDU CALENDAR ART Devdutt Pattanaik is a medical doctor by education, a leadership consultant by profession, and a mythologist by passion. He writes and lectures extensively on the relevance of stories, symbols and rituals in modern life. He has written over fifteen books, which include 7 Secrets of Hindu Calendar Art (Westland), Myth=Mithya: A Handbook of Hindu Mythology (Penguin), Book of Ram (Penguin), Jaya: An Illustrated Retelling of the Mahabharata (Penguin). To know more visit devdutt.com 7 SECRETS FROM HINDU CALENDAR ART DEVDUTT PATTANAIK westland ltd 61, II Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 93, I Floor, Shamlal Road, Daryaganj, New Delhi 110002 First e-pub edition: 2009 First published by westland ltd 2009 Copyright © Devdutt Pattanaik 2009 All rights reserved 978-93-86224-02-6 Typeset and designed by Special Effects, Mumbai This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, circulated, and no reproduction in any form, in whole or in part (except for brief quotations in critical articles or reviews) may be made without written permission of the publishers. I humbly and most respectfully dedicate this book to those hundreds of artists and artisans who made sacred art so easily accessible to the common man CONTENTS Author’s Note 1. Ganesha’s Secret 2. Narayan’s Secret 3. Ardhanari’s Secret 4. Shiva’s Secret 5. Devi’s Secret 6. Vishnu’s Secret 7. Brahma’s Secret Acknowledgements AUTHOR’S NOTE he images in the book have been picked up from the street, from vendors T who sit outside temples and sell their wares to pilgrims. -
The Leadership Sutra: an Indian Approach to Power
Also by Devdutt Pattanaik My Gita The Success Sutra: An Indian Approach to Wealth Business Sutra: A Very Indian Approach to Management Seven Secrets of the Goddess Pashu: Animal Tales from Hindu Mythology Shikhandi: And Other Tales They Don’t Tell You Sita: An Illustrated Retelling of the Ramayana Seven Secrets of Shiva Seven Secrets of Vishnu 99 Thoughts on Ganesha Jaya: An Illustrated Retelling of the Mahabharata Seven Secrets of Hindu Calendar Art The Pregnant King: A Novel Shiva to Shankara: Decoding the Phallic Symbol Myth=Mithya: A Handbook of Hindu Mythology ALEPH BOOK COMPANY An independent publishing firm promoted by Rupa Publications India First published in India in 2016 by Aleph Book Company 7/16 Ansari Road, Daryaganj New Delhi 110 002 Copyright © Devdutt Pattanaik 2016 All rights reserved. The views and opinions expressed in this book are the author’s own and the facts are as reported by him/her which have been verified to the extent possible, and the publishers are not in any way liable for the same. While every effort has been made to trace copyright holders and obtain permission, this has not been possible in all cases; any omissions brought to our attention will be remedied in future editions. No part of this publication may be reproduced, transmitted, or stored in a retrieval system, in any form or by any means, without permission in writing from Aleph Book Company. eISBN: 978-93-84067-71-7 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. -
Ganesh Chaturthi
Weblog: http://phanikiran2informative.wordpress.com/ Ganesh Chaturthi Haritalika (Vrat) Teej ill-effects of Chandra darshan on Ganesh Chaturth Weblog: http://phanikiran2informative.wordpress.com/ This year Ganesh Chaturthi (Vinayak Chaturthi) falls on the Thursday, 1 September 2011 . It is extremely harmful to look at the Moon on Ganesh-Chaturthi. Therefore be very careful not to look at the moon on that night. If one happens to look at the Moon on the night of Ganesh-Chaturthi, then no matter how innocent one is, one will definitely be defamed. Even Lord Krishna was accused of having stolen the ‘Syamantak Mani’ because of looking at the Moon on this night. However, if you look at the Moon on the 3rd and 5th nights of that lunar month, the harmful effects caused by seeing the Moon on the 4th lunar night is countered. In any case, if by mistake you do happen to look at the Moon on this night, read or listen to the episode narrating the theft of the Syamantak Mani as described in the 56th and 57th chapters of the tenth Skanda of the Srimad Bhagawata . Ill Effects of Chandra Darshan & it’s Remedies Sri Ganesha (Vinayak) Chaturthi On the 4th day of the bright half of Bhadrapad (August-September), the great festival of Ganesh or Ganpati is celebrated. This festival marked the birthday of Lord Ganesh. Ganpati is one of the most popular deities. Both Shaivites and Vaishnavites worship him. Even Buddhists and Jains have respect for Ganpati. He is considered to be an avatar of both Shiva and Vishnu. -
2021 Drik Panchang Gujarati Calendar
Created via PDFShift 2021 Drik Panchang Gujarati Calendar Gujarati Calendar for Johannesburg, Gauteng, South Africa Location: Johannesburg, South Africa Date of Creation: February 28, 2021, Sunday Latitude: 26° 12′ 08″ S Version: v1.0.1 Longitude: 28° 02′ 37″ E Elevation: 1767 m Olson Timezone: Africa/Johannesburg Timezone: 2 Registered Office: Branch Office: 010, United Daffodils, BMA College Road 187-D, Radha Nagar Doddanekundi, Marathahalli Outer Ring Road Krishna Nagar Post Office Bengaluru - 560037 Mathura - 281004 Page 1 of 25 January 2021 Magshar - Posh 2077 Treej Vad Pancham Vad Baras Vad Pancham Sud Agiyaras Sud Created via PDFShift SUN 31 18 3 20 10 27 17 5 24 11 રિવ 05:42 19:00 05:20 19:04 05:26 19:05 05:31 19:05 05:37 19:03 Lambodara Sankashta Chaturth Pausha Putrada Ekadashi Simha 27:29+ Simha Vrishchika Kumbha 21:46 Vrishabha P Phalguni 21:48 Magha 16:27 Anuradha 07:20 P Bhadrapada 28:13+ Rohini 20:31 Chaudas Sud Chhath Vad Teras Vad Pancham Sud Baras Sud MON 28 14 4 21 11 28 18 5 25 12 સોમ 05:16 19:03 05:21 19:05 05:26 19:05 05:32 19:05 05:37 19:03 Vrishabha 25:10+ Simha 21:35 Vrishchika 05:40 Meena Vrishabha 09:33 Rohini 12:10 P Phalguni 15:47 Jyeshtha 05:40 U Bhadrapada Mrigashirsha 22:26 Punam Sud Satam Vad Chaudas Vad Chhath Sud Teras Sud TUE 29 15 5 22 12 29 19 6 26 13 ં મગળ 05:17 19:03 05:22 19:05 05:27 19:05 05:33 19:04 05:38 19:02 Anvadhan Dattatreya Jayanti Anvadhan Mithuna Kanya Dhanu Meena Mithuna Mrigashirsha 14:03 U Phalguni 14:51 P Ashadha 26:52+ U Bhadrapada 06:25 Ardra 23:42 Punam Sud Atham Vad Amas Vad